2023-11-13T10:01:26-06:00 2022-12-31 420714325 RSM US LLP 30 SOUTH 17TH STREET SUITE 710 PHILADELPHIA PA 19103 990 2022-01-01 236000149 THE BARNES FOUNDATION BARN 2152787000 2025 BENJAMIN FRANKLIN PARKWAY PHILADELPHIA PA 19130 MARYANNE MURPHY CHIEF FINANCIAL OFFICER 2152787000 2023-11-09 1 MARYANNE MURPHY 999009999 0 MICHELLE O'NEILL P01372721 2157654600 2023-11-08 3 AAL1 IAL1 2022 2023-04-26 12:10:37Z THOMAS COLLINS 2025 BENJAMIN FRANKLIN PARKWAY PHILADELPHIA PA 19130 63149240 0 X WWW.BARNESFOUNDATION.ORG X EDUCATIONAL INSTITUTION 1922 PA TO BE A LEADING FORUM FOR THE EXPLORATION OF THE ARTS, IDEAS, AND HISTORIES REPRESENTED IN ITS CORE COLLECTIONS. THE BARNES MANIFESTS THIS COMMITMENT BY TEACHING VISUAL LITERACY THROUGH THE BARNES-DE-MAZIA METHOD; SUPPORTING ADVANCED SCHOLARSHIP ON ITS COLLECTIONS AND RELATED SUBJECTS; SHARING COMPELLING INTERPRETIVE STRATEGIES; AND OFFERING INCLUSIVE CULTURAL AND EDUCATIONAL EXPERIENCES ON-SITE, ONLINE, AND IN THE COMMUNITIES IT SERVES. CENTRAL TO THE BARNES FOUNDATION'S MISSION IS THE ENCOURAGEMENT OF EVER-DEEPER UNDERSTANDING AND ENJOYMENT OF ITS COLLECTIONS BY DIVERSE LOCAL, NATIONAL, AND INTERNATIONAL AUDIENCES. 15 15 305 104 1566596 0 18490484 24907805 4576014 6091656 11199349 4523464 521824 567178 34787671 36090103 0 0 0 0 12409907 14709229 302629 344678 3446016 12895065 16033176 25607601 31087083 9180070 5003020 242934305 225939673 4203017 2415253 238731288 223524420 X TO PROMOTE THE ADVANCEMENT OF EDUCATION AND THE APPRECIATION OF THE FINE ARTS AND HORTICULTURE. TO MAINTAIN AN ART GALLERY CONTAINING WORKS OF ANCIENT AND MODERN ART. 0 0 9400347 43122 THE FOUNDATION ENGAGES IN AN ACTIVE PROGRAM OF COLLECTION CARE AND CONSERVATION. THE BARNES ART COLLECTION COMPRISES OVER 8,000 WORKS OF FINE AND DECORATIVE ARTS, INCLUDING PAINTINGS, FRAMES, WORKS ON PAPER, FURNITURE, AND DECORATIVE METALWORK. THE FOUNDATION'S PHILADELPHIA FACILITY INCLUDES A STATE-OF-THE-ART PAINTING CONSERVATION LAB. THANKS TO A GENEROUS SECOND CENTURY CAMPAIGN GIFT FROM THE PEW CHARITABLE TRUSTS, THE BARNES HAS CONTINUED ITS FIVE-YEAR PROGRAM OF TECHNICAL ANALYSIS AND RELATED COLLECTION RESEARCH ON WORKS BY PAUL CEZANNE, AMEDEO MODIGLIANI, HENRI ROUSSEAU, AND PABLO PICASSO, AND COLLECTION OBJECTS FROM EGYPT, GREECE, ITALY, AND THE NEAR EAST. THE MULTIYEAR INTERNATIONAL RESEARCH PROJECT ON THE ARTISTIC PRACTICE OF AMEDEO MODIGLIANI CONTINUED THROUGH 2022, CULMINATING IN THE EXHIBITION MODIGLIANI UP CLOSE AND THE ACCOMPANYING CATALOGUE. FINDINGS OF THIS GROUNDBREAKING ANALYSIS AND RESEARCH INFORMED THE FOCUS OF THE EXHIBITION, FURTHERING OUR UNDERSTANDING OF MODIGLIANI'S APPROACH TO HIS ART, ENHANCING OUR KNOWLEDGE OF THE CHRONOLOGY OF HIS WORKS, AND HELPING TO ESTABLISH THE LOCATIONS AND CIRCUMSTANCES OF WHERE HE PAINTED. MODERN TECHNIQUES ALLOWED FOR THE COMPARISON OF CANVAS SIZES AND THREAD COUNTS, STRETCHERS AND STRAINERS, AND GROUNDS AND PIGMENTS OF THE BARNES COLLECTION PAINTINGS WITHIN THE CONTEXT OF THE LARGER GROUP OF WORKS STUDIED, SHEDDING NEW LIGHT ON WELL-KNOWN WORKS. TECHNICAL EXAMINATION AND ANALYSIS INCLUDED ULTRAVIOLET-VISIBLE FLUORESCENCE PHOTOGRAPHY, INFRARED REFLECTOGRAPHY, AND X-RADIOGRAPHY. THE TREATMENT OF MODIGLIANI'S PINK NUDE-CARYATID (BF292) REVEALED A SECOND CARYATID ON THE VERSO (REVERSE), ALSO WATERCOLOR, GOUACHE, CRAYON, AND INK. THE TREATMENT WAS COMPLETED IN TIME FOR INCLUSION OF THE IMAGE IN THE CATALOGUE, MARKING THE FIRST DOCUMENTATION OF THIS SIGNIFICANT DISCOVERY.PROGRESS ALSO CONTINUED ON A COMPREHENSIVE TECHNICAL STUDY OF THE 18 PAINTINGS BY HENRI ROUSSEAU IN THE BARNES COLLECTION, A STUDY THAT COMMENCED IN 2020 AS PART OF THE MULTIYEAR RESEARCH PROJECT FUNDED BY THE PEW CHARITABLE TRUSTS. TECHNICAL IMAGING WAS COMPLETED FOR ALL THE WORKS AND INCLUDED NORMAL LIGHT IMAGES OF THE RECTO (FRONT) AND VERSO (REVERSE), RAKING LIGHT, DIGITAL REFLECTED INFRARED, ULTRAVIOLET-VISIBLE FLUORESCENCE, PHOTOMACROGRAPHS, AND X-RADIOGRAPHY. INFRARED REFLECTOGRAPHY WAS ALSO COMPLETED IN 2022. OVERALL X-RAY FLUORESCENCE SPECTROSCOPY SCANS WITH THE BRUKER M6 JETSTREAM WERE ALSO COMPLETED TO PRODUCE ELEMENTAL DISTRIBUTIONS MAPS.THE RENOVATION OF THE BARNES OBJECTS CONSERVATION LABORATORY LOCATED IN THE FRANCES M. MAGUIRE ART MUSEUM AT SAINT JOSEPH'S UNIVERSITY IN MERION, PENNSYLVANIA-THE ORIGINAL LOCATION OF THE BARNES COLLECTION-WAS COMPLETED IN MARCH 2022. THE RENOVATION GREATLY IMPROVED LAB OPERATIONS WITH THE INSTALLATION OF NEW LIGHTING AND A STATE-OF-THE-ART FUME HOOD AND FUME EXTRACTION ARMS LOCATED OVER WORK BENCHES, AMONG OTHER UPDATES. SINCE 1999, THE BARNES HAS ENJOYED A FRUITFUL AND COLLABORATIVE RELATIONSHIP WITH THE CONSERVATION CENTER FOR ART AND HISTORIC ARTIFACTS AS THE ORGANIZATION HAS COMPLETED REHOUSING AND TREATMENT PROJECTS FOR THE BARNES ART AND ARCHIVAL COLLECTIONS. WITH SUPPORT FROM THE SANSOM FOUNDATION, 16 WORKS ON PAPER BY WILLIAM JAMES GLACKENS WERE TREATED AND REHOUSED. TO DATE, WE HAVE COMPLETED THE TREATMENT AND REHOUSING OF 172 OF THE 282 WORKS ON PAPER IN THE COLLECTION GALLERY.THE FOUNDATION PRESENTED THREE TEMPORARY EXHIBITIONS IN 2022. WATER, WIND, BREATH: SOUTHWEST NATIVE ART IN COMMUNITY (ON DISPLAY FROM FEBRUARY 20 THROUGH MAY 15, 2022), ISAAC JULIEN: ONCE AGAIN... (STATUES NEVER DIE) (ON DISPLAY FROM JUNE 19 THROUGH SEPTEMBER 4, 2022), AND MODIGLIANI UP CLOSE (ON DISPLAY FROM OCTOBER 16, 2022 THROUGH JANUARY 20, 2023).WATER, WIND, BREATH WAS A MAJOR EXHIBITION OF SOUTHWEST NATIVE ART, INCLUDING PUEBLO AND NAVAJO POTTERY, TEXTILES, AND JEWELRY FROM THE BARNES COLLECTION. CO-CURATED BY LUCY FOWLER WILLIAMS, ASSOCIATE CURATOR-IN-CHARGE AND JEREMY A. SABLOFF SENIOR KEEPER OF AMERICAN COLLECTIONS AT THE UNIVERSITY OF PENNSYLVANIA MUSEUM OF ARCHAEOLOGY AND ANTHROPOLOGY, PHILADELPHIA, AND TONY CHAVARRIA (SANTA CLARA PUEBLO), CURATOR OF ETHNOLOGY AT THE MUSEUM OF INDIAN ARTS AND CULTURE, SANTA FE, THIS WAS THE BARNES'S FIRST EXHIBITION DEDICATED TO NATIVE AMERICAN ART. THE EXHIBITION REACHED MORE THAN 23,100 REGIONAL, NATIONAL, AND INTERNATIONAL VISITORS.FOR ITS CENTENNIAL, THE BARNES COMMISSIONED AND PRESENTED AN IMMERSIVE FILM INSTALLATION BY ARTIST AND FILMMAKER SIR ISAAC JULIEN, CBE RA (B. LONDON, 1960). THE FIVE-SCREEN INSTALLATION EXPLORED THE RELATIONSHIP BETWEEN DR. ALBERT C. BARNES, AN EARLY US COLLECTOR AND EXHIBITOR OF AFRICAN MATERIAL CULTURE, AND THE FAMED PHILOSOPHER AND CULTURAL CRITIC ALAIN LOCKE, KNOWN AS THE FATHER OF THE HARLEM RENAISSANCE. CURATED BY THOM COLLINS, NEUBAUER FAMILY EXECUTIVE DIRECTOR AND PRESIDENT, THE EXHIBITION ALSO EXAMINED THE DISPLAY AND SIGNIFICANCE OF AFRICAN MATERIAL CULTURE IN WESTERN ART MUSEUMS. THIS EXHIBITION REACHED MORE THAN 20,000 REGIONAL, NATIONAL, AND INTERNATIONAL VISITORS.MODIGLIANI UP CLOSE WAS A MAJOR LOAN EXHIBITION THAT SHARED NEW INSIGHTS INTO AMEDEO MODIGLIANI'S WORKING METHODS AND MATERIALS, MODIGLIANI UP CLOSE WAS CURATED BY AN INTERNATIONAL TEAM OF ART HISTORIANS AND CONSERVATORS: BARBARA BUCKLEY, SENIOR DIRECTOR OF CONSERVATION AND CHIEF CONSERVATOR OF PAINTINGS AT THE BARNES; SIMONETTA FRAQUELLI, INDEPENDENT CURATOR AND CONSULTING CURATOR FOR THE BARNES; NANCY IRESON, DEPUTY DIRECTOR FOR COLLECTIONS AND EXHIBITIONS & GUND FAMILY CHIEF CURATOR AT THE BARNES; AND ANNETTE KING, PAINTINGS CONSERVATOR AT TATE, LONDON.CHANGING DISPLAYS OF MATERIALS FROM THE BARNES ARCHIVES ARE REGULARLY SHOWN ON THE BARNES FOUNDATION'S LOWER LEVEL. THIS YEAR FEATURED TWO EXHIBITIONS: TOOLS OF HER TRADE: HOW VIOLETTE DE MAZIA TAUGHT THE BARNES METHOD (NOVEMBER 2021-NOVEMBER 2022) AND MATISSE, DR. BARNES, AND "THE DANCE" (SEPTEMBER 2022-JUNE 2023). IN 2022, THE BARNES PRODUCED TWO MAJOR PUBLICATIONS, WATER, WIND, BREATH: SOUTHWEST NATIVE ART IN THE BARNES FOUNDATION AND MODIGLIANI UP CLOSE.WATER, WIND, BREATH, A 224-PAGE CATALOGUE PUBLISHED BY THE BARNES IN ASSOCIATION WITH YALE UNIVERSITY PRESS, ACCOMPANIED THE EXHIBITION WATER, WIND, BREATH: SOUTHWEST NATIVE ART IN COMMUNITY AND SERVES AS THE COLLECTION CATALOGUE TO THE BARNES SOUTHWEST ART COLLECTION. DEVELOPED IN CLOSE COLLABORATION WITH NATIVE AND NON-NATIVE SCHOLARS AND PRACTITIONERS TO EMPHASIZE THE PERSPECTIVES AND VOICES OF THE COMMUNITIES IN WHICH THE OBJECTS WERE AND CONTINUE TO BE MADE, THIS FULLY ILLUSTRATED CATALOGUE INCLUDES CONTRIBUTIONS BY CO-CURATORS LUCY FOWLER WILLIAMS AND TONY CHAVARRIA; TEXTILE ARTIST TAHNIBAA NAATAANII (NAVAJO); AND SPECIALISTS KENNETH WILLIAMS (ARAPAHO/SENECA), LAURIE D. WEBSTER, AND ROBERT BAUVER.THE 344-PAGE EXHIBITION CATALOGUE MODIGLIANI UP CLOSE WAS PUBLISHED BY THE BARNES IN ASSOCIATION WITH YALE UNIVERSITY PRESS. EDITED BY BARBARA BUCKLEY, SIMONETTA FRAQUELLI, NANCY IRESON, AND ANNETTE KING, THE CATALOGUE FEATURES 360 IMAGES AND OFFERS A FOCUSED EXPLORATION OF HOW AMEDEO MODIGLIANI CONSTRUCTED AND COMPOSED HIS SIGNATURE PAINTINGS AND SCULPTURES. IT ALSO SHEDS LIGHT ON THE ROLE OF DR. BARNES, AN EARLY COLLECTOR OF MODIGLIANI'S WORK, IN SHAPING THE ARTIST'S CRITICAL RECEPTION IN THE UNITED STATES. THE BARNES IS HOME TO ONE OF THE MOST IMPORTANT GROUPS OF MODIGLIANI WORKS IN THE WORLD, AND THE CATALOGUE BRINGS THESE WORKS TOGETHER WITH SOME 50 OTHER IMPORTANT EXAMPLES FROM PUBLIC AND PRIVATE COLLECTIONS AROUND THE WORLD.EXPENSES FOR COLLECTIONS CARE INCLUDES A PRO-RATA SHARE OF DEPRECIATION AND OTHER FACILITY COSTS. 9537937 4364910 THE FOUNDATION'S PERMANENT COLLECTION GALLERY IN PHILADELPHIA WELCOMED MORE THAN 177,000 GUESTS DURING 2022. THE FOUNDATION IS OPEN TO THE PUBLIC FIVE DAYS PER WEEK (THURSDAY THROUGH MONDAY). A RETAIL STORE SELLS REPRODUCTIONS, PUBLICATIONS AND OTHER ITEMS RELATED TO THE ART COLLECTION. THE FOUNDATION ALSO PROVIDES ENTERTAINING PRIVILEGES TO ITS MEMBERS, HOSTING 89 SPECIAL EVENTS DURING 2022.THE BARNES PRESENTED A NUMBER OF IN-PERSON PROGRAMS IN 2022, INCLUDING BARNES ON THE BLOCK, FIRST FRIDAYS, PECO FREE FIRST SUNDAY FAMILY DAYS, YOUNG PROFESSIONALS NIGHTS, A SPECIAL EVENING WITH POET LAUREATE JOY HARJO, AND A ONE-NIGHT-ONLY IMMERSIVE PERFORMANCE BY ARTIST JOHN E. DOWELL.ON JUNE 19, THE BARNES HOSTED THE FIFTH ANNUAL BARNES ON THE BLOCK WITH MURAL ARTS PHILADELPHIA. KICKING OFF THE CENTENNIAL YEAR CELEBRATIONS, THIS SPECIAL EDITION OF THE BARNES'S ANNUAL BLOCK PARTY CELEBRATED THE OPENING OF ISAAC JULIEN: ONCE AGAIN... (STATUES NEVER DIE), PLUS JUNETEENTH AND FATHER'S DAY, AND FEATURED FREE ADMISSION TO THE GALLERIES AND OUTDOOR FAMILY-FRIENDLY ART MAKING, LIVE PERFORMANCES, FOOD TRUCKS, AND A BEER GARDEN. THE BARNES WELCOMED OVER 3,000 VISITORS TO THE 2022 BARNES ON THE BLOCK FESTIVITIES.ON THE OCCASION OF THE WATER, WIND, BREATH: SOUTHWEST NATIVE ART IN COMMUNITY EXHIBITION, THE BARNES HOSTED US POET LAUREATE JOY HARJO FOR A SPECIAL EVENING OF POETRY AND CONVERSATION ON MARCH 25. HARJO, A MEMBER OF THE MUSCOGEE (CREEK) NATION, IS AN INTERNATIONALLY RENOWNED PERFORMER AND AUTHOR OF NINE BOOKS OF POETRY, SEVERAL PLAYS, AND CHILDREN'S BOOKS, AND TWO MEMOIRS-CRAZY BRAVE AND POET WARRIOR. HER MANY HONORS INCLUDE THE POETRY FOUNDATION'S RUTH LILLY PRIZE FOR LIFETIME ACHIEVEMENT, THE ACADEMY OF AMERICAN POETS' WALLACE STEVENS AWARD, TWO NEA FELLOWSHIPS, AND A GUGGENHEIM FELLOWSHIP. AT THE TIME OF THIS PROGRAM, HARJO WAS SERVING HER THIRD TERM AS POET LAUREATE; SHE IS THE FIRST NATIVE AMERICAN TO HAVE HELD THE POSITION. THIS PROGRAM INCLUDED A WELCOME BY PHILADELPHIA POET LAUREATE AIREA D. MATTHEWS AND WAS MODERATED BY CULTURAL HISTORIAN, PERFORMER, AND SCHOLAR BRENDA DIXON GOTTSCHILD.THE BARNES AND THE CURTIS INSTITUTE OF MUSIC COLLABORATED TO PRESENT JOHN DOWELL: A PUBLIC INTIMATE SPACE, AN IMMERSIVE PERFORMANCE PIECE CREATED BY ARTIST JOHN E. DOWELL, JR., BLENDING PHOTOGRAPHY, MOVEMENT, AND SOUND TO EXPLORE THE SACRED NATURE OF THE PUBLIC SQUARE-IN THIS CASE, PHILADELPHIA'S RITTENHOUSE SQUARE. A PUBLIC INTIMATE SPACE, WHICH TOOK PLACE DECEMBER 8, TRANSFORMED THE WALTER AND LEONORE ANNENBERG COURT WITH DOWELL'S HAUNTING PHOTOGRAPHS OF RITTENHOUSE SQUARE, PRESENTED ON TEN-FOOT-TALL SUSPENDED SCREENS AND ANIMATED BY A NEWLY COMPOSED WORK BY MAYA MIRO JOHNSON, AN EMERGING ARTIST FROM THE CURTIS INSTITUTE OF MUSIC. JOHNSON'S COMPOSITION, WHICH WAS RECORDED BY MUSICIANS ALSO FROM THE CURTIS INSTITUTE OF MUSIC, DREW INSPIRATION FROM GREGORIAN CHANTS, THE HISTORY OF RITTENHOUSE SQUARE, AND DOWELL'S REIMAGINING OF URBAN ENVIRONMENTS AND THE ARCHITECTURE OF THE BARNES'S BUILDING AND CAMPUS.ONCE A MONTH, PECO FREE FIRST SUNDAY FAMILY DAY OFFERS FREE ACCESS TO THE BARNES COLLECTION AND SPECIAL EXHIBITIONS, ALONG WITH A ROBUST PROGRAM OF PERFORMANCES AND ACTIVITIES DESIGNED TO ENGAGE AUDIENCES WHO MIGHT NOT OTHERWISE HAVE THE OPPORTUNITY TO VISIT. ON DECEMBER 4, THE BARNES PRESENTED A SPECIAL PECO FREE FIRST SUNDAY FAMILY DAY CELEBRATING 100 YEARS SINCE THE BARNES WAS ESTABLISHED BY DR. ALBERT C. BARNES. IN ADDITION TO THIS MAJOR MILESTONE, THE BARNES ALSO CELEBRATED TEN YEARS ON THE PARKWAY IN PHILADELPHIA AND TEN YEARS OF PECO BEING THE FOUNDING CORPORATE PARTNER AND SUPPORTER OF THIS POPULAR PROGRAM. IN 2022, THE BARNES WELCOMED OVER 18,400 VISITORS TO PECO FREE FIRST SUNDAY FAMILY DAY AND WORKED WITH 25 COMMUNITY PARTNERS.THE BARNES IS COMMITTED TO STRENGTHENING ACCESS AND ENGAGEMENT FOR ALL COMMUNITIES, INCLUDING YOUTH AND FAMILIES FROM ACROSS PHILADELPHIA. BY BUILDING NEW RELATIONSHIPS, AND DEEPENING EXISTING ONES, WE ARE WORKING TO REACH DR. BARNES'S VISION THAT ART IS FOR EVERYONE. THIS YEAR, WE CONTINUED TO WORK WITH A VARIETY OF LOCAL AND REGIONAL PUBLIC SERVICE AGENCIES-INCLUDING THE CITY OF PHILADELPHIA DEPARTMENT OF PARKS AND RECREATION, PHILADELPHIA HOUSING AUTHORITY, THE FREE LIBRARY OF PHILADELPHIA, MURAL ARTS PHILADELPHIA, PEOPLE'S EMERGENCY CENTER, PENNSYLVANIA DEPARTMENT OF CORRECTIONS, AND PUENTES DE SALUD-TO HELP EXPAND OUR REACH IN PHILADELPHIA'S RICHLY DIVERSE NEIGHBORHOODS AND COMMUNITIES.THE BARNES LAUNCHED THE ART FOR ALL COMMUNITY PASS PROGRAM IN 2018 WITH THE GOAL OF EXPANDING RELATIONSHIPS WITH PARTICIPANTS IN SPECIFIC BARNES PROGRAMS THAT CULTIVATE DIVERSITY, INCLUSION, AND ACCESS. THESE YEARLONG PASSES FOR FREE BARNES ADMISSION WITH DISCOUNTED BENEFITS ARE EXTENDED TO ACCESS CARDHOLDERS, PARTICIPANTS OF BARNES COMMUNITY PARTNERSHIP PROGRAMS, BARNES-DE MAZIA ADULT EDUCATION PROGRAM SCHOLARSHIP STUDENTS, PARTICIPANTS IN THE RESTORATIVE JUSTICE PROGRAM, AND PRE-K STUDENTS. ACCESS CARDHOLDERS ALSO CONTINUE TO RECEIVE FREE ADMISSION BY SIMPLY SHOWING THEIR ACCESS CARDS.FOLLOWING A PAUSE DUE TO THE COVID-19 PANDEMIC, THE PROGRAM WAS RELAUNCHED IN AUGUST 2022. ART FOR ALL COMMUNITY PASS HOLDERS NOW RECEIVE FREE ADMISSION, ONE FREE BARNES ADULT CLASS PER TERM, DISCOUNTS, AND BILINGUAL INFORMATION ABOUT COMMUNITY AND FAMILY OFFERINGS.IN PARTNERSHIP WITH THE PEOPLE'S EMERGENCY CENTER AND NEIGHBORHOOD COMMUNITY ORGANIZATIONS, BARNES WEST HAS BEEN SERVING WEST PHILADELPHIA WITH MULTIFACETED ARTS PROGRAMMING SINCE 2018. THIS YEAR, BARNES WEST PRESENTED THE SECOND ANNUAL EVERYDAY PLACES ARTIST PARTNERSHIPS INITIATIVE, OFFERING OPPORTUNITIES FOR LOCAL ARTISTS TO CREATE VIBRANT SPACES FOR WEST PHILADELPHIA RESIDENTS TO ENGAGE WITH ART. THE ARTISTS SELECTED FOR 2022 WERE NIKKI BRAKE-SILLA, SHANINA DIONNA, GIGI MCGRAW, ANSSUMANE SILLA, JAIME WIESNER & JOANNA BOOTH, AND YIDAN ZENG. THE 2022 PROJECTS INCORPORATED CREATIVE WRITING, HEALING ARTS, DRUMMING, DANCING, AND VISUAL ART, AND HELPED MORE THAN 919 RESIDENTS EXPERIENCE INTERPERSONAL CONNECTIONS THROUGH ART. FOR THE PROGRAM, BARNES WEST RECEIVED THE GREATER PHILADELPHIA CHAMBER OF COMMERCE'S 2022 ARTS & BUSINESS COUNCIL AWARD, WHICH HONORS INNOVATIVE COLLABORATIONS WITH LASTING IMPACT.IN 2022, THE BARNES CONTINUED A CITYWIDE EFFORT TO ADDRESS GAPS IN EARLY CHILDHOOD DEVELOPMENT PROGRAMS DURING THE PANDEMIC. AT THE INVITATION OF THE WILLIAM PENN FOUNDATION, FOR THE SECOND YEAR THE BARNES LED PEER CULTURAL AGENCIES-THE ACADEMY OF NATURAL SCIENCES AT DREXEL UNIVERSITY, THE CLAY STUDIO, FAIRMOUNT WATER WORKS, FLEISHER ART MEMORIAL, SMITH MEMORIAL PLAYGROUND AND PLAYHOUSE, AND WHYY-IN ALIGNING FREE SUMMER OPPORTUNITIES FOR LOW-INCOME COMMUNITIES ACROSS PHILADELPHIA THROUGH EARLY LEARNER SUMMER PODS. THIS CULTURAL PARTNERS' NETWORK COORDINATES COMMON GOALS FOR EARLY CHILDHOOD AND LITERACY DEVELOPMENT, PRESENTING FAMILIES WITH ACCESS TO A VARIETY OF PROGRAM CHOICES INCLUDING ART, SCIENCE, NATURE, PLAY, LITERACY, AND ENVIRONMENTAL EXPERIENCES.THE 2021-22 SCHOOL YEAR WAS THE FIFTH YEAR OF PUENTES A LAS ARTES / BRIDGES TO THE ARTS, AN ARTS-BASED BILITERACY PROGRAM FOR ELL/ESL EARLY LEARNERS AGES 3-5 FROM SOUTH PHILADELPHIA'S GROWING LATINX IMMIGRANT COMMUNITY. THE PROGRAM WORKS WITH COMMUNITY HEALTH AND WELLNESS ORGANIZATION PUENTES DE SALUD TO REACH A VULNERABLE POPULATION OF FAMILIES WHO LACK ACCESS TO HIGH-QUALITY LEARNING AND ENRICHMENT OPPORTUNITIES AS THEY EMBARK ON THE PATH TO LITERACY, SOCIAL AND EMOTIONAL WELL-BEING, AND ULTIMATELY A SUCCESSFUL FUTURE. IN 2022, PUENTES A LAS ARTES WAS PRESENTED IN A CASE STUDY DURING A NATIONAL COMMUNITY ARTS CONFERENCE HELD AT CRYSTAL BRIDGES MUSEUM OF AMERICAN ART IN BENTONVILLE, ARKANSAS.THE VIRTUAL REALITY PROGRAM SERVES AS AN ENTRYWAY TO THE BARNES FOR FIRST-TIME MUSEUMGOERS AND COMMUNITY PARTNERS AND ALLOWS INDIVIDUALS AN OPPORTUNITY TO VIRTUALLY EXPLORE THE COLLECTION. AFTER ITS SUCCESSFUL LAUNCH IN 2018, THE VR PROGRAM HAS ENABLED THE BARNES TO CONNECT WITH COMMUNITIES BEYOND OUR MUSEUM WALLS AND WITHIN THEIR NEIGHBORHOODS, CREATING RICH GROUP CONVERSATIONS ACROSS PHILADELPHIA. IT IS STRUCTURED AS A TWO-TOUCHPOINT PROGRAM; COMMUNITY VISITS WITH VR HEADSETS AND ART-MAKING ACTIVITIES TAKE PLACE AT PARTNER SITES, AND PROGRAM PARTICIPANTS ARE INVITED FOR AN IN-PERSON GUIDED TOUR AT THE BARNES. THESE TOURS ARE FREE AND FULLY ESCORTED. IN RECOGNITION OF THE SOCIOECONOMIC, GEOGRAPHIC, AND LINGUISTIC BARRIERS FACED BY THE COMMUNITIES WE SERVE, EACH PARTICIPANT IS GIVEN A TWO-WAY SEPTA PASS AND IS ESCORTED BY STAFF FROM THE PARTNER SITE TO THE BARNES, AND BILINGUAL STAFFING IS SECURED WHEN NEEDED FOR PROGRAM FACILITATION AND GUIDED TOURS. 3543546 471091 THE BARNES-DE MAZIA PROGRAM BUILDS ON DR. BARNES'S GROUNDBREAKING APPROACH TO TEACHING VISUAL LITERACY AND THE CURRICULUM HE DEVELOPED WITH VIOLETTE DE MAZIA AND JOHN DEWEY, WHICH EMPHASIZES THE FORMAL ANALYSIS OF ART AND REFLECTS PROGRESSIVE EDUCATION PHILOSOPHIES OF THE 1920S. THE BARNES-DE MAZIA ADULT EDUCATION PROGRAM CONTINUED TO EXPERIENCE GREAT SUCCESS WITH ONLINE CLASSES IN 2022, ENABLING THE BARNES TO ENGAGE LARGE AND DIVERSE AUDIENCES, WITH CLASS SIZE NO LONGER LIMITED BY BUILDING CAPACITY OR GEOGRAPHICAL DISTANCE. DURING THE ACADEMIC YEAR, 2,309 STUDENTS PARTICIPATED IN 77 CLASSES, 61 OF WHICH WERE ONLINE. THE BARNES ALSO PROVIDED 305 NEED-BASED SCHOLARSHIPS. OVERALL, SINCE THE INTRODUCTION OF ONLINE CLASSES, ENROLLMENT AND RELATED TUITION FOR ADULT EDUCATION HAS NEARLY DOUBLED.THE BARNES CONTINUES TO PARTNER WITH DREXEL UNIVERSITY, THE PHILADELPHIA COLLEGE OF OSTEOPATHIC MEDICINE, AND THE UNIVERSITY OF PENNSYLVANIA TO ENHANCE MEDICAL STUDENTS' EDUCATION THROUGH ENGAGEMENT WITH OUR COLLECTION. EACH ISSUE OF THE RX/MUSEUM NEWSLETTER, LAUNCHED IN 2020 AS AN OFFERING FOR PENN MEDICINE DOCTORS, FEATURES AN ARTWORK (FROM THE BARNES, PHILADELPHIA MUSEUM OF ART, OR SLOUGHT) WITH A REFLECTION WRITTEN BY AN ART HISTORY OR MEDICAL PROFESSOR THAT ENCOURAGES DOCTORS TO EXAMINE HOW HUMAN NATURE AND PHILOSOPHICAL IDEAS RELATE TO MEDICAL PRACTICES. THIS YEAR, THE NEWSLETTER WAS PUBLISHED AS A PRINTED HANDBOOK AND DISTRIBUTED TO PENN MEDICINE FACULTY AND STAFF. GROWING OUT OF THAT PROJECT, "A HANDBOOK FOR HEALING: ART AND REFLECTION FOR PATIENTS AND CAREGIVERS" WAS ALSO PUBLISHED IN 2022 AND IS BEING DISTRIBUTED TO PATIENTS AND CAREGIVERS AT PENN'S NEW PAVILION MEDICAL CENTER.THE ENTHUSIASTIC RECEPTION OF VIRTUAL EDUCATION PROGRAMS OFFERED BY THE BARNES DURING THE PANDEMIC DEMONSTRATED THAT VAST AND DIVERSE AUDIENCES CAN BE MEANINGFULLY ENGAGED BY CAREFULLY DESIGNED DIGITAL VERSIONS OF IN-GALLERY EDUCATIONAL ACTIVITIES. IT ALSO SHOWED THAT THE EDUCATIONAL SERVICE AT THE HEART OF THE BARNES'S MISSION CAN BE BOTH DEEPENED AND SCALED. IN 2022, THE BARNES CONTINUED ITS WORK ON THE PLANNING, DEVELOPMENT, AND LAUNCH OF A FIRST-OF-ITS-KIND VISUAL EXPERIENCE PLATFORM (VXP) THAT WOULD HOST OTHER MUSEUMS' COURSES AND CONTENT IN ADDITION TO ITS OWN. THIS PLATFORM, EXPECTED TO DEBUT IN 2023, BREAKS FROM THE SCREENSHARE MODEL TO CREATE A MUCH MORE IMMERSIVE, INTERACTIVE EXPERIENCE FOR BOTH PRE-K-12 AND ADULT LEARNERS. OFFERING 360-DEGREE VIEWS OF THE BARNES GALLERY SPACES, SYNCHRONOUS AND ASYNCHRONOUS DELIVERY MODES, AND A SEARCHABLE LIBRARY OF COMPLETED CLASSES, THE PLATFORM WILL AFFORD STUDENTS MORE CONTROL OVER AND FLEXIBILITY WITHIN THEIR LEARNING EXPERIENCE.THE BARNES HOSTED 20 LECTURES THIS YEAR-ON-SITE, ONLINE, AND IN A HYBRID FORMAT-FOR BARNES MEMBERS AND THE GENERAL PUBLIC.IN SEPTEMBER, THE BARNES PRESENTED A SPECIAL FOUR-TALK PROGRAM-CONVERSATION SERIES: THE BARNES THEN AND NOW-WHICH BROUGHT TOGETHER SCHOLARS AND CULTURAL LEADERS TO REFLECT ON THE STATE OF THE BARNES 100 YEARS AFTER ITS FOUNDING. "REFLECTIONS ON THE INSTALLATION" FEATURED ART HISTORIANS DARIO GAMBONI AND MARTHA LUCY DISCUSSING DR. BARNES'S FAMOUSLY QUIRKY ENSEMBLES; "ON OUR RELATIONSHIP WITH LINCOLN UNIVERSITY" FEATURED LINCOLN UNIVERSITY PRESIDENT BRENDA ALLEN AND THOM COLLINS, NEUBAUER FAMILY EXECUTIVE DIRECTOR AND PRESIDENT OF THE BARNES, EXPLORING THE INSTITUTIONS' COMPLICATED HISTORY AND PROMISING FUTURE; "CLOSE LOOKING AT THE EDUCATION PROGRAM" FEATURED ART EDUCATORS RIKA BURNHAM AND WILLIAM PERTHES, BERNARD C. WATSON DIRECTOR OF ADULT EDUCATION AT THE BARNES, DISCUSSING CONTEMPORARY APPLICATIONS OF THE "OBJECTIVE METHOD" OF LOOKING AT ART DEVELOPED BY ALBERT BARNES IN THE 1920S; AND "REFLECTIONS ON ART AND SOCIAL JUSTICE" FEATURED MURAL ARTS PHILADELPHIA EXECUTIVE DIRECTOR JANE GOLDEN AND VAL GAY, BARNES DEPUTY DIRECTOR FOR AUDIENCE ENGAGEMENT AND CHIEF EXPERIENCE OFFICER, EXPLORING THE EGALITARIAN BELIEFS UNDERPINNING THE ESTABLISHMENT OF THE BARNES.FOLLOWING A YEAR OF CLOSURES AND CANCELLATIONS DUE TO THE PANDEMIC, IN-PERSON PROGRAMMING FOR K-12 STUDENTS AT THE BARNES BEGAN TO RETURN IN 2022, WITH OVER 3,200 STUDENTS EXPLORING THE COLLECTION AND SPECIAL EXHIBITIONS. THROUGH THE BARNES'S PARTNERSHIP WITH THE SCHOOL DISTRICT OF PHILADELPHIA, STUDENTS IN PRE-K-12 VISITED WATER, WIND, BREATH: SOUTHWEST NATIVE ART IN COMMUNITY, WHERE THEY EXPLORED POTTERY, TEXTILES, AND JEWELRY MADE BY PUEBLO AND NAVAJO PEOPLES. STUDENT VISITS TO MODIGLIANI UP CLOSE FOCUSED ON MODIGLIANI'S ART-MAKING PROCESS AND ON THE RESEARCH DONE BY CONSERVATORS, ENCOURAGING YOUNG LEARNERS TO THINK ABOUT THE RELATIONSHIP BETWEEN ART AND SCIENCE.A VIRTUAL LEARNING PLATFORM OFFERING LIVE, INTERACTIVE EPISODES OF INSTRUCTION FROM BARNES EDUCATORS AND GUEST ARTISTS, BARNES ART ADVENTURES LAUNCHED IN SPRING 2020 IN RESPONSE TO PANDEMIC-RELATED CLOSURES OF THE BARNES AND AREA SCHOOLS. DESIGNED TO HELP STUDENTS DEVELOP VISUAL LITERACY AND CRITICAL-THINKING SKILLS, THE PROGRAM INCORPORATES CONTEMPORARY ISSUES TO ENCOURAGE STUDENTS TO FIND RELEVANCE IN ART IN THE REAL WORLD. ONLINE RESOURCES, INCLUDING ACTIVITY SHEETS, CREATIVE WRITING EXERCISES, AND ART-MAKING PROMPTS, ARE PROVIDED AFTER EACH EPISODE. WHILE BARNES ART ADVENTURES SERVED 16,600 SCHOOL CHILDREN DURING THE PANDEMIC'S FIRST YEAR, THE NUMBER OF PARTICIPANTS HAS SINCE TAPERED OFF, WITH 4,188 STUDENTS PARTICIPATING IN 2022 AS TEACHERS STARTED SEEKING OUT MORE IN-PERSON EXPERIENCES. MANY TEACHERS EXPRESSED A DESIRE FOR ONLINE ART ACTIVITIES THAT COULD BE DONE ON THEIR OWN SCHEDULES, AND THE BARNES IS RESPONDING BY DEVELOPING NEW ASYNCHRONOUS CONTENT THAT WILL MAKE USE OF THE BARNES'S NEW DIGITAL ARTS EDUCATION PLATFORM; BEGINNING IN LATE 2023, THIS CONTENT WILL BE OFFERED IN ADDITION TO THE LIVE PROGRAM.THE BARNES OFFERS INTERNSHIPS FOR UNDERGRADUATE AND GRADUATE STUDENTS SEEKING JOB EXPERIENCE AND CONTINUED EDUCATION. IN SUMMER 2022, THE BARNES HOSTED 14 INTERNS (TEN UNDERGRADUATE STUDENTS AND FOUR GRADUATE STUDENTS) IN VARIOUS DEPARTMENTS. WE CONTINUED IMPORTANT PARTNERSHIPS WITH LINCOLN UNIVERSITY, HOSTING ONE LINCOLN INTERN, AND WITH THE FRENCH HERITAGE SOCIETY, HOSTING TWO STUDENTS FROM THE ECOLE DU LOUVRE. IN ADDITION, WE HOSTED THREE INTERNS IN SPRING 2022 AND TWO INTERNS IN FALL 2022.PROGRAM EXPENSES FOR EDUCATION INCLUDES A PRO-RATE SHARE OF DEPRECIATION AND OTHER FACILITY COSTS. 22481830 1 1 0 0 0 0 0 1 0 1 1 1 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 1 152 0 1 305 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 15 15 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 CA CO CT DC DE FL GA IL MA MD MN NC NH NJ NY OH PA SC TN VA WA WI X X MARYANNE MURPHY 2152787000 2025 BENJAMIN FRANKLIN PARKWAY PHILADELPHIA PA 19130 JOHN J AGLIALORO TRUSTEE 1.00 0.00 X 0 0 0 ARMANDO I BENGOCHEA PHD TRUSTEE 1.00 0.00 X 0 0 0 SHELDON M BONOVITZ ESQ TRUSTEE 1.00 1.00 X 0 0 0 PAMELA D BUNDY TRUSTEE 1.00 0.00 X 0 0 0 GREGORY E DEAVENS TRUSTEE (AS OF 3/22) 1.00 0.00 X 0 0 0 DAVID A FLEISCHNER TRUSTEE 1.00 0.00 X 0 0 0 JEFFREY A HONICKMAN TRUSTEE 1.00 0.00 X 0 0 0 CATHERINE HUGHES TRUSTEE 1.00 0.00 X 0 0 0 JOHN H MCFADDEN ESQ TRUSTEE 1.00 0.00 X 0 0 0 JOSEPH NEUBAUER TRUSTEE 1.00 1.00 X 0 0 0 CHRISTINE POGGI PHD TRUSTEE 1.00 0.00 X 0 0 0 DR BRENDA T THOMPSON TRUSTEE (THRU 12/22) 1.00 0.00 X 0 0 0 AILEEN KENNEDY ROBERTS CHAIR, TRUSTEE 1.00 1.00 X X 0 0 0 JOHN R ALCHIN VICE CHAIR, TRUSTEE 1.00 1.00 X X 0 0 0 STEPHEN J HARMELIN ESQ TREASURER, TRUSTEE 1.00 1.00 X X 0 0 0 THE HON JACQUELINE F ALLEN SECRETARY, TRUSTEE 1.00 1.00 X X 0 0 0 THOMAS COLLINS EXECUTIVE DIRECTOR & PRESIDENT 40.00 0.00 X 528817 0 32033 SARA GEELAN DEP DIR, GEN COUNSEL, ASST SECRETARY 40.00 0.00 X 279731 0 32431 MARGARET B ZMINDA EXECUTIVE VP, CFO & COO 32.00 0.00 X 234456 0 24381 NINA DIEFENBACH SVP, DEPUTY DIRECTOR FOR ADVANCEMENT 40.00 0.00 X 342830 0 13282 NANCY IRESON DEP DIR, COLLECTIONS & EXHIBITIONS 40.00 0.00 X 224456 0 16469 STEVEN BRADY CHIEF TECHNOLOGY OFFICER 40.00 0.00 X 196769 0 37463 WILLIAM D CARY CHIEF OF BUS. STRATEGY & ANALYTICS 40.00 0.00 X 191777 0 35889 VINCENT D'ANTONIO SENIOR DIR, OPERATIONS & GROUNDS 40.00 0.00 X 202219 0 8749 SHERONDA WHITAKER CHIEF HR & DIVERSITY OFFICER 40.00 0.00 X 184802 0 8824 VALERIE GAY DEP DIR, AUDIENCE ENGAGEMENT & CXO 40.00 0.00 X 150538 0 18917 MARTHA E LUCY DEP DIR, EDU, PUB PGRMS, CURATOR 40.00 0.00 X 163095 0 4345 NICO HARTZELL DIR, FOUNDATION RELATIONS (THRU 1/22) 40.00 0.00 X 136744 0 26533 KATIE ADAMS SENIOR DIRECTOR OF LEADERSHIP GIFTS 40.00 0.00 X 138202 0 14955 2974436 0 274271 23 0 1 0 LAPLACA COHEN 914 3RD AVENUE BROOKLYN NY 11232 STRATEGIC PLAN CONSULTING 633741 HARMELIN MEDIA 525 RIGHTERS FERRY ROAD BALA CYNWYD PA 19004 PUBLIC RELATIONS 601619 ELLIOTT-LEWIS 2900 BLACK LAKE PLACE PHILADELPHIA PA 19154 BUILDING MAINTENANCE 591440 JNF FILMS LTD GROUND FL HUTLEY WHARF 29 BRANCH P LONDON UK N1 5PW SPECIAL EXHIBITION FILM PRODUCTION 535938 MASTERPIECE INTERNATIONAL 39 BROADWAY SUITE 1410 NEW YORK NY 10006 ART TRANSPORT 517215 24 780389 3748784 20378632 200 24907805 ADMISSIONS 900099 2477300 2477300 EVENTS AND CATERING 900099 1592845 1202631 390214 MEMBERSHIP 900099 1507298 1507298 EDUCATION 611600 471091 471091 PUBLICATIONS 900004 43122 43122 6091656 3217735 3217735 27341445 26035716 1305729 1305729 1305729 65655 780389 264472 -198817 -198817 1501728 758949 742779 378814 363965 LICENSING & MERCHANDISING 900099 21718 21718 MISCELLANEOUS INCOME 900099 1498 1498 23216 36090103 4879123 1566596 4736579 X 2343282 994672 977147 371463 10002107 6892321 1597367 1512419 229049 160266 34738 34045 1241166 804953 252611 183602 893625 572404 184933 136288 137497 7873 129624 176425 176425 344678 344678 456703 456703 3755628 2950315 744569 60744 631026 627026 4000 224438 98511 82819 43108 434848 336485 48436 49927 24688 24588 100 2371392 2289607 79323 2462 186008 143102 26710 16196 76981 41970 21485 13526 5320757 5113654 204546 2557 614536 547628 34246 32662 EVENTS 352601 48187 1578 302836 CREDIT CARD/BANK FEES 331240 227089 26310 77841 POSTAGE & PRINTING 255202 38691 1407 215104 CONSERVATION & EXHIBITI 131771 131771 551435 430717 78260 42458 31087083 22481830 5159237 3446016 4256945 1849074 9422927 12122503 117691 82651 1166424 1431446 986049 1007646 149697864 61626399 91586265 88071465 114274286 98042336 15346857 17490276 5776861 5842276 242934305 225939673 1497054 1439155 887898 976098 1818065 0 4203017 2415253 X 113223454 109038281 125507834 114486139 238731288 223524420 242934305 225939673 5003020 -20209888 0 X 0 1 X 1 0 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 129327745 9015647 -16178004 6779000 115386388 108204895 10763474 15531100 5171724 129327745 92782521 9269469 10841454 4688549 108204895 72037281 10587944 13679829 3522533 92782521 69130963 10907504 -4634186 3367000 72037281 0.11560 0.88440 0.00000 1 0 155589 155589 141908246 56777395 85130851 2056403 1102202 954201 5577626 3746802 1830824 88071465 ALTERNATIVE INVESTMENTS 17490276 F 17490276 X PART III, LINE 1A: THE FOUNDATION OWNS A COLLECTION OF PAINTINGS, SCULPTURES, ANTIQUES AND OTHER OBJECTS OF ART. THE FOUNDATION HAS CAPITALIZED COLLECTION ITEMS PURCHASED DIRECTLY BY THE FOUNDATION AT COST, AND THOSE CONTRIBUTED OTHER THAN BY ITS FOUNDER AT THE FAIR MARKET VALUE ON THE DATE OF THE GIFT. SUBSTANTIALLY ALL OF THE COLLECTION OBJECTS WERE DONATED TO THE FOUNDATION BY ITS FOUNDER AND ARE RECORDED AT A $1 NOMINAL VALUE, IN ACCORDANCE WITH A RESOLUTION OF THE BOARD OF TRUSTEES AT THE TIME OF THE GIFT. THE FOUNDATION HAS DETERMINED THAT IT IS NOT PRACTICAL TO ESTABLISH A FAIR VALUE OF THE FOUNDER'S ORIGINAL CONTRIBUTION AS OF THE DATE OF THE GIFT BECAUSE RECORDS RELATING TO THE FAIR VALUE AT THE DATE OF THE CONTRIBUTION ARE UNRELIABLE OR DO NOT EXIST. PART III, LINE 4: THE FOUNDATION'S COLLECTIONS INCLUDE WORKS OF ANCIENT AND MODERN ART AND A SIGNIFICANT COLLECTION OF LIVING SPECIMENS OF TREES, PLANTS AND FLOWERS. THE WORKS OF ART THAT ARE DISPLAYED IN THE FOUNDATION'S GALLERY ARE AVAILABLE FOR VISITATION BY THE PUBLIC AND ARE ALSO USED TO CONDUCT EDUCATIONAL ACTIVITIES TO TEACH THE PRINCIPLES OF ART APPRECIATION ESTABLISHED BY ITS FOUNDER. THE LIVING COLLECTIONS ARE USED IN THE PROGRAMS TO TEACH PRINCIPLES OF AESTHETIC APPEAL OF PLANTS COMBINED WITH A BASE IN BOTANY, HORTICULTURE AND LANDSCAPE DESIGN. PART V, LINE 4: THE INCOME FROM THE FOUNDATION'S PERMANENTLY RESTRICTED ENDOWMENT FUNDS IS INTENDED TO SUPPORT THE FOUNDATION'S PROGRAM OF COLLECTION CARE, SCHOLARLY ACTIVITIES, EDUCATION AND UNRESTRICTED OPERATING COSTS. PART X, LINE 2: THE FOUNDATION IS GENERALLY EXEMPT FROM FEDERAL INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE. IN ADDITION, THE FOUNDATION QUALIFIES FOR CHARITABLE CONTRIBUTION DEDUCTIONS AND HAS BEEN CLASSIFIED AS AN ORGANIZATION THAT IS NOT A PRIVATE FOUNDATION. INCOME, WHICH IS NOT RELATED TO EXEMPT PURPOSES, LESS APPLICABLE DEDUCTIONS, IS SUBJECT TO FEDERAL AND STATE CORPORATE INCOME TAXES. THE FOUNDATION DID NOT PAY ANY UNRELATED BUSINESS INCOME TAXES IN 2022 OR IN 2021. MANAGEMENT HAS EVALUATED THE FOUNDATION'S TAX POSITIONS AND CONCLUDED THAT THE FOUNDATION HAD TAKEN NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE ADJUSTMENT TO THE FINANCIAL STATEMENTS. CONSEQUENTLY, NO ACCRUAL FOR INTEREST AND PENALTIES WAS DEEMED NECESSARY FOR THE YEARS ENDED DECEMBER 31, 2022 OR 2021. THE FOUNDATION FILES INCOME TAX RETURNS IN THE UNITED STATES FEDERAL JURISDICTION. GENERALLY, THE FOUNDATION IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE UNITED STATES FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR YEARS BEFORE 2019. 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 1 0 1 SCHEDULE E, PART I, LINE 3 ON NOVEMBER 12, 2010, THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES OF THE BARNES FOUNDATION FORMALLY REAFFIRMED THE FOUNDATION'S COMMITMENT TO PROVIDING EQUAL OPPORTUNITIES AND A POLICY OF NONDISCRIMINATION ON THE BASIS OF RACE, COLOR, SEX, SEXUAL ORIENTATION, GENDER IDENTITY, RELIGION, CREED, NATIONAL OR ETHNIC ORIGIN, CITIZENSHIP STATUS, AGE, DISABILITY, VETERAN STATUS OR ANY OTHER LEGALLY PROTECTED CLASS STATUS IN THE ADMINISTRATION OF ITS EDUCATIONAL PROGRAM ADMISSIONS, FINANCIAL AID, OR ANY OTHER BARNES FOUNDATION-ADMINISTERED EDUCATIONAL ACTIVITY OR RELATED EMPLOYMENT PRACTICES. THIS POLICY IS PUBLICLY DISSEMINATED AND PUBLICIZED ON THE BARNES'S WEBSITE AND IN EDUCATION-RELATED PRINTED MATERIALS, AND IS ANNUALLY PUBLISHED IN A GENERAL DISTRIBUTION NEWSPAPER SERVING THE PHILADELPHIA COMMUNITY. SCHEDULE E, PART I, LINE 6 IN 2021, THE ORGANIZATION RECEIVED A PPP LOAN OF $1,821,002 WHICH WAS FULLY FORGIVEN IN 2022. IN 2022, THE ORGANIZATION RECEIVED TWO GRANTS FROM PA COUNCIL ON THE ARTS ($16,671), A GRANT FROM THE NATIONAL ENDOWMENT FOR THE ARTS ($30,000) AND TWO GRANTS FROM THE INSTITUTE OF MUSEUM AND LIBRARY SERVICES ($180,621). X X X X X X X 1 DANILLER COMPANY 3724 JEFFERSON ST 302 AUSTIN TX 78731 CONSULTANT FOR FUNDRAISING ACTIVITIES 0 1302804 344678 958126 1302804 344678 958126 CA CO CT DC DE FL GA IL MA MD MN NC NH NJ NY OH PA SC TN VA WA WI COCKTAIL PARTY 846044 780389 65655 114120 100667 12000 37685 846044 780389 65655 114120 100667 12000 37685 264472 -198817 1 X X 0 0 0 0 0 0 0 1 0 THOMAS COLLINS EXECUTIVE DIRECTOR & PRESIDENT 475377 0 50000 0 3440 0 8108 0 23925 0 560850 0 0 0 NINA DIEFENBACH SVP, DEPUTY DIRECTOR FOR ADVANCEMENT 338750 0 0 0 4080 0 8940 0 4342 0 356112 0 0 0 SARA GEELAN DEP DIR, GEN COUNSEL, ASST SECRETARY 269099 0 10000 0 632 0 7364 0 25067 0 312162 0 0 0 MARGARET B ZMINDA EXECUTIVE VP, CFO & COO 232963 0 0 0 1493 0 7157 0 17224 0 258837 0 0 0 NANCY IRESON DEP DIR, COLLECTIONS & EXHIBITIONS 224245 0 0 0 211 0 6781 0 9688 0 240925 0 0 0 STEVEN BRADY CHIEF TECHNOLOGY OFFICER 196480 0 0 0 289 0 3153 0 34310 0 234232 0 0 0 WILLIAM D CARY CHIEF OF BUS. STRATEGY & ANALYTICS 191612 0 0 0 165 0 5386 0 30503 0 227666 0 0 0 VINCENT D'ANTONIO SENIOR DIR, OPERATIONS & GROUNDS 200192 0 0 0 2027 0 5958 0 2791 0 210968 0 0 0 SHERONDA WHITAKER CHIEF HR & DIVERSITY OFFICER 184563 0 0 0 239 0 5490 0 3334 0 193626 0 0 0 VALERIE GAY DEP DIR, AUDIENCE ENGAGEMENT & CXO 149996 0 0 0 542 0 4537 0 14380 0 169455 0 0 0 MARTHA E LUCY DEP DIR, EDU, PUB PGRMS, CURATOR 162793 0 0 0 302 0 3186 0 1159 0 167440 0 0 0 NICO HARTZELL DIR, FOUNDATION RELATIONS (THRU 1/22 136564 0 0 0 180 0 2945 0 23588 0 163277 0 0 0 KATIE ADAMS SENIOR DIRECTOR OF LEADERSHIP GIFTS 138094 0 0 0 108 0 4200 0 10755 0 153157 0 0 0 PART I, LINE 7 THOMAS COLLINS PARTICIPATES IN A BONUS PLAN IN WHICH THE BONUS IS DETERMINED BASED ON CERTAIN INDIVIDUAL AND/OR ORGANIZATIONAL METRICS. THE BONUS IS AWARDED AT THE DISCRETION OF THE EXECUTIVE COMMITTEE OF THE BOARD. SARA GEELAN RECEIVED A ONE-TIME BONUS FOR TAKING ON ADDITIONAL RESPONSIBILITIES DURING A STAFFING CHANGEOVER. FORM 990, PART III, LINE 4B, PROGRAM SERVICE ACCOMPLISHMENTS (CONTINUED): IN 2022, BARNES PARTNERED WITH 25 SITES, INCLUDING THE FREE LIBRARY OF PHILADELPHIA, PHA SENIOR DEVELOPMENTS, NORRIS SQUARE NEIGHBORHOOD PROJECT, AND PEOPLE'S EMERGENCY CENTER. THROUGH THE PROGRAM, BARNES ENGAGED WITH 296 COMMUNITY MEMBERS; 74% IDENTIFIED AS FIRST-TIME MUSEUMGOERS AND 44% NEEDED BILINGUAL SUPPORT. THE BARNES IS COMMITTED TO WORKING WITH INDIVIDUALS WHO ARE INCARCERATED, ON PROBATION, OR ON WORK RELEASE AND PROVIDING OPPORTUNITIES FOR THEM TO RECONNECT WITH SOCIETY IN PRODUCTIVE WAYS THROUGH COMMUNITY ENGAGEMENT, SKILL-BUILDING, AND COLLABORATIVE MURAL PROJECTS. THE BARNES HOSTS ART AND LIFE SKILLS CLASSES ON-SITE FOR THE GUILD, MURAL ARTS PHILADELPHIA'S PAID APPRENTICESHIP PROGRAM, WHICH GIVES PREVIOUSLY INCARCERATED INDIVIDUALS AND YOUNG ADULTS ON PROBATION THE CHANCE TO FORGE BONDS WITH THEIR COMMUNITY WHILE DEVELOPING JOB SKILLS. EDUCATORS ALSO TEACH PROGRAMS FOR INMATES AT ONE OF PENNSYLVANIA'S LARGEST MAXIMUM-SECURITY PRISONS, STATE CORRECTIONAL INSTITUTION: PHOENIX, WHERE MURAL ARTS WORKS THROUGHOUT THE YEAR. THIS YEAR, THE BARNES AND MURAL ARTS PHILADELPHIA PRESENTED FACES OF RESILIENCE, AN EXHIBITION OF ORIGINAL ARTWORK CREATED BY EMERGING ARTISTS FROM MURAL ARTS PHILADELPHIA'S GUILD PROGRAM AND ARTISTS AT SCI: PHOENIX. FREE WITH GENERAL ADMISSION TO THE BARNES, FACES OF RESILIENCE WAS ON VIEW IN THE FIRST-FLOOR GALLERY CLASSROOM FROM JULY 8 THROUGH AUGUST 22, 2022. PROGRAM EXPENSES FOR VISITATION INCLUDES A PRO-RATA SHARE OF DEPRECIATION AND OTHER FACILITY COSTS FOR ALL LOCATIONS. FORM 990, PART VI, SECTION B, LINE 11B THE BARNES FOUNDATION 990 IS PREPARED BY AN INDEPENDENT FIRM BASED ON INFORMATION PROVIDED BY MANAGEMENT. A DRAFT IS REVIEWED AND REVISED BY THE EXECUTIVE VICE PRESIDENT, CFO AND COO, THE DIRECTOR OF FINANCE AND THE GENERAL COUNSEL (MEMBERS OF MANAGEMENT). THE 990 IS THEN FINALIZED BY THE INDEPENDENT FIRM AND THE BARNES FOUNDATION SUBMITS THE DRAFT 990 FOR REVIEW TO ALL BOARD MEMBERS PRIOR TO FILING. AFTER A COMMENT PERIOD, FORM 990 IS SUBMITTED TO THE IRS. FORM 990, PART VI, SECTION B, LINE 12C IN ADDITION TO REQUIRING EACH TRUSTEE, OFFICER AND KEY EMPLOYEE TO MAKE A DISCLOSURE OF ANY POSSIBLE PERSONAL, FAMILIAL, OR BUSINESS RELATIONSHIP THAT COULD GIVE RISE TO A CONFLICT OF INTEREST OR THE APPEARANCE OF A CONFLICT OF INTEREST, THE FOUNDATION'S CONFLICT OF INTEREST POLICY ALSO REQUIRES THE DISCLOSURE OF ANY CHANGE OF CIRCUMSTANCE THAT WOULD GIVE RISE TO CONFLICTS CONCERNS. MOREOVER, THE FOUNDATION HAS ADOPTED A WHISTLEBLOWER POLICY DESIGNED TO ENCOURAGE PROMPT DISCLOSURE BY TRUSTEES, OFFICERS AND EMPLOYEES OF ANY UNLAWFUL OR IMPROPER BEHAVIOR OR TRANSACTIONS, INCLUDING THOSE THAT RAISE POTENTIAL CONFLICT OF INTEREST CONCERNS. EACH YEAR ALL DIRECTORS, OFFICERS, TRUSTEES AND KEY EMPLOYEES ARE REMINDED OF THEIR OBLIGATIONS TO COMPLY WITH THE CONFLICT ON INTEREST POLICY AT THE ORGANIZATION'S ANNUAL MEETING AND PERIODICALLY AT OTHER TIMES DURING THE YEAR. IN ADDITION, THE BARNES TRAINED EMPLOYEES ON ETHICS AND THE PREVISION OF WORKPLACE HARASSMENT, AND MAINTAINED A THIRD-PARTY REPORTING SYSTEM TO ALLOW EMPLOYEES, CONTRACTORS, AND VOLUNTEERS TO ANONYMOUSLY REPORT INSTANCES OF HARASSMENT, SAFETY VIOLATIONS, BIAS, OR ANY OTHER CONCERN. TO DATE, NO REPORTS HAVE BEEN MADE IN THIS SYSTEM. FORM 990, PART VI, SECTION B, LINE 15 THE BARNES FOUNDATION PERFORMS A REVIEW OF THE COMPENSATION AND BENEFITS PACKAGE (INCLUDING FRINGE, RETIREMENT AND SEVERANCE BENEFITS) FOR CERTAIN EMPLOYEES AT THE TIME OF HIRE. THIS REVIEW RELIES UPON COMPARABILITY DATA TO DETERMINE WHETHER THE COMPENSATION ARRANGEMENT IN ITS ENTIRETY IS REASONABLE. FOR THIS PURPOSE, APPROPROPRIATE AND RELEVANT INFORMATION INCLUDES COMPENSATION PAID BY SIMILIARLY SITUATED TAX-EXEMPT AND TAXABLE ORGANIZATIONS FOR FUNCTIONALLY COMPARABLE POSITIONS. THIS REVIEW ALSO TAKES INTO ACCOUNT THE SIZE, REVENUE, GEOGRAPHIC LOCATION, STRUCTURE AND COMPLEXITY OF THE ORGANIZATION. FORM 990, PART VI, SECTION C, LINE 19 THE BARNES FOUNDATION'S BY-LAWS, CHARTER, FINANCIAL STATEMENTS AND CERTAIN OTHER GOVERNING DOCUMENTS (E.G., CONFLICT OF INTEREST POLICY), ARE AVAILABLE FOR REVIEW UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D), DIRECTED TO THE FOLLOWING: GENERAL COUNSEL (A MEMBER OF MANAGEMENT), BARNES FOUNDATION, 2025 BENJAMIN FRANKLIN PARKWAY, PHILADELPHIA, PA 19130. FORM 990, PART IX, LINE 11G SPECIAL EXHIBITIONS SUPPORT: PROGRAM SERVICE EXPENSES 1,319,384. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 2,950. TOTAL EXPENSES 1,322,334. ART HANDLING & TRANSPORT: PROGRAM SERVICE EXPENSES 858,699. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 858,699. STRATEGIC PLANNING: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 394,285. FUNDRAISING EXPENSES 16,688. TOTAL EXPENSES 410,973. EDUCATION SUPPORT: PROGRAM SERVICE EXPENSES 35,798. MANAGEMENT AND GENERAL EXPENSES 195,778. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 231,576. CONSERVATION/COLLECTION CARE: PROGRAM SERVICE EXPENSES 193,887. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 193,887. PUBLIC PROGRAMS PERFORMERS: PROGRAM SERVICE EXPENSES 155,535. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 155,535. EVENT SUPPORT: PROGRAM SERVICE EXPENSES 109,347. MANAGEMENT AND GENERAL EXPENSES 4,245. FUNDRAISING EXPENSES 18,761. TOTAL EXPENSES 132,353. PROFESSIONAL DEVELOPMENT: PROGRAM SERVICE EXPENSES 1,046. MANAGEMENT AND GENERAL EXPENSES 39,816. FUNDRAISING EXPENSES 14,775. TOTAL EXPENSES 55,637. FACILITIES SUPPORT: PROGRAM SERVICE EXPENSES 32,274. MANAGEMENT AND GENERAL EXPENSES 2,607. FUNDRAISING EXPENSES 3. TOTAL EXPENSES 34,884. BENEFITS CONSULTING: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 29,642. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 29,642. PHOTOGRAPHY: PROGRAM SERVICE EXPENSES 16,425. MANAGEMENT AND GENERAL EXPENSES 87. FUNDRAISING EXPENSES 2,697. TOTAL EXPENSES 19,209. RECRUITMENT: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 15,458. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 15,458. DESIGN SERVICES: PROGRAM SERVICE EXPENSES 9,690. MANAGEMENT AND GENERAL EXPENSES 734. FUNDRAISING EXPENSES 2,876. TOTAL EXPENSES 13,300. INSURANCE BROKER: PROGRAM SERVICE EXPENSES 5,215. MANAGEMENT AND GENERAL EXPENSES 775. FUNDRAISING EXPENSES 740. TOTAL EXPENSES 6,730. OTHER SUPPORT: PROGRAM SERVICE EXPENSES 213,015. MANAGEMENT AND GENERAL EXPENSES 61,142. FUNDRAISING EXPENSES 1,254. TOTAL EXPENSES 275,411. CP 2023 1717 ARCH STREET SUITE 4050 PHILADELPHIA PA 19103 852458469 MUSEUM PLANNING PA 501(C)(3) LINE 12A, I THE BARNES FOUNDATION 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 0 1