2021-08-12T08:50:20-05:00 2020-09-30 721396621 CARR RIGGS & INGRAM LLC 7550 HALCYON SUMMIT DRIVE MONTGOMERY AL 36117 990 2019-10-01 636049847 MONTGOMERY MUSEUM OF FINE ARTS ASSOCIATION MONT 3346254372 ONE MUSEUM DRIVE MONTGOMERY AL 36117 DAVID CHANDLER TREASURER 3346254372 2021-08-11 1 M CHAD SINGLETARY CPA P00166368 3342716678 2021-08-11 2019 2022-09-23 18:48:47Z DAVID CHANDLER ONE MUSEUM DRIVE MONTGOMERY AL 36117 4935442 0 X WWW.MMFA.ORG X 1964 AL THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT, AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT, AND ENJOYMENT OF ITS PUBLIC. 37 37 45 141 0 0 1220224 1068124 232573 102030 445807 330411 231237 125055 2129841 1625620 0 0 0 0 559680 549598 0 0 21717 939639 992035 1499319 1541633 630522 83987 12867836 13156748 399872 441291 12467964 12715457 X THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT, AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT, AND ENJOYMENT OF ITS PUBLIC. 0 0 64691 251041 EDUCATION:DURING THE FIRST TWO QUARTERS OF THE FISCAL YEAR, THE MUSEUM WAS ABLE TO ENGAGE MANY MONTGOMERY PUBLIC SCHOOL STUDENTS ON TOURS. BEFORE THE SHUTDOWN NECESSITATED BY THE PANDEMIC, THE TREND OF HIGH VISITORSHIP TO THE ARTWORKS INTERACTIVE GALLERY CONTINUED, ALONG WITH THAT OF A HIGH PERCENTAGE OF OVERALL VISITORSHIP BEING DRAWN BY PROGRAMS. THE ARTMAKING PARTNERSHIP WITH THE MONTGOMERY THERAPEUTIC AND RECREATION CENTER CONTINUED TO BE A MODEL PARTNERSHIP FOR ART MAKING AND DISCUSSION WITH ARTISTS OF ALL AGES AND ABILITIES. AND THE MUSEUM OFFERED A THREE DAY BICENTENNIAL THEMED SYMPOSIUM, BEARING WITNESS, FOCUSED ON THE ART OF ALABAMA.DURING THE GLOBAL COVID-19 PANDEMIC, THE MMFA HAS SOUGHT TO MEET THE CHALLENGE OF REACHING OUR COMMUNITY AND CONSTITUENTS IN NEW WAYS. WE EMBARKED UPON THE LOCKDOWN WITH A HIGH SCHOOL AP ART HISTORY CLASS MEETING ONLINE DAILY, BI-WEEKLY INSTAGRAM TAKEOVERS BY LOCAL ARTISTS AND A BACKYARD DRAWING CLASS, MONTHLY MEETINGS OF OUR REGULAR READING GROUP, ART CRITIQUE SESSION, AND VOLUNTEER DOCENT EDUCATORS ON ZOOM, AND FREQUENT ONLINE/AT HOME ACTIVITIES. OVER THE SUMMER WE ADDED AT HOME SUMMER CAMP AND SCOUT MEETINGS, VIDEOS FOR PARENTS AND TEACHERS, ONLINE CONVERSATIONS WITH STAFF, ARTISTS, AND COMMUNITY MEMBERS, MANY REFLECTIONS ON RACE IN RESPONSE TO THE NATIONAL RECKONING, CAPTIONS FOR THE HEARING IMPAIRED OF MANY OF OUR PROGRAMS, AND REMOTE INTERNS. EARLY FALL SAW A RETURN TO LIFELONG LEARNING ON ZOOM AND A NEW VIRTUAL STORYTIME FOR FAMILIES WITH YOUNG CHILDREN.ARTWORKS:ARTWORKS WAS CLOSED FOR HALF OF THE YEAR DUE TO VISITOR SAFETY. STUDENT ART EXHIBITIONS INCLUDED THOSE INSPIRED BY THE SCENES OF AFRICAN AMERICAN LIFE IN THE WORKS OF JACOB LAWRENCE, ALABAMA LANDSCAPES TIED TO THE STATE'S BICENTENNIAL, AND THE US CENSUS.YOUTH AND FAMILY PROGRAMS:NEW PROGRAMS FOR THE YEAR INCLUDED A POPULAR AUTUMN ARTFEST WITH PUMPKIN DECORATING, STORYTELLING, AND MUSIC. STUDIO CLASSES CONTINUED, AND THE POPULAR EXPRESSIVE EVENING SHOWCASE OF TEEN TALENTS WAS ALSO HELD.SCHOOLS:FIFTH GRADERS EXPERIENCED THE BECOMING ALABAMA TOUR PROGRAM, CONNECTED TO HISTORY THROUGH ART IN THEIR CLASSROOMS, OUR GALLERIES, AND ACTIVITIES. A NEW PROGRAM FOR KINDERGARTENERS WAS DEBUTED WITH ALABAMA DANCE THEATER. IN MOVE WITH ME, EVERY MPS KINDERGARTNER WATCHED DANCERS INTERPRET WORKS IN OUR COLLECTION, EXPLORE MOVEMENT IN ART, AND MOVE TOO! THE MUSEUM'S POPULAR CLASSROOM BASED LEARNING THROUGH ART FOR THIRD THROUGH FIFTH GRADERS CONTINUED EMPHASIZING STUDENT DRIVEN DISCUSSION AND ART MAKING WITH VISITS BY LOCAL ARTISTS. A NEW VERSION WITH VIDEO LESSONS AND REPRODUCTIONSOF WORKS OF ART OR THE CLASSROOM WILL ALLOW THE CURRICULUM TO REACH MORE SCHOOLS EVEN POST PANDEMIC. 477400 PERMANENT COLLECTION ACQUISITIONS:THE MONTGOMERY MUSEUM OF FINE ARTS IS THE PREMIER ART COLLECTING INSTITUTION IN CENTRAL ALABAMA, AND SERVES THE TRI-COUNTY RIVER REGION BY EXHIBITING THIS COLLECTION FOR THE BENEFIT OF THE PUBLIC. THE COLLECTION CENTERS AROUND AMERICAN ART, HOWEVER SIGNIFICANT ADDITIONS IN OTHER AREAS WERE ALSO IMPORTANT TO THE COLLECTION'S DEVELOPMENT. IN FY 2020, THE MUSEUM ACQUIRED 32 WORKS OF ART REPRESENTING VARIOUS MEDIA. ACQUISITION HIGHLIGHTS INCLUDE THE FIRST PERMANENT ADDITION TO THE MUSEUM'S CADDELL SCULPTURE GARDEN, A BRONZE CAST ENSEMBLE BY THE GREAT 20TH-CENTURY SCULPTOR GEORGE SEGAL (AMERICAN, 19242000), CHANCE MEETING, 1989. THE MUSEUM ALSO WAS BEQUEATHED WORKS FROM THE ESTATE OF LOCAL COLLECTORS JOAN AND JAMES L. LOEB WHICH INCLUDED FOUR EARLY AMERICAN FOLK PAINTINGS BY THOMAS CHAMBERS (AMERICAN, BORN ENGLAND, 18881866/68), AMMI PHILLIPS (AMERICAN, 17881865), AND ZEDEKIAH BELKNAP (AMERICAN, 17811858). IN ADDITION, THIS BEQUEST INCLUDED 12 EXAMPLES OF FIRST PERIOD WORCESTER PORCELAIN THAT JOINED 95 EXAMPLES OF THIS FINE ENGLISH 18TH-CENTURY PORCELAIN, A COLLECTION WHICH WAS SUPPORTED OVER THE YEARS BY THE LOEB FAMILY. OTHER SIGNIFICANT ACQUISITIONS WERE PAUL SCOTT'S (BRITISH, BORN 1953) SELMA, 2019, A TRANSFER-WARE PLATE FROM SALVAGED CHINA FEATURING IMAGES FROM THE CIVIL RIGHTS MOVEMENT, AND DREAD SCOTT'S (AMERICAN, BORN 1965) A MAN WAS LYNCHED BY POLICE YESTERDAY, 2017, A SCREEN PRINT ON CANVAS. 293691 EXHIBITIONS:FOR THE YEAR 2020, THE MUSEUM'S GALLERIES WERE LARGELY CLOSED TO VISITORS DUE TO THE COVID-19 PANDEMIC UNTIL THEIR REOPENING IN OCTOBER OF THAT YEAR. IN ADDITION TO SEMI-PERMANENT INSTALLATIONS OF ART FROM THE MUSEUM'S PERMANENT COLLECTION, MUSEUM OFFERS TEMPORARY EXHIBITIONS THAT RANGE IN LENGTH FROM 6 TO 12 WEEKS. THE CADDELL SCULPTURE GARDEN, IS AN OUTDOOR VENUE IN WHICH PRIMARILY LOANED WORKS OF SCULPTURE ARE ROTATED ON AN 18 MONTH TO 2-YEAR SCHEDULE. KEY LOANS IN THIS CYCLE INCLUDE WORKS BY PATRICK DOUGHERTY, ROUGH N' TUMBLE (2020) AND A CAST BRONZE BY KAREN LAMONTE, RECLINING NOCTURNE 3 (2019).OTHER TEMPORARY INSTALLATIONS INCLUDED:CAL BREED: SIGNS OF LIFTOCTOBER 26, 2019, THROUGH FEBRUARY 2, 2020ON VIEW IN THE WEIL ATRIUM GALLERYWILL HENRY STEVENSFEBRUARY 13 THROUGH MARCH 15, 2020ON VIEW IN THE WEIL GRAPHIC ARTS STUDY CENTERHANS GROHS: LAND'S EDGEJANUARY 9 THROUGH MARCH 15, 2020ON VIEW IN THE HUGHES AND WILSON GALLERIESTHE GOLDEN HOUR: REMBRANDT'S ETCHINGS AND SOCIETAL TRANSFORMATION IN THE SEVENTEENTH CENTURYFEBRUARY 13 THROUGH MARCH 22, 2020ON VIEW IN THE GOLDMAN, RICHARD, AND RUSHTON STAKELY GALLERIESPIECES AND PATTERNS: QUILTS OF WEST ALABAMAFEBRUARY 13 THROUGH APRIL 1, 2020ON VIEW IN THE ATRIUM, BLACKMON, AND WEIL GALLERIESPERSONAL TO POLITICAL: CELEBRATING THE AFRICAN-AMERICAN ARTISTS OF PAULSON FONTAINE PRESSMAY 22 THROUGH JULY 26, 2020ON VIEW IN THE ATRIUM, BLACKMON, GOLDMAN, RICHARD, AND RUSHTON STAKELY GALLERIESPAINTINGS FROM THE STUDENT ART COLLECTIONSTUDENT ARTJUNE 19 THROUGH AUGUST 10, 2020ON VIEW IN THE ARTWORKS CORRIDOR GALLERYUBUHLE WOMEN: BEADWORK AND THE ART OF INDEPENDENCEAUGUST 8 THROUGH OCTOBER 18, 2020ON VIEW IN THE ATRIUM, BLACKMON, GOLDMAN, RICHARD, AND RUSHTON STAKELY GALLERIESSECRET WORLDSAUGUST 11 THROUGH SEPTEMBER 20, 2020ON VIEW IN THE HUGHES AND WILSON GALLERIESART WALK: VOICES OF CHANGENOVEMBER 2020 THROUGH FEBRUARY 2021AROUND NEWELL LAKEAUTHORITY FIGURES: TRADITIONAL AFRICAN SCULPTURE FROM THE COLLECTION OF THE MMFASEPTEMBER 26 THROUGH DECEMBER 6, 2020ON VIEW IN WILSON GALLERYBLOW UP II: INFLATABLE CONTEMPORARY ARTOCTOBER 31, 2020 THROUGH JANUARY 31, 2021ON VIEW IN THE ATRIUM, BLACKMON, GOLDMAN, RICHARD, AND RUSHTON STAKELY GALLERIESFACT OR FICTIONDECEMBER 19, 2020 THROUGH FEBRUARY 21, 2021ON VIEW IN THE WILSON GALLERY 835782 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 1 58 0 1 45 1 0 0 0 0 0 1 1 0 0 0 0 X 37 37 0 0 0 0 1 1 1 1 1 0 0 1 1 1 1 1 1 1 1 0 X JANET CARROLL 3346254372 ONE MUSEUM DRIVE MONTGOMERY AL 36117 BARRETT AUSTIN BOARD MEMBER 1.00 X 0 0 0 CEDRIC BRADFORD BOARD MEMBER 1.00 X 0 0 0 KAREN CAMPBELL BOARD MEMBER 1.00 X 0 0 0 GINNY CUMBUS BOARD MEMBER 1.00 X 0 0 0 HELENA DUNCAN BOARD MEMBER 1.00 X 0 0 0 CAMILLE FINLEY BOARD MEMBER 1.00 X 0 0 0 WILLIAM FORD BOARD MEMBER 1.00 X 0 0 0 JASON GOODSON BOARD MEMBER 1.00 X 0 0 0 MYRTLE GOORE BOARD MEMBER 1.00 X 0 0 0 POLLY HARDEGREE BOARD MEMBER 1.00 X 0 0 0 LUCY JACKSON BOARD MEMBER 1.00 X 0 0 0 DEREK JOHNSON BOARD MEMBER 1.00 X 0 0 0 ROHN JONES BOARD MEMBER 1.00 X 0 0 0 BARBARA LARSON BOARD MEMBER 1.00 X 0 0 0 ROSETTA LEDYARD BOARD MEMBER 1.00 X 0 0 0 ALLISON MUHLENDORF BOARD MEMBER 1.00 X 0 0 0 MARY OWENS BOARD MEMBER 1.00 X 0 0 0 CATHERINE PORTER BOARD MEMBER 1.00 X 0 0 0 KERRY POWELL BOARD MEMBER 1.00 X 0 0 0 SUSAN PRICE BOARD MEMBER 1.00 X 0 0 0 SHERON ROSE BOARD MEMBER 1.00 X 0 0 0 BOB RUNKLE BOARD MEMBER 1.00 X 0 0 0 LESLIE SANDERS BOARD MEMBER 1.00 X 0 0 0 KATHY SAWYER BOARD MEMBER 1.00 X 0 0 0 ADAM SCHLOSS BOARD MEMBER 1.00 X 0 0 0 MARK SNEAD BOARD MEMBER 1.00 X 0 0 0 WINIFRED STAKELY BOARD MEMBER 1.00 X 0 0 0 BARBARA THOMPSON BOARD MEMBER 1.00 X 0 0 0 MELISSA TUBBS BOARD MEMBER 1.00 X 0 0 0 JANET WALLER BOARD MEMBER 1.00 X 0 0 0 GRIFFITH WALLER BOARD MEMBER 1.00 X 0 0 0 LAURIE WEIL BOARD MEMBER 1.00 X 0 0 0 KELLI WISE BOARD MEMBER 1.00 X 0 0 0 DAVID CHANDLER TREASURER 1.00 X X 0 0 0 MARY STOWERS DUNN SECRETARY 2.00 X X 0 0 0 CATHY MARTIN VICE PRESIDENT 2.00 X X 0 0 0 PETE KNIGHT PRESIDENT 2.00 X X 0 0 0 ANGIE DODSON EXECUTIVE DIRECTOR 40.00 X 89789 0 0 89789 0 0 0 0 1 1 WK UPCHURCH CONSTRUCTION 1001 MONTICELLO COURT MONTGOMERY AL 36117 SCULPTURE GARDEN CONSTRUCTION 131988 1 264014 321931 482179 8100 1068124 CATERING INCOME 711190 60230 60230 BEVERAGE SERVICE INCOME 711190 19849 19849 CONTRACT LABOR INCOME 711190 16554 16554 PROGRAM FEES 711190 4917 4917 RIGHTS AND PRODUCTIONS 711190 480 480 102030 275840 275840 30615 0 30615 30615 30615 3317800 3263229 54571 54571 54571 76359 46593 29766 29766 INSURANCE PROCEEDS 900099 45800 45800 MISCELLANEOUS INCOME 900099 38321 38321 CHANGE IN BENEFICIAL INTEREST 900099 -19447 -19447 64674 1625620 251041 0 306455 94494 27844 64448 2202 386935 108227 269442 9266 29866 8588 21278 38303 1851 35493 959 59372 59372 1350 1350 361 361 14804 14378 426 29728 19388 10340 23340 21319 2021 3225 1639 1586 90742 72 90670 ACQUISITIONS 462500 462500 CONTRACT LABOR 114965 99430 7135 8400 FEES FOR SPECIAL SERVIC 83310 41963 41347 CATERING AND BEVERAGE 66559 5433 60326 800 41779 21800 19889 90 1541633 835782 684134 21717 482522 963153 3690051 2816974 198319 108833 59979 24963 4158 3439 13058 878 209880 170852 29735 39028 7863117 8692029 526897 507451 12867836 13156748 265704 291841 134168 149450 399872 441291 X 6531465 6872881 5936499 5842576 12467964 12715457 12867836 13156748 83987 163506 0 X X 0 1 X 1 0 X 912141 736665 942578 1220224 1068124 4879732 912141 736665 942578 1220224 1068124 4879732 4879732 383583 328927 490888 500882 361026 2065306 46177 37795 314522 14796 84121 497411 7442449 808610 0.65570 0.63140 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 12699162 25 324629 64792 13103080 12759331 95 436013 87332 12699162 12325133 115 735841 301758 12759331 11119843 765 1287946 83421 12325133 10392542 1960 802598 77257 11119843 0.43000 0.57000 0 0 209880 170852 39028 39028 X 1729755 163506 163506 1566249 59371 59371 1625620 1482262 0 1482262 59371 59371 1541633 PART III, LINE 1A: IN CONFROMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED BY OR DONATED TO THE ASSOCIATION ARE NOT INCLUDED IN IN THE STATEMENT OF FINANCIAL POSITION. THE ASSOCIATION MAINTAINS A SEPARATE RECORD OF ALL ITS ART OBJECTS. PART III, LINE 4: THE MONTGOMERY MUSEUM OF FINE ARTS HOLDS SOME 4,000 OBJECTS IN ITS COLLECTION, CONSISTING PRIMARILY OF AMERICAN WORKS OF ART FROM THE EIGHTEENTH CENTURY INTO THE TWENTY-FIRST CENTURY. THE COLLECTION INCLUDES ART FROM THE SOUTHEASTERN UNITED STATES, DECORATIVE ARTS IN THE FORM OF PORCELAIN AND GLASS, AND OLD MASTER PRINTS. THE AMERICAN COLLECTIONS, AS WELL AS THE EUROPEAN OLD MASTER PRINTS, FORM AN OUTSTANDING HISTORICAL CONTEXT FOR THE APPROXIMATELY 250 WORKS FROM THE MUSEUM'S GEOGRAPHIC REGION, WHICH DATE FROM THE LATE-NINETEENTH CENTURY TO THE PRESENT. THE MUSEUM'S AMERICAN COLLECTION IS A COMPREHENSIVE SURVEY OF STYLES, TECHNIQUES, AND SUBJECT MATTER FROM THE 18TH THROUGH THE 20TH CENTURIES ILLUSTRATING MAJOR ART MOVEMENTS FROM COLONIAL TIMES TO THE PRESENT. PORTIONS OF THE COLLECTION ARE ON PERMANENT EXHIBITION IN VARIOUS INSTALLATIONS THAT EXPLORE DIFFERENT THEMES OR HISTORICAL PERSPECTIVES. THE CORE OF THE AMERICAN ART INSTALLATION IS THE BLOUNT COLLECTION, CONTAINING 41 HISTORICALLY SIGNIFICANT PAINTINGS BY 33 AMERICAN ARTISTS INCLUDING COPLEY, MORAN, HOMER, SARGENT, HOPPER, AND O'KEEFFE. THIS CHRONOLOGICAL SURVEY OF AMERICAN PAINTINGS SIGNIFICANTLY ENHANCES THE OVERALL MUSEUM COLLECTIONS, AND THE MUSEUM'S EDUCATIONAL ROLE BY PROVIDING A COMPREHENSIVE VIEW OF IMPORTANT STYLES AND MOVEMENTS IN AMERICAN ART. WHILE THE MUSEUM'S AMERICAN ART COLLECTION IS AMONG THE STRONGEST IN THE SOUTHEASTERN U.S., THE MUSEUM'S PRINT COLLECTION IS ALSO HIGHLY SIGNIFICANT. THE RICH COLLECTION OF OLD MASTER PRINTS INCLUDES MULTIPLE WORKS BY OUTSTANDING EUROPEAN PRINTMAKERS FROM THE FIFTEENTH TO THE NINETEENTH CENTURIES SUCH AS SCHOENGAUER, D RER, REMBRANDT, CANALETTO, GOYA, AND WHISTLER. THE COLLECTION NOW INCLUDES OVER 1,500 OUTSTANDING IMPRESSIONS. THESE WORKS EMBODY VARIOUS PRINTMAKING TECHNIQUES AND DEMONSTRATE THE SCOPE AND QUALITY OF THIS DISTINCTIVE COLLECTION. UTILIZING THE MUSEUM'S WEIL PRINT ENDOWMENT, THE MUSEUM CONSISTENTLY PURCHASES OLD MASTER PRINTS MADE BEFORE 1900 TO ENHANCE THE MUSEUM'S HOLDINGS. THE COLLECTION OF WORKS ON PAPER ALSO INCLUDES POPULAR ENGRAVERS SUCH AS CURRIER AND IVES AND EXTENDS TO WORKS BY MAJOR MODERN PRINTMAKERS INCLUDING ROSENQUIST, WARHOL, AND STELLA. THE MUSEUM'S HOLDINGS OF HISTORICAL AND MODERN PHOTOGRAPHY ARE ALSO INCREASING, PARTICULARLY IN THE AREA OF WORKS BY SOUTHERN PHOTOGRAPHERS. IN 1930, THE MUSEUM WAS FOUNDED WITH THE INTENTION OF EXHIBITING WORKS BY ALABAMA ARTISTS AND TO PROMOTE THE CULTURAL, ARTISTIC, AND EDUCATIONAL LIFE OF THE PEOPLE OF ALABAMA. PAINTINGS WERE DONATED BY THE DIRECTOR OF THE MUSEUM'S ART SCHOOL, KELLY FITZPATRICK, AS WELL AS BY HIS STUDENTS TO FORM THE CORE OF EARLY HOLDINGS. TODAY, WORKS BY ALABAMA ARTISTS AND, IN A LARGER CONTEXT, WORKS BY SOUTHERN REGIONAL ARTISTS, REMAIN A SOURCE OF GREAT PRIDE FOR THE MONTGOMERY AREA AND ARE ACCESSIBLE REMINDERS OF ITS CULTURAL AND ARTISTIC HERITAGE. HISTORICAL AND CONTEMPORARY WORKS BY ARTISTS FROM ALABAMA AND THE SOUTHEAST FORM AN ESSENTIAL AND EXPANDING COMPONENT OF MMFA'S COLLECTION; MORE THAN TWO HUNDRED EXAMPLES OF PAINTING, WORKS ON PAPER AND SCULPTURE ARE NOW IN THE COLLECTION. REPRESENTED ARE NINETEENTH-CENTURY PORTRAITISTS, NICOLA MARSCHALL AND JACQUES AMANS, AND LANDSCAPE PAINTERS, JOSEPH RUSLING MEEKER, WALTER ANDERSON AND WILL HENRY STEVENS. ARTISTS OF THE WPA ERA INCLUDE J. KELLY FITZPATRICK, ARTHUR BAIRNSFARTHER, ANNE GOLDTHWAITE AND CHARLES SHANNON. MANY OF THESE WORKS WERE EXECUTED FOR WPA PROJECTS IN ALABAMA AND DONATED TO THE MUSEUM BY THE PROJECT OR BY THE ARTISTS. IMPORTANT CONTEMPORARY, REGIONAL ARTISTS REPRESENTED ARE ROGER BROWN, WILLIAM CHRISTENBERRY, AND FRANK FLEMING. WORKS BY SELF-TAUGHT ARTISTS ARE ALSO AN EXPANDING PART OF THE MUSEUM'S PERMANENT COLLECTION. QUILTS BY ALABAMA QUILTMAKERS OF THE MID-TO-LATE TWENTIETH CENTURY, AS WELL AS A SELECTION OF WORKS BY ALABAMA ARTISTS SUCH AS JIMMY LEE SUDDUTH, MOSE TOLLIVER AND BILL TRAYLOR, FORM AN IMPORTANT FACET OF THE MUSEUM'S REPRESENTATION OF WORKS BY REGIONAL ARTISTS. THE LOCATION OF THE MUSEUM IN THE BEAUTIFUL WYNTON M. BLOUNT CULTURAL PARK AND THE ARCHITECTURE OF THE BUILDING INSPIRED THE GOAL OF ACQUIRING WORKS OF SCULPTURE. REGIONAL SCULPTORS FRANK FLEMING, WILLIAM CHRISTENBERRY, AND ED HENDRICKS WERE COMMISSIONED AND HAVE PROVIDED SCULPTURE FOR THE MUSEUM AND GROUNDS. TWELVE WORKS BY LOCAL SELF-TAUGHT SCULPTOR CHARLIE LUCAS WERE ACQUIRED AND ARE NOW ON PERMANENT DISPLAY. THE MUSEUM HAS ALSO ASSEMBLED AN OUTSTANDING INSTALLATION OF THIRTY PIECES OF AMERICAN STUDIO ART GLASS, WHICH INCLUDES A LARGE WINDOW INSTALLATION COMMISSIONED FROM SEATTLE ARTIST CAPPY THOMPSON. IN ADDITION TO THE COLLECTION AREAS OUTLINED ABOVE, THE MUSEUM ALSO OWNS STUDY COLLECTIONS OF FIRST PERIOD WORCESTER PORCELAIN AND CHINESE EXPORT PORCELAIN, AS WELL AS AMERICAN HISTORICAL ART GLASS. THE MUSEUM'S COLLECTIONS AND THEIR IMPACT ON THE COMMUNITY ARE OF PRIMARY CONCERN TO MMFA. THE MUSEUM'S MISSION IS TO "COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC." THE PERMANENT COLLECTION HAS BEEN BUILT WITH THIS MISSION STATEMENT IN MIND. COMMUNITY YOUTH HAVE TRADITIONALLY BEEN VIEWED AS AN UNDERSERVED AUDIENCE BY MMFA. ALABAMA'S PUBLIC ELEMENTARY AND JUNIOR HIGH SCHOOLS PROVIDE LITTLE OR NO ART EDUCATION. AS A RESULT, THE MUSEUM HAS DEVELOPED MANY PROGRAMS SPECIFICALLY FOR THIS AUDIENCE. ARTWORKS, THE LEADING INTERACTIVE EDUCATIONAL ART GALLERY IN THE STATE, WAS CREATED TO OFFER CHILDREN AND ADULTS AN INTERACTIVE EXPLORATION OF THE ELEMENTS OF ART. A FIELD TRIP TO MMFA IS PART OF THE CURRICULUM FOR EVERY KINDERGARTEN AND FIFTH-GRADE STUDENT IN MONTGOMERY PUBLIC SCHOOLS; THE FIELD TRIP INCLUDES A GALLERY TOUR, TIME TO EXPLORE ARTWORKS, AND A STUDIO ART-MAKING ACTIVITY. OTHER SCHOOL GROUPS TOUR VARIOUS EXHIBITIONS FOR CURRICULUM-RELATED, ARTS-IN-EDUCATION EFFORTS DESIGNED BY THE CURATOR OF EDUCATION. COMMUNITY OUTREACH PROGRAMS ARE DEVELOPED TO INFORM AND EDUCATE AUDIENCES ABOUT SPECIAL EXHIBITIONS IN AN EFFORT TO MAKE GALLERY VISITS MORE ENRICHING. DURING CAMP SUNSHINE, A WEEK-LONG SUMMER PROGRAM IN CONJUNCTION WITH THE GIRL SCOUTS, MMFA OFFERS STUDIO ART PROGRAMS FOR SEVERAL HUNDRED FIVE- TO 14-YEAR OLD ECONOMICALLY DISADVANTAGED GIRLS. WEEKEND STUDIO/GALLERY CLASSES AND SUMMER ART CAMPS, BOTH WITH SCHOLARSHIP OPPORTUNITIES, SERVE PRE-SCHOOL THROUGH HIGH-SCHOOL YOUTH. THESE SUCCESSFUL EFFORTS TO REACH THIS AUDIENCE HAVE LED TO MODELS OF OUTREACH AND AUDIENCE DEVELOPMENT THAT MMFA SEEKS TO UTILIZE WITH OTHER UNDERSERVED AUDIENCES, ESPECIALLY ADULTS AGED 18 TO 35. PART X, LINE 2: THE ASSOCIATION HAS NOT RECOGNIZED ANY RESPECTIVE LIABILITY FOR UNRECOGNIZED TAX BENEFITS AS IT HAS NO KNOWN TAX POSITIONS THAT WOULD SUBJECT THE ASSOCIATION TO ANY MATERIAL INCOME TAX EXPOSURE. THE TAX YEARS THAT REMAIN SUBJECT TO EXAMINATION ARE THE PERIODS BEGINNING ON OCTOBER 1, 2016 FOR ALL MAJOR TAX JURISDICTIONS. 0 0 0 0 0 0 0 0 0 FORM 990, PART VII, SECTION A, LINE 5 THE CITY OF MONTGOMERY COMPENSATED ANGIE DODSON, MONTGOMERY MUSEUM OF FINE ARTS ASSOCIATION EXECUTIVE DIRECTOR, $90,414. X 21 0 X PROFESSIONAL SERVICES 1 8100 FMV 0 0 0 PART I, LINE 33: THE MUSEUM REPORTS ONLY THE APPRAISED VALUE OF THESE WORK OF ART CONTRIBUTIONS, WHICH THE DONOR REPORTS ON THEIR TAX RETURN. THE TOTAL APPRAISED VALUE OF THE VARIOUS WORKS OF ART RECEIVED DURING 10/1/19-9/30/20 WAS $344,400. FORM 990, PART VI, SECTION A, LINE 6 THE MONTGOMERY MUSEUM OF FINE ARTS IS A NONPROFIT ORGANIZATION WITH BOARD MEMBERS WHO HAVE THE RIGHT TO PARTICIPATE IN THE ORGANIZATION'S GOVERNANCE, ELECT MEMBERS OF THE GOVERNING BODY AND APPROVE SIGNIFICANT DECISIONS OF THE GOVERNING BODY. MEMBERS DO NOT RECEIVE DISTIRBUTIONS OF INCOME OR ASSETS FROM THE ORGANIZATION NOR MAY THEY RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS, EXCESS DUES OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. THE MUSEUM IS A DEPARTMENT OF THE CITY OF MONTGOMERY, GOVERNED BY THE CITY'S RULES AND REGULATIONS, OVERSEEN BY THE CITY'S MAYOR AND CITY COUNCIL. THE CITY OF MONTGOMERY SETS GENERAL POLICY AND PROCEDURES FOR ALL ITS DEPARMENTS INCLUDING THE MUSEUM. FORM 990, PART VI, SECTION A, LINE 7A MEMBERS OF THE ASSOCIATION ELECT BOARD MEMBERS. FORM 990, PART VI, SECTION A, LINE 7B MEMBERS OF THE ASSOCIATION MAY MAKE CHANGES TO THE BY-LAWS AT AN ANNUAL MEETING. FORM 990, PART VI, SECTION B, LINE 11B A COPY OF THE FORM 990 WAS EMAILED TO KEY BOARD MEMBERS BEFORE IT WAS FILED. IT WAS ALSO REVIEWED BY THE TREASURER AND ACCOUNTANT BEFORE THE TAX RETURN WAS FILED. FORM 990, PART VI, SECTION B, LINE 12C A COPY OF THE MONTGOMERY MUSEUM OF FINE ARTS' CODE OF ETHICS WILL BE PROVIDED TO EACH MEMBER OF THE MUSEUM'S BOARD AND STAFF AT THE BEGINNING OF THEIR RELATIONSHIP WITH THE MUSEUM AND WILL BE SIGNED BY EACH MEMBER. BOARD AND STAFF SHOULD DISCLOSE ANY POTENTIAL CONFILCT OF INTEREST TO THE MUSEUM AT THAT TIME. THE MUSEUM'S CODE OF ETHICS IS IMPLEMENTED BY AND WILL BE UPDATED OR REVISED BY A VOTE OF THE FULL BOARD. THE MUSEUM'S EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES SERVES AS THE ETHICS COMMITTEE OF THE BOARD OF TRUSTEES. THE ETHICS COMMITTEE WILL BE RESPONSIBLE FOR EXAMINING REPORTS OR REQUESTS CONCERNING PERSONAL COLLECTING, GIFTS, ACQUISITIONS, SALES, TRADES OR OTHER MATTERS AS THEY RELATE TO BOARD MEMBERS OR MUSEUM STAFF WHEN SUCH MATTERS MAY PRESENT THE POTENTIAL FOR A CONFLICT. FORM 990, PART VI, SECTION B, LINE 15 THE EXECUTIVE COMMITTEE REVIEWED DATA OF COMPENSATION OF OTHER ART MUSEUM DIRECTORS: IN THE GEOGRAPHICAL REGION, BY METROPOLITAN AREA POPULATION, AND BY OPERATING BUDGET SIZE. COMPENSATION DOCUMENTATION AND MINUTES OF MEETINGS ARE KEPT ON RECORD IN THE MUSEUM'S BOARD FILES AND PERSONNEL FILES. FORM 990, PART VI, SECTION C, LINE 19 THE MONTGOMERY MUSEUM OF FINE ARTS GOVERNING DOCUMENTS, CONFLICTS OF INTEREST POLICY, AUDIT, ANNUAL REPORT, AND OTHER POLICIES ARE AVAILABLE UPON REQUEST. FORM 990, PART XII, LINE 2C THE ORGANIZATION'S EXECUTIVE COMMITTEE OVERSEES THE AUDIT OF THE ORGANIZATION.