2021-05-10T04:25:35-05:00 2020-06-30 861065772 DELOITTE TAX LLP 925 FOURTH AVENUE SUITE 3300 SEATTLE WA 981041126 990 2019-07-01 941156300 SAN FRANCISCO MUSEUM OF MODERN ART SANF 4153574000 151 THIRD STREET SAN FRANCISCO CA 941033159 REBECCA MALKIN CHOCRON CFO 4153574000 2021-05-08 1 JANE M SEARING P00000565 2067167000 2019 2022-09-23 18:48:47Z NEAL BENEZRA 151 THIRD STREET SAN FRANCISCO CA 941033159 164091511 0 X WWW.SFMOMA.ORG X 1935 CA INSPIRE DIVERSE AUDIENCES THROUGH EXHIBITIONS, EDUCATION, PUBLICATIONS & COLLECTIONS 76 76 591 224 2922599 29152 49258811 38602276 12665709 10695783 8490092 4931687 52734487 6597235 123149099 60826981 0 0 0 0 34847149 37477023 431913 249380 6567314 62818901 60885621 98097963 98612024 25051136 -37785043 812960498 782459375 42356005 46179770 770604493 736279605 X SEE SCHEDULE O 0 0 30332803 7212876 SEE SCHEDULE O 7812270 11754 SEE SCHEDULE O 3709814 31632 SEE SCHEDULE O 40532333 7385852 COLLECTORS' FORUMCOLLECTORS' FORUM IS AN ART EXPERIENCE GROUP DEDICATED TO ENCOURAGING THE COLLECTION OF MODERN AND CONTEMPORARY ART. THROUGH ANNUAL DUES, COLLECTORS' FORUM MEMBERS SUPPORT THE MUSEUM'S GENERAL OPERATING BUDGET. IN APPRECIATION OF THIS SUPPORT, COLLECTORS' FORUM MEMBERS ENJOY PROGRAMS INCLUDING IN-HOME PANEL DISCUSSIONS WITH ART EXPERTS AND THOUGHT LEADERS IN THE INDUSTRY, TRAVEL OPPORTUNITIES CENTERED AROUND THE ART MARKET AND ALL ASPECTS OF COLLECTION-BUILDING, AND RECOGNITION AS THE LEAD SPONSOR ON A PROMINENT MUSEUM EXHIBITION EACH YEAR. SECA (SOCIETY FOR THE ENCOURAGEMENT OF CONTEMPORARY ART)SECA IS AN ART EXPERIENCE GROUP WHICH CELEBRATES THE LOCAL ART SCENE AND BUILDS COMMUNITY AMONG CREATIVES AND THE ART-CURIOUS THROUGH MONTHLY EDUCATIONAL AND SOCIAL PROGRAMS. SECA MEMBERS ENJOY TOURS AND TALKS AT LOCAL ARTS ORGANIZATIONS, ARTIST-RUN SPACES, AND MORE. MEMBERS ARE ALSO INVITED TO PARTICIPATE IN THE BIENNIAL SECA ART AWARD BY NOMINATING LOCAL ARTISTS FOR THIS PRESTIGIOUS AWARD AND EXHIBITION AT SFMOMA, AND VISITING THE STUDIOS OF FINALISTS TO GAIN INSIGHTS ON THEIR WORK. ARTISTS GALLERY THE SFMOMA ARTISTS GALLERY, LOCATED IN FORT MASON CENTER, HAS BEEN COMMITTED TO PROMOTING CONTEMPORARY ART IN THE BAY AREA FOR MORE THAN 40 YEARS. IN PARTNERSHIP WITH NEW AND ESTABLISHED ARTISTS IN THE COMMUNITY, THE GALLERY MAINTAINS AN EXTENSIVE SELECTION OF ARTWORKS FOR RENT AND FOR SALE. THE GALLERY ALSO HELPS SUSTAIN A VIBRANT LOCAL ART SCENE WITH A DYNAMIC, ROTATING EXHIBITION PROGRAM FEATURING NEW WORKS BY THE ARTISTS WE REPRESENT, INCLUDING EDUCATIONAL ARTIST TALKS. THE ART EXHIBITIONS AND ARTIST TALKS ARE FREE AND OPEN TO THE PUBLIC.PROCEEDS FROM ARTISTS GALLERY RENTALS AND SALES SUPPORT ARTISTS IN THE COMMUNITY AS WELL AS SUPPORTING EXHIBITIONS AND EDUCATIONAL PROGRAMMING AT SFMOMA. 40532333 7385852 82387220 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 0 0 1 0 0 1 0 0 1 1 0 0 0 0 1 0 0 0 1 0 0 0 0 1 1 0 0 1 1 1 0 0 0 1 551 0 1 591 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 76 76 1 0 0 0 0 0 0 1 1 0 1 1 0 1 1 1 1 1 1 1 0 CA X REBECCA MALKIN CHOCRON 4153574000 151 THIRD STREET SAN FRANCISCO CA 94103 NEAL BENEZRA MUSEUM DIRECTOR 40.00 X 966204 0 62131 NANCY KEETON DEPUTY DIRECTOR (THRU JUL 2020) 40.00 X 389522 0 43752 JANET ALBERTI DEPUTY DIRECTOR (THRU JAN 2020) 40.00 X 396183 0 32080 GERALD GARRELS SENIOR CURATOR P&S(THRU JUL 2020) 40.00 X 318039 0 38019 CLEMENT CHEROUX SENIOR CURATOR PHOTO(THRU MAR 2020) 40.00 X 296811 0 23693 JANET BISHOP CHIEF CURATOR & CURATOR 40.00 X 273803 0 22737 SAMANTHA LEO DIRECTOR OF PHILANTHROPY 40.00 X 275375 0 16112 ADINE VARAH GENERAL COUNSEL 40.00 X 238163 0 35509 CHAD COERVER CHIEF ED. & CE 40.00 X 227770 0 13242 RUTH BERSON DEPUTY DIRECTOR (THRU OCT 2019) 40.00 X 213263 0 16748 REBECCA MALKIN CHOCRON DIRECTOR OF FINANCE (FROM MAR 2019) 40.00 X 134014 0 6625 ROBERT J FISHER CHAIR 3.00 X X 0 0 0 DIANA NELSON PRESIDENT 3.00 X X 0 0 0 MIMI L HAAS VICE CHAIR 3.00 X X 0 0 0 CHARLES M COLLINS VICE CHAIR 3.00 X X 0 0 0 DENNIS J WONG SECRETARY/TREASURER 3.00 X X 0 0 0 DAVID MAHONEY TRUSTEE 1.00 X 0 0 0 ALKA AGRAWAL TRUSTEE 1.00 X 0 0 0 JOACHIM BECHTLE TRUSTEE 1.00 X 0 0 0 YVES BEHAR TRUSTEE 1.00 X 0 0 0 GAY-LYNN BLANDING TRUSTEE 1.00 X 0 0 0 JAMES W BREYER TRUSTEE 1.00 X 0 0 0 CAROLYN BUTCHER TRUSTEE 1.00 X 0 0 0 ROSANA CASTRILLO DIAZ TRUSTEE 1.00 X 0 0 0 DOLLY CHAMMAS TRUSTEE 1.00 X 0 0 0 WAYEE CHU TRUSTEE 1.00 X 0 0 0 ADAM H CLAMMER TRUSTEE 1.00 X 0 0 0 LIONEL CONACHER TRUSTEE 1.00 X 0 0 0 PENNY COULTER TRUSTEE 1.00 X 0 0 0 ROBERTA DENNING TRUSTEE 1.00 X 0 0 0 JEAN DOUGLAS TRUSTEE 1.00 X 0 0 0 ROBERT L EMERY TRUSTEE 1.00 X 0 0 0 CARLA EMIL TRUSTEE 1.00 X 0 0 0 IRWIN FEDERMAN TRUSTEE 1.00 X 0 0 0 DORIS FISHER TRUSTEE 1.00 X 0 0 0 HARRY J ELAM JR TRUSTEE 1.00 X 0 0 0 JONATHAN GANS TRUSTEE 1.00 X 0 0 0 M ARTHUR GENSLER JR TRUSTEE 1.00 X 0 0 0 PAMELA JOYNER TRUSTEE 1.00 X 0 0 0 KATHRYN A HALL TRUSTEE 1.00 X 0 0 0 LUIS HERRERA TRUSTEE 1.00 X 0 0 0 MARYELLEN C HERRINGER TRUSTEE 1.00 X 0 0 0 ADRIANE IANN TRUSTEE 1.00 X 0 0 0 BRADLEY JAMES TRUSTEE 1.00 X 0 0 0 KEVIN PB JOHNSON TRUSTEE 1.00 X 0 0 0 RICHARD M KOVACEVICH TRUSTEE 1.00 X 0 0 0 PAMELA KRAMLICH TRUSTEE 1.00 X 0 0 0 JANET W LAMKIN TRUSTEE 1.00 X 0 0 0 CHRISTINE E LAMOND TRUSTEE 1.00 X 0 0 0 LINDA W GRUBER TRUSTEE 1.00 X 0 0 0 MARISSA MAYER TRUSTEE 1.00 X 0 0 0 NION MCEVOY TRUSTEE 1.00 X 0 0 0 KENNETH P MCNEELY TRUSTEE 1.00 X 0 0 0 CHRISTOPHER MEANY TRUSTEE 1.00 X 0 0 0 JULIE MEHRETU TRUSTEE 1.00 X 0 0 0 LISA S MILLER TRUSTEE 1.00 X 0 0 0 WES MITCHELL TRUSTEE 1.00 X 0 0 0 DEBORAH NOVACK TRUSTEE 1.00 X 0 0 0 KATIE PAIGE TRUSTEE 1.00 X 0 0 0 LISA S PRITZKER TRUSTEE 1.00 X 0 0 0 BECCA PROWDA TRUSTEE 1.00 X 0 0 0 LINNEA CONRAD ROBERTS TRUSTEE 1.00 X 0 0 0 CHARA SCHREYER TRUSTEE 1.00 X 0 0 0 KOMAL SHAH TRUSTEE 1.00 X 0 0 0 LYDIA SHORENSTEIN TRUSTEE 1.00 X 0 0 0 NORMAN C STONE TRUSTEE 1.00 X 0 0 0 SONYA YU TRUSTEE 1.00 X 0 0 0 ROSELYNE CHROMAN SWIG TRUSTEE 1.00 X 0 0 0 SUSAN SWIG TRUSTEE 1.00 X 0 0 0 BARBARA T VERMUT TRUSTEE 1.00 X 0 0 0 JOHN WALECKA TRUSTEE 1.00 X 0 0 0 THOMAS W WEISEL TRUSTEE 1.00 X 0 0 0 CARLIE WILMANS TRUSTEE 1.00 X 0 0 0 MICHAEL W WILSEY TRUSTEE 1.00 X 0 0 0 PAT WILSON TRUSTEE 1.00 X 0 0 0 ROBIN M WRIGHT TRUSTEE 1.00 X 0 0 0 GINA PETERSON TRUSTEE 1.00 X 0 0 0 ANDREW P PILARA TRUSTEE 1.00 X 0 0 0 KAY HARRIGAN WOODS TRUSTEE 1.00 X 0 0 0 NORAH SHARPE STONE TRUSTEE 1.00 X 0 0 0 IVETTE CALDERA ESSERMAN TRUSTEE 1.00 X 0 0 0 HUNG LIU TRUSTEE 1.00 X 0 0 0 DERYCK MAUGHAN TRUSTEE 1.00 X 0 0 0 COURTNEY DALLAIRE EX-OFFICIO TRUSTEE 1.00 X 0 0 0 AVRIL ANGEVINE EX-OFFICIO TRUSTEE 1.00 X 0 0 0 KERRY DALLMAR EX-OFFICIO TRUSTEE 1.00 X 0 0 0 COURTNEY LOUKIDES EX-OFFICIO TRUSTEE 1.00 X 0 0 0 AIMEE LE DUC EX-OFFICIO TRUSTEE 1.00 X 0 0 0 CHARLES R SCHWAB CHAIR EMERITUS 1.00 X 0 0 0 BROOKS WALKER JR CHAIR EMERITUS 1.00 X 0 0 0 CHARLOTTE MAILLIARD SHULTZ HONORARY TRUSTEE 1.00 X 0 0 0 KENT LOGAN HONORARY TRUSTEE 1.00 X 0 0 0 RICHARD L GREENE HONORARY TRUSTEE 1.00 X 0 0 0 VICKI LOGAN HONORARY TRUSTEE 1.00 X 0 0 0 3729147 0 310648 46 0 1 0 CYPRESS PRIVATE SECURITY LLC 478 TEHAMA STREET SAN FRANCISCO CA 941034141 SECURITY SERVICES 3565353 UNIVERSAL PROTECTION SERVICE LP PO BOX 31001-2374 PASADENA CA 911102374 SECURITY SERVICES 2790343 MICHAEL H WILLIAMS DBA MIKE WILLIAMS DRY 2223 W HEARN AVE SANTA ROSA CA 954077349 DRYWALL SERVICES 1719432 SANSI NORTH AMERICA LLC 1500 BROADWAY SUITE 2000 NEW YORK NY 10036 FABRICATION SERVICES 1532656 ABM ONSITE SERVICES - WEST INC PO BOX 52609 LOS ANGELES CA 900742609 ENGINEERING SERVICES 1336335 43 5440907 1500325 450690 31210354 1686831 38602276 ADMISSIONS 900099 6502168 6502168 OTHER PROGRAM 900099 2350726 2350726 EXHIBITIONS 900099 710196 710196 ARTISTS GALLERY 900099 628585 628585 TOURS AND SPECIAL EVENTS 900099 504108 504108 10695783 7761636 423880 7337756 1051254 511376 539878 539878 539878 96105919 98935868 -2829949 -2829949 -2829949 257775 1500325 645468 -387693 -387693 6990890 3171818 3819072 3289836 529236 PARKING GARAGE 812930 2625978 656495 1969483 2625978 60826981 14642114 2922599 4659992 X 2170916 760200 866277 544439 28371761 20137240 4741120 3493401 986974 705540 163128 118306 3568549 2469502 636344 462703 2378823 1631304 434170 313349 2659630 1545856 902326 211448 247017 260 233464 13293 130310 130310 249380 249380 609955 15185 594770 878365 876696 83 1586 550098 386812 79378 83908 899750 899750 12306256 12015759 140990 149507 ART PURCHASE 18783644 18783644 EXHIBITION 5027974 5027974 GUARD SERVICES 4567916 4474860 45683 47373 ENGINEERING/CUSTODIAL 2232425 2185071 23247 24107 11992281 10471567 666200 854514 98612024 82387220 9657490 6567314 16099570 9202961 44860800 5067825 20771816 16531390 600261 756616 520000 500000 1636243 1253384 8204486 4087924 471751553 88198584 394652272 383552969 312004007 347231576 12970538 13634225 640505 640505 812960498 782459375 11205084 9479321 1340026 702855 29810895 29833817 0 6163777 42356005 46179770 X 154502618 135528309 616101875 600751296 770604493 736279605 812960498 782459375 -37785043 3460155 0 X 0 1 X 1 0 X 93757471 47751146 58629191 49258811 38602276 287998895 93757471 47751146 58629191 49258811 38602276 287998895 26906541 261092354 3436951 5566800 6213394 10708405 8812890 34738440 29152 29152 2403139 562330 2766601 3090207 2883753 11706030 334472517 124697288 0.78060 0.81730 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 348909586 3268146 7575317 14211249 345541800 343267334 4056226 15403270 13817244 348909586 336322231 7662154 21373652 22090703 343267334 191275170 121089174 34748555 10790668 336322231 198748505 4189948 -4938102 6725181 191275170 0.37000 0.52000 0.11000 1 0 48330001 48330001 393786127 69373663 324412464 1021848 1019457 2391 19353053 13334326 6018727 9260524 4471138 4789386 383552969 PART III, LINE 1A: THE COLLECTIONS, WHICH CONSIST OF WORKS OF ART HELD FOR EDUCATIONAL AND CURATORIAL PURPOSES, ARE ACQUIRED THROUGH PURCHASES (ACCESSIONS) OR CONTRIBUTIONS AND ARE NOT RECOGNIZED AS ASSETS IN THE CONSOLIDATED STATEMENT OF FINANCIAL POSITION. EACH WORK OF ART IS INVENTORIED AND CARED FOR, AND ACTIVITIES VERIFYING THE COLLECTIONS' INTEGRITY ARE PERFORMED CONTINUOUSLY. PURCHASES OF ART ARE RECORDED AS EXPENSE IN THE MUSEUM'S CONSOLIDATED STATEMENTS OF ACTIVITIES AND CHANGES IN NET ASSETS AND AN INVESTING ACTIVITY IN THE CONSOLIDATED STATEMENTS OF CASH FLOWS IN THE YEAR IN WHICH THE OBJECTS ARE ACQUIRED. CONTRIBUTED WORKS OF ART ARE NOT REFLECTED ON THE CONSOLIDATED FINANCIAL STATEMENTS. PART III, LINE 4: ONE OF THE MOST IMPORTANT FUNCTIONS OF A MUSEUM IS TO DEVELOP AND MAKE ACCESSIBLE TO PUBLIC AN OUTSTANDING COLLECTION OF WORKS OF ART, THEREBY CREATING AND OFFERING AN ARTISTIC LEGACY TO THE COMMUNITY, NATION, AND THE WORLD. SINCE 1935, SFMOMA HAS BEEN A PIONEER AMONG MODERN AND CONTEMPORARY ART MUSEUMS IN COLLECTING AND PUBLIC PROGRAMMING IN THE FIELDS OF PHOTOGRAPHY, ARCHITECTURE AND DESIGN, INSTALLATION, AND NEW MEDIA, EVEN AS IT HAS ASSEMBLED PREMIER HOLDINGS IN THE MORE TRADITIONAL MEDIA OF DRAWING, PAINTING, AND SCULPTURE. SFMOMA'S ART COLLECTION IS REGIONAL, NATIONAL, AND INTERNATIONAL IN SCOPE, AND BEGINS IN THE TWENTIETH CENTURY, WITH THE EXCEPTION OF PHOTOGRAPHY, WHICH ENCOMPASSES THE ENTIRE HISTORY OF THAT MEDIUM (1839 TO THE PRESENT). THE MUSEUM HAS MORE THAN 50,000 WORKS OF ART IN ITS COLLECTION, REFLECTING THE DISTINCT COLLECTING STRATEGIES OF THE MUSEUM'S FIVE CURATORIAL DEPARTMENTS AND THE RESEARCH LIBRARY. PART V, LINE 4: ENDOWMENT FUNDS ARE USED TO ADVANCE THE CHARITABLE AND EDUCATIONAL PURPOSES OF THE SAN FRANCISCO MUSEUM OF MODERN ART. CENTRAL AMERICA & THE CARIBBEAN INVESTMENTS 1998870 CENTRAL AMERICA & THE CARIBBEAN 9 PROGRAM SERVICES PROFESSIONAL SERVICES 106957 EAST ASIA AND THE PACIFIC 8 PROGRAM SERVICES PROFESSIONAL SERVICES 11281 EUROPE (INCLUDING ICELAND & GREENLAND) 18 PROGRAM SERVICES PROFESSIONAL SERVICES 894035 MIDDLE EAST AND NORTH AFRICA 2 PROGRAM SERVICES PROFESSIONAL SERVICES 23000 NORTH AMERICA 7 PROGRAM SERVICES PROFESSIONAL SERVICES 19696 SOUTH AMERICA 1 PROGRAM SERVICES PROFESSIONAL SERVICES 5000 SOUTH ASIA 1 PROGRAM SERVICES PROFESSIONAL SERVICES 8158 SUB-SAHARAN AFRICA 1 PROGRAM SERVICES PROFESSIONAL SERVICES 700 0 46 0 1 0 47 3066997 700 3067697 1 1 1 1 1 0 PART III ACCOUNTING METHOD: X X X X X X X 1 THE LUKENS COMPANY 2800 SHIRLINGTON ROAD SUITE 900 ARLINGTON VA 22206 MEMBERSHIP CAMPAIGNS 0 96716 250980 0 96716 250980 CA FOG DESIGN + ART 1410000 1216875 193125 243766 27322 226042 CONTEMPORARY VISION AWARD 322200 264000 58200 62784 20960 51802 1 25900 19450 6450 8496 1563 2733 1758100 1500325 257775 315046 49845 280577 645468 -387693 LINE 2B(I): NAME AND ADDRESS OF ENTITY (FUNDRAISER): THE LUKENS COMPANY 2800 SHIRLINGTON ROAD, SUITE 900 ARLINGTON, VA 22206 X X 1 1 X X X X X X 0 1 0 0 0 0 0 0 0 NEAL BENEZRA MUSEUM DIRECTOR 880965 0 76429 0 8810 0 41958 0 20173 0 1028335 0 1017643 0 NANCY KEETON DEPUTY DIRECTOR (THRU JUL 2020) 388232 0 0 0 1290 0 19962 0 23790 0 433274 0 433023 0 JANET ALBERTI DEPUTY DIRECTOR (THRU JAN 2020) 394893 0 0 0 1290 0 19962 0 12118 0 428263 0 423339 0 GERALD GARRELS SENIOR CURATOR P&S(THRU JUL 2020) 314229 0 0 0 3810 0 16304 0 21715 0 356058 0 347774 0 CLEMENT CHEROUX SENIOR CURATOR PHOTO(THRU MAR 2020) 296367 0 0 0 444 0 14000 0 9693 0 320504 0 299150 0 JANET BISHOP CHIEF CURATOR & CURATOR 272646 0 0 0 1157 0 13691 0 9046 0 296540 0 0 0 SAMANTHA LEO DIRECTOR OF PHILANTHROPY 275106 0 0 0 269 0 13732 0 2380 0 291487 0 0 0 ADINE VARAH GENERAL COUNSEL 237630 0 0 0 533 0 12192 0 23317 0 273672 0 267184 0 CHAD COERVER CHIEF ED. & CE 227280 0 0 0 490 0 11358 0 1884 0 241012 0 0 0 RUTH BERSON DEPUTY DIRECTOR (THRU OCT 2019) 211158 0 0 0 2105 0 10682 0 6066 0 230011 0 475768 0 PART I, LINE 1A PER EMPLOYMENT CONTRACT, MUSEUM DIRECTOR, NEAL BENEZRA, IS ELIGIBLE TO RECEIVE AN ANNUAL PERFORMANCE BONUS (GROSSED UP) AS DETERMINED BY THE BOARD. PART I, LINE 4B NON QUALIFIED RETIREMENT PLAN CONTRIBUTIONS: NEAL BENEZRA $27,957.86 GERALD GARRELS $2,304.22 JANET ALBERTI $5,962.10 NANCY KEETON $5,962.11 GARY GARRELS SENIOR CURATOR FOR PURCHASE OF PRIMARY RESIDENCE X 500000 500000 0 1 1 500000 X 47 1601932 COST/SELLING PRICE X FOOD/BEVERAGE 3 84899 COST/SELLING PRICE 0 0 1 1 PART I, LINE 32B: STOCK CONTRIBUTIONS ARE PROCESSED THROUGH ALEX BROWN AND CHARLES SCHWAB. FORM 990, PART III, LINE 1 SFMOMA BELIEVES THE ART OF OUR TIME IS VITAL AND SHARES IT WITH PASSION AND PURPOSE, AND THAT ART AND THE CREATIVE PROCESS CAN OPEN MINDS AND HELP BUILD A BETTER WORLD. FOR THAT REASON, WE ASSEMBLE UNPARALLELED COLLECTIONS, CREATE EXHILARATING EXHIBITIONS, AND DEVELOP ENGAGING PUBLIC PROGRAMS THAT CONNECT WITH OUR COMMUNITY. WELCOME! FORM 990, PART III, LINE 4A EXHIBITIONS A KEY OBJECTIVE OF SFMOMA'S MISSION IS TO PRESENT EXHIBITIONS THAT EXPLORE WORKS BY LEADING MODERN AND CONTEMPORARY ARTISTS AND THE MOST SIGNIFICANT ARTISTIC DIRECTIONS OF OUR TIME, IN THE CONTEXT OF AN ACTIVE DIALOGUE WITH LOCAL, NATIONAL AND INTERNATIONAL ART COMMUNITIES. THE MUSEUM SEEKS A BALANCED EXHIBITION PROGRAM THAT INCLUDES MONOGRAPHIC AND THEMATIC EXHIBITIONS OF BROAD APPEAL AS WELL AS THOSE THAT REFLECT SFMOMA'S DISTINCTIVE CURATORIAL VOICE IN PAINTING AND SCULPTURE, PHOTOGRAPHY, MEDIA ARTS, ARCHITECTURE AND DESIGN, AND CONTEMPORARY ART. THE EXHIBITIONS PROGRAM INCLUDES TWENTY TO TWENTY-FIVE PRESENTATIONS ANNUALLY, OF WHICH 75 PERCENT ARE ORGANIZED BY SFMOMA AND 25 PERCENT ARE TRAVELING EXHIBITIONS ORGANIZED BY OTHER INSTITUTIONS. SFMOMA HOLDS AN INTERNATIONALLY RECOGNIZED COLLECTION OF MODERN AND CONTEMPORARY ART, AND WAS THE FIRST MUSEUM ON THE WEST COAST DEVOTED SOLELY TO 20TH-CENTURY ART. THE MUSEUM'S CURRENT COLLECTION INCLUDES OVER 36,000 WORKS OF PAINTING, SCULPTURE, PHOTOGRAPHY, ARCHITECTURE, DESIGN, MEDIA, AND CONTEMPORARY ART. THEY ARE DISPLAYED IN 170,000 SQUARE FEET OF EXHIBITION SPACE, MAKING THE MUSEUM ONE OF THE LARGEST IN THE UNITED STATES OVERALL, AND ONE OF THE LARGEST IN THE WORLD FOR MODERN AND CONTEMPORARY ART. RECENT EXHIBITIONS ORGANIZED BY SFMOMA INCLUDE: JR: THE CHRONICLES OF SAN FRANCISCO, SUZANNE LACY: WE ARE HERE, PAT O'NEILL, RICHARD MOSSE: INCOMING, FAR OUT: SUITS, HABS, AND LAB FOR OUTER SPACE, ANDY WARHOL ---- FROM A TO B AND BACK AGAIN, LOUISE BOURGEOIS SPIDERS, CAROL BOVE AND JOHN CHAMBERLAIN: CONVERSE, ON A CLEAR DAY: AGNES MARTIN AND MARK BRADFORD, RAINBOWS AND SPECTRUMS, NEW WORK: ERIN SHIRREFF, NEW WORK: NEVIN ALADAG, APRIL DAWN ALISON, ELAD LASSRY, DON'T! PHOTOGRAPHY AND THE ART OF MISTAKES, THOUGHT PIECES, STEPHEN POWERS: DAYMAKER, SNAP AND SHARE, SIGNS AND WONDERS: THE PHOTOGRAPHS OF JOHN BEASLEY GREENE, HANNAH COLLINS: I WILL MAKE UP A SONG, DAWOUD BEY: AN AMERICAN PROJECT, ELEMENTAL CALDER, SELECTIONS FROM THE SACK PHOTOGRAPHIC TRUST, LEBBEUS WOODS: EINSTEIN TOMB, PRINT PUBLICS: CONTEMPORARY ART AND DESIGN PUBLISHING IN THE BAY AREA (IN KORET), KLEE AND ALBERS *NOT SURE OF THE TITLE FOR THIS..., PAUL KLEE AND EXILE, MYTHOS, PSYCH, AND EROS: JESS AND CALIFORNIA, SECA ART AWARD, SHIFTING TERRAIN: WORKS ON PAPER FROM THE COLLECTION, JULIE MEHRETU, ONGOING EXHIBITIONS, OPEN ENDED AND FISHER COLLECTION. SFMOMA'S EXHIBITIONS TOUR WIDELY AND HAVE BEEN PRESENTED NATIONALLY AND INTERNATIONALLY AT SUCH VENUES AS THE MUSEO DE ARTE CONTEMPORANEO DE MONTERREY, MUSEE D'ART CONTEMPORAIN DE MONTREAL, ART GALLERY OF ONTARIO, MODERN ART MUSEUM OF FORT WORTH, THE METROPOLITAN MUSEUM OF ART, KALAMAZOO INSTITUTE OF ARTS, TATE MODERN, STEDELIJK MUSEUM AMSTERDAM, ART INSTITUTE OF CHICAGO, THE WHITNEY MUSEUM OF AMERICAN ART, THE HIGH MUSEUM OF ART. FORM 990, PART III, LINE 4B, PROGRAM SERVICE ACCOMPLISHMENTS: COLLECTIONS AND PURCHASE OF ART ONE OF THE MOST IMPORTANT FUNCTIONS OF A MUSEUM IS TO DEVELOP AND MAKE ACCESSIBLE TO THE PUBLIC AN OUTSTANDING COLLECTION OF WORKS OF ART, THEREBY CREATING AND OFFERING AN ARTISTIC LEGACY TO THE COMMUNITY, NATION, AND THE WORLD. SINCE 1935, SFMOMA HAS BEEN A PIONEER AMONG MODERN AND CONTEMPORARY ART MUSEUMS IN COLLECTING AND PUBLIC PROGRAMMING IN THE FIELDS OF PHOTOGRAPHY, ARCHITECTURE AND DESIGN, INSTALLATION, AND NEW MEDIA, EVEN AS IT HAS ASSEMBLED PREMIER HOLDINGS IN THE MORE TRADITIONAL MEDIA OF DRAWING, PAINTING, AND SCULPTURE. SFMOMA'S ART COLLECTION IS REGIONAL, NATIONAL, AND INTERNATIONAL IN SCOPE, AND BEGINS IN THE TWENTIETH CENTURY, WITH THE EXCEPTION OF PHOTOGRAPHY, WHICH ENCOMPASSES THE ENTIRE HISTORY OF THAT MEDIUM (1839 TO THE PRESENT). THE MUSEUM HAS MORE THAN 50,000 WORKS OF ART IN ITS COLLECTION, REFLECTING THE DISTINCT COLLECTING STRATEGIES OF THE MUSEUM'S FIVE CURATORIAL DEPARTMENTS AND THE RESEARCH LIBRARY. DEPARTMENT OF PAINTING AND SCULPTURE THE COLLECTION OF PAINTING AND SCULPTURE FORMS THE BACKBONE OF SFMOMA'S PERMANENT COLLECTION AND REPRESENTS THE FULL LEGACY OF THE MUSEUM'S ACTIVITIES. ALTHOUGH THE DEPARTMENT OF PAINTING AND SCULPTURE WAS FORMALLY ESTABLISHED IN THE MID-1980S, SFMOMA HAS BEEN ACTIVELY ENGAGED IN THE ACQUISITION, RESEARCH, PRESENTATION, AND INTERPRETATION OF A DIVERSE RANGE OF MODERN AND CONTEMPORARY WORKS SINCE THE MUSEUM'S FOUNDING IN 1935. THE COLLECTION IS DISTINGUISHED BY ITS CONCENTRATIONS IN FAUVISM, GERMAN EXPRESSIONISM, SURREALISM, LATIN AMERICAN ART, ABSTRACT EXPRESSIONISM, POP ART, POSTMINIMALISM, GERMAN PAINTING, ART FROM THE SAN FRANCISCO BAY AREA, AND MAJOR LARGE-SCALE INSTALLATIONS FROM ARTISTS WORKING IN THE 1990S AND THROUGH TO THE PRESENT. WHILE THESE MASTERWORKS FORM THE FOUNDATION OF THE COLLECTION AND THE MUSEUM CONTINUES TO ADDRESS HISTORIC GAPS, THE MUSEUM IS ACTIVELY BUILDING A PREEMINENT COLLECTION OF CONTEMPORARY PAINTING AND SCULPTURE. THE DEPARTMENT FOCUSES ITS CURRENT COLLECTING PRACTICES TOWARD ACQUIRING THE MASTERWORKS OF TOMORROW, FOLLOWING MID-CAREER AND EMERGING ARTISTS WHO ARE WORKING AT THE HIGHEST LEVELS OF ARTISTIC MATURITY, WITH AN EMPHASIS ON THE BROAD DIVERSIFICATION OF OUR HOLDINGS. DEPARTMENT OF PHOTOGRAPHY SFMOMA WAS AMONG THE FIRST AMERICAN ART MUSEUMS TO RECOGNIZE PHOTOGRAPHY AS AN ART FORM. THE MUSEUM HAS BEEN DEDICATED TO THE ACQUISITION, RESEARCH, PRESENTATION, AND INTERPRETATION OF PHOTOGRAPHS FOR MORE THAN SEVENTY-FIVE YEARS, MAKING SFMOMA'S HOLDINGS ONE OF THE OLDEST COLLECTIONS OF PHOTOGRAPHY AMONG ART MUSEUMS NATIONWIDE. THE PHOTOGRAPHY COLLECTION IS ALSO THE MUSEUM'S LARGEST COLLECTION. THE MUSEUM'S COLLECTION IS PARTICULARLY WELL-REGARDED FOR ITS PHOTOGRAPHY OF CALIFORNIA AND THE WEST, THE EUROPEAN AVANT-GARDE, AND AMERICAN MODERNISM. OTHER AREAS OF STRENGTH INCLUDE JAPANESE PHOTOGRAPHY, VERNACULAR PHOTOGRAPHY, LANDSCAPE PHOTOGRAPHY, AND A GROWING CONTEMPORARY COLLECTION. THE SFMOMA PRITZKER CENTER FOR PHOTOGRAPHY IS THE LARGEST PERMANENT SPACE DEVOTED TO PHOTOGRAPHY IN A MODERN AND CONTEMPORARY ART MUSEUM. DEPARTMENT OF ARCHITECTURE AND DESIGN THROUGHOUT ITS HISTORY SFMOMA HAS BEEN AN ACTIVE FORUM FOR EXAMINING FORMAL AND CONCEPTUAL ISSUES IN THE FIELDS OF DESIGN. THE MUSEUM PRESENTED ARCHITECTURE AND DESIGN EXHIBITIONS REGULARLY BEFORE AN OFFICIAL CURATORIAL DEPARTMENT WAS FOUNDED IN 1983. FIVE YEARS LATER, THE MUSEUM BEGAN COLLECTING WORKS OF MODERN AND CONTEMPORARY DESIGN; TO DATE, THERE ARE OVER 7,000 WORKS OF ARCHITECTURE AND DESIGN. AS THE FIRST A+D COLLECTION ON THE WEST COAST, SFMOMA IS NOW RECOGNIZED AS ONE OF THE FOREMOST MUSEUMS INVESTED IN COLLECTING, CONSERVING AND EXHIBITING WORKS OF ARCHITECTURE, LANDSCAPE ARCHITECTURE, FURNITURE DESIGN, PRODUCT DESIGN, AND GRAPHIC DESIGN. THE COLLECTION IS INTERNATIONAL IN SCOPE WHILE REFLECTING THE DISTINCTIVE CHARACTER OF CALIFORNIA. OVER THE PAST TWO DECADES, THE MUSEUM HAS BUILT SIGNIFICANT HOLDINGS IN CONTEMPORARY VISIONARY ARCHITECTURE, BAY AREA DESIGN, POLITICAL POSTERS, AND PRODUCT DESIGN WITH DIGITAL INTERFACE. THE DEPARTMENT AIMS TO AFFECT POSITIVE CULTURAL CHANGE, ENCOURAGE IMAGINATION AND CRITICAL THINKING, AND PRESENT AN EXPANSIVE VIEW OF DESIGN. THE DEPARTMENT IS DEDICATED TO INCREASING VISIBILITY OF WORKS BY DESIGNERS OF COLOR, FOSTERING DIALOGUE ABOUT THE BUILT ENVIRONMENT AND OBJECTS IN IT AND AMPLIFYING TOPICS THAT ADDRESS THE UNREALIZED POTENTIAL OF A MORE INCLUSIVE SOCIETY AND HEALTHY ENVIRONMENT. DEPARTMENT OF MEDIA ARTS THE SFMOMA DEPARTMENT OF MEDIA ARTS, ESTABLISHED IN 1988, WAS AMONG THE FIRST OF ITS KIND IN THE UNITED STATES. MEDIA ARTS ORGANIZES EXHIBITIONS AND FILM SCREENINGS, AND PARTICIPATES IN RELATED EDUCATIONAL EVENTS AND PUBLICATIONS. THE MEDIA ARTS COLLECTION ENCOMPASSES THE DIVERSITY OF TIME-BASED MEDIA WORKS AND INSTALLATIONS, INCLUDING VIDEO, FILM, SLIDE, SOUND, COMPUTER-BASED, ONLINE PROJECTS AND PERFORMANCES. REFLECTING THE HISTORY OF TECHNOLOGICAL AND CONCEPTUAL DEVELOPMENTS IN ART SINCE THE 1960S, THE MEDIA ARTS COLLECTION AND EXHIBITION PROGRAM FEATURES LOCAL, NATIONAL, AND INTERNATIONAL ARTISTS. BAY AREA ARTISTS ARE ONE ONGOING FOCUS OF THE COLLECTION AND PROVIDE A CONTEXT FOR UNDERSTANDING THE REGION AS A HISTORIC CENTER FOR EXPERIMENTAL MEDIA. ALONG WITH TATE, THE MUSEUM OF MODERN ART, NEW YORK, AND THE NEW ART TRUST, SFMOMA IS AN ACTIVE MEMBER OF MATTERS IN MEDIA ART, AN INTERNATIONAL CONSORTIUM DEDICATED TO ESTABLISHING BEST-PRACTICE GUIDELINES FOR THE CARE, INSTALLATION, AND PRESERVATION OF TIME-BASED MEDIA WORKS. DEPARTMENT OF CONTEMPORARY ART THE DEPARTMENT OF CONTEMPORARY ART IS THE NEWEST COLLECTING AREA AT SFMOMA, ESTABLISHED IN 2017. THE DEPARTMENT ORGANIZES TEMPORARY, TRAVELING, AND PERMANENT COLLECTION EXHIBITIONS, PERFORMANCES, AND PUBLIC PROGRAMS INCLUDING SCREENINGS AND SYMPOSIA. THE DEPARTMENT ALSO DIRECTS THE NEW WORK PROGRAM, A SERIES OF EXHIBITIONS FEATURING NEWLY COMMISSIONED WORKS BY LIVING ARTISTS. INTERNATIONAL CONTEMPORARY ACCESSIONS (ICA) IS THE NEWEST ACQUISITIONS COMMITTEE AT SFMOMA, DEDICATED TO CONTEMPORARY ART BY PRACTITIONERS FROM AROUND THE WORLD WHOSE WORKS REFLECT KEY ISSUES, MODALITIES, AND FORMAL CONCERNS OF OUR TIMES. THE ICA COLLECTS ACROSS DISCIPLINES AND WELCOMES CO-ACQUISITIONS WITH OTHER DEPARTMENTS AND INSTITUTIONS. SINCE ITS INCEPTION IN 2018, ICA HAS ACQUIRED OVER SEVENTY-FIVE WORKS IN DIVERSE MEDIA RANGING FROM INSTALLATION, VIDEO, PHOTOGRAPHY, SCULPTURE, AND PAINTING BY ARTISTS BASED IN THE UNITED STATES, MEXICO, BRAZIL, VIETNAM, LEBANON, KOREA, AND MORE. SIGNIFICANT ACQUISITIONS INCLUDE WORKS BY ARTISTS NOT PREVIOUSLY REPRESENTED IN THE COLLECTION, WITH EMPHASIS ON MIDCAREER ARTISTS TO CONTRIBUTE TO THE COMPLEXITY OF THE HISTORY OF ART THAT SFMOMA WILL BE ABLE TO TELL TODAY AND IN THE FUTURE. SPECIAL COLLECTIONS IN THE SFMOMA RESEARCH LIBRARY THE SFMOMA RESEARCH LIBRARY HAS ACQUIRED SPECIAL COLLECTIONS MATERIALS SINCE THE MUSEUM WAS FOUNDED. THE SPECIAL COLLECTIONS' HOLDINGS INCLUDE RARE BOOKS, MAGAZINES, JOURNALS AND PRINTED EXHIBITION EPHEMERA, WHICH DOCUMENT THE HISTORY OF MODERN AND CONTEMPORARY ART, DESIGN AND PHOTOGRAPHY. THESE MATERIALS ARE COLLECTED AND PRESERVED FOR THEIR UNIQUE RESEARCH VALUE, AND ARE OFFERED FOR CONSULTATION TO OUR STAFF AND PUBLIC RESEARCHERS. THE SCOPE OF THE LIBRARY'S HOLDINGS MIRROR THE SCOPE OF THE MUSEUM COLLECTION AND SPECIAL COLLECTIONS MATERIALS OFTEN RELATE TO THE MUSEUM'S CONNECTION TO PARTICULAR ARTISTS AND EXHIBITION RESEARCH BY THE MUSEUM'S CURATORS. THE LIBRARY ALSO HOLDS A LEADING COLLECTION OF INTERNATIONAL ARTISTS' BOOKS, WHICH TRACES THE HISTORY OF ARTISTS' EXPERIMENTS WITH PUBLISHING AND BOOKMAKING, PARTICULARLY FROM THE MID-TWENTIETH CENTURY UNTIL THE PRESENT. OTHER COLLECTION STRENGTHS INCLUDE HISTORIC DOCUMENTATION OF EXHIBITION-MAKING IN THE BAY AREA FROM THE EARLY TWENTIETH CENTURY, MODERN AND CONTEMPORARY PHOTOBOOKS, AND INTERNATIONAL PUBLICATIONS RELATING TO INFLUENTIAL MODERN ART AND DESIGN EXHIBITIONS AND EVENTS. THIS COLLECTION CONTAINS OVER 4,000 BOOKS, PERIODICALS AND EPHEMERA FILES. FORM 990, PART III, LINE 4C, PROGRAM SERVICE ACCOMPLISHMENTS: EDUCATION AND COMMUNITY ENGAGEMENT THE EDUCATION AND COMMUNITY ENGAGEMENT DIVISION STRIVES TO MAKE CONTEMPORARY ART AND CULTURE ENGAGING, RELEVANT, AND ACCESSIBLE TO AUDIENCES OF ALL AGES AND KNOWLEDGE LEVELS. TOGETHER, WE CREATE OPPORTUNITIES FOR LEARNING THAT SERVE A WIDE ARRAY OF COGNITIVE STYLES AND KNOWLEDGE LEVELS; FOSTER MEANINGFUL CONVERSATIONS AND SHARED INQUIRY; DEVELOP INTERPRETIVE AND SCHOLARLY RESOURCES; BUILD PARTNERSHIPS WITH COMMUNITY MEMBERS AND ORGANIZATIONS; AND MAKE SPACE FOR PLAY AND EXPERIMENTATION. MAJOR AREAS OF FOCUS INCLUDE: 1. EDUCATIONAL EXPERIENCES FOR STUDENTS AND PROFESSIONAL DEVELOPMENT FOR K-12 TEACHERS. FREE SCHOOL TOURS AND PROGRAMS - AT THE MUSEUM, IN THE CLASSROOM, AND ONLINE - ENCOURAGE STUDENTS TO ENGAGE WITH MODERN AND CONTEMPORARY ART. PROFESSIONAL DEVELOPMENT INSTITUTES, PEER MENTORING PROGRAMS, AND VIRTUAL RESOURCES (ALSO FREE OF CHARGE) ARE OFFERED TO TEACHERS. DURING SHELTER-IN-PLACE RESTRICTIONS DUE TO COVID-19, THE MUSEUM HAS PARTNERED WITH SCHOOLS, LIBRARIES, AND COMMUNITY HUBS TO DISTRIBUTE MORE THAN 10,000 HANDS-ON ART KITS TO SAN FRANCISCO STUDENTS AND FAMILIES. 2. FAMILY PROGRAMMING AND RESOURCES FOR ADULTS WITH YOUNG CHILDREN. THE MUSEUM PROVIDES LIVE EVENTS, HANDS-ON ART EXPERIENCES, AND SELF-GUIDED CREATIVE ACTIVITIES VIA FREE FAMILY DAYS, SECOND SUNDAYS, AND ONLINE RESOURCES. WHEN THE MUSEUM IS OPEN TO PUBLIC VISITATION, THE KORET EDUCATION CENTER OFFERS DROP-IN ACCESS FOR FAMILIES TO CHILD-FRIENDLY BOOKS AND ACTIVITIES. 3. PUBLIC EVENTS FOR ADULTS THAT EXPLORE THE MEANING AND IMPACT OF MODERN AND CONTEMPORARY ART IN PUBLIC LIFE. THESE INCLUDE A DIVERSE ARRAY OF VIRTUAL AND ON-SITE GATHERINGS, SUCH AS ARTIST TALKS, TOURS, CONFERENCES, ARTISTIC COMMISSIONS, AND PERFORMANCES. 4. INTERPRETIVE MATERIALS THAT OFFER THOUGHT-PROVOKING INSIGHTS AND CREATIVE RESPONSES TO ART FROM ARTISTS, CURATORS, THINKERS, POETS, PERFORMERS, AND MANY OTHER TYPES OF VOICES. OFFERINGS INCLUDE VIDEOS, AUDIO CLIPS, INTERACTIVE EXPERIENCES, BOOKS, AND IN-GALLERY DIDACTICS. FORM 990, PART VI, SECTION A, LINE 2 FAMILY/BUSINESS RELATIONSHIP BETWEEN OFFICER/DIRECTOR/TRUSTEE/KEY EMPLOYEE: CHARLES R. SCHWAB AND KATIE PAIGE -FAMILY RELATIONSHIP ROBERT J. FISHER AND DORIS FISHER - FAMILY RELATIONSHIP MIMI L. HAAS AND BECCA PROWDA - FAMILY RELATIONSHIP ROSELYNE CHROMAN SWIG AND SUSAN SWIG - FAMILY RELATIONSHIP NORMAN STONE AND NORAH STONE - FAMILY RELATIONSHIP FORM 990, PART VI, SECTION B, LINE 11B THE FORM 990 IS PREPARED BY AN INDEPENDENT PUBLIC ACCOUNTING FIRM BASED ON AUDITED FINANCIAL STATEMENTS AND WITH THE ASSISTANCE OF THE ORGANIZATION'S FINANCE AND ACCOUNTING STAFF. THE FINAL DRAFT OF THE 990 IS REVIEWED BY THE CHIEF FINANCIAL OFFICER, THE DIRECTOR, THE CHAIRMAN OF THE FINANCE COMMITTEE, AND THE AUDIT COMMITTEE. FORM 990, PART VI, SECTION B, LINE 12C THE ORGANIZATION REGULARLY MONITORS AND ENFORCES COMPLIANCE WITH ITS CONFLICT OF INTEREST POLICY. FOR TRUSTEES, OFFICERS, SENIOR STAFF MEMBERS, AND NON-TRUSTEE VOLUNTEER MEMBERS OF BOARD FIDUCIARY AND ACCESSIONS COMMITTEES, UNDER THE CONFLICT OF INTEREST POLICY, THE EXECUTIVE DIRECTOR'S AND GENERAL COUNSEL'S OFFICE REQUIRE COMPLETION OF AN ANNUAL DISCLOSURE FORM. THE EXECUTIVE DIRECTOR'S OFFICE IN COLLABORATION WITH THE HUMAN RESOURCES DEPARTMENT, ASSURES THAT ALL FORMS HAVE BEEN RECEIVED AND, FOLLOWING CONSULATION WITH LEGAL COUNSEL PREPARES A SUMMARY OF DISCLOSURES AND FORWARDS THE FORMS AND SUMMARY TO THE ORGANIZATION'S LEGAL COUNSEL. ANY ISSUES BROUGHT UP BY THE LEGAL COUNSEL UPON HIS/HER REVIEW OF THE SUMMARY/DISCLOSURES ARE ADDRESSED BY THE DIRECTOR AND/OR THE GENERAL COUNSEL AT THE GOVERNANCE COMMITTEE AND/OR THE EXECUTIVE COMMITTEE MEETING. THE CHIEF FINANCIAL OFFICER ALSO RECEIVES A COPY OF THE SUMMARY AND REVIEWS ALL FORMS AND IS RESPONSIBLE FOR ASSURING APPROPRIATE REPORTING TO THE EXTERNAL AUDITORS AND DISCLOSURE IN THE ANNUAL TAX FILINGS. ANY RELATED PARTY TRANSACTIONS ARE REVIEWED BY THE BOARD GOVERNANCE COMMITTEE AND THE COMMITTEE'S RECOMMENDATIONS ARE APPROVED OR DISAPPROVED BY THE FULL BOARD. FORM 990, PART VI, SECTION B, LINE 15 THE PROCESS FOR DETERMINING THE COMPENSATION OF THE EXECUTIVE DIRECTOR AND OTHER TOP MANAGEMENT OFFICIALS IS AS FOLLOWS: THE MUSEUM WORKS WITH AN OUTSIDE COMPENSATION CONSULTING FIRM TO REVIEW AND BENCHMARK THE MUSEUM'S SALARY LEVELS AGAINST OTHER RELATIVE ARTS AND CULTURAL INSTITUTIONS AND NONPROFITS ON A LOCAL AND NATIONAL LEVEL, AS APPROPRIATE BY POSITION. IN ADDITION, THE MUSEUM PARTICIPATES IN AND USES ANNUAL SURVEY DATA FROM MULTIPLE SOURCES TO DETERMINE SALARY STRUCTURES AND MEDIAN MARKET RATES FOR EACH BENCHMARKED POSITION. SIGNIFICANT SALARY STRUCTURE CHANGES AND INCREASES TO THE SALARIES OF THE EXECUTIVE DIRECTOR AND DEPUTY DIRECTOR OF ADMINISTRATION AND FINANCE ARE RECOMMENDED BY THE HUMAN RESOURCES COMMITTEE AND APPROVED BY THE EXECUTIVE COMMITTEE AS PART OF THE ANNUAL PERFORMANCE REVIEW AND BUDGET PLANNING PROCESS. THE HUMAN RESOURCES COMMITTEE IS COMPRISED OF MEMBERS OF THE BOARD OF TRUSTEES AND IS FACILITATED BY THE CHIEF HUMAN RESOURCES OFFICER. MEETINGS OF THE COMMITTEE ARE HELD A MINIMUM OF TWICE PER YEAR, AND FOCUS ON TOTAL REWARDS AND OTHER RELEVANT HUMAN RESOURCES TOPICS. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990 AND FINANCIAL STATEMENTS AVAILABLE UPON REQUEST. FORM 990, PART IX, LINE 24E EQUIPMENT RENTAL AND MAINTENANCE: PROGRAM SERVICE EXPENSES 1,645,493. MANAGEMENT AND GENERAL EXPENSES 11,754. FUNDRAISING EXPENSES 272,697. TOTAL EXPENSES 1,929,944. INSURANCE AND TAXES: PROGRAM SERVICE EXPENSES 1,853,255. MANAGEMENT AND GENERAL EXPENSES 5,384. FUNDRAISING EXPENSES 6,184. TOTAL EXPENSES 1,864,823. UTILITIES: PROGRAM SERVICE EXPENSES 1,723,684. MANAGEMENT AND GENERAL EXPENSES 15,758. FUNDRAISING EXPENSES 21,189. TOTAL EXPENSES 1,760,631. OTHER: PROGRAM SERVICE EXPENSES 1,352,610. MANAGEMENT AND GENERAL EXPENSES 10,411. FUNDRAISING EXPENSES 121,659. TOTAL EXPENSES 1,484,680. SUPPLIES: PROGRAM SERVICE EXPENSES 1,283,344. MANAGEMENT AND GENERAL EXPENSES 6,615. FUNDRAISING EXPENSES 10,881. TOTAL EXPENSES 1,300,840. SPECIAL EVENTS: PROGRAM SERVICE EXPENSES 593,198. MANAGEMENT AND GENERAL EXPENSES 130,489. FUNDRAISING EXPENSES 260,226. TOTAL EXPENSES 983,913. OUTSIDE SERVICES: PROGRAM SERVICE EXPENSES 411,337. MANAGEMENT AND GENERAL EXPENSES 447,168. FUNDRAISING EXPENSES 65,343. TOTAL EXPENSES 923,848. POSTAGE: PROGRAM SERVICE EXPENSES 631,995. MANAGEMENT AND GENERAL EXPENSES 28,699. FUNDRAISING EXPENSES 8,004. TOTAL EXPENSES 668,698. FACILITY: PROGRAM SERVICE EXPENSES 474,207. MANAGEMENT AND GENERAL EXPENSES 746. FUNDRAISING EXPENSES 32,198. TOTAL EXPENSES 507,151. PRINTING: PROGRAM SERVICE EXPENSES 406,308. MANAGEMENT AND GENERAL EXPENSES 4,575. FUNDRAISING EXPENSES 50,743. TOTAL EXPENSES 461,626. BOOKS: PROGRAM SERVICE EXPENSES 96,136. MANAGEMENT AND GENERAL EXPENSES 4,601. FUNDRAISING EXPENSES 5,390. TOTAL EXPENSES 106,127. ELECTION FOOTNOTE: SECTION 1.263(A)-1(F) DE MINIMIS SAFE HARBOR ELECTION : TAXPAYER IS MAKING THE DE MINIMIS SAFE HARBOR ELECTION UNDER TREAS. REG. 1.263(A)-1(F) FOR ALL ELIGIBLE AMOUNTS PAID OR INCURRED DURING THE TAXABLE YEAR. SECTION 1.263(A)-3(N) CAPITALIZATION ELECTION : TAXPAYER HEREBY ELECTS TO CAPITALIZE REPAIR AND MAINTENANCE COSTS UNDER TREAS. REG. 1.263(A)-3(N). THE COSTS WERE INCURRED DURING THE TAXABLE YEAR IN THE ELECTING TAXPAYER'S TRADE OR BUSINESS AND THE ELECTING TAXPAYER TREATS SUCH COSTS AS CAPITAL EXPENDITURES ON ITS BOOKS AND RECORDS. LOWRIE AVENUE LLC 151 THIRD STREET SAN FRANCISCO CA 94103 941156300 TO SUPPORT SFMOMA CA 1051254 22916933 N/A ART SUPPORTING FOUNDATION 3 LAGOON DRIVE STE 400 REDWOOD CITY CA 94065 943325776 TO SUPPORT SFMOMA CA 501(C)(3) 7 SAN FRANCISCO MUSEUM OF MODERN ART 1 PAUL SACK PHOTOGRAPHIC TRUST 111 PINE STREET STE 1600 SAN FRANCISCO CA 94111 943308293 TO SUPPORT SFMOMA CA 501(C)(3) 11, TYPE I SAN FRANCISCO MUSEUM OF MODERN ART 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0