2021-05-11T08:03:24-05:00 2020-06-30 EISNERAMPER LLP 733 THIRD AVENUE NEW YORK NY 100172703 990 2019-07-01 132947386 New York City Ballet Inc % FARANG AZARI NEWY 2128707776 20 LINCOLN CENTER PLAZA NEW YORK NY 100236580 FARANG AZARI CFO 2128707776 2021-05-10 true CANDICE METH P01306891 2129498700 2019 2022-09-23 18:48:47Z KATHERINE BROWN 20 LINCOLN CENTER plaza NEW YORK NY 10023 124155137 false X NYCBALLET.COM X 1977 NY PERFORM, PROMOTE AND SUSTAIN CLASSICAL BALLET. 48 48 1451 250 2097148 25061473 26256344 51172079 39431090 15279889 2027214 -340062 -236570 91173379 67478078 31408 10319 0 0 66168928 61295207 239485 171768 3739656 25335930 22015455 91775751 83492749 -602372 -16014671 325423316 301270656 30076530 24790765 295346786 276479891 X TO perform the ballets and preserve the dance aesthetic and standards of excellence created and established by its founders; and to develop new work that draws on the creative talents of contemporary choreographers and composers, and speaks to the time in which it is made. This mission is accompanied by a commitment to expand the Companys audience and make ballet accessible to the widest possible public through touring, education programs, the creative use of media, and other outreach efforts. false false 69336546 35925306 New York City Ballet (NYCB) presented 16 weeks of performances and a total of 37 ballets including four world premieres for over 230,000 people. The Company also offered education and public programs for thousands of NYC public school students, families, adults, and people with disabilities both in-person and virtually. NYCB was originally slated to present a 22 week season which was unfortunately cut short due to the COVID-19 outbreak. As a result of the outbreak, NYCB closed the David H. Koch Theater following the Companys winter season and cancelled all spring performances and education and public programs that were originally scheduled to take place in person. A highlight of the Fall Season was NYCBs eighth annual Fall Fashion Gala for which choreographers Edwaard Liang and Lauren Lovette collaborated with fashion designers in the creation of new ballets. Other Fall Season highlights included a weeklong run of George Balanchines Jewels, widely celebrated and considered the first full-length abstract ballet, a range of repertory by Balanchine and Jerome Robbins, and Merce Cunninghams Summerspace which returned to the repertory as part of the centennial celebrations of the choreographer. Following the Companys annual six weeks of performances of George Balanchines The Nutcracker, the six-week Winter Season opened with nine All-Balanchine programs including works such as Danses Concertantes, Stravinsky Violin Concerto, Allegro Brillante, and Firebird. The Winter Season was highlighted by two world premiere ballets, the first, entitled Voices, by renowned choreographer Alexei Ratmansky. The second premiere of the Winter Season was Rotunda by NYCB Resident Choreographer Justin Peck which features a commissioned score by American composer Nico Muhly. Other highlights of the Winter Season included a restoration of the Variations solo from George Balanchines Episodes, and 11 performances of Peter Martins full-length production of Swan Lake. The Winter Season also presented the eighth annual NYCB Art Series featuring an installation by artist Lauren Redniss who is known for marrying the graphic and visual arts with biography and cultural history. Art Series pairs a site-specific installation in the David H. Koch Theater by a contemporary artist one whose work is considered provocative, innovative, and noteworthy, and has a following among younger audiences with three Access Evenings for which all seats for the performance are $35. Access Evenings are marketed to the artists fans and younger cultural consumers, and are curated with ballets that pique the interest of those new to NYCB. Art Series has been highly successful in attracting first-timers to NYCB and inspiring them to return, expanding current and future audiences. In lieu of in-person programming, NYCB offered a Digital Spring Season six weeks of online programming, featuring full ballets and excerpts from more than 20 works, on Tuesdays and Fridays from April 21 through May 29 and virtual movement workshops led by NYCB dancers and musicians, all of which were free to participants. The creation of virtual programming presented a new opportunity for the Company to engage with a wider cross-section of people who may not otherwise have an opportunity to participate in our programs or to feel a connection to NYCB due to their geographic location. 1656307 1109653 The Company had its annual summer residency at the Saratoga Performing Arts Center from July 16 to July 21, 2019. Due to COVID-19, the Companys other planned touring engagements had to be cancelled. 1480510 301259 During the 2019-20 season, New York City Ballet (NYCB) reached approximately 25,000 students, families, young people, and adults with education and public programs both in-person and virtually. NYCB conducted three distinct multi-workshop residency programs in predominantly Title I NYC public schools for approximately 5,800 students from first through fifth grades, with an emphasis on creative expression, student dancemaking, and literacy. NYCB teaching artists in collaboration with classroom teachers introduce students to ballets by George Balanchine, Jerome Robbins, and contemporary choreographers, and engage students with themes in the choreography and music, focusing on dancemaking through collaborative creative writing and movement. A key component of each residency is students attendance at a matinee performance especially for them. Company dancers and musicians perform full-length performances in costume on the companys stage accompanied by New York City Ballets orchestra; for many students, it is their first time attending a professional performance. In spring 2020, the NYC Department of Education closed public schools for the remainder of the school year. As a result, NYCB worked with its teaching artists to offer the remaining workshops virtually so that students could complete the programs at home. Public programs in 2019-20 included Family Saturdays, an onstage presentation that introduces children and their families to NYCB and its repertory, featuring short works performed by Company dancers who are accompanied by NYCB musicians. The Family-5 program offers $5 discounted tickets to social service organizations, veterans groups, special needs organizations, organizations for the deaf and hard of hearing communities, and NYC Council Members for their constituents. All Family Saturdays offer priority seating for those who are deaf or hard of hearing in addition to an American Sign Language interpreter. The 2019-20 season offered two Family Saturdays programs which were attended by approximately 3,000 people. A total of 275 discount tickets were purchased through the Family-5 program. NYCB also offered movement workshops throughout the season for children and adults led by NYCB teaching artists and Company dancers which introduce participants to basic ballet vocabulary, movement combinations, and short excerpts that coincide with the current repertory being performed. The Company also offered theater tours for children and young adults as well as two one-hour onstage presentations that explore the history and inner workings of NYCB through performance and discussion. Approximately 8,000 people participated in one of NYCBs public programs in 2019-20. For the first time, in spring 2020, NYCB offered online workshops for children and adults, all of which were free to participants. Ballet Breaks, for children ages 3 to 8, offered Saturday morning movement workshops led by NYCB dancers via Zoom. Over the course of 12 workshops NYCB reached approximately 4,500 households from across the United States, Spain, South Africa, India, Cyprus, Russia, Tanzania, and several other countries across the world. Ballet Essentials Online offered movement workshops led by NYCB dancers for young adults and adults via Zoom. Over the course of 11 workshops, NYCB reached approximately 4,000 people from across the United States, Switzerland, Singapore, Japan, Israel, Mexico, Australia, Brazil, as well as several other countries. NYCBs Access Programs offered a variety of free programming for people with physical and cognitive disabilities. Programs included movement workshops led by NYCB dancers and teaching artists in the Companys rehearsal studios, artist visits to medical and educational facilities, and attendance at performances at the Koch Theater. Programs serve people with autism, Down syndrome, joint diseases, and brain trauma. To date, NYCB has established customized programming with 15 organizations including Mount Sinai Hospital, Childrens Hospital at Montefiore, Morgan Stanley Childrens Hospital, Henry Viscardi School, Blythedale Childrens Hospital, and NYU Langone Medical Center. During the Companys annual residency at the Saratoga Performing Arts Center, NYCB also hosts workshops in partnership with the New York Associations of Cerebral Palsy. For the first time, in 2019-20, NYCB offered a series of Access Workshops that were open to the public and available for sign-ups on our website. Prior to this season, NYCB offered workshops in partnership with organizations and schools where we had pre-existing relationships. Opening up workshops to the public provided us with an opportunity to reach a wider cross-section of the community and spread the word about our programs. In total, NYCB reached approximately 1,400 people through its in-person Access Programs during the 2019-20 season. In spring 2020, the Company created digital content for two of its special education school partners. 10319 10319 NEW CHOREOGRAPHY DEVELOPMENT 10319 10319 72483682 true true false true false false false false false true true true false false true true true false false false true false false true true false false true false true false false false false false true false false true false false false true false false false false true 208 0 true 1451 true true true true BD CJ UK false false false true true false false false false false false X 48 48 true false true false false false false true true false false true true true true true true true true false AL CA CO CT DC FL IL KS ME MD MA MI MN NH NJ NY OH OR PA RI SC VA WA WI X FARANG AZARI 2128707776 70 LINCOLN CENTER New York NY 100236580 KATHERINE BROWN EXECUTIVE DIRECTOR 40.0 0.0 X 626560 0 24515 JUSTIN PECK ARTISTIC ADVISOR/CHOREOGRAPHER 40.0 0.0 X 352808 0 46015 Jonathan M Stafford Artistic Director 40.0 0.0 X 368461 0 23506 ANDREW 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Koch Theater. 220949309 3414158 1275401 11196672 214442196 220770500 3244969 6905914 9972074 220949309 189723371 23645401 16979728 9578000 220770500 167823667 5204286 25214418 8519000 189723371 181363160 7566781 -13201274 7905000 167823667 0.20640 0.61920 0.17440 false false 76161138 22200194 53960944 21022903 5418202 15604701 0 0 69565645 HEDGE FUNDS 98248367 F PRIVATE EQUITY FUND 5190654 F COMMON TRUST FUNDS 15189457 F OTHER INVESTMENT FUNDS 26650481 F 145278959 0 OTHER LIABILITIES 15887513 15887513 X 68053915 -67285 695770 633587 1262072 66791843 686235 686235 67478078 84124243 695770 621959 1317729 82806514 686235 686235 83492749 ENDOWMENT FUNDS FORM 990, SCHEDULE D, PART V, LINE 4: NEW YORK CITY BALLET'S ENDOWMENTS CONSIST OF BOTH BOARD-DESIGNATED AND DONOR-RESTRICTED FUNDS, ESTABLISHED FOR A VARIETY OF PURPOSES INCLUDING EDUCATION, TOURING, MUSICAL LEADERSHIP, DANCE AND MANY MORE. ENDOWMENT FUNDS ARE IN COMPLIANCE WITH THE NEW YORK PRUDENT MANAGEMENT OF INSTITUTIONAL FUNDS ACT ("NYPMIFA"). INCOME TAXES: FORM 990, SCHEDULE D, PART X, LINE 2: NEW YORK CITY BALLET ("CITY BALLET") IS SUBJECT TO THE PROVISIONS OF THE FINANCIAL ACCOUNTING STANDARDS BOARD'S (THE "FASB") ACCOUNTING STANDARDS CODIFICATION ("ASC") TOPIC 740, INCOME TAXES, RELATING TO ACCOUNTING AND REPORTING FOR UNCERTAINTY IN INCOME TAXES. FOR CITY BALLET, THESE PROVISIONS COULD BE APPLICABLE TO THE INCURRENCE OF UNRELATED BUSINESS INCOME RELATED TO INVESTMENT INCOME AND RENTAL INCOME. BECAUSE OF CITY BALLET'S GENERAL TAX-EXEMPT STATUS, ASC 740 HAS NOT HAD, AND IS NOT EXPECTED TO HAVE, A MATERIAL IMPACT ON ITS FINANCIAL STATEMENTS. FORM 990, SCHEDULE D, PART XII, LINE 2B & PART XII, LINE 2A: THE LEGAL SERVICES OF $695,770 WAS DONATED BY THE LAW FIRM OF HOLLAND AND KNIGHT. FORM 990, SCHEDULE D, PART XI, LINE 2D ADJUSTMENTS TO REVENUE PER FINANCIAL STATEMENTS: SPECIAL EVENTS EXPENSE OF $ 621,959 CHANGE IN THE SPLIT INTEREST AGREEMENT 11,628 ------------ NET $633,587 ============ FORM 990, SCHEDULE D, PART XII, LINE 2D OTHER EXPENSES INCLUDED IN FINANCIAL STATEMENTS NOT INCLUDED IN EXPENSES IN FORM 990: INCLUDES SPECIAL EVENT EXPENSE $621,959. Central America and the Caribbean Investments 80498481 Europe (Including Iceland and Greenland) Investments 1726434 South Asia Program Services PERFORMANCE 23824 82248739 82248739 true false false false true false PART I, LINE 3 COLUMN F AMOUNTS REPORTED ON THE ACCRUAL BASIS. 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X X X false false false false false false false false false KATHERINE BROWN EXECUTIVE DIRECTOR 626560 7950 16565 651075 FaRANG AZARI CHIEF FINANCIAL OFFICER 299076 7950 36719 343745 BROOKS PARSONS SENIOR DIRECTOR OF OPERATIONS 300297 7950 36719 344966 ANDREW LITTON MUSIC DIRECTOR 344625 7950 37209 389784 JUSTIN PECK ARTISTIC ADVISOR/CHOREOGRAPHER 352808 0 0 9082 36933 398823 0 Ben dancyger PROPERTY MASTER 240121 58409 38940 337470 ANDREW SILL ASSISTANT MUSIC DORECTOR 247634 7345 36517 291496 DAVID THIELE MANAGING DIRECTOR 223389 6787 36355 266531 Wendy M Whelan Associate Artistic Director 295857 7950 41851 345658 Jonathan M Stafford Artistic Director 368461 0 0 7950 15556 391967 0 PETER MARTINS FORMER BALLET MASTER IN CHIEF THROUGH 1/1/2018 2625 CHOREOGRAPHIC ROYALTIES/FEES false PETER MARTINS FORMER BALLET MASTER IN CHIEF THROUGH 1/1/2018 624000 CHOREOGRAPHER, ETC. false X 48 1173590 FMV X 17 83464 FMV false true true NONCASH CONTRIBUTIONS FORM 990, SCHEDULE M, LINE 32A: New York City Ballet uses stockbrokers to sell gifted securities. FAMILY RELATIONSHIP FORM 990, PART VI, SECTION A, LINE 2: VICE CHAIR, MR. ROBERT LIPP'S STEP-DAUGHTER IS MARRIED TO MR. ALAN SCHNITZER, A BOARD MEMBER. CHNAGES TO GOVERNING DOCUMENTS FORM 990, PART VI, SECTION A, LINE 4: CHANGES WERE MADE TO THE GOVERNING DOCUMENTS ON MAY 15, 2020. REVIEW OF FORM 990 FORM 990, PART VI, SECTION B, LINE 11: THE 990 IS PREPARED BY CITY BALLET'S ACCOUNTING DEPARTMENT AND REVIEWED BY THE AUDITORS AND THE CFO, THEN REVIEWED BY THE EXECUTIVE DIRECTOR AND AUDIT COMMITTEE. UPON COMPLETION OF REVIEW, COPIES ARE PROVIDED TO THE ENTIRE BOARD FOR REVIEW AND COMMENT PRIOR TO THE ELECTRONIC FILING WITH THE INTERNAL REVENUE SERVICE. CONFLICT OF INTEREST POLICY FORM 990, PART VI, SECTION B, LINE 12C: CITY BALLET REGULARLY AND CONSISTENTLY MONITORS AND ENFORCES COMPLIANCE WITH THE CONFLICT OF INTEREST POLICY BY REQUIRING ALL OFFICERS, DIRECTORS, AND MEMBERS OF SENIOR MANAGEMENT TO COMPLETE A CONFLICT OF INTEREST QUESTIONNAIRE ANNUALLY. COMPENSATION OF OFFICERS AND KEY EMPLOYEES FORM 990, PART VI, SECTION B, LINE 15A AND 15B: THE BOARD OF DIRECTORS REVIEWS AND APPROVES THE COMPENSATION OF ITS ARTISTIC DIRECTOR, ASSOCIATE ARTISTIC DIRECTOR AND EXECUTIVE DIRECTOR UPON RENEWALS OF THEIR CONTRACTS. CHANGES IN OTHER KEY EMPLOYEES' SALARIES ARE REVIEWED BY THE BOARD CHAIRMAN AND PRESIDENT AND APPROVED BY THE BOARD. AVAILABILITY OF ORGANIZATION DOCUMENTS FORM 990, PART VI, SECTION C, LINE 19: CITY BALLET'S FINANCIAL STATEMENTS ARE AVAILABLE ON CITY BALLET'S WEBSITE AND ITS FORM 990 IS AVAILABLE UPON REQUEST. RECONCILIATION OF NET ASSETS FORM 990, PART XI, LINE 9 OTHER CHANGES IN NET ASSETS: CHANGE IN POST-RETIREMENT BENEFITS OTHER THAN PERIODIC COSTS ($ 2,796,567) CHANGE IN SPLIT-INTEREST AGREEMENTS 11,628 ___________ TOTAL OTHER CHANGES ($ 2,784,939) =========== NYC BALLET 422 LLC 20 LINCOLN CENTER PLAZA NEW YORK NY 10023 471261571 BUS. MEDIA NY 0 43444 NYC BALLET