2020-06-25T14:39:05-05:00 2019-06-30 131655065 LUTZ AND CARR CPAS LLP 551 FIFTH AVENUE SUITE 400 NEW YORK NY 10176 990 2018-07-01 131789318 WHITNEY MUSEUM OF AMERICAN ART WHIT 2125703600 99 GANSEVOORT STREET NEW YORK NY 10014 ID ARUEDE CFO/CO-CHIEF OPERATING OFFICER 2125703600 2020-06-23 1 FREDERICK MARTENS P00298107 2126972299 38.142.140.186 2020-06-23 23:37:04 ED P E0B61323609C1CC0B81B3901687D4600995A8426 A75ECF90F4EA679C298DF903E96775B34A8C9CB0 2018 2021-01-29 14:40:06Z ADAM D WEINBERG 99 GANSEVOORT STREET NEW YORK NY 10014 107790000 0 X WHITNEY.ORG X 1926 NY THE WHITNEY MUSEUM OF AMERICAN ART IS A MUSEUM DEVOTED TO AMERICAN ART OF THE 20TH AND 21ST CENTURIES. IN MAY 2015, THE MUSEUM OPENED A NEW, 210,000 SQUARE FOOT BUILDING IN DOWNTOWN MANHATTAN. LOCATED ON GANSEVOORT STREET BETWEEN WEST STREET AND THE HIGH LINE, THE NEW BUILDING, DESIGNED BY PRIZE-WINNING ARCHITECT RENZO PIANO, PROVIDES THE WHITNEY WITH ESSENTIAL NEW SPACE FOR ITS PERMANENT COLLECTION, TEMPORARY EXHIBITIONS, PERFORMING ARTS AND EDUCATION PROGRAMS IN ONE OF NEW YORK'S MOST VIBRANT NEIGHBORHOODS. 50 49 634 154 311000 149000 58671000 56108000 10909000 14269000 9376000 18227000 6266000 6376000 85222000 94980000 0 0 0 0 32726000 37812000 46000 0 2883000 48545000 51569000 81317000 89381000 3905000 5599000 899192000 907108000 116321000 121724000 782871000 785384000 X THE WHITNEY SEEKS TO BE THE DEFINING MUSEUM OF 20TH AND 21ST CENTURY AMERICAN ART. THE MUSEUM COLLECTS, EXHIBITS, PRESERVES, RESEARCHES AND INTERPRETS ART OF THE U.S. IN THE BROADEST GLOBAL, HISTORICAL AND INTERDISCIPLINARY CONTEXTS. AS THE PREEMINENT ADVOCATE FOR AMERICAN ART, WE FOSTER THE WORK OF LIVING ARTISTS AT CRITICAL MOMENTS IN THEIR CAREERS. THE WHITNEY EDUCATES A DIVERSE PUBLIC THROUGH DIRECT INTERACTION WITH ARTISTS, OFTEN BEFORE THEIR WORK HAS ACHIEVED GENERAL ACCEPTANCE. 0 0 35756000 14146000 COLLECTION AND EXHIBITIONS OF AMERICAN ARTIN FY19, THE WHITNEY MUSEUM OF AMERICAN ART PRESENTED 14 EXHIBITIONS. THESE INCLUDED: WHERE WE ARE: SELECTIONS FROM THE WHITNEY'S COLLECTION, 1900-1960 (APRIL 28, 2017 - JUNE 2, 2019); AN INCOMPLETE HISTORY OF PROTEST: SELECTIONS FROM THE WHITNEY'S COLLECTION, 1940-2017 (AUGUST 18, 2017 - AUGUST 27, 2018); BETWEEN THE WATERS (MARCH 9 - JULY 22, 2018); FLASH: PHOTOGRAPHS BY HAROLD EDGERTON FROM THE WHITNEY'S COLLECTION (MARCH 30 - JULY 15, 2018); MARY CORSE: A SURVEY IN LIGHT (JUNE 8 - NOVEMBER 25, 2018); DAVID WOJNAROWICZ: HISTORY KEEPS ME AWAKE AT NIGHT (JULY 13 - SEPTEMBER 30, 2018); PACHA, LLAQTA, WASICHAY: INDIGENOUS SPACE, MODERN ARCHITECTURE, NEW ART (JULY 13 - SEPTEMBER 30, 2018); THE FACE IN THE MOON: DRAWINGS AND PRINTS BY LOUISE NEVELSON (JULY 20 - OCTOBER 8, 2018); ECKHAUS LATTA: POSSESSED (AUGUST 3 - OCTOBER 8, 2018); PROGRAMMED: RULES, CODES, AND CHOREOGRAPHIES IN ART, 1965-2018 (SEPTEMBER 28, 2018 - APRIL 14, 2019); ANDY WARHOL - FROM A TO B AND BACK AGAIN (NOVEMBER 12, 2018 - MARCH 31, 2019); KEVIN BEASLEY: A VIEW OF A LANDSCAPE (DECEMBER 15, 2018 - MARCH 10, 2019); SPILLING OVER: PAINTING COLOR IN THE 1960S (MARCH 29 - AUGUST 18, 2019); AND WHITNEY BIENNIAL 2019 (MAY 17 - SEPTEMBER 22, 2019).FY19 PERFORMANCES AT THE MUSEUM INCLUDED 6 DISTINCT PROJECTS: KINETIC LIGHT: UNDER MOMENTUM (JULY 27, 2018); SIBYL KEMPSON: 12 SHOUTS TO THE TEN FORGOTTEN HEAVENS: FALL EQUINOX (SEPTEMBER 22, 2018); SIBYL KEMPSON: 12 SHOUTS TO THE TEN FORGOTTEN HEAVENS: WINTER SOLSTICE (DECEMBER 19 - 21, 2018); I WANNA BE WITH YOU EVERYWHERE (APRIL 11 - 14, 2019); MOVED BY THE MOTION: SUDDEN RISE (APRIL 26, 2019); AND GUADALUPE ROSALES AND MARIANA VALENCIA: ALL THAT CAN HAPPEN (MAY 24, 2019). THE MUSEUM'S FY19 PERFORMANCES ALSO INCLUDED PROJECTS IN CONJUNCTION WITH THE FOLLOWING EXHIBITIONS: PACHA, LLAQTA, WASICHAY: INDIGENOUS SPACE, MODERN ARCHITECTURE, NEW ART; DAVID WOJNAROWICZ: HISTORY KEEPS ME AWAKE AT NIGHT; KEVIN BEASLEY: A VIEW OF A LANDSCAPE; AND WHITNEY BIENNIAL 2019.AN ONGOING SERIES OF OUTDOOR ART SHOWN ACROSS GANSEVOORT STREET FROM THE MUSEUM HAD 2 INSTALLATIONS: CHRISTINE SUN KIM: TOO MUCH FUTURE (JANUARY 29 - SEPTEMBER 24, 2018) AND DEREK FORDJOUR: HALF MAST (SEPTEMBER 25, 2018 - MAY 5, 2019).THE MUSEUM'S EXHIBITIONS TOURED NATIONALLY AND INTERNATIONALLY: LAURA OWENS (DALLAS MUSEUM OF ART, DALLAS, TX; AND MUSEUM OF CONTEMPORARY ART, LOS ANGELES, CA); POLLOCK AND THE SCHOOL OF NEW YORK (COMPLESSO DEL VITTORIANO, ROME, ITALY); ANDY WARHOL - FROM A TO B AND BACK AGAIN (SAN FRANCISCO MUSEUM OF MODERN ART, SAN FRANCISCO, CA); AND DAVID WOJNAROWICZ: HISTORY KEEPS ME AWAKE AT NIGHT (MUSEO NACIONAL CENTRO DE ARTE REINA SOFA, MADRID, SPAIN). 17756000 123000 CURATORIAL AND RELATED SUPPORTIN FY19, THE WHITNEY MUSEUM OF AMERICAN ART CONTINUED ITS ONGOING STUDY INTO THE MORE THAN 24,000 OBJECTS IN THE COLLECTION BY OVER 3,000 ARTISTS. THIS RESEARCH INFORMS BOTH THE ACQUISITION PROCESS AND THE MUSEUM'S EXHIBITION PLANNING, AND WILL ONLY INCREASE IN SCOPE AS THE MUSEUM LOOKS AHEAD TO A STRATEGIC PLAN FOR THE COLLECTION. THE WHITNEY CONTINUES TO REFINE AND EXPERIMENT WITH ITS STRATEGIES FOR DISPLAYING MORE OF THE PERMANENT COLLECTION WITHIN ITS SIGNIFICANTLY LARGER GALLERY SPACES. THE RESULTING COLLECTION DISPLAYS CREATE THEMATIC, ART HISTORICAL CONTEXTS AND COUNTERPOINTS TO THE ONGOING SPECIAL EXHIBITIONS PROGRAM, AND EXPLORE HOW THE INSTITUTION CAN CONTRIBUTE TO NEW NARRATIVES ABOUT AMERICAN CULTURE AND HISTORY. WORK WAS ONGOING TO DIGITIZE THE MUSEUM'S COLLECTIONS, A PROJECT THAT IS A CRUCIAL ASPECT OF THE INCREASED SCOPE OF THE CURATORIAL, CONSERVATION, AND RESEARCH RESOURCES TEAMS IN ITS GREATLY ENLARGED FACILITY. THE WHITNEY'S PERMANENT COLLECTION REMAINED ONLINE AND AVAILABLE TO THE PUBLIC AS A SEARCHABLE RESOURCE AND IS UPDATED REGULARLY AS NEW WORKS ENTER THE COLLECTION. THE NEW BUILDING FEATURES IMPORTANT LIBRARY AND SPECIAL COLLECTIONS HOLDINGS ON SITE, AS WELL AS ABOUT 15,000 WORKS ON PAPER THAT ARE STORED IN THE SONDRA GILMAN STUDY CENTER, SUBSTANTIALLY INCREASING ACCESS TO THEM FOR CURATORS AND SCHOLARS. THE SONDRA GILMAN STUDY CENTER WAS CONCEIVED FOR CROSS-MEDIUM, CROSS-DISCIPLINARY RESEARCH, ALLOWING MUSEUM STAFF, ARTISTS, SCHOLARS, AND RESEARCHERS ACCESS TO THE COLLECTION AND OPPORTUNITY FOR CLOSE MATERIAL AND TECHNICAL EXAMINATION OF OBJECTS. AS SUCH, THE STUDY CENTER IS AN EXCEPTIONAL RESOURCE FOR HISTORIANS AND CURATORS OF MODERN AND CONTEMPORARY ART, MAKING THE WHITNEY'S WORLD-CLASS HOLDINGS AVAILABLE FOR PRIMARY RESEARCH AND IN-DEPTH CONSULTATION FOR THE FIRST TIME IN ITS HISTORY. IN FY19, 52 EXTERNAL VISITS (WITH 302 EXTERNAL VISITORS) WERE HELD IN THE STUDY CENTER. THE MUSEUM'S GOAL IS NOT ONLY TO CONTINUE TO MAKE USE OF ITS LARGER GALLERIES BUT ALSO TO CREATE NEW PROGRAMMING POSSIBILITIES FOR THE OUTDOOR TERRACES, THEATER, BLACK BOX SCREENING SPACE, AND MORE. 4400000 EDUCATION PROGRAMS IN THE FOURTH FULL YEAR AT 99 GANSEVOORT STREET, THE WHITNEY'S EDUCATION DEPARTMENT FOCUSED ON DEEPENING RELATIONSHIPS AND ENGAGING IN CREATIVE AND EXPERIMENTAL PROGRAMMING. IN FY19, THE MUSEUM SERVED 74,000 PEOPLE THROUGH SCHOOL, YOUTH, AND FAMILY PROGRAMS, PUBLIC PROGRAMS, AND ACCESS & COMMUNITY PROGRAMS, AND AN ADDITIONAL 185,389 VISITORS ONLINE THROUGH DIGITAL ENGAGEMENT WITH INTERPRETIVE CONTENT. 24,235 OF THESE AUDIENCE MEMBERS WERE K-12 STUDENTS, THE MAJORITY OF WHOM PARTICIPATED IN THE WHITNEY'S FREE GUIDED VISIT PROGRAM FOR NYC PUBLIC AND CHARTER SCHOOLS. WHITNEY EDUCATION PROGRAMS INCLUDED FREE PUBLIC TOURS, GUIDED VISITS FOR SCHOOLS, TEEN PROGRAMS, FAMILY ART WORKSHOPS AND FAMILY DAY PROGRAMS, SIGN LANGUAGE AND TOUCH TOURS, PUBLIC PROGRAMS, CONTINUING EDUCATION COURSES, AND ONLINE AND MULTIMEDIA EXHIBITION-RELATED CONTENT PRODUCED IN CONJUNCTION WITH THE MUSEUM'S EXHIBITIONS AND COLLECTION DISPLAYS. THE LAURIE M. TISCH EDUCATION CENTER, A DEDICATED SPACE TO ENLIVEN AND ENRICH VISITORS' MUSEUM EXPERIENCE, CONTINUED TO SERVE AS A HUB FOR THE DEPARTMENT'S ACTIVITIES. PROGRAMS OFFERED IN THE EDUCATION CENTER INCLUDE DROP-IN EVENTS, HANDS-ON LEARNING AND IN-DEPTH AND INTERDISCIPLINARY PROGRAMMING. THE HIGHLIGHT OF FY19 WAS UNDOUBTEDLY THE MUSEUM'S LANDMARK EXHIBITION ANDY WARHOL - FROM A TO B AND BACK AGAIN. WHITNEY EDUCATION'S GOALS FOR PROGRAMMING WERE TO INTRODUCE WARHOL AND HIS ART TO A NEW GENERATION OF ART LOVERS, WHILE MAKING CONNECTIONS WITH AUDIENCES WHO WERE ABLE TO RELATE TO HIS "OUTSIDER" STATUS AND UPBRINGING. SPECIAL PROGRAMMING INCLUDED OUR YOUTH-ORGANIZED QUEER TEEN NIGHT, WHICH GATHERED TEENS FOR ART-MAKING, PERFORMANCES WITH ARTIST RAJA FEATHER KELLY, SNACKS, AND TOURS OF WARHOL. THE DEPARTMENT ALSO HOSTED A SERIES OF ARTMAKING WORKSHOPS WITH THE LOWER EAST SIDE PRINT SHOP TO GIVE FAMILIES, STUDENTS, AND COMMUNITY MEMBERS THE OPPORTUNITY TO LEARN FIRST-HAND ABOUT WARHOL'S SIGNATURE SILKSCREEN TECHNIQUES. PUBLIC PROGRAMS ORGANIZED A SYMPOSIUM IN PARTNERSHIP WITH THE NEW SCHOOL ENTITLED ANDY WARHOL AFTER POP THAT BROUGHT TOGETHER SCHOLARS, CURATORS, AND ARTISTS TO REASSESS WARHOL'S LATER WORK FROM 1968 UNTIL HIS DEATH IN 1987. IN FY19, THE DEPARTMENT OFFERED THE FIRST EVER ART COLLEGE NIGHT FOR NYC TEENS AT THE WHITNEY MUSEUM, IN WHICH REPRESENTATIVES FROM COLLEGES IN THE NEW YORK AREA GAVE INFORMATION ABOUT SCHOLARSHIP OPPORTUNITIES, COLLEGE ESSAY WRITING TIPS, AND MUCH MORE.OTHER INNOVATIONS FROM THE YEAR INCLUDE THE DEVELOPMENT (WITH THE MUSEUM'S DIGITAL TEAM) OF A PROGRESSIVE WEB APP THAT MAKES THE MUSEUM'S INTERPRETATIVE CONTENT EASILY ACCESSIBLE USING VISITORS' OWN PHONES RATHER THAN RENTAL DEVICES PROVIDED BY THE MUSEUM. WITH THIS TECHNOLOGICAL ADVANCE, OUR OVERALL AUDIENCE FOR AUDIO CONTENT ON SITE AND ON WHITNEY.ORG INCREASED 4.3X FROM 2,200 USERS A MONTH TO 9,400 MONTHLY USERS BY THE END OF THE YEAR. THE DESIGN OF THE NEW MOBILE INTERFACE MADE OUR AUDIO TRANSCRIPTS, SOUND DESCRIPTIONS, AMERICAN SIGN LANGUAGE AND NEW VERBAL DESCRIPTION TOURS EVEN MORE ACCESSIBLE TO OUR DIVERSE AUDIENCES, INCLUDING THOSE WITH DISABILITIES.ANOTHER IMPORTANT FOCUS THIS YEAR WAS OUR PILOT PROJECT TO PROVIDE INTERPRETATIVE MATERIALS IN SPANISH FOR AN EXHIBITION OF CONTEMPORARY LATINX ART CALLED PACHA, LLAQTA, WASICHAY. THE SPANISH LANGUAGE WALL LABELS WERE A CRITICAL PIECE OF THE EXHIBITION, NOT ONLY BECAUSE AS THE ARTISTS THEMSELVES MOVE FREELY IN AND OUT OF ENGLISH AND SPANISH CONTEXTS, BUT ALSO BECAUSE THESE LABELS ENABLED MEANINGFUL ENGAGEMENT FOR SPANISH-SPEAKING TOURISTS AND LOCAL AUDIENCES. EDUCATION AND CURATORIAL CONDUCTED SEVERAL FOCUS GROUPS DURING THE RUN OF THE EXHIBITION. WE FOUND THAT THE DUAL LANGUAGE TEXTS WERE VERY WELL-RECEIVED, AND THAT FIRST-TIME SPANISH-SPEAKING VISITORS FOUND THE WHITNEY MORE WELCOMING AND ACCESSIBLE ON ACCOUNT OF THE PRESENCE OF THEIR NATIVE LANGUAGE. THIS PRACTICE OF PROVIDING BILINGUAL WALL LABELS CONTINUED THROUGH THE WHITNEY BIENNIAL AT THE END OF FY19, AS A WAY OF ACHIEVING THE MUSEUM'S STRATEGIC GOALS OF BUILDING AND DIVERSIFYING AUDIENCES.OUR PUBLIC PROGRAMS CONTINUE TO PROVIDE AN OPPORTUNITY FOR IMPORTANT CULTURAL AND POLITICAL VOICES TO JOIN THE ARTISTIC CONVERSATION, AND PRODUCED SEVERAL PERFORMANCES IN FY19, INCLUDING THE OG OF UNDOCUMENTED CHILDREN BY GUADALUPE MARAVILLA, ITSOFOMO (IN THE SHADOW OF FORWARD MOTION) BY BEN NEILL, DISTRIBUTED WEB OF CARE BY TAEYOON CHOI, AND A MUSICAL PERFORMANCE BY LAURA ORTMAN. IN ADDITION TO A ROBUST SELECTION OF EXHIBITION-RELATED EVENTS, WE ALSO DEVELOPED PROGRAMS HIGHLIGHTING WHITNEY COLLECTION ARTISTS SUCH AS LEE KRASNER, ELAINE DE KOONING, GRACE HARTIGAN, JOAN MITCHELL, HELEN FRANKENTHALER, ROBERT REED, AND DAWOUD BEY. FY19 MARKS THE FOURTEENTH YEAR OF THE ANNUAL WALTER ANNENBERG LECTURE, WHICH HONORED KARA WALKER. THIS YEAR THE MUSEUM ALSO LOOKED AHEAD TO THE FORTHCOMING INSTALLATION OF DAVID HAMMONS'S DAY'S END, A PUBLIC ART PROJECT THAT WILL BE LOCATED IN HUDSON RIVER PARK ALONG THE SOUTHERN EDGE OF GANSEVOORT PENINSULA DIRECTLY ACROSS FROM THE MUSEUM. IN FY19, THE MUSEUM CONTINUED TO BUILD OUT A VARIETY OF DIGITAL INTERPRETATIVE MATERIALS RELATED TO DAY'S END AND THE NEIGHBORHOOD THAT WILL BE AVAILABLE TO THE PUBLIC FREE-OF-CHARGE ONSITE AND ONLINE. THESE MATERIALS INCLUDE NEW AUDIO AND VIDEO CONTENT INTRODUCING DAVID HAMMONS, GORDON MATTA-CLARK, AND THE HISTORY OF THE GANSEVOORT PENINSULA OVER THE CENTURIES, THEMATIC NEIGHBORHOOD WALKING TOURS WITH DIFFERENT THEMES, AN ORAL HISTORY PROJECT THAT WILL COLLECT AND PRESERVE LOCAL STORIES, INDIGENOUS SITE RESEARCH, AND AN ONLINE HUB THAT WILL OFFER A DEEPER DIVE INTO HAMMONS' ARTWORK AND THE HISTORIES OF THE NEIGHBORHOOD.AS "THE ARTIST'S MUSEUM," ARTIST COLLABORATIONS ARE AT THE FOREFRONT OF OUR WORK. THIS YEAR, THE MUSEUM HOSTED THE LOWER EAST SIDE PRINTSHOP FOR AN ARTIST RESIDENCY INSPIRED BY THE WARHOL EXHIBITION. ADDITIONAL ARTIST COLLABORATIONS INCLUDE: KEVIN BEASLEY, ROBERT BITTENBENDER, MICAELA DURAND AND DANIEL CHEW, SOPHIA DAWSON, NICOLE EISENMAN, FOR FREEDOMS, MARCUS FISCHER, ILANA HARRIS-BABOU, CURRAN HATLEBURG, RAJA FEATHER KELLY, JORGE GONZALEZ, MAIA RUTH LEE, GUADALUPE MARAVILLA, EVE MOSHER, SAHRA MOTALEBI, LAURA ORTMAN, DAVID REED, MARION SCEMAMA, JAMES WARHOLA, AND MORE.FOR MORE INFORMATION ABOUT WHITNEY EDUCATION, PLEASE VISIT WHITNEY.ORG/EDUCATION. 2552000 1783000 PUBLICATION AND RETAIL SALES:MUSEUM RELATED AUXILLARY SERVICES THAT PROVIDE PRODUCTS RELATED TO THE MUSEUM'S COLLECTION AND EXHIBITIONS. 2552000 1783000 60464000 1 1 0 1 0 0 0 1 0 1 1 1 0 0 1 0 1 0 0 0 1 0 0 0 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 204 0 1 634 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 X 50 49 1 0 1 0 0 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 AL AR CA FL GA HI IL KS KY MD MA MI MN MS NH NJ NC ND OR PA RI SC TN UT VA WV WI X X ID ARUEDE CFOCO-CHIEF OPERATING OFFICER 2126711820 99 GANSEVOORT STREET NEW YORK NY 10014 ADAM D WEINBERG ALICE PRATT BROWN DIRECTOR 35.00 X X 988978 0 97689 RICHARD M DEMARTINI PRESIDENT 1.00 X X 0 0 0 ROBERT J HURST CHAIRMAN OF EXECUTIVE COMMITTEE 1.00 X X 0 0 0 SUSAN K HESS CO-CHAIRMAN 1.00 X X 0 0 0 THOMAS E TUFT CO-CHAIRMAN 1.00 X X 0 0 0 NANCY CARRINGTON CROWN VICE CHAIRMAN 1.00 X X 0 0 0 PAMELLA G DEVOS VICE CHAIRMAN 1.00 X X 0 0 0 BETH RUDIN DEWOODY VICE CHAIRMAN 1.00 X X 0 0 0 WARREN B KANDERS VICE CHAIRMAN 1.00 X X 0 0 0 FERN KAYE TESSLER VICE CHAIRMAN 1.00 X X 0 0 0 MIYOUNG LEE VICE PRESIDENT 1.00 X X 0 0 0 NANCY POSES VICE PRESIDENT 1.00 X X 0 0 0 SCOTT RESNICK VICE PRESIDENT 1.00 X X 0 0 0 ANNE-CECILIE ENGELL SPEYER VICE PRESIDENT 1.00 X X 0 0 0 DAVID W ZALAZNICK VICE PRESIDENT 1.00 X X 0 0 0 JOANNE LEONHARDT CASSULLO SECRETARY 1.00 X X 0 0 0 RICHARD D SEGAL TREASURER 1.00 X X 0 0 0 JUDY HART ANGELO TRUSTEE 1.00 X 0 0 0 JILL BIKOFF TRUSTEE 1.00 X 0 0 0 LESLIE BLUHM TRUSTEE 1.00 X 0 0 0 NEIL G BLUHM TRUSTEE 1.00 X 0 0 0 ALESSANDRO BOGLIOLO TRUSTEE 1.00 X 0 0 0 DAVID CAREY TRUSTEE 1.00 X 0 0 0 HENRY CORNELL TRUSTEE 1.00 X 0 0 0 FIONA IRVING DONOVAN TRUSTEE 1.00 X 0 0 0 FAIRFAX N DORN TRUSTEE 1.00 X 0 0 0 LISE EVANS TRUSTEE 1.00 X 0 0 0 VICTOR F GANZI TRUSTEE 1.00 X 0 0 0 HENRY LOUIS GATES JR TRUSTEE 1.00 X 0 0 0 ROBERT GERSH EX OFFICIO TRUSTEE 1.00 X 0 0 0 ROBERT B GOERGEN TRUSTEE 1.00 X 0 0 0 SONDRA GILMAN GONZALEZ-FALLA TRUSTEE 1.00 X 0 0 0 JAMES A GORDON TRUSTEE 1.00 X 0 0 0 BENNETT GOODMAN TRUSTEE 1.00 X 0 0 0 KENNETH C GRIFFIN TRUSTEE 1.00 X 0 0 0 GAURAV K KAPADIA TRUSTEE 1.00 X 0 0 0 RAYMOND J LEARSY TRUSTEE 1.00 X 0 0 0 JONATHAN O LEE TRUSTEE 1.00 X 0 0 0 PAUL S LEVYESQ TRUSTEE 1.00 X 0 0 0 RAYMOND J MCGUIRE TRUSTEE 1.00 X 0 0 0 BROOKE GARBER NEIDICH TRUSTEE 1.00 X 0 0 0 JULIE OSTROVER TRUSTEE 1.00 X 0 0 0 JOHN C PHELAN TRUSTEE 1.00 X 0 0 0 DONNA PERRET ROSEN TRUSTEE 1.00 X 0 0 0 ROBERT ROSENKRANZ TRUSTEE 1.00 X 0 0 0 MARY E BUCKSBAUM SCANLAN TRUSTEE 1.00 X 0 0 0 PAUL C SCHORR IV TRUSTEE 1.00 X 0 0 0 JONATHAN S SOBEL TRUSTEE 1.00 X 0 0 0 LAURIE M TISCH TRUSTEE 1.00 X 0 0 0 FRED WILSON TRUSTEE 1.00 X 0 0 0 JOHN S STANLEY CHIEF OPERATING OFFICER(TO NOV.2018) 35.00 X 441713 0 10146 IDEHEN ARUEDE CFO/CO-CHIEF OPERATING OFFICER 35.00 X 258153 0 21346 AMY ROTH CO-CHIEF OPERATING OFFICER 35.00 X 269133 0 31603 NICHOLAS S HOLMES GENERAL COUNSEL/ASSISTANT SECRETARY 35.00 X 179827 0 31413 ALEXANDRA WHEELER DEPUTY DIRECTOR FOR ADVANCEMENT 35.00 X 350942 0 31603 DONNA M DESALVO SENIOR CURATOR & DEP. DIR. 35.00 X 400577 0 11475 SCOTT ROTHKOPF - SRDEPDIR NANCY&STEVEN CROWN FAM.CHIEF CURATOR 35.00 X 364209 0 11475 CHRISTY L PUTNAM - ASSOC DIR FOR EXHIBITIONS & COLLECTIONS MANAGEMENT 35.00 X 208388 0 11283 ADRIAN HARDWICKE CHIEF VISITOR EXPERIENCE OFFICER 35.00 X 217787 0 31390 CAROL C MANCUSI-UNGARO - MELVA BUCKSBAUM ASSOC.DIR.CONSERV.&RSCH. 35.00 X 246506 0 11362 STEPHANIE ADAMS DIRECTOR,INDIVIDUAL & PLANNED GIVING 35.00 X 217956 0 31435 KATHRYN A POTTS - ASSOCDIR HELENA RUBENSTEIN CHAIR OF EDUCATION 35.00 X 208394 0 31416 PETER SCOTT DIRECTOR OF FACILITIES 35.00 X 178024 0 31416 GEORGINA ROGAK DIRECTOR OF SPECIAL EVENTS 35.00 X 168965 0 11265 4699552 0 406317 58 0 1 0 TEMPORARY WALLS INC 412 STONE ROW LANE BANGOR PA 18013 CONSTRUCTION SERVICES 1624000 SHAWMUT DESIGN AND CONSTRUCTION 3 EAST 54TH STREET 10TH FLOOR NEW YORK NY 10022 CONSTRUCTION SERVICES 582000 THE&PARTNERSHIP 72 SPRING STREET 4TH FLOOR NEW YORK NY 10012 EXHIBITION MARKETING 530000 US ART COMPANY INC 101 COUNTY AVE SECAUCUS NJ 07094 ART MOCING SERVICES 475000 GUY NORDENSON AND ASSOCIATES PO BOX 416614 BOSTON MA 02241 ENGINEERING 437000 36 11068000 4324000 370000 40346000 2987000 56108000 ADMISSION INCOME 900099 13567000 13567000 TRAVELING EXHIBITIONS 900099 579000 579000 LOAN FEES 900099 123000 123000 14269000 5175000 -67000 5242000 295000 295000 4509000 699000 3810000 3810000 3810000 21108000 904000 8960000 0 12148000 904000 13052000 13052000 989000 4324000 989000 0 3945000 2162000 1783000 1405000 378000 RESTAURANT INCOME 900099 457000 457000 MISCELLANEOUS INCOME 900099 31000 31000 488000 94980000 15674000 311000 22887000 3515000 1125000 1699000 691000 26229000 18379000 7147000 703000 1657000 1033000 556000 68000 4490000 2514000 1744000 232000 1921000 1299000 538000 84000 328000 42000 286000 438000 438000 72000 72000 763000 763000 2244000 1055000 1175000 14000 2362000 2314000 45000 3000 2056000 1998000 36000 22000 4583000 3248000 1335000 1274000 645000 256000 373000 4549000 4549000 10113000 8040000 1227000 846000 1897000 671000 1226000 ART ACQUISTIONS 9071000 9071000 OTHER(REIMBURSED),NET 7646000 4787000 3012000 -153000 EXHIBITION EXPENSE 4173000 4171000 2000 89381000 60464000 26034000 2883000 27283000 16703000 1790000 926000 50422000 32221000 1691000 2420000 3697000 4299000 3147000 5493000 442552000 60979000 390020000 381573000 91249000 149386000 329893000 314087000 899192000 907108000 6191000 7508000 2388000 5502000 103882000 103429000 3860000 5285000 116321000 121724000 X 417544000 433175000 126262000 101113000 239065000 251096000 782871000 785384000 899192000 907108000 X 5599000 4075000 -7161000 X 0 1 X 1 0 X 89854000 64028000 43203000 58671000 56108000 311864000 89854000 64028000 43203000 58671000 56108000 311864000 311864000 2681000 4840000 6408000 5821000 10047000 29797000 44000 897000 836000 412000 488000 2677000 344338000 74523000 0.90570 0.85680 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 0 0 0 0 0 0 1 72000 0 0 72000 0 PART II-B, LINE 1: LOBBYING ACTIVITIES CONSIST OF PAYMENTS TO A CONSULTANT TO ASSIST IN PREPARING MATERIALS AND CONDUCTING MEETINGS TO GAIN FUNDING FOR THE MUSEUM'S CAPITAL PROJECTS IN CITY AND STATE BUDGETS. X X X X 1 357673000 12031000 17630000 15020000 372314000 339078000 7475000 24942000 13822000 357673000 308428000 4335000 39595000 13280000 339078000 299713000 26795000 -6247000 11833000 308428000 281355000 17315000 11793000 10750000 299713000 0.13050 0.67440 0.19510 0 0 34662000 34662000 383407000 55263000 328144000 2002000 2002000 0 22481000 3714000 18767000 381573000 MONEY MARKET FUNDS 27576000 F EQUITY INVESTMENT FUNDS 130162000 F ALTERNATIVE INVESTMENTS : MULTI-STRATEGY & OTHER 84162000 F EQUITY LONG/SHORT 54952000 F REAL ASSETS 6343000 F PRIVATE EQUITY 8347000 F INVESTMENT REDEMPTION RECEIVABLES 2545000 F 314087000 ACCRUED PENSION OBLIGATION 5285000 5285000 98366000 4075000 4075000 94291000 689000 689000 94980000 95853000 7161000 7161000 88692000 689000 689000 89381000 PART III, LINE 1A: THE MUSEUM HAS AN EXTENSIVE COLLECTION OF ART, INCLUDING PAINTINGS, SCULPTURE, PHOTOGRAPHS, DRAWINGS, PRINTS, AND FILMS AND VIDEOS. THE COLLECTION IS MAINTAINED UNDER THE CARE OF THE REGISTRATION DEPARTMENT STAFF AND IS HELD FOR RESEARCH, EDUCATION AND PUBLIC EXHIBITION IN FURTHERANCE OF PUBLIC SERVICE, RATHER THAN FOR FINANCIAL GAIN. PROCEEDS FROM THE SALE OF COLLECTION ITEMS ARE USED TO ACQUIRE OTHER ITEMS FOR THE COLLECTION. THE MUSEUM DOES NOT INCLUDE EITHER THE COST OR THE VALUE OF ITS COLLECTION IN THE STATEMENT OF FINANCIAL POSITION, NOR DOES IT RECOGNIZE GIFTS OF COLLECTION ITEMS AS REVENUES IN THE STATEMENT OF ACTIVITIES. SINCE ITEMS ACQUIRED FOR THE COLLECTION BY PURCHASE ARE NOT CAPITALIZED, THE COST OF THOSE ACQUISITIONS IS REPORTED AS DECREASES IN NET ASSETS IN THE STATEMENT OF ACTIVITIES. PART III, LINE 4: THE WHITNEY MUSEUM OF AMERICAN ART SEEKS TO BE THE DEFINING MUSEUM OF THE 20TH & 21ST CENTURY AMERICAN ART. THE MUSEUM COLLECTS, EXHIBITS, PRESERVES, RESEARCHES AND INTERPRETS ART OF THE UNITED STATES IN THE BROADCAST GLOBAL, HISTORICAL AND INTERDISCIPLINARY CONTEXTS. AS THE PREEMINENT ADVOCATE FOR AMERICAN ART, WE FOSTER THE WORK OF LIVING ARTISTS AT THE CRITICAL MOMENTS IN THEIR CAREERS. THE WHITNEY EDUCATES A DIVERSE PUBLIC THROUGH DIRECT INTERACTION WITH ARTISTS, OFTEN BEFORE THEIR WORK HAS ACHIEVED GENERAL ACCEPTANCE. PART V, LINE 4: THE MUSEUM'S ENDOWMENT CONSISTS OF 125 INDIVIDUAL FUNDS ESTABLISHED FOR A VARIETY OF PURPOSES, PRIMARILY TO SUPPORT THE GENERAL OPERATIONS AND EXHIBITION PROGRAMS OF THE MUSEUM, AS WELL AS THE SUPPORT OF THE BIENNIAL EXHIBITION PROGRAM, PERMANENT COLLECTION ACQUISITIONS, AND CURATORIAL SUPPORT. PART XII, LINE 2D - OTHER ADJUSTMENTS: PENSION RELATED CHARGES OTHER THAN NET PERIODIC COSTS 1,986,000. RESERVE FOR UNCOLLECTIBLE PLEDGES 5,175,000. EUROPE (INCLUDING ICELAND & GREENLAND) - ALBANIA, ANDORRA, AUSTRIA, BELGIUM 0 0 PROGRAM SERVICES TRAVELING EXHIBITIONS 20000 CENTRAL AMERICA AND THE CARIBBEAN - ANTIGUA & BARBUDA, ARUBA, BAHAMAS, 0 0 INVESTMENTS 121916000 0 0 0 0 0 0 121936000 0 121936000 1 0 1 0 1 0 GALA AND STUDIO PARTY 4930000 4324000 606000 80000 161000 333000 ART PARTY 383000 383000 34000 70000 11000 300000 5313000 4324000 989000 114000 231000 11000 633000 989000 0 X 1 1 X X X X X X 0 1 0 0 0 0 0 0 0 ADAM D WEINBERG ALICE PRATT BROWN DIRECTOR 777326 0 0 0 211652 0 66086 0 31603 0 1086667 0 0 0 JOHN S STANLEY CHIEF OPERATING OFFICER(TO NOV.2018) 439771 0 0 0 1942 0 0 0 10146 0 451859 0 0 0 IDEHEN ARUEDE CFO/CO-CHIEF OPERATING OFFICER 257920 0 0 0 233 0 0 0 21346 0 279499 0 0 0 AMY ROTH CO-CHIEF OPERATING OFFICER 268848 0 0 0 285 0 0 0 31603 0 300736 0 0 0 NICHOLAS S HOLMES GENERAL COUNSEL/ASSISTANT SECRETARY 179594 0 0 0 233 0 0 0 31413 0 211240 0 0 0 ALEXANDRA WHEELER DEPUTY DIRECTOR FOR ADVANCEMENT 349677 0 0 0 1265 0 0 0 31603 0 382545 0 0 0 DONNA M DESALVO SENIOR CURATOR & DEP. DIR. 398597 0 0 0 1980 0 0 0 11475 0 412052 0 0 0 SCOTT ROTHKOPF - SRDEPDIR NANCY&STEVEN CROWN FAM.CHIEF CURATOR 363909 0 0 0 300 0 0 0 11475 0 375684 0 0 0 CHRISTY L PUTNAM - ASSOC DIR FOR EXHIBITIONS & COLLECTIONS MANAGEMENT 205999 0 0 0 2389 0 0 0 11283 0 219671 0 0 0 ADRIAN HARDWICKE CHIEF VISITOR EXPERIENCE OFFICER 216833 0 0 0 954 0 0 0 31390 0 249177 0 0 0 CAROL C MANCUSI-UNGARO - MELVA BUCKSBAUM ASSOC.DIR.CONSERV.&RSCH. 243829 0 0 0 2677 0 0 0 11362 0 257868 0 0 0 STEPHANIE ADAMS DIRECTOR,INDIVIDUAL & PLANNED GIVING 217654 0 0 0 302 0 0 0 31435 0 249391 0 0 0 KATHRYN A POTTS - ASSOCDIR HELENA RUBENSTEIN CHAIR OF EDUCATION 207957 0 0 0 437 0 0 0 31416 0 239810 0 0 0 PETER SCOTT DIRECTOR OF FACILITIES 177283 0 0 0 741 0 0 0 31416 0 209440 0 0 0 GEORGINA ROGAK DIRECTOR OF SPECIAL EVENTS 167177 0 0 0 1788 0 0 0 11265 0 180230 0 0 0 PART I, LINE 1A THE MUSEUM'S DIRECTOR IS PROVIDED WITH A HOUSING ALLOWANCE. PART I, LINE 4B ADAM D. WEINBERG, DIRECTOR - $66,086 A THE TRUST FOR CULTURAL RESOURCES OF THE CITY OF NEW YORK 131789318 649717QZ1 2011-08-01 134329619 SEE PART V BELOW 0 0 0 A 134335175 1422855 132912320 2015 0 0 1 1 A 0 1 1 1 0 0.00000 0.00000 0.00000 0 0 1 A 0 0 0 0 0 0 0 0 0 A 1 SCHEDULE K SUPPLENTAL INFORMATION THE PROCEEDS OF THE BONDS WERE USED TO (I) FINANCE OR REIMBURSE A PORTION OF THE COSTS OF THE MUSEUM'S DOWNTOWN BUILDING PROJECT (II) FUND CAPITALIZED INTEREST ON THE BONDS; AND (III) FUND CERTAIN COSTS AND EXPENSES INCIDENTAL TO ISSUANCE OF THE BONDS AND RELATED PURPOSES. THE DIFFERENCE IN ISSUE PRICE AND TOTAL PROCEEDS IS DUE TO $3,446.92 OF INVESTMENT EARNINGS IN THE FISCAL YEAR ENDED 6/30/12 AND $2,108.83 OF INTEREST EARNINGS IN THE FISCAL YEAR ENDED 6/30/13. FUNDS WERE CAPITALIZED FOR INTEREST PAYMENTS DURING THE CONSTRUCTION PERIOD ONLY. PLEASE NOTE THAT THE BOND PROCEEDS WERE USED TO FINANCE THE CONSTRUCTION OF A NEW MUSEUM BUILDING. CONSTRUCTION HAS BEEN COMPLETED AND THE BUILDING WAS OPENED TO THE PUBLIC IN MAY 2015. THE INSTITUTION COMPLETED THE FINAL ALLOCATION IN SEPTEMBER 2016. NO PORTION OF THE BONDS WERE USED TO FINANCE PROPERTY FOR PRIVATE BUSINESS USE. NOTE ON PART III, 2: THE INSTITUTION ENTERS INTO VARIOUS LICENSE AGREEMENTS WHICH ARE ALLOCATED TO THE NON-FINANCED PORTION OF THE SPACE. X 24 N/A X 41 2822000 FAIR MARKET VALUE X VENDOR ITEMS 65 165000 FAIR MARKET VALUE 24 0 1 1 PART I, LINE 32B: AS PART OF THE MUSEUM'S FUNDRAISING EFFORTS, THE MUSEUM COMMISSIONS LIMITED EDITION WORKS OF ART FOR THE PURPOSES OF SALE. IN CONNECTION WITH THOSE SALES, THE MUSEUM ENGAGED THIRD PARTIES TO SELL THE WORKS. PART I, LINE 33: NO AMOUNT IS REPORTED ON FORM 990, PART VIII, STATEMENT OF REVENUE, LINE 1G, BECAUSE THE WHITNEY DOES NOT CAPITALIZE ITS COLLECTIONS, AS PERMITTED UNDER GENERALLY ACCEPTED ACCOUNTING PRINCIPLES. FORM 990, PART VI, SECTION A, LINE 1 IN ACCORDANCE WITH THE MUSEUM'S BY-LAWS, THE EXECUTIVE COMMITTEE CONSISTS ENTIRELY OF MUSEUM TRUSTEES. THE EXECUTIVE COMMITTEE CURRENTLY CONSISTS OF 23 MEMBERS AND IS COMPOSED OF CERTAIN TRUSTEE OFFICERS, CERTAIN TRUSTEE COMMITTEE CHAIRS, AND OTHER TRUSTEES ELECTED BY RESOLUTION OF THE BOARD OF TRUSTEES. BETWEEN MEETINGS OF THE BOARD OF TRUSTEES, AND SUBJECT TO THE GENERAL POLICIES ESTABLISHED BY THE BOARD, THE EXECUTIVE COMMITTEE HAS ALL THE POWERS OF THE FULL BOARD, EXCLUDING (I) THE REMOVAL OF TRUSTEES AND OFFICERS, (II) APPOINTING OF COMMITTEE CHAIRS, AND (II) AMENDING THE BY-LAWS. FORM 990, PART VI, SECTION A, LINE 2 NEIL BLUHM (TRUSTEE) AND LESLIE BLUHM (TRUSTEE) - FAMILY RELATIONSHIP. THOMAS LEE (HONORARY TRUSTEE) AND JONATHAN O. LEE (TRUSTEE) - FAMILY RELATIONSHIP. NEIL G. BLUHM (TRUSTEE) AND JAMES A. GORDON (TRUSTEE) - BUSINESS RELATIONSHIP. DAVID W. ZALAZNICK (TRUSTEE) AND JAMES A. GORDON (TRUSTEE), THOMAS E. TUFT (CO-CHAIRMAN), NEIL G. BLUHM (TRUSTEE) - BUSINESS RELATIONSHIP. RICHARD DEMARTINI (TRUSTEE ) AND ROBERT HURST (TRUSTEE) - BUSINESS RELATIONSHIP. FIONA DONOVAN (TRUSTEE) AND FLORA MILLER BIDDLE (HONORARY TRUSTEE) - FAMILY RELATIONSHIP. FORM 990, PART VI, SECTION A, LINE 4 THE MUSEUM UPDATED ITS BYLAWS TO RE-NAME ONE OF THE STANDING COMMITTEES FROM "NOMINATING COMMITTEE" TO "NOMINATING AND GOVERNANCE COMMITTEE." FORM 990, PART VI, SECTION B, LINE 11B THE MUSEUM'S FORM 990 TAX FILING IS COMPILED BASED ON INFORMATION OBTAINED FROM THE MUSEUM'S GENERAL LEDGER, AUDITED FINANCIAL STATEMENTS AND OTHER FINANCIAL SYSTEMS. THE MUSEUM'S CO-CHIEF OPERATING OFFICER AND CHIEF FINANCIAL OFFICER, SENIOR FINANCE/ACCOUNTING STAFF, GENERAL COUNSEL AND EXTERNAL TAX ADVISORS PARTICIPATE IN A SERIES OF DETAILED REVIEWS OF ALL INFORMATION TO BE INCLUDED IN THE FILING. ALL INFORMATION INCLUDED IN THE RETURN IS REVIEWED BY THE GROUP FOR ACCURACY AND CONTENT. THE COMPLETED FORM 990 AND RELATED SCHEDULES ARE ALSO PROVIDED TO THE MUSEUM'S SENIOR MANAGEMENT AND REVIEWED IN DETAIL WITH THE CO-CHIEF OPERATING OFFICER AND CHIEF FINANCIAL OFFICER. FINALLY, A PUBLIC INSPECTION COPY IS PROVIDED TO EACH MEMBER OF THE BOARD OF TRUSTEES PRIOR TO FILING THE RETURN. THE MUSEUM'S EXTERNAL TAX ADVISORS FILE THE FORM 990 ELECTRONICALLY WITH THE INTERNAL REVENUE SERVICE. FORM 990, PART VI, SECTION B, LINE 12C THE MUSEUM'S CODE OF CONDUCT CONTAINS DETAILED DISCLOSURE REQUIREMENTS WITH RESPECT TO THE CONFLICTS OF INTERESTS FOR ITS BOARD AND STAFF. ON A REGULAR BASIS, THE BOARD AND OFFICERS OF THE MUSEUM COMPLETE A CONFLICTS OF INTEREST QUESTIONNAIRE. RESPONSES ARE COMPILED, REVIEWED WITH GENERAL COUNSEL AND THE CO-CHIEF OPERATING OFFICER AND CHIEF FINANCIAL OFFICER, AND FORWARDED TO THE AUDIT COMMITTEE. IF A CONFLICT IS DISCLOSED, BOARD MEMBERS WITH POTENTIAL CONFLICTS MAY NOT PARTICIPATE IN DELIBERATIONS AND NEED TO RECUSE THEMSELVES FROM VOTING ON PARTICULAR MATTERS. IN ADDITION, OFFICERS AND KEY EMPLOYEES ARE ASKED ANNUALLY TO REVIEW AND ACKNOWLEDGE COMPLIANCE WITH THE MUSEUM'S CODE OF CONDUCT. FORM 990, PART VI, SECTION B, LINE 15 THE WHITNEY HAS A HUMAN RESOURCES/COMPENSATION COMMITTEE OF THE BOARD. MEMBERS INCLUDE THE CHAIRMAN, PRESIDENT, CHAIR OF THE FINANCE COMMITTEE ALONG WITH THREE OTHER TRUSTEES. THE COMMITTEE MEETS PERIODICALLY TO REVIEW PERFORMANCE AND COMPENSATION FOR THE DIRECTOR AND CERTAIN OTHER SENIOR STAFF. AS PART OF THE PROCESS, THE COMMITTEE REVIEWS COMPARATIVE DATA OBTAINED FROM SEVERAL INDEPENDENT SOURCES WHICH PROVIDE DATA FOR SIMILAR POSITIONS IN NEW YORK CITY AND NATIONALLY. FORM 990, PART VI, SECTION C, LINE 19 AUDITED FINANCIAL STATEMENTS ARE MADE AVAILABLE ON THE MUSEUM'S WEBSITE. ALL OTHER DOCUMENTS ARE AVAILABLE UPON REQUEST. FORM 990, PART XI, LINE 9: PENSION RELATED CHARGES OTHER THAN NET PERIODIC PENSION COSTS -1,986,000. RESERVE FOR UNCOLLECTIBLE PLEDGES -5,175,000. FORM 990 - GENERAL AMOUNTS REFLECTED IN THE 2018 FORM 990 FOR THE YEAR ENDED JUNE 30, 2019 HAVE BEEN ROUNDED TO THE NEAREST THOUSAND TO CONFORM WITH THE PRESENTATION IN THE MUSEUM'S AUDITED FINANCIAL STATEMENTS.