2019-08-14T10:43:26-05:00 2018-09-30 721396621 CARR RIGGS & INGRAM LLC 7550 HALCYON SUMMIT DRIVE MONTGOMERY AL 36117 990 2017-10-01 636049847 MONTGOMERY MUSEUM OF FINE ARTS ASSOCIATION MONT 3346254372 ONE MUSEUM DRIVE MONTGOMERY AL 36117 ANGIE DODSON DIRECTOR 3346254372 2019-08-12 1 M CHAD SINGLETARY CPA P00166368 3342716678 2019-07-26 107.77.252.83 2019-08-12 21:14:54 CD P DA39A3EE5E6B4B0D3255BFEF95601890AFD80709 6C9B1A35775087DBDB8A6D25ECA509C7F6C27838 2017 2019-02-21 02:37:17Z ANGIE DODSON ONE MUSEUM DRIVE MONTGOMERY AL 36117 3716497 0 X WWW.MMFA.ORG X 1964 AL THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT, AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT, AND ENJOYMENT OF ITS PUBLIC. 34 34 45 185 0 0 736665 942578 138336 227733 804166 425978 82548 217929 1761715 1814218 0 0 0 0 613021 546411 0 0 2813 3411762 2899150 4024783 3445561 -2263068 -1631343 13958316 13069875 520122 600888 13438194 12468987 X THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT, AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT, AND ENJOYMENT OF ITS PUBLIC. 0 0 41483 328135 EDUCATION:THE END OF THE 2017-18 FISCAL YEAR SAW THE OPENING OF THE MUSEUM'S NEW SCULPTURE GARDEN. THIS COINCIDED WITH A LARGESCALE FAMILY EVENT CO-HOSTED WITH MULTIPLE COMMUNITY PARTNERS AND FOOD VENDORS, WHICH DEMONSTRATED THAT THE GARDEN IS AN IDEAL IMAGINATIVE SPACE FOR INTEGRATED FAMILY PROGRAMMING IN WHICH AN ARRAY OF ACTIVITIES IS OFFERED. THE GARDEN'S SITING ALSO SERVES TO DRAW PROGRAM PARTICIPANTS INTO THE REGULAR MUSEUM GALLERIES. THE MUSEUM ALSO LAUNCHED A NEW COLLABORATIVE UNDER THE AUSPICES OF THE ALABAMA STATE COUNCIL ON THE ARTS WITH 20 LOCAL ORGANIZATIONS JOINING TOGETHER IN EFFORTS OF EXPANDING THE REACH OF ARTS IN THE PUBLIC SCHOOLS.DURING THE 2017-18 FISCAL YEAR, THE EDUCATION COMMITTEE OF THE BOARD REORGANIZED INTO FOUR SUBCOMMITTEES FOCUSED ON THE FOLLOWING AREAS: SCHOOLS, THE ARTWORKS INTERACTIVE GALLERY, YOUTH AND FAMILY, AND ADULTS AND DOCENTS. ACTIVITIES OF THE VARIOUS PROGRAM AREAS ARE AS FOLLOWS.SCHOOLS:SYSTEMWIDE TOURS - DURING THE 2017-18 SCHOOL YEAR, A NEW TOUR PROGRAM, TIED TO CLASSROOM SOCIAL STUDIES STANDARDS AND THE CELEBRATION OF THE BICENTENNIAL OF ALABAMA WAS OFFERED TO EVERY FIFTH GRADER (2,791) IN THE MONTGOMERY PUBLIC SCHOOL SYSTEM. BECOMING ALABAMA INCLUDES A TIMELINE ACTIVITY IN THE CLASSROOM FEATURING WORKS OF ART, A GALLERY TOUR EXPLORING HISTORICAL CONNECTIONS, A STUDIO LESSON TIED TO "STARS FELL ON ALABAMA", AND INTERACTIVE CREEK FOLK TALES. ALL MPS KINDERGARTEN STUDENTS (2,059) ENJOYED THE ART OF BAKING PUPPET SHOW AND DISCUSSED ORIGINAL WORKS OF ART IN THE GALLERIES FOLLOWING. OTHER FREE TOUR OFFERINGS INCLUDED FIRST SUNDAYS AND THIRD SATURDAYS (BOTH OPEN TO THE PUBLIC), TOURS FOR SENIOR CITIZENS AND SPECIAL NEEDS GROUPS, AND VISITS FROM SUMMER ACADEMIES. LEARNING THROUGH ART - THE LEARNING THROUGH ART ARTIST IN RESIDENCE PROGRAM AT WARES FERRY ROAD ELEMENTARY SCHOOL OFFERED WEEKLY ART LESSONS FOR THIRD AND FOURTH GRADE STUDENTS (222). THE CURRICULUM INCLUDED STUDENT-DRIVEN DISCUSSIONS OF ART, JOURNAL ENTRIES, WORKING WITH PROFESSIONAL ARTISTS, AND VISITS TO THE MUSEUM. STUDENTS ARE SHOWING SIGNIFICANT INCREASES IN KEY SKILLS. FALL OF 2018, THANKS TO A GENEROUS GRANT FROM THE KIWANIS CLUB, THE MUSEUM WAS ABLE TO ADD FIFTH GRADE TO THE PROGRAM. THE PROGRAM WAS ALSO EXPANDED THROUGH CLASSROOM TEACHER TRAINING TO PINTLALA ELEMENTARY, WHERE THIRD AND FOURTH GRADE STUDENTS BEGAN TO ENJOY THE CURRICULUM. EARLY IN THE SCHOOL YEAR, THE MUSEUM-TRAINED TEACHERS WERE CONFIDENT IN THEIR INSTRUCTION AND THE STUDENTS' RESULTS. AP ART HISTORY - SIX STUDENTS, INCLUDING FIRST-TIME AP STUDENTS, TOOK A FREE AP ART HISTORY COURSE AT THE MUSEUM. ALL PASSED THE NATIONAL EXAM WITH AN AVERAGE SCORE OF 4.3 OUT OF 5. EXHIBITIONS OF STUDENT ART EXHIBITIONS OF STUDENT ART (352 ARTISTS) INCLUDED JURIED COMPETITIONS TIED TO THEMES AND TECHNIQUES OF MUSEUM EXHIBITIONS AND AN EXHIBITION FEATURING THE WORK OF STUDENTS ENROLLED IN LEARNING THROUGH ART.TEACHER WORKSHOPS ART RELATED TEACHER WORKSHOPS WERE RELATED TO TEACHERS (124) THROUGHOUT THE YEAR.ARTWORKS INTERACTIVE GALLERYROUGHLY HALF OF THE MUSEUM'S VISITORS (46,999) EXPLORED THE ARTWORKS INTERACTIVE GALLERY, WHERE YOUNG LEARNERS ENJOY DIGITAL, INTERACTIVE WORKS OF ART, ART-RELATED COMPUTER STATIONS, MYRIAD EXHIBITS ILLUMINATING MATERIALS, TECHNIQUES, AND CONCEPTS, INCLUDING THOSE CONNECTED TO WORKS IN THE MUSEUM'S COLLECTION AND WORKS ESPECIALLY DESIGNED FOR ARTWORKS, AND MORE. DROPIN ACTIVITIES WERE OFFERED IN ARTWORKS INCLUDING A WEEKLY STUDY OF GLOBAL CULTURES THAT FOCUSES ON A DIFFERENT COUNTRY EACH MONTH, A MONTHLY SPECIAL NEEDS ACTIVITY THAT WAS NEW THIS FISCAL YEAR, AND EXHIBITION RELATED PROJECTS. YOUTH AND FAMILYIN ADDITION TO THE GARDEN OPENING EVENT FOR FAMILIES MENTIONED ABOVE, OTHER LARGESCALE FAMILY EVENTS INCLUDED THE ANNUAL FLIMP FESTIVAL (FEATURING A CHALK ART COMPETITION, PERFORMANCES, AND MORE), NATIVE AMERICAN FAMILY DAY, MILITARY OPEN HOUSE, AND HOLIDAY OPEN HOUSE.FAMILIES COULD ALSO PARTICIPATE IN THE PROGRAMS MENTIONED ABOVE OFFEREND IN ARTWORKS, REGULARLY SCHEDULED FAMILY ART AFFAIRS, A PUPPET SHOW, AND HOMESCHOOL WORKSHOPS (TOTAL YOUTH AND FAMILY ATTENDANCE 7,361.) STUDIO PROGRAMS WERE ALSO OFFERED FOR ALL AGES (862.) AND THE TEEN COUNCIL HAD BEHIND THE SCENES ACTIVITIES AND OFFERED PROGRAMS FOR THEIR PEERS (137.)ADULTS AND DOCENTSFOR ADULTS (ATTENDANCE 1,578) THE MUSEUM OFFERED: LECTURES, GALLERY TALKS, AND SHORT COURSES RELATED TO TEMPORARY EXHIBITIONS AND OTHER TOPICS, ART RELATED FILMS AND DISCUSSIONS, EKPHRASIS A BOOK CLUB RELATED TO ART, ARTFUL YOGA IN THE GALLERIES, WHICH WAS NEW 2017/18, ARTTALK, A CRITIQUE FOR ARTISTS, AND UNIVERSITY PROGRAMS. THE MUSEUM OFFERED WEEKLY TRAINING DURING THE SCHOOL YEAR FOR 48 ACTIVE DOCENTS WHO LED TOURS INCLUDING STUDIO ACTIVITIES, PROGRAMS, AND OTHER COMMUNITY OPPORTUNITIES AND EMPLOYED MANY OTHER VOLUNTEERS, ESPECIALLY AT THE WELCOME DESK, AT SPECIAL EVENTS, AND AS INTERNS. 314647 PERMANENT COLLECTION ACQUISITIONS: THE MUSEUM'S MISSION TO COLLECT, PRESERVE, AND INTERPRET ART FOR OUR COMMUNITY IN MONTGOMERY AND CENTRAL ALABAMA IS MADE TANGIBLE BY THE ART WE HOLD IN TRUST WITHIN THE MUSEUM'S PERMANENT COLLECTION. IN 2018 THE MUSEUM ACQUIRED 102 WORKS OF ART FOR ITS COLLECTION, REPRESENTING A WIDE ARRAY OF MEDIA, AND SIGNIFICANTLY ENHANCING MANY AREAS OF OUR PERMANENT HOLDINGS. ACQUISITION HIGHLIGHTS INCLUDE THE COMPLETION OF A GIFT OF AMERICAN PAINTINGS OF THE LATE-NINETEENTH AND EARLY-TWENTIETH CENTURIES THAT HAD BEEN ON PERMANENT LOAN TO THE MUSEUM. THESE NINE IMPORTANT WORKS INCLUDED OIL PAINTINGS BY PHILLIP EVERGOOD, WILLIAM GROPPER, AND ERNEST LAWSON. OTHER ADDITIONS INCLUDED THE GIFT OF 14 EXAMPLES OF TRADITIONAL POTTERY BY ALABAMA ARTIST JERRY BROWN, AN EARLY OIL PORTRAIT MADE IN 1822 IN CAHABA, ALABAMA BY NATHAN NEGUS, AND A 1994 QUILT BY ALABAMA QUILTER ODELL VALENTINE. THE MUSEUM ALSO UTILIZED FUNDS FROM ITS WEIL PRINT ENDOWMENT TO ACQUIRE A GROUP OF 35 OLD MASTER PRINTS, INCLUDING WORKS BY JACQUES CALLOT, ALBRECHT DRER, FRANCISCO GOYA Y LUCIENTES, WILLIAM BLAKE, AND WILLIAM HOGARTH. THE MUSEUM CONTINUES TO UP-DATE ITS ONLINE ACCESSIBLE DATABASE WITH INFORMATION FOR THE PUBLIC REGARDING THE WORKS HELD IN ITS PERMANENT COLLECTION. 2175696 EXHIBITIONS IN ADDITION TO SEMI-PERMANENT AND TEMPORARY INSTALLATIONS FROM OUR PERMANENT COLLECTION, THE MUSEUM OFFERED AN ASSORTMENT OF TEMPORARY LOAN EXHIBITIONS IN ITS GALLERIES. THESE INCLUDED UNCOMMON TERRITORY: CONTEMPORARY ART IN ALABAMA, 11.18.2017 TO 1.21.18, ONE OF THREE EXHIBITIONS ORGANIZED BY THE MUSEUM IN RECOGNITION OF THE BICENTENNIAL OF THE STATE; NATURAL WONDERS: THE ART OF JACQUELINE BISHOP AND DOUGLAS BOURGEOIS, 3.24 TO 6.10.2018; JOURNEY OF THE ISLANDER: THE ART AND LIFE OF WALTER INGLISS ANDERSON, 3.24 TO 6.10.2018; JANE CASSIDY: THE UNDERSEA WELL, 6.30 TO 9.16.2018 AND VIEWS OF THE SOUTH: PHOTOGRAPHS FROM THE DO GOOD FUND, 9.29.18 TO 1.26.2019 2531826 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 44 0 1 45 1 0 0 0 0 0 1 1 0 0 X 34 34 0 0 0 0 1 0 1 1 1 0 0 1 1 1 1 1 1 1 1 0 X JANET CARROLL 3346254372 ONE MUSEUM DRIVE MONTGOMERY AL 36117 CEDRIC BRADFORD TRUSTEE 0.00 X 0 0 0 KAREN CAMPBELL BOARD MEMBER 0.00 X 0 0 0 GINNY CUMBUS TRUSTEE 0.00 X 0 0 0 BARBARA DAVIS TRUSTEE 0.00 X 0 0 0 GUY DAVIS TRUSTEE 0.00 X 0 0 0 RACHAEL GALLAGHER BOARD MEMBER 0.00 X 0 0 0 CATHERINE GAYDEN TRUSTEE 0.00 X 0 0 0 SUSAN GEDDIE BOARD MEMBER 0.00 X 0 0 0 JASON GOODSON TRUSTEE 0.00 X 0 0 0 POLLY HARDEGREE BOARD MEMBER 0.00 X 0 0 0 KATHERINE HARRIS TRUSTEE 0.00 X 0 0 0 ANN HUBBERT BOARD MEMBER 0.00 X 0 0 0 LUCY JACKSON BOARD MEMBER 0.00 X 0 0 0 DEREK JOHNSON TRUSTEE 0.00 X 0 0 0 ROSETTA LEDYARD BOARD MEMBER 0.00 X 0 0 0 JOAN LOEB TRUSTEE 0.00 X 0 0 0 CATHY MARTIN TRUSTEE 0.00 X 0 0 0 RICK NEAL BOARD MEMBER 0.00 X 0 0 0 SHERON ROSE TRUSTEE 0.00 X 0 0 0 DEE RUSSELL TRUSTEE 0.00 X 0 0 0 ADAM SCHLOSS TRUSTEE 0.00 X 0 0 0 GLORIA SIMONS TRUSTEE 0.00 X 0 0 0 MARK SNEAD TRUSTEE 0.00 X 0 0 0 WINIFRED STAKELY BOARD MEMBER 0.00 X 0 0 0 BARBARA THOMPSON TRUSTEE 0.00 X 0 0 0 JANET WALLER TRUSTEE 0.00 X 0 0 0 LAURIE WEIL BOARD MEMBER 0.00 X 0 0 0 FRANK WILSON TRUSTEE 0.00 X 0 0 0 KELLI WISE TRUSTEE 0.00 X 0 0 0 LESLIE SANDERS PRESIDENT 2.00 X X 0 0 0 PETE KNIGHT VICE PRESIDENT 2.00 X X 0 0 0 MARY DUNN SECRETARY 2.00 X X 0 0 0 DAVID CHANDLER TREASURER 2.00 X X 0 0 0 ROGER SPAIN IMMEDIATE PAST PRESIDENT 2.00 X X 0 0 0 ED BRIDGES INTERIM EXECUTIVE DIRECTOR 40.00 X 71200 0 0 71200 0 0 0 0 0 0 WK UPCHURCH CONSTRUCTION 1001 MONTICELLO COURT MONTGOMERY AL 36117 SCULPTURE GARDEN CONSTRUCTION 2408531 JENNIE WELLER CATERING LLC 231 NORTH HULL STREET MONTGOMERY AL 36104 EVENT CATERER 141472 2 240536 229961 472081 942578 CATERING INCOME 711190 147146 147146 BEVERAGE SERVICE INCOME 711190 26435 26435 PROGRAM FEES 711190 23555 23555 CONTRACT LABOR INCOME 711190 22637 22637 J.E.B. 711190 5000 5000 2960 2960 227733 343489 343489 64910 0 64910 64910 64910 1740704 1658215 82489 82489 82489 255229 202612 52617 52617 77572 41452 36120 36120 INSURANCE PROCEEDS 900099 244000 244000 MISCELLANEOUS INCOME 900099 70522 70522 CHANGE IN BENEFICIAL INTEREST 900099 -250240 -250240 64282 1814218 328135 0 543505 126024 126024 342736 109440 233296 54860 7413 47447 22791 3080 19711 73885 38905 34980 1225 1225 1661 239 1303 119 2005 1541 464 46613 8167 38416 30 34609 16311 18105 193 2979 2979 87793 570 87223 SCULPTURE GARDEN IMPROV 1900472 1900472 ACQUISITIONS 270250 270250 FEES FOR SPECIAL SERVIC 160791 52841 107505 445 CATERING AND BEVERAGE 160668 4761 155907 156199 116611 37562 2026 3445561 2531826 910922 2813 1287748 1051239 2749405 1518358 271048 256014 84784 313377 4993 4993 4197 3557 197362 165742 34599 31620 8866854 9486269 654688 404448 13958316 13069875 345046 433152 175076 167736 520122 600888 X 5959694 6321953 7478500 6147034 13438194 12468987 13958316 13069875 -1631343 562136 100000 0 X X 0 1 X 1 0 X 3091015 1403797 912141 736665 942578 7086196 3091015 1403797 912141 736665 942578 7086196 7086196 1113651 914882 383583 328927 490888 3231931 48128 11715 46177 37795 314522 458337 10776464 1255861 0.65760 0.69740 X X X X X 1 12325133 115 735841 301758 12759331 11119843 765 1287946 83421 12325133 10392542 1960 802598 77257 11119843 15719066 8453 -360262 4974715 10392542 14905437 23955 1019468 229764 15719066 0.41000 0.59000 0 0 197362 165742 31620 31620 X 2448210 562136 71856 633992 1814218 0 1814218 3517417 71856 71856 3445561 0 3445561 PART III, LINE 1A: IN CONFROMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED BY OR DONATED TO THE ASSOCIATION ARE NOT INCLUDED IN IN THE STATEMENT OF FINANCIAL POSITION. THE ASSOCIATION MAINTAINS A SEPARATE RECORD OF ALL ITS ART OBJECTS. PART III, LINE 4: THE MONTGOMERY MUSEUM OF FINE ARTS HOLDS SOME 4,000 OBJECTS IN ITS COLLECTION, CONSISTING PRIMARILY OF AMERICAN WORKS OF ART FROM THE EIGHTEENTH CENTURY INTO THE TWENTY-FIRST CENTURY. THE COLLECTION INCLUDES ART FROM THE SOUTHEASTERN UNITED STATES, DECORATIVE ARTS IN THE FORM OF PORCELAIN AND GLASS, AND OLD MASTER PRINTS. THE AMERICAN COLLECTIONS, AS WELL AS THE EUROPEAN OLD MASTER PRINTS, FORM AN OUTSTANDING HISTORICAL CONTEXT FOR THE APPROXIMATELY 250 WORKS FROM THE MUSEUM'S GEOGRAPHIC REGION, WHICH DATE FROM THE LATE-NINETEENTH CENTURY TO THE PRESENT. THE MUSEUM'S AMERICAN COLLECTION IS A COMPREHENSIVE SURVEY OF STYLES, TECHNIQUES, AND SUBJECT MATTER FROM THE 18TH THROUGH THE 20TH CENTURIES ILLUSTRATING MAJOR ART MOVEMENTS FROM COLONIAL TIMES TO THE PRESENT. PORTIONS OF THE COLLECTION ARE ON PERMANENT EXHIBITION IN VARIOUS INSTALLATIONS THAT EXPLORE DIFFERENT THEMES OR HISTORICAL PERSPECTIVES. THE CORE OF THE AMERICAN ART INSTALLATION IS THE BLOUNT COLLECTION, CONTAINING 41 HISTORICALLY SIGNIFICANT PAINTINGS BY 33 AMERICAN ARTISTS INCLUDING COPLEY, MORAN, HOMER, SARGENT, HOPPER, AND O'KEEFFE. THIS CHRONOLOGICAL SURVEY OF AMERICAN PAINTINGS SIGNIFICANTLY ENHANCES THE OVERALL MUSEUM COLLECTIONS, AND THE MUSEUM'S EDUCATIONAL ROLE BY PROVIDING A COMPREHENSIVE VIEW OF IMPORTANT STYLES AND MOVEMENTS IN AMERICAN ART. WHILE THE MUSEUM'S AMERICAN ART COLLECTION IS AMONG THE STRONGEST IN THE SOUTHEASTERN U.S., THE MUSEUM'S PRINT COLLECTION IS ALSO HIGHLY SIGNIFICANT. THE RICH COLLECTION OF OLD MASTER PRINTS INCLUDES MULTIPLE WORKS BY OUTSTANDING EUROPEAN PRINTMAKERS FROM THE FIFTEENTH TO THE NINETEENTH CENTURIES SUCH AS SCHOENGAUER, D RER, REMBRANDT, CANALETTO, GOYA, AND WHISTLER. THE COLLECTION NOW INCLUDES OVER 1,500 OUTSTANDING IMPRESSIONS. THESE WORKS EMBODY VARIOUS PRINTMAKING TECHNIQUES AND DEMONSTRATE THE SCOPE AND QUALITY OF THIS DISTINCTIVE COLLECTION. UTILIZING THE MUSEUM'S WEIL PRINT ENDOWMENT, THE MUSEUM CONSISTENTLY PURCHASES OLD MASTER PRINTS MADE BEFORE 1900 TO ENHANCE THE MUSEUM'S HOLDINGS. THE COLLECTION OF WORKS ON PAPER ALSO INCLUDES POPULAR ENGRAVERS SUCH AS CURRIER AND IVES AND EXTENDS TO WORKS BY MAJOR MODERN PRINTMAKERS INCLUDING ROSENQUIST, WARHOL, AND STELLA. THE MUSEUM'S HOLDINGS OF HISTORICAL AND MODERN PHOTOGRAPHY ARE ALSO INCREASING, PARTICULARLY IN THE AREA OF WORKS BY SOUTHERN PHOTOGRAPHERS. IN 1930, THE MUSEUM WAS FOUNDED WITH THE INTENTION OF EXHIBITING WORKS BY ALABAMA ARTISTS AND TO PROMOTE THE CULTURAL, ARTISTIC, AND EDUCATIONAL LIFE OF THE PEOPLE OF ALABAMA. PAINTINGS WERE DONATED BY THE DIRECTOR OF THE MUSEUM'S ART SCHOOL, KELLY FITZPATRICK, AS WELL AS BY HIS STUDENTS TO FORM THE CORE OF EARLY HOLDINGS. TODAY, WORKS BY ALABAMA ARTISTS AND, IN A LARGER CONTEXT, WORKS BY SOUTHERN REGIONAL ARTISTS, REMAIN A SOURCE OF GREAT PRIDE FOR THE MONTGOMERY AREA AND ARE ACCESSIBLE REMINDERS OF ITS CULTURAL AND ARTISTIC HERITAGE. HISTORICAL AND CONTEMPORARY WORKS BY ARTISTS FROM ALABAMA AND THE SOUTHEAST FORM AN ESSENTIAL AND EXPANDING COMPONENT OF MMFA'S COLLECTION; MORE THAN TWO HUNDRED EXAMPLES OF PAINTING, WORKS ON PAPER AND SCULPTURE ARE NOW IN THE COLLECTION. REPRESENTED ARE NINETEENTH-CENTURY PORTRAITISTS, NICOLA MARSCHALL AND JACQUES AMANS, AND LANDSCAPE PAINTERS, JOSEPH RUSLING MEEKER, WALTER ANDERSON AND WILL HENRY STEVENS. ARTISTS OF THE WPA ERA INCLUDE J. KELLY FITZPATRICK, ARTHUR BAIRNSFARTHER, ANNE GOLDTHWAITE AND CHARLES SHANNON. MANY OF THESE WORKS WERE EXECUTED FOR WPA PROJECTS IN ALABAMA AND DONATED TO THE MUSEUM BY THE PROJECT OR BY THE ARTISTS. IMPORTANT CONTEMPORARY, REGIONAL ARTISTS REPRESENTED ARE ROGER BROWN, WILLIAM CHRISTENBERRY, AND FRANK FLEMING. WORKS BY SELF-TAUGHT ARTISTS ARE ALSO AN EXPANDING PART OF THE MUSEUM'S PERMANENT COLLECTION. QUILTS BY ALABAMA QUILTMAKERS OF THE MID-TO-LATE TWENTIETH CENTURY, AS WELL AS A SELECTION OF WORKS BY ALABAMA ARTISTS SUCH AS JIMMY LEE SUDDUTH, MOSE TOLLIVER AND BILL TRAYLOR, FORM AN IMPORTANT FACET OF THE MUSEUM'S REPRESENTATION OF WORKS BY REGIONAL ARTISTS. THE LOCATION OF THE MUSEUM IN THE BEAUTIFUL WYNTON M. BLOUNT CULTURAL PARK AND THE ARCHITECTURE OF THE BUILDING INSPIRED THE GOAL OF ACQUIRING WORKS OF SCULPTURE. REGIONAL SCULPTORS FRANK FLEMING, WILLIAM CHRISTENBERRY, AND ED HENDRICKS WERE COMMISSIONED AND HAVE PROVIDED SCULPTURE FOR THE MUSEUM AND GROUNDS. TWELVE WORKS BY LOCAL SELF-TAUGHT SCULPTOR CHARLIE LUCAS WERE ACQUIRED AND ARE NOW ON PERMANENT DISPLAY. THE MUSEUM HAS ALSO ASSEMBLED AN OUTSTANDING INSTALLATION OF THIRTY PIECES OF AMERICAN STUDIO ART GLASS, WHICH INCLUDES A LARGE WINDOW INSTALLATION COMMISSIONED FROM SEATTLE ARTIST CAPPY THOMPSON. IN ADDITION TO THE COLLECTION AREAS OUTLINED ABOVE, THE MUSEUM ALSO OWNS STUDY COLLECTIONS OF FIRST PERIOD WORCESTER PORCELAIN AND CHINESE EXPORT PORCELAIN, AS WELL AS AMERICAN HISTORICAL ART GLASS. THE MUSEUM'S COLLECTIONS AND THEIR IMPACT ON THE COMMUNITY ARE OF PRIMARY CONCERN TO MMFA. THE MUSEUM'S MISSION IS TO "COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC." THE PERMANENT COLLECTION HAS BEEN BUILT WITH THIS MISSION STATEMENT IN MIND. COMMUNITY YOUTH HAVE TRADITIONALLY BEEN VIEWED AS AN UNDERSERVED AUDIENCE BY MMFA. ALABAMA'S PUBLIC ELEMENTARY AND JUNIOR HIGH SCHOOLS PROVIDE LITTLE OR NO ART EDUCATION. AS A RESULT, THE MUSEUM HAS DEVELOPED MANY PROGRAMS SPECIFICALLY FOR THIS AUDIENCE. ARTWORKS, THE LEADING INTERACTIVE EDUCATIONAL ART GALLERY IN THE STATE, WAS CREATED TO OFFER CHILDREN AND ADULTS AN INTERACTIVE EXPLORATION OF THE ELEMENTS OF ART. A FIELD TRIP TO MMFA IS PART OF THE CURRICULUM FOR EVERY KINDERGARTEN AND FIFTH-GRADE STUDENT IN MONTGOMERY PUBLIC SCHOOLS; THE FIELD TRIP INCLUDES A GALLERY TOUR, TIME TO EXPLORE ARTWORKS, AND A STUDIO ART-MAKING ACTIVITY. OTHER SCHOOL GROUPS TOUR VARIOUS EXHIBITIONS FOR CURRICULUM-RELATED, ARTS-IN-EDUCATION EFFORTS DESIGNED BY THE CURATOR OF EDUCATION. COMMUNITY OUTREACH PROGRAMS ARE DEVELOPED TO INFORM AND EDUCATE AUDIENCES ABOUT SPECIAL EXHIBITIONS IN AN EFFORT TO MAKE GALLERY VISITS MORE ENRICHING. DURING CAMP SUNSHINE, A WEEK-LONG SUMMER PROGRAM IN CONJUNCTION WITH THE GIRL SCOUTS, MMFA OFFERS STUDIO ART PROGRAMS FOR SEVERAL HUNDRED FIVE- TO 14-YEAR OLD ECONOMICALLY DISADVANTAGED GIRLS. WEEKEND STUDIO/GALLERY CLASSES AND SUMMER ART CAMPS, BOTH WITH SCHOLARSHIP OPPORTUNITIES, SERVE PRE-SCHOOL THROUGH HIGH-SCHOOL YOUTH. THESE SUCCESSFUL EFFORTS TO REACH THIS AUDIENCE HAVE LED TO MODELS OF OUTREACH AND AUDIENCE DEVELOPMENT THAT MMFA SEEKS TO UTILIZE WITH OTHER UNDERSERVED AUDIENCES, ESPECIALLY ADULTS AGED 18 TO 35. PART X, LINE 2: THE ASSOCIATION HAS NOT RECOGNIZED ANY RESPECTIVE LIABILITY FOR UNRECOGNIZED TAX BENEFITS AS IT HAS NO KNOWN TAX POSITIONS THAT WOULD SUBJECT THE ORGANIZATION TO ANY MATERIAL INCOME TAX EXPOSURE. THE TAX YEARS THAT REMAIN SUBJECT TO EXAMINATION ARE THE PERIODS BEGINNING ON OCTOBER 1, 2014 FOR ALL MAJOR TAX JURISDICTIONS. PART XI, LINE 2D - OTHER ADJUSTMENTS: FUNDRAISING EXPENSES 71,856. PART XII, LINE 2D - OTHER ADJUSTMENTS: FUNDRAISING EXPENSES 71,856. ART AUCTION 255229 255229 15964 186648 255229 255229 15964 186648 202612 52617 X 40 0 APPRAISED VALUE 0 0 0 PART I, LINE 33: THE MUSEUM REPORTS ONLY THE APPRAISED VALUE OF THESE WORK OF ART CONTRIBUTIONS, WHICH THE DONOR REPORTS ON THEIR TAX RETURN. THE TOTAL APPRAISED VALUE OF THE VARIOUS WORKS OF ART RECEIVED DURING 10/1/17-9/30/18 WAS $279,000. FORM 990, PART VI, SECTION A, LINE 6 THE MONTGOMERY MUSEUM OF FINE ARTS IS A NONPROFIT ORGANIZATION WITH BOARD MEMBERS WHO HAVE THE RIGHT TO PARTICIPATE IN THE ORGANIZATION'S GOVERNANCE, ELECT MEMBERS OF THE GOVERNING BODY AND APPROVE SIGNIFICANT DECISIONS OF THE GOVERNING BODY. MEMBERS DO NOT RECEIVE DISTIRBUTIONS OF INCOME OR ASSETS FROM THE ORGANIZATION NOR MAY THEY RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS, EXCESS DUES OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. THE MUSEUM IS A DEPARTMENT OF THE CITY OF MONTGOMERY, GOVERNED BY THE CITY'S RULES AND REGULATIONS, OVERSEEN BY THE CITY'S MAYOR AND CITY COUNCIL. THE CITY OF MONTGOMERY SETS GENERAL POLICY AND PROCEDURES FOR ALL ITS DEPARMENTS INCLUDING THE MUSEUM. FORM 990, PART VI, SECTION A, LINE 7B MEMBERS OF THE ASSOCIATION MAY MAKE CHANGES TO THE BY-LAWS AT AN ANNUAL MEETING. FORM 990, PART VI, SECTION B, LINE 11B A COPY OF THE FORM 990 WAS EMAILED TO KEY BOARD MEMBERS BEFORE IT WAS FILED. IT WAS ALSO REVIEWED BY THE TREASURER AND ACCOUNTANT BEFORE THE TAX RETURN WAS FILED. FORM 990, PART VI, SECTION B, LINE 12C A COPY OF THE MONTGOMERY MUSEUM OF FINE ARTS' CODE OF ETHICS WILL BE PROVIDED TO EACH MEMBER OF THE MUSEUM'S BOARD AND STAFF AT THE BEGINNING OF THEIR RELATIONSHIP WITH THE MUSEUM AND WILL BE SIGNED BY EACH MEMBER. BOARD AND STAFF SHOULD DISCLOSE ANY POTENTIAL CONFILCT OF INTEREST TO THE MUSEUM AT THAT TIME. THE MUSEUM'S CODE OF ETHICS IS IMPLEMENTED BY AND WILL BE UPDATED OR REVISED BY A VOTE OF THE FULL BOARD. THE MUSEUM'S EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES SERVES AS THE ETHICS COMMITTEE OF THE BOARD OF TRUSTEES. THE ETHICS COMMITTEE WILL BE RESPONSIBLE FOR EXAMINING REPORTS OR REQUESTS CONCERNING PERSONAL COLLECTING, GIFTS, ACQUISITIONS, SALES, TRADES OR OTHER MATTERS AS THEY RELATE TO BOARD MEMBERS OR MUSEUM STAFF WHEN SUCH MATTERS MAY PRESENT THE POTENTIAL FOR A CONFLICT. FORM 990, PART VI, SECTION B, LINE 15 THE PERSONNEL COMMITTEE REVIEWED DATA OF COMPENSATION OF OTHER ART MUSEUM DIRECTORS: IN THE GEOGRAPHICAL REGION, BY METROPOLITAN AREA POPULATION, AND BY OPERATING BUDGET SIZE. COMPENSATION DOCUMENTATION AND MINUTES OF MEETINGS ARE KEPT ON RECORD IN THE MUSEUM'S BOARD FILES AND PERSONNEL FILES. FORM 990, PART VI, SECTION C, LINE 19 THE MONTGOMERY MUSEUM OF FINE ARTS GOVERNING DOCUMENTS, CONFLICTS OF INTEREST POLICY, AUDIT, ANNUAL REPORT, AND OTHER POLICIES ARE AVAILABLE UPON REQUEST. FORM 990, PART XII, LINE 2C THE ORGANIZATION'S AUDIT COMMITTEE OVERSEES THE AUDIT OF THE ORGANIZATION, THIS PROCESS HAS NOT CHANGED FROM PREVIOUS YEARS.