2025-11-05T18:32:39+00:00 2024-09-30 135381590 BDO USA 100 SE 2ND ST SUITE 1700 MIAMI FL 33131 990 2023-10-01 471251523 INSTITUTE OF CONTEMPORARY ART MIAMI INC INST 3059015272 61 NE 41ST STREET MIAMI FL 33137 ANDREW GAVIN DIRECTOR OF FINANCE 3059015272 2025-11-06 true JAKE COOK P01240455 3053818000 2025-11-03 2023 2025-03-06 01:10:19Z ALEX J GARTENFELD 61 NE 41ST STREET MIAMI FL 33137 15819497 false X ICAMIAMI.ORG X 2014 FL THE INSTITUTE OF CONTEMPORARY ART, MIAMI (ICA MIAMI), IS DEDICATED TO PROMOTING THE WORK OF CONTEMPORARY ARTISTS, AND TO THE EXCHANGE OF ART AND IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. 40 40 77 42 0 0 10027428 12630300 43537 85652 193063 129195 1802745 1916991 12066773 14762138 0 0 0 2934360 3336261 0 0 1502726 7250859 9921556 10185219 13257817 1881554 1504321 56703275 59516359 1706811 2589797 54996464 56926562 X THE INSTITUTE OF CONTEMPORARY ART, MIAMI (ICA MIAMI), IS DEDICATED TO PROMOTING THE WORK OF CONTEMPORARY ARTISTS, AND TO THE EXCHANGE OF ART AND IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. false false 7535647 0 85652 EXHIBITIONS AND COLLECTIONS DURING FISCAL YEAR 2024, ICA MIAMI HOSTED A WIDE RANGE OF EXHIBITIONS FROM DIVERSE INTERNATIONAL ARTISTS. MAJOR EXHIBITIONS DURING FISCAL YEAR 2024 INCLUDED THE FOLLOWING: FROM NOVEMBER 2023 TO APRIL 2024, ICA MIAMI PRESENTED "CHARLES GAINES: 1992-2023," A SURVEY OF THE AMERICAN CONCEPTUAL ARTIST'S RECENT THREE DECADES OF WORK. GAINES'S PRACTICE COMBINES SYSTEMS OF MAPPING, GRIDS, AND LANGUAGE WITH URGENT SOCIAL AND POLITICAL QUESTIONS, PRODUCING A BODY OF WORK THAT BRIDGES CONCEPTUAL RIGOR WITH DEEP CULTURAL CRITIQUE. FROM NOVEMBER 2023 TO APRIL 2024, ICA MIAMI PRESENTED "TAU LEWIS: THE CURE WILL BE COMPLETED IN MY BODY, SILENCE YOUR SPIRIT TO LET ME REACH YOU, MY SKIN WILL SECRETE ANGELS AND YOU WILL HAVE FORGOTTEN AND FORGIVEN ALL.," AS PART OF THE FOURTH ITERATION OF THE EZRATTI FAMILY PRIZE FOR SCULPTURE. THE CREATES MONUMENTAL TEXTILE-BASED SCULPTURES FROM FOUND AND HAND-DYED FABRICS. WORKING IN AN ARRAY OF TECHNIQUES-INCLUDING HAND-SEWING, APPLIQUE, CARVING, AND ASSEMBLAGE-LEWIS HONORS THE MATERIALS AND CREATIVE MODALITIES INTRINSIC TO COMMUNITIES OF THE AFRICAN DIASPORA. FROM NOVEMBER 2023 TO MAY 2024, ICA MIAMI PRESENTED "SASHA GORDON: SURROGATE SELF," THE FIRST SOLO U.S. MUSEUM EXHIBITION FOR THE NEW JERSEY-BORN PAINTER. GORDON'S FIGURATIVE CANVASES LAYER INTIMACY, HUMOR, AND SURREAL INVENTION TO PROBE QUESTIONS OF RACE, GENDER, AND IDENTITY. FROM DECEMBER 2023 TO OCTOBER 2024, ICA MIAMI PRESENTED A NEWLY COMMISSIONED WORK BY ARTIST ANNE COLLIER IN THE MUSEUM'S CENTRAL STAIRWELL. "UNRAVELING (ARE YOU OUT OF YOUR MIND)" (2023) WAS THE ARTIST'S FIRST SITE-RESPONSIVE WALLPAPER, AND HER FIRST MAJOR PRESENTATION IN MIAMI. IN HER PHOTOGRAPHIC WORK COLLIER COMBINES STAGED AND OFTEN APPROPRIATED IMAGES AND EXAMINES MECHANISMS OF REPRESENTATION, CIRCULATION, AND OBJECTHOOD OF IMAGES. FROM DECEMBER 2023 TO APRIL 2024, ICA MIAMI PRESENTED "AHMED MORSI IN NEW YORK: ELEGY OF THE SEA," THE FIRST U.S. MUSEUM SURVEY OF THE EGYPTIAN-BORN ARTIST, HIGHLIGHTING PAINTINGS AND WORKS ON PAPER PRODUCED DURING HIS CAREER IN NEW YORK SINCE THE 1970S. MORSI'S POETIC VISUAL LANGUAGE WEAVES MYTH, MEMORY, AND PLACE INTO CONTEMPLATIVE MEDITATIONS ON EXILE AND BELONGING. FROM APRIL TO NOVEMBER 2024, ICA MIAMI PRESENTED "ROSE MARIE CROMWELL: A GEOLOGICAL SURVEY," THE DEBUT MUSEUM SOLO EXHIBITION FOR THE MIAMI-BASED ARTIST. FEATURING A SERIES OF PHOTOGRAPHS THAT REFLECT ON THE STORIED TRADITION OF LANDSCAPE PHOTOGRAPHY IN THE AMERICAN WEST AS WELL AS ON THE FAMILIAL RELATIONSHIPS BETWEEN THE ARTIST, HER MOTHER, AND HER DAUGHTER. FROM MAY TO OCTOBER 2024, ICA MIAMI PRESENTED "DENZIL HURLEY: IN PRAISE OF USE," THE FIRST MAJOR MUSEUM EXHIBITION OF THE LATE BARBADOS-BORN PAINTER. THE SHOW EMPHASIZED HURLEY'S INNOVATIVE ABSTRACTIONS, WHICH TRANSFORM HUMBLE MATERIALS INTO MEDITATIONS ON FORM, LABOR, AND SOCIAL PURPOSE. FROM MAY TO OCTOBER 2024, ICA MIAMI PRESENTED "HUGUETTE CALAND: OUTSIDE THE LINE," SURVEYING THE LEBANESE ARTIST'S FLUID AND SENSUAL COMPOSITIONS THAT TRAVERSE PAINTING, DRAWING, AND TEXTILES. CALAND'S WORK DESTABILIZES BOUNDARIES OF THE BODY, GENDER, AND ORNAMENT, ADVANCING A RADICAL VISION OF ABSTRACTION AND INTIMACY. FROM APRIL TO OCTOBER 2024, ICA MIAMI PRESENTED "ZILIA SANCHEZ: TOPOLOGIAS / TOPOLOGIES," A COMPREHENSIVE SURVEY OF WORKS BY ARTIST ZILIA SANCHEZ (B. 1926, HAVANA; D. 2024, SAN JUAN, PUERTO RICO) FROM 1950 TO 1996. A SINGULAR VOICE IN POSTWAR LATIN AMERICAN MODERNISM AND GEOMETRIC ABSTRACTION, SANCHEZ'S DYNAMIC PAINTERLY PRACTICE ENCOMPASSES A BROAD RANGE OF STYLES AND THEMES. SPANNING MORE THAN SEVEN DECADES, HER WORKS ARE A PRODUCT OF CONTINUAL EXPERIMENTATION. THE EXHIBITION SUBSEQUENTLY TRAVELLED TO THE MUSEUM OF ART, PUERTO RICO. IN ADDITION, ICA MIAMI CONTINUED TO ACTIVATE ITS SCULPTURE GARDEN WITH WORKS BY LEADING CONTEMPORARY ARTISTS, INCLUDING PERMANENT COMMISSIONS SUCH AS UNSPECIFIED PROMISE (ALLORA & CALZADILLA), DR. PEPPER (MARK HANDFORTH), EPICURUS (PEDRO REYES), AND REPLICANT STONE (DAMIAN ORTEGA). ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO GROW, ARTICULATING CORNERSTONE MOMENTS IN THE CAREERS OF SIGNIFICANT ARTISTS OF OUR TIME, WITH ACQUISITIONS IN FY2024 EXPANDING THE MUSEUM'S HOLDINGS IN PAINTING, SCULPTURE, AND NEW MEDIA. 936773 0 0 COMMUNICATIONS THROUGH ITS COMMUNICATIONS PROGRAM, ICA MIAMI COMMUNICATES ITS MISSION AND ACTIVITIES TO THE PUBLIC, INFORMING AUDIENCES ABOUT CONTEMPORARY ART AND ITS IMPORTANCE IN OUR SOCIETY THROUGH MULTIPLE MEDIA. ICA MIAMI CONTINUES TO EMPLOY A COMPREHENSIVE MARKETING AND OUTREACH STRATEGY TO SUPPORT ENGAGEMENT WITH BOTH TOURISTS AND MIAMI RESIDENTS OF ALL AGES AND SOCIOECONOMIC BACKGROUNDS. THE MUSEUM MAINTAINS DEDICATED STAFF FOR MARKETING, COMMUNICATIONS, AND DIGITAL PRODUCTION AND WORKS WITH LEADING PR AGENCIES TO ENSURE SIGNIFICANT AUDIENCE REACH AND PRESS ATTENTION ON THE LOCAL, NATIONAL, AND INTERNATIONAL LEVELS. KEY STRATEGIES IN FY2024 INCLUDED: 1. PUBLISHING FULL-PAGE PRINT ADS IN CULTURED, DESIGN DISTRICT MAGAZINE, AND OTHER ART PUBLICATIONS. 2. IMPLEMENTING DIGITAL CAMPAIGNS WITH LOCAL MEDIA OUTLETS SUCH AS MIAMI HERALD, MIAMI NEW TIMES, TIME OUT MIAMI AND WLRN. 3. RUNNING TARGETED GOOGLE ADWORDS AND DISPLAY ADVERTISING CAMPAIGNS. 4. BROADCASTING RADIO SPOTS PROMOTING ICA MIAMI'S MISSION OF FREE AND OPEN ACCESS. 5. POSTING AND ADVERTISING ACROSS ICA MIAMI'S SOCIAL MEDIA PLATFORMS (WITH CONTINUED GROWTH IN INSTAGRAM, FACEBOOK, AND X/TWITTER FOLLOWERS, REACHING A COMBINED AUDIENCE EXCEEDING 500,000). 6. PRODUCING ORIGINAL VIDEO CONTENT DISTRIBUTED VIA ICA MIAMI'S WEBSITE, YOUTUBE, AND SOCIAL MEDIA CHANNELS. 7. ENHANCING WEBSITE SEO VISIBILITY TO MAXIMIZE ACCESS TO EXHIBITION AND PROGRAM INFORMATION. 8. IMPROVING WEB INFRASTRUCTURE TO TRACK ENGAGEMENT PATHWAYS, INCLUDING TICKET RESERVATIONS AND MEMBERSHIP SALES. 9. SENDING EMAIL COMMUNICATIONS TO OVER 113,000 SUBSCRIBERS WITH INVITATIONS TO EXHIBITIONS, PROGRAMS, AND EVENTS. 10. GENERATING GLOBAL WEBSITE SESSIONS AVERAGING MORE THAN 20,000 MONTHLY. 11. CROSS-PROMOTING WITH CITY AND COMMUNITY ORGANIZATIONS INCLUDING GREATER MIAMI CONVENTION & VISITORS BUREAU, FLORIDA INTERNATIONAL UNIVERSITY AND UNIVERSITY OF MIAMI. 12. ISSUING NATIONAL AND INTERNATIONAL PRESS RELEASES TO MAJOR ART TRADE PUBLICATIONS. 13. HOSTING EXHIBITION OPENINGS AND EVENTS WITH SPONSORS, LIVE PERFORMANCES, AND SOCIAL ACTIVATIONS. 496328 0 0 PUBLIC PROGRAMS DURING FISCAL YEAR 2024, ICA MIAMI CONTINUED TO GENERATE A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, ARTIST TALKS, LIVE PERFORMANCES, AND PODCASTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMMING WAS DEVELOPED UNDER THE FOLLOWING RUBRICS: KNIGHT FOUNDATION ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. * KNIGHT FOUNDATION ART + RESEARCH CENTER (A+RC) ICA MIAMI'S A+RC REMAINS THE MUSEUM'S PLATFORM FOR ADVANCED STUDY AND DIALOGUE ON ART AND IDEAS, OFFERING FREE COLLEGE-LEVEL SEMINARS AND PUBLIC LECTURES. IN FY2024, THE A+RC HOSTED MULTIPLE THREE-WEEK SEMINAR INTENSIVES LED BY PROMINENT ARTISTS, THEORISTS, AND SCHOLARS ADDRESSING THEMES SUCH AS GLOBAL CONCEPTUAL ART, THE ARTS OF JAMAICA, AND AFRO-CUBA: ART AND RITUAL. OVER THE COURSE OF THE YEAR, THE A+RC PRESENTED 10 PUBLIC LECTURES AND RELEASED A NEW SEASON OF ITS PODCAST, FEATURING ARTISTS AND SCHOLARS INCLUDING ZILIA SANCHEZ, TAU LEWIS, SASHA GORDON, AHMED MORSI, AND CULTURAL HISTORIAN RICHARD POWELL. THE A+RC SUMMER INTENSIVE CONVENED STUDENTS AND COMMUNITY MEMBERS FOR INTERDISCIPLINARY STUDY WITH VISITING FACULTY FROM LEADING UNIVERSITIES. A+RC ALSO HOSTED ITS ANNUAL "KEYNOTE LECTURE," WHICH FEATURES POET CATHY PARK HONG. * ICA IDEAS ICA IDEAS PROVIDED IN-DEPTH CONVERSATIONS, SYMPOSIA, AND CRITICAL REFLECTIONS TIED DIRECTLY TO ICA MIAMI'S EXHIBITIONS. HIGHLIGHTS IN FY2024 INCLUDED: o A PANEL DISCUSSION SITUATING CHARLES GAINES'S CONCEPTUAL PRACTICE WITHIN HISTORIES OF AMERICAN CIVIL RIGHTS AND SYSTEMIC CRITIQUE. o A PUBLIC DIALOGUE WITH SCHOLARS ON HUGUETTE CALAND'S RADICAL APPROACH TO INTIMACY AND ORNAMENTATION. o A CONVERSATION ON ROSE MARIE CROMWELL'S PHOTOGRAPHIC PRACTICE EXPLORING GLOBALIZATION AND MIAMI'S SHIFTING CULTURAL LANDSCAPE. o A PUBLIC CONVERSATION WITH SASHA GORDON, EXPLOITING HER PAINTING PRACTICE. o AN INTERDISCIPLINARY ONE-DAY SYMPOSIUM ON ZILIA SANCHEZ PRACTICE IN THE CONTEXT OF POSTWAR LATIN AMERICAN MODERNISM AND GEOMETRIC ABSTRACTION BROADENING PERSPECTIVES ON THE ARTIST'S WORK AND EXPLORING THE VARIOUS ARTISTIC CONTEXTS SHE WORKED IN INCLUDING HAVANA, NEW YORK, MADRID, AND SAN JUAN. o A PUBLIC DISCUSSION ON THE LATE PAINTINGS OF CARLOS ALFONZO. * ICA SPEAKS ICA SPEAKS HOSTED ARTIST TALKS AND SCHOLARLY REFLECTIONS RELATED TO ICA MIAMI'S PERMANENT COLLECTION AND EXHIBITIONS. FY2024 FEATURED A PERFORMANCE OF ARTIST CHARLES GAINES'S "MANIFESTO 3", A MULTIMEDIA INSTALLATION AT THE INTERSECTION OF MUSIC, LANGUAGE, AND VISUAL ART. * ICA PERFORMS ICA PERFORMS ACTIVATED ICA MIAMI'S GALLERIES WITH CROSS-DISCIPLINARY LIVE PROGRAMMING. THE 2024 ITERATION FEATURED "PASSAGE - IN THE WAKE OF THE WORLD," AN ONGOING TRANSDISCIPLINARY PROJECT CONCEIVED BY ARTIST ANGELA LYN (LUGANO) IN COLLABORATION WITH COMPOSER JESSE BANNISTER (LONDON) AND CHOREOGRAPHER DURANTE VERZOLA (MIAMI). BRINGING TOGETHER DIFFERENT ARTISTIC DISCIPLINES AND ARTISTS AND PERFORMERS OF VARIOUS AGES AND CULTURAL BACKGROUNDS, THE PIECE SEEKS TO RE-ENVISION MODES OF CONNECTION AND UNDERSTANDING THROUGH ART AS A TRANSFORMATIONAL VEHICLE. THROUGH THESE INITIATIVES, ICA MIAMI PRESENTED DOZENS OF PUBLIC PROGRAMS DURING FY2024, ENGAGING THOUSANDS OF PARTICIPANTS IN DIALOGUE, LEARNING, AND LIVE PERFORMANCE. THESE PROGRAMS REINFORCE ICA MIAMI'S MISSION TO PROVIDE FREE AND OPEN ACCESS TO CONTEMPORARY ART, FOSTER CRITICAL THOUGHT, AND AMPLIFY DIVERSE VOICES IN MIAMI, NATIONALLY, AND INTERNATIONALLY. 550516 0 0 EDUCATION AND OUTREACH ICA MIAMI CONTINUES TO EXPAND ITS EDUCATIONAL INITIATIVES TO SERVE STUDENTS, FAMILIES, AND COMMUNITY PARTNERS. THE YOUNG ARTISTS INITIATIVE PROVIDED AN INTENSIVE, APPLICATION-BASED PROGRAM FOR 10TH-12TH GRADE STUDENTS, OFFERING DIRECT ENGAGEMENT WITH PRACTICING ARTISTS AND CRITICAL ART HISTORY COURSEWORK. STUDENTS DEVELOPED PORTFOLIOS CULMINATING IN AN EXHIBITION AT ICA MIAMI. ICA MIAMI ALSO OFFERED SUMMER PORTFOLIO PREP FOR MIDDLE SCHOOL STUDENTS APPLYING TO MAGNET AND CHARTER ART PROGRAMS, AND SATURDAY ART CLASSES FOR CHILDREN AGES 8-14. TOGETHER, THESE PROGRAMS SERVED MORE THAN 100 PARTICIPANTS DURING FY2024. OUTREACH PROGRAMS ENGAGED UNDERSERVED CHILDREN AND YOUTH THROUGH PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND COMMUNITY ORGANIZATIONS. ICA MIAMI CURRICULA FOSTER VISUAL LITERACY AND EMPOWER PARTICIPANTS' SOCIAL AND CULTURAL IDENTITIES. IN FY2024, MORE THAN 300 STUDENTS WERE SERVED. ICA MIAMI HOSTED FAMILY PROGRAMS INCLUDING FAMILY FEST AND WEEKLY WORKSHOPS DESIGNED TO WELCOME CHILDREN OF ALL ABILITIES. THESE ACCESSIBLE PROGRAMS COMBINED STORYTELLING, ART-MAKING, AND MOVEMENT, SERVING OVER 300 FAMILIES DURING FY2024. 550516 9519264 true true false false false false true false true true false false false false true true false false false false false false false true false false false false true false false false false false false false false true false false false false false false false false true 28 0 true 77 true false false false false false true true false false false false false false X 40 40 true false false false false false false true true false false false true true true true true true true false FL X X ANDREW GAVIN 3059015272 61 NE 41ST STREET MIAMI FL 33137 DEBI WECHSLER SECRETARY 5.0 X X 0 0 0 IRMA BRAMAN CHAIR 5.0 X X 0 0 0 JANICE LIPTON VICE CHAIR 5.0 X X 0 0 0 MARGOT GREIG PRESIDENT 5.0 X X 0 0 0 PAULA MORABITO TREASURER 5.0 X X 0 0 0 RAY ELLEN YARKIN CHAIR 5.0 X X 0 0 0 ALEX WITKOFF EXECUTIVE COMMITTEE 2.0 X 0 0 0 AMANDA MULLEN TRUSTEE 2.0 X 0 0 0 ANDI POTAMKIN EXECUTIVE COMMITTEE 2.0 X 0 0 0 ANDRE SAKHAI TRUSTEE 2.0 X 0 0 0 ARI ROTHSTEIN TRUSTEE 2.0 X 0 0 0 ARLENE H MENDELSON TRUSTEE 2.0 X 0 0 0 CHANDRA RUDD TRUSTEE 2.0 X 0 0 0 CHRISTINA MARTIN TRUSTEE 2.0 X 0 0 0 DANIEL BERKOWITZ TRUSTEE 2.0 X 0 0 0 DAPHNA BENTATA EXECUTIVE COMMITTEE 2.0 X 0 0 0 DEAN COLSON TRUSTEE 2.0 X 0 0 0 DIANA MORRISON TRUSTEE 2.0 X 0 0 0 EDWARD NICOLL EXECUTIVE COMMITTEE 2.0 X 0 0 0 Elizabeth Green Trustee 2.0 X 0 0 0 JEFF MAGID Trustee 2.0 X 0 0 0 JOANNE R KATZ TRUSTEE 2.0 X 0 0 0 JOHN MARQUEZ TRUSTEE 2.0 X 0 0 0 JORGE GONZALEZ TRUSTEE 2.0 X 0 0 0 KAY TORSHEN TRUSTEE 2.0 X 0 0 0 KRIS HINSON TRUSTEE 2.0 X 0 0 0 LAURIE LYNN STARK TRUSTEE 2.0 X 0 0 0 MAIA MONELL TRUSTEE 2.0 X 0 0 0 MANNY KADRE EXECUTIVE COMMITTEE 2.0 X 0 0 0 MATTHEW HERFIELD TRUSTEE 2.0 X 0 0 0 MICHAEL CHAVIES TRUSTEE 2.0 X 0 0 0 MICHELE BEYER TRUSTEE 2.0 X 0 0 0 MONICA GROSSMAN EXECUTIVE COMMITTEE 2.0 X 0 0 0 PILAR CRESPI TRUSTEE 2.0 X 0 0 0 RALPH J GINDI TRUSTEE 2.0 X 0 0 0 ROBERT LOWINGER TRUSTEE 2.0 X 0 0 0 SARAH SCALI TRUSTEE 2.0 X 0 0 0 SETH CAMPBELL TRUSTEE 2.0 X 0 0 0 STEVEN GUTTMAN TRUSTEE 2.0 X 0 0 0 TAMMY LEVINE TRUSTEE 2.0 X 0 0 0 ALEX GARTENFELD ARTISTIC DIRECTOR 40.0 X 403817 0 19870 ANTHONY TROISI DIRECTOR OF FINANCE 40.0 X 207907 0 24666 COURTNEY CASCI DIR, DEVELOP & EXTRNL AFFAIRS 40.0 X 143811 0 14152 755535 0 58688 3 false true false Masterpiece International Ltd 39 Broadway Suite 1410 New York FL 10006 Shipping 261213 US Art 78 Pacella Park Drive Randolph MA 02368 Shipping 205535 Gavarrete Inc 4872 Southwest 72nd Avenue Miami FL 33155 Exhibit wall fabrication and installation 200335 WOW Factor Marketing Group 804 S Douglas Road Suite 500 Coral Gables FL 33134 Event Planning 198103 Gander & White Shipping Inc 45-11 33rd Street Long Island City NY 11101 Shipping 171141 6 652262 133550 350950 11493538 2059518 12630300 GIFT SHOP 900099 85652 85652 0 0 0 0 85652 113858 113858 0 0 800000 784663 15337 0 15337 15337 2189687 133550 272696 1916991 1916991 0 0 0 0 0 14762138 85652 0 2046186 656260 480074 109365 66821 2049921 1499580 341617 208724 154822 113257 25801 15764 288038 210709 48001 29328 187220 136957 31200 19063 43160 43160 651925 458070 80720 113135 109722 108242 768 712 29028 4817 23040 1171 173518 118572 979 53967 207436 67838 139598 460002 81042 9138 369822 460732 444606 13822 2304 289766 230307 34525 24934 ARTIST EXHIBITIONS 3429525 3425964 3561 ART, SHIPPING AND CRATING 1125405 1015640 97959 11806 BAD DEBT 931667 931667 CONTRACT SERVICES AND FEES 795408 380950 85925 328533 1214262 742639 214981 256642 13257817 9519264 2235827 1502726 492029 382634 4086693 2944079 8182754 8664728 0 0 55868 22253 3029584 44757884 3821764 41081939 40936120 2837607 3503346 0 0 0 0 56703275 59516359 536811 791797 1170000 1798000 0 0 0 1706811 2589797 X 21516917 19408230 33479547 37518332 54996464 56926562 56703275 59516359 1504321 425777 0 X X false true X true false X 4605016 7752873 7868220 10027428 12630300 42883837 0 0 4605016 7752873 7868220 10027428 12630300 42883837 4616923 38266914 14497 10515 5008 117141 113858 261019 1235009 891393 1093686 1802745 1916991 6939824 0 0 131090 0 0 131090 50215770 0 0.7620 0.7428 X Schedule A, Part II, Line 10 Other Income DESCRIPTION - CATALOG SALES, COLUMN A - , COLUMN B - , COLUMN C - 52297.0, COLUMN D - , COLUMN E - , COLUMN F - 52297.0; DESCRIPTION - CREDIT CARD FEES, COLUMN A - , COLUMN B - , COLUMN C - 26770.0, COLUMN D - , COLUMN E - , COLUMN F - 26770.0; DESCRIPTION - MISCELLANEOUS, COLUMN A - , COLUMN B - , COLUMN C - 52023.0, COLUMN D - , COLUMN E - , COLUMN F - 52023.0; RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X false 2837607 386737 3224344 1756751 908374 172482 2837607 690972 1200000 -134221 1756751 597623 93349 690972 574493 23130 597623 0.1035 0.8965 0.0 false false 25986706 25986706 17874552 3152656 14721896 572310 560472 11838 324316 108636 215680 40936120 0 X 15460611 425777 0 425777 15034834 -272696 -272696 14762138 13530513 272696 272696 13257817 0 0 13257817 Schedule D, Part III, Line 1a Collections of art - financial statement footnote ICA MIAMI DOES NOT CAPITALIZE DONATED WORKS OF ART OR RECOGNIZE THEM AS REVENUES OR GAINS. IT IS NOT ICA MIAMI'S POLICY TO SELL DONATED WORKS OF ART. DONATIONS NEED NOT BE RECOGNIZED IF THEY ARE ADDED TO COLLECTIONS THAT ARE HELD FOR PUBLIC EXHIBITION, EDUCATION, OR RESEARCH IN FURTHERANCE OF PUBLIC SERVICE RATHER THAN FINANCIAL GAIN; PROTECTED, KEPT UNENCUMBERED, CARED FOR, PRESERVED; AND ARE SUBJECT TO A POLICY THAT REQUIRES THE PROCEEDS FROM SALES OF COLLECTION ITEMS TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. COLLECTION ITEMS CONSIST OF ART OBJECTS THAT ARE HELD FOR EDUCATIONAL, CURATORIAL PURPOSES AND PUBLIC DISPLAY. EACH OF THE ITEMS IS CATALOGED, PRESERVED, AND CARED FOR, AND KEPT UNENCUMBERED, AND ACTIVITIES VERIFYING THEIR EXISTENCE AND ASSESSING THEIR CONDITION ARE PERFORMED CONTINUOUSLY. COLLECTION ITEMS ACQUIRED EITHER THROUGH PURCHASE OR DONATION ARE NOT CAPITALIZED. THE COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ICA MIAMI'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENTS OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS NET ASSETS WITH DONOR RESTRICTIONS IF THE ASSETS USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENTS OF ACTIVITIES. IF COLLECTION ITEMS ARE SOLD, THE PROCEEDS FROM THE SALE ARE USED TO PURCHASE ADDITIONAL COLLECTION ITEMS. IT IS ICA MIAMI'S POLICY TO NOT SELL COLLECTION ITEMS AND THERE WERE NO SUCH SALES DURING THE YEARS ENDED SEPTEMBER 30, 2024 AND 2023. Schedule D, Part III, Line 4 Collections of art - description of collections ICA MIAMI'S PERMANENT COLLECTION ARTICULATES CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. WORK IN THE COLLECTION ARE DEFINED BY THEIR ACHIEVEMENT IN ONE OR MORE OF THE FOLLOWING CATEGORIES: MAGNITUDE TO AN ARTIST'S CAREER; IMPACT ON INTERNATIONAL CONTEMPORARY ART; THEMATIC RELATIONSHIP TO THE MIAMI REGION AND ITS DYNAMIC POLITICAL, CULTURAL AND ECONOMIC FORCES. THE PERMANENT COLLECTION CONSISTS OF ITEMS BOTH DONATED TO AND PURCHASED BY ICA MIAMI AND IS HELD FOR PUBLIC DISPLAY. ICA MIAMI IS OPEN TO THE GENERAL PUBLIC AT NO COST. Schedule D, Part V, Line 4 Intended uses of endowment funds THE INTENDED USE OF THE ORGANIZATION'S ENDOWMENT FUND IS TO PROVIDE FUNDING FOR VARIOUS PROGRAMS. Schedule D, Part X, Line 2 FIN 48 (ASC 740) footnote ICA MIAMI IS A NON-PROFIT CORPORATION WHICH IS EXEMPT FROM FEDERAL INCOME TAX UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE ("CODE") AND FROM STATE INCOME TAXES UNDER SIMILAR PROVISIONS OF THE FLORIDA STATUTES AND, ACCORDINGLY, GENERALLY WOULD NOT INCUR INCOME TAXES. AS A RESULT, THE FINANCIAL STATEMENTS DO NOT REFLECT A PROVISION FOR INCOME TAXES. IN ADDITION, ICA MIAMI HAS BEEN DETERMINED BY THE INTERNAL REVENUE SERVICE NOT TO BE A "PRIVATE FOUNDATION" WITHIN THE MEANING OF SECTION 509(A) OF THE CODE. ICA MIAMI RECOGNIZES AND MEASURES TAX POSITIONS BASED ON THEIR TECHNICAL MERIT AND ASSESSES THE LIKELIHOOD THAT THE POSITIONS WILL BE SUSTAINED UPON EXAMINATION BASED ON THE FACTS, CIRCUMSTANCES AND INFORMATION AVAILABLE AT THE END OF EACH PERIOD. INTEREST AND PENALTIES ON TAX LIABILITIES, IF ANY, WOULD BE RECORDED IN INTEREST EXPENSE AND OTHER NON-INTEREST EXPENSE, RESPECTIVELY. THE U.S. FEDERAL JURISDICTION IS THE MAJOR TAX JURISDICTION WHERE ICA MIAMI FILES INCOME TAX RETURNS. ICA MIAMI IS GENERALLY NO LONGER SUBJECT TO U.S. FEDERAL EXAMINATIONS BY TAX AUTHORITIES FOR ALL YEARS BEFORE 2021. Schedule D, Part XI, Line 4(b) Other revenues in form 990 not in audited financial statements DIRECT EXPENSES FROM FUNDRAISING EVENTS - -272696 Schedule D, Part XII, Line 2(d) Other expenses in audited financial statements not in form 990 DIRECT EXPENSES FROM FUNDRAISING EVENTS - 272696 365 GALA 1904946 50600 1854346 90424 DONOR TRIPS 269845 77000 192845 182272 6 148446 5950 142496 2323237 133550 2189687 272696 272696 1916991 X X X false false false false false false false false false ALEX GARTENFELD ARTISTIC DIRECTOR 328567 0 75250 0 0 0 10698 0 9172 0 423687 0 0 0 ANTHONY TROISI DIRECTOR OF FINANCE 179657 0 28250 0 0 0 3063 0 21603 0 232573 0 0 0 COURTNEY CASCI DIR, DEVELOP & EXTRNL AFFAIRS 143811 0 0 0 0 0 5162 0 8990 0 157963 0 0 0 X 0 0 NONE X 6 2059518 Market value 0 false true false Schedule M, Part I, Line 1 THE FILING ORGANIZATION DOES NOT REPORT CONTRIBUTIONS OF ART AND OTHER SIMILAR ITEMS AS REVENUE, AS PERMITTED UNDER GENERALLY ACCEPTED ACCOUNTING PRINCIPLES. Schedule M, Part I, Line 33 Noncash contribution amounts not reported ICA MAINTAINS COLLECTIONS OF WORKS OF ART AND DOES NOT VALUE THE PIECES IN ITS INVENTORY OR RECORD REVENUES FOR ANY DONATED PIECES. THE DONATED WORKS OF ART ARE LISTED BY THE NUMBER OF PIECES DONATED. THEY CONSIST OF PAINTINGS, SCULPTURES, PRINTS, AND DVDS. Schedule M, Part I Explanations of reporting method for number of contributions Securities - Closely held stock - THE FILING ORGANIZATION IS REPORTING THE NUMBER OF CONTRIBUTIONS. Form 990, Part III, Line 4d Description of other program services (Expenses $ 550,516 including grants of $ 0)(Revenue $ 0) EDUCATION AND OUTREACH ICA MIAMI CONTINUES TO EXPAND ITS EDUCATIONAL INITIATIVES TO SERVE STUDENTS, FAMILIES, AND COMMUNITY PARTNERS. THE YOUNG ARTISTS INITIATIVE PROVIDED AN INTENSIVE, APPLICATION-BASED PROGRAM FOR 10TH-12TH GRADE STUDENTS, OFFERING DIRECT ENGAGEMENT WITH PRACTICING ARTISTS AND CRITICAL ART HISTORY COURSEWORK. STUDENTS DEVELOPED PORTFOLIOS CULMINATING IN AN EXHIBITION AT ICA MIAMI. ICA MIAMI ALSO OFFERED SUMMER PORTFOLIO PREP FOR MIDDLE SCHOOL STUDENTS APPLYING TO MAGNET AND CHARTER ART PROGRAMS, AND SATURDAY ART CLASSES FOR CHILDREN AGES 8-14. TOGETHER, THESE PROGRAMS SERVED MORE THAN 100 PARTICIPANTS DURING FY2024. OUTREACH PROGRAMS ENGAGED UNDERSERVED CHILDREN AND YOUTH THROUGH PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND COMMUNITY ORGANIZATIONS. ICA MIAMI CURRICULA FOSTER VISUAL LITERACY AND EMPOWER PARTICIPANTS' SOCIAL AND CULTURAL IDENTITIES. IN FY2024, MORE THAN 300 STUDENTS WERE SERVED. ICA MIAMI HOSTED FAMILY PROGRAMS INCLUDING FAMILY FEST AND WEEKLY WORKSHOPS DESIGNED TO WELCOME CHILDREN OF ALL ABILITIES. THESE ACCESSIBLE PROGRAMS COMBINED STORYTELLING, ART-MAKING, AND MOVEMENT, SERVING OVER 300 FAMILIES DURING FY2024. Form 990, Part VI, Line 2 Family/business relationships amongst interested persons Irma Braman and Debi Wechsler - Family relationship Form 990, Part VI, Line 11b Review of form 990 by governing body A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. Form 990, Part VI, Line 12c Conflict of interest policy EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD DELEGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. Form 990, Part VI, Line 15a Process to establish compensation of top management official THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIRS OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. Form 990, Part VI, Line 15b Process to establish compensation of other employees THE COMPENSATION PROCESS FOR OFFICERS IS APPROVED BY THE ARTISTIC DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. Form 990, Part VI, Line 19 Required documents available to the public ALL DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. Form 990, Part XII, Line 2c Change of oversight process or selection process THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS OR SELECTION PROCESS DURING THE TAX YEAR.