2018-08-15T13:31:36-05:00 2017-09-30 721396621 CARR RIGGS & INGRAM LLC 7550 HALCYON SUMMIT DRIVE MONTGOMERY AL 36117 990 2016-10-01 636049847 MONTGOMERY MUSEUM OF FINE ARTS ASSOCIATION MONT 3346254333 ONE MUSEUM DRIVE MONTGOMERY AL 36117 DAVID CHANDLER TREASURER 3346254333 2018-08-15 1 M CHAD SINGLETARY CPA P00166368 3342716678 2018-08-15 2016 2022-09-23 18:48:47Z DAVID CHANDLER ONE MUSEUM DRIVE MONTGOMERY AL 36117 7210409 0 X WWW.MMFA.ORG X 1964 AL THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC. 35 35 40 96 0 0 912138 736665 173124 138336 105915 804166 -158095 82548 1033082 1761715 0 0 0 0 662802 613021 0 0 25977 917065 3411762 1579867 4024783 -546785 -2263068 15374583 13958316 204042 520122 15170541 13438194 X THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC. 0 0 124762 PERMANENT COLLECTION/ACQUISTIONS: THE MUSEUM'S MISSION TO COLLECT, PRESERVE, AND INTERPRET ART FOR MONTGOMERY AND CENTRAL ALABAMA IS MADE TANGIBLE BY THE ART WE HOLD IN TRUST FOR OUR COMMUNITY. THE MUSEUM ACQUIRED 29 WORKS OF ART FOR THE PERMANENT COLLECTION IN 2016-2017 BY GIFT OR PURCHASE, MOST AUGMENTING OUR CORE COLLECTIONS OF AMERICAN ART AND WORKS ON PAPER. ACQUISITION HIGHLIGHTS INCLUDE TWO WATERCOLOR PAINTINGS BY CHARLES BURCHFIELD, OVER THE ROOFS, 1937 AND RURAL LANDSCAPE, 1947, AN OIL PAINTING BY JACK LEVINE, SACRIFICE OF ISAAC, 1974, THE GREAT AMERICAN PASTIME: THE NEGRO BASEBALL LEAGUE, 2009, BY YVONNE WELLS, A PRINT SERIES, SEAM, 1982, BY J RG IMMENDORFF, AND STILL LIFE WITH FRUIT DISH (NATURE MORTE AU COMPOTIER), 1908-1909, BY PABLO PICASSO. OTHER SIGNIFICANT WORKS WERE ETCHINGS AND ENGRAVINGS BY TWENTIETH-CENTURY GRAPHICS MASTERS INCLUDING JANE HAMMOND, ALEXANDER ARCHIPENKO, AND DIEGO RIVERA. THE STAFF CONTINUES TO EXECUTE RESEARCH INTO THE HISTORY AND IMPORTANCE OF THE WORKS IN OUR PERMANENT COLLECTION, AND TO UPDATE INFORMATION AVAILABLE THROUGH OUR COLLECTIONS DATABASE NOW SEARCHABLE ONLINE. THE PUBLIC CAN BROWSE THE COLLECTION HIGHLIGHTS USING PORTFOLIO VIEWS OR SEARCH THE ENTIRE COLLECTION. 3113655 138336 EXHIBITIONS: THE MUSEUM HOSTED 11 TEMPORARY EXHIBITIONS OF ART DURING THE 2016-2017 FISCAL YEAR. IN ADDITION TO REGULAR INSTALLATIONS OF ART FROM THE PERMANENT COLLECTION, THIS GROUP OF TEMPORARY EXHIBITIONS REFLECTED THE MUSEUM'S GOAL OF PRESENTING WORKS OF ART IN A VARIETY OF MEDIA, FROM MANY CULTURES AND TIME PERIODS. HIGHLIGHTS INCLUDED FIRST FOLIO! THE BOOK THAT GAVE US SHAKESPEARE, OCTOBER 1 THROUGH OCTOBER 30, 2016; FEDERICO URIBE: TRANSFORM ART, OCTOBER 8, 2016 THROUGH JANUARY 8, 2017; NATURE, TRADITION, AND INNOVATION: CONTEMPORARY JAPANESE CERAMICS FROM THE GORDON BRODFEUHRER COLLECTION, JANUARY 28 THROUGH APRIL 23, 2017, AND FRANK STELLA PRINTS: A RETROSPECTIVE, AUGUST 19 THROUGH OCTOBER 29, 2017. 48076 EDUCATION: DURING FISCAL YEAR 2016-17, THE EDUCATION DIVISION OFFERED TOURS FOR ALL AGES WITH THE MAJORITY SERVING MONTGOMERY PUBLIC SCHOOL STUDENTS. OTHER EDUCATION OFFERINGS INCLUDED COMMUNITY OUTREACH ACTIVITIES, YOUTH AND FAMILY PROGRAMS, TEEN AND UNIVERSITY PROGRAMS, ADULT AND TEACHER PROGRAMS, STUDIO CLASSES FOR ALL AGES, EXHIBITIONS OF STUDENT ART, AND TRAINING FOR VOLUNTEERS, INCLUDING DOCENTS AND INTERNS. AREAS OF PROGRAMMATIC FOCUS INCLUDED THE BICENTENNIAL OF ALABAMA, THE CENTENNIAL OF THE FIRST WORLD WAR, COLLABORATIONS WITH THE ALABAMA SHAKESPEARE FESTIVAL (RELATED TO THE DISPLAY OF SHAKESPEARE'S FIRST FOLIO AT THE MMFA) AND THE ALABAMA DEPARTMENT OF ARCHIVES AND HISTORY (RELATED TO A JOINT EXHIBIT OF ALABAMA QUILTS AND MORE), AND THEMES OF MAJOR MUSEUM EXHIBITIONS.DURING THE 2016-17 SCHOOL YEAR, THE AMERICAN SCENE TOUR PROGRAM WAS PRESENTED TO ALL MPS FIFTH GRADERS AND INCLUDED A PRE-VISIT CLASSROOM SESSION, A GALLERY TOUR EXPLORING HISTORICAL CONNECTIONS, A MIXED-MEDIA STUDIO LESSON, AND AN INTERDISCIPLINARY EXPERIENCE IN ARTWORKS. LAUNCHED FALL OF 2017, THE NEW BECOMING ALABAMA TOUR PROGRAM FOR FIFTH GRADERS INCORPORATES A TIMELINE EXERCISE IN THE CLASSROOM, DISCUSSION OF ARTWORK IN THE GALLERIES RELATED TO DIFFERENT ERAS OF ALABAMA HISTORY, A "STARS FALLING ON ALABAMA" THEMED STUDIO PROJECT, AND ACTIVITIES IN ARTWORKS RELATED TO CREEK CULTURE. ALL MPS KINDERGARTEN STUDENTS ENJOYED THE ART OF BAKING PUPPET SHOW AND DISCUSSED ORIGINAL WORKS OF ART IN THE GALLERIES FOLLOWING. OTHER FREE TOUR OFFERINGS INCLUDED FIRST SUNDAYS AND THIRD SATURDAYS (BOTH OPEN TO THE PUBLIC), TOURS FOR SENIOR CITIZENS AND SPECIAL NEEDS GROUPS, AND VISITS FROM SUMMER ACADEMIES. CELL PHONE TOURS WERE ALSO OFFERED.IN THE COMMUNITY, THE LEARNING THROUGH ART ARTIST IN RESIDENCE PROGRAM PROVIDED WEEKLY ART LESSONS FOR THIRD AND FOURTH GRADE STUDENTS AT WARES FERRY ROAD ELEMENTARY SCHOOL. THE CURRICULUM INCLUDES STUDENT-DRIVEN DISCUSSIONS OF ART, INDIVIDUAL JOURNAL ENTRIES, ART MAKING WITH PROFESSIONAL ARTISTS, AND VISITS TO THE MUSEUM. THE SCHOOL'S WRITING AND MATH SCORES HAVE IMPROVED SINCE THE INTRODUCTION OF THE PROGRAM. ADDITIONALLY, THE MUSEUM OFFERED ART IN THE AFTERNOON (AFTER-SCHOOL ART CLASSES) AT THE E.D. NIXON COMMUNITY CENTER, THE CHISOLM BOYS AND GIRLS CLUB, VALIANT CROSS ACADEMY, AND THE MT. MEIGS CAMPUS FOR ALABAMA DEPARTMENT OF YOUTH SERVICES. FREE YOUTH AND FAMILY PUBLIC PROGRAMS INCLUDED DROP-IN ART AND CULTURAL ACTIVITIES IN THE ARTWORKS GALLERY, A PUPPET SHOW, TALES FOR TOTS (CREATIVE GALLERY EXPERIENCES), AN AMERICAN HISTORY BASED HOMESCHOOL EVENT, FAMILY ART AFFAIRS (INCORPORATING ART MAKING, PERFORMANCE, AND GALLERY COMPONENTS), AND SPECIAL FAMILY EVENTS SUCH AS HOLIDAY OPEN HOUSE, NATIVE AMERICAN FAMILY DAY, THE CHALK ART COMPETITION AT THE FLIMP FESTIVAL - A SPRING CELEBRATION OF THE ARTS WITH A QUILT THEME THIS YEAR, MILITARY OPEN HOUSE, AND A COLLABORATIVE VENTURE WITH ALABAMA SHAKESPEARE FESTIVAL DESIGNED AROUND THE FIRST FOLIO. TEEN PROGRAMS AT THE MMFA WERE OFFERED FREE OF CHARGE. THE A.P. ART HISTORY COURSE FOR LOCAL HIGH SCHOOL STUDENTS SAW THE SECOND YEAR OF A NEW CURRICULUM FROM THE COLLEGE BOARD BASED ON MORE FOCUSED CONTENT WITH EXPANDED EMPHASIS ON ANALYSIS AND SKILL BUILDING. THE SCORES ON THE NATIONAL EXAM WERE EXCELLENT. IN ADDITION TO THEIR REGULAR MEETINGS FOR GALLERY AND BEHIND THE SCENES EXPERIENCES, THE MUSES TEEN COUNCIL WROTE AN ARTICLE ABOUT A POPULAR MMFA ARTIST AND ORGANIZED A PERFORMANCE EVENT AND SEVERAL WORKSHOPS FOR THEIR PEERS. THE MUSEUM OFFERED REGULAR WORKSHOPS FOR ART TEACHERS, TRAVEL ART SUITCASES FOR USE IN CLASSROOMS, AND A RANGE OF INTERDISCIPLINARY WORKSHOPS FOR THE ALABAMA INSTITUTE FOR EDUCATORS IN THE ARTS. THE SIGNATURE EVENT FOR UNIVERSITY AUDIENCES WAS RELATED TO THE FIRST FOLIO. THE MUSEUM ALSO CONTINUED THE PARTNERSHIP WITH AUBURN UNIVERSITY AT MONTGOMERY BY OFFERING A COURSE FOR THE LIFELONG LEARNING INSTITUTE. FREE PROGRAMS FOR ADULTS INCLUDED LECTURES AND GALLERY TALKS, FILMS, AND FIVE WEEKLY SHORT COURSES THAT ADDRESSED A RANGE OF SUBJECTS. MEMBERS-ONLY OFFERINGS INCLUDED EKPHRASIS, A MONTHLY BOOK CLUB ABOUT ART, AND ARTTALK, A COLLECTIVE CRITIQUE FOR ARTISTS. THE MUSEUM ALSO PARTNERED WITH THE RESPITE CARE MINISTRY SERVING INDIVIDUALS WITH MEMORY LOSS. STUDIO CLASSES AND WORKSHOPS FOR ALL AGES, INCLUDING SUMMER ART CAMPS FOR YOUTH AND TEENS. INVOLVED PROFESSIONAL ARTISTS AND EXPLORED DRAWING, PAINTING, SCULPTURE, CERAMICS, STAINED GLASS, AND PHOTOGRAPHY. SIX ARTWORKS CORRIDOR EXHIBITIONS OF STUDENT ART SHOWCASED WORK BY ELEMENTARY THROUGH COLLEGE STUDENTS, INCLUDING A SHOW DEDICATED TO WORK CREATED IN THE LEARNING THROUGH ART ARTIST IN RESIDENCE PROGRAM. 3286493 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 94 0 1 40 1 0 0 0 0 0 1 1 0 0 X 35 35 0 0 0 0 1 0 1 1 1 0 0 1 1 1 1 1 1 1 1 0 X JANET CARROLL 3346254372 ONE MUSEUM DRIVE MONTGOMERY AL 36117 CEDRIC BRADFORD TRUSTEE 0.00 X 0 0 0 KAREN CAMPBELL BOARD MEMBER 0.00 X 0 0 0 GINNY CUMBUS TRUSTEE 0.00 X 0 0 0 BARBARA DAVIS BOARD MEMBER 0.00 X 0 0 0 R GUY DAVIS JR TRUSTEE 0.00 X 0 0 0 RACHEL GALLAGHER BOARD MEMBER 0.00 X 0 0 0 KATHERINE GAYDEN TRUSTEE 0.00 X 0 0 0 SUSAN GEDDIE BOARD MEMBER 0.00 X 0 0 0 JASON GOODSON TRUSTEE 0.00 X 0 0 0 POLLY HARDEGREE BOARD MEMBER 0.00 X 0 0 0 KATHARINE HARRIS TRUSTEE 0.00 X 0 0 0 ANN HUBBERT BOARD MEMBER 0.00 X 0 0 0 LUCY JACKSON BOARD MEMBER 0.00 X 0 0 0 DEREK JOHNSON TRUSTEE 0.00 X 0 0 0 PETE KNIGHT TRUSTEE 0.00 X 0 0 0 ROSETTA R LEDYARD BOARD MEMBER 0.00 X 0 0 0 JOAN LOEB TRUSTEE 0.00 X 0 0 0 CATHY R MARTIN TRUSTEE 0.00 X 0 0 0 RICHARD E NEAL BOARD MEMBER 0.00 X 0 0 0 PATRICIA PINCHBACK BOARD MEMBER 0.00 X 0 0 0 SHERON ROSE TRUSTEE 0.00 X 0 0 0 DEE RUSSELL TRUSTEE 0.00 X 0 0 0 ADAM SCHLOSS TRUSTEE 0.00 X 0 0 0 GLORIA SIMONS TRUSTEE 0.00 X 0 0 0 MARK SNEAD TRUSTEE 0.00 X 0 0 0 WINIFRED STAKELY BOARD MEMBER 0.00 X 0 0 0 BARBARA W THOMPSON TRUSTEE 0.00 X 0 0 0 JANET WALLER TRUSTEE 0.00 X 0 0 0 LAURIE JEAN WEIL BOARD MEMBER 0.00 X 0 0 0 FRANK M WILSON TRUSTEE 0.00 X 0 0 0 KELLI WISE TRUSTEE 0.00 X 0 0 0 LESLIE L SANDERS PRESIDENT 2.00 X X 0 0 0 MARY STOWERS DUNN SECRETARY 2.00 X X 0 0 0 DAVID CHANDLER TREASURER 2.00 X X 0 0 0 ROGER SPAIN IMMEDIATE PAST PRESIDENT 2.00 X X 0 0 0 MARK JOHNSON EXECUTIVE DIRECTOR 40.00 X 175994 0 0 ED BRIDGES INTERIM EXECUTIVE DIRECTOR 40.00 X 0 0 0 175994 0 0 1 0 1 1 WK UPCHURCH CONSTRUCTION 1001 MONTICELLO COURT MONTGOMERY AL 36117 SCULPTURE GARDEN CONSTRUCTION 305656 1 269333 20 189325 277987 736665 CATERING INCOME 711190 72036 72036 PROGRAM FEES 711190 24611 24611 BEVERAGE SERVICE INCOME 711190 20786 20786 SECURITY/MAINTENANCE INCOME 711190 15355 15355 J.E.B. 711190 5000 5000 548 548 138336 297433 297433 31494 0 31494 31494 31494 5897241 5390508 506733 506733 506733 41819 20 14829 26990 26990 70763 43357 27406 27406 MISCELLANEOUS INCOME 900099 37795 37795 CHANGE IN BENEFICIAL INTEREST IN 900099 -41137 -41137 -3342 1761715 162400 0 862650 170681 56129 95842 18710 349360 110276 239084 24862 7696 17166 28993 8975 20018 39125 8494 27014 3617 68953 35098 33855 2304 2304 1500 1500 1866 1316 550 17171 4598 12573 12756 5972 6645 139 3044 3044 90312 1394 88918 SCULPTURE GARDEN IMPROV 2891960 2891960 CATERING AND BEVERAGE 106186 1912 104193 81 FEES FOR SPECIAL SERVIC 81596 48879 32010 707 ACQUISITIONS 60900 60900 73214 40590 29901 2723 4024783 3286493 712313 25977 1394692 1287748 2012612 2749405 849517 271048 19766 84784 5663 4993 23439 4197 197362 162763 37643 34599 10335426 8866854 695825 654688 15374583 13958316 42477 345046 161565 175076 204042 520122 X 5536890 5959694 9633651 7478500 15170541 13438194 15374583 13958316 -2263068 530721 0 X X 0 1 X 1 0 X 1045244 3091015 1403797 912141 736665 7188862 750000 750000 1795244 3091015 1403797 912141 736665 7938862 7938862 559990 1113651 914882 383583 328927 3301033 48128 11715 46177 37795 143815 11383710 1540499 0.69740 0.67480 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 11119843 765 1287946 83421 12325133 10392542 1960 802598 77257 11119843 15719066 8453 -360262 4974715 10392542 14905437 23955 1019468 229764 15719066 3104521 1488110 4592631 0.40000 0.00000 0.60000 0 0 197362 162763 34599 34599 X 2309598 530721 14829 545550 1764048 -2333 -2333 1761715 4041945 17162 17162 4024783 0 4024783 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED BY OR DONATED TO THE ASSOCIATION ARE NOT INCLUDED IN THE STATEMENT OF FINANCIAL POSITION. THE ASSOCIATION MAINTAINS A SEPARATE RECORD OF ALL ITS ART OBJECTS. PART III, LINE 4: THE MONTGOMERY MUSEUM OF FINE ARTS HOLDS SOME 4,000 OBJECTS IN ITS COLLECTION, CONSISTING PRIMARILY OF AMERICAN WORKS OF ART FROM THE EIGHTEENTH CENTURY INTO THE TWENTY-FIRST CENTURY. THE COLLECTION INCLUDES ART FROM THE SOUTHEASTERN UNITED STATES, DECORATIVE ARTS IN THE FORM OF PORCELAIN AND GLASS, AND OLD MASTER PRINTS. THE AMERICAN COLLECTIONS, AS WELL AS THE EUROPEAN OLD MASTER PRINTS, FORM AN OUTSTANDING HISTORICAL CONTEXT FOR THE APPROXIMATELY 250 WORKS FROM THE MUSEUM'S GEOGRAPHIC REGION, WHICH DATE FROM THE LATE-NINETEENTH CENTURY TO THE PRESENT. THE MUSEUM'S AMERICAN COLLECTION IS A COMPREHENSIVE SURVEY OF STYLES, TECHNIQUES, AND SUBJECT MATTER FROM THE 18TH THROUGH THE 20TH CENTURIES ILLUSTRATING MAJOR ART MOVEMENTS FROM COLONIAL TIMES TO THE PRESENT. PORTIONS OF THE COLLECTION ARE ON PERMANENT EXHIBITION IN VARIOUS INSTALLATIONS THAT EXPLORE DIFFERENT THEMES OR HISTORICAL PERSPECTIVES. THE CORE OF THE AMERICAN ART INSTALLATION IS THE BLOUNT COLLECTION, CONTAINING 41 HISTORICALLY SIGNIFICANT PAINTINGS BY 33 AMERICAN ARTISTS INCLUDING COPLEY, MORAN, HOMER, SARGENT, HOPPER, AND O'KEEFFE. THIS CHRONOLOGICAL SURVEY OF AMERICAN PAINTINGS SIGNIFICANTLY ENHANCES THE OVERALL MUSEUM COLLECTIONS, AND THE MUSEUM'S EDUCATIONAL ROLE BY PROVIDING A COMPREHENSIVE VIEW OF IMPORTANT STYLES AND MOVEMENTS IN AMERICAN ART. WHILE THE MUSEUM'S AMERICAN ART COLLECTION IS AMONG THE STRONGEST IN THE SOUTHEASTERN U.S., THE MUSEUM'S PRINT COLLECTION IS ALSO HIGHLY SIGNIFICANT. THE RICH COLLECTION OF OLD MASTER PRINTS INCLUDES MULTIPLE WORKS BY OUTSTANDING EUROPEAN PRINTMAKERS FROM THE FIFTEENTH TO THE NINETEENTH CENTURIES SUCH AS SCHOENGAUER, D RER, REMBRANDT, CANALETTO, GOYA, AND WHISTLER. THE COLLECTION NOW INCLUDES OVER 1,500 OUTSTANDING IMPRESSIONS. THESE WORKS EMBODY VARIOUS PRINTMAKING TECHNIQUES AND DEMONSTRATE THE SCOPE AND QUALITY OF THIS DISTINCTIVE COLLECTION. UTILIZING THE MUSEUM'S WEIL PRINT ENDOWMENT, THE MUSEUM CONSISTENTLY PURCHASES OLD MASTER PRINTS MADE BEFORE 1900 TO ENHANCE THE MUSEUM'S HOLDINGS. THE COLLECTION OF WORKS ON PAPER ALSO INCLUDES POPULAR ENGRAVERS SUCH AS CURRIER AND IVES AND EXTENDS TO WORKS BY MAJOR MODERN PRINTMAKERS INCLUDING ROSENQUIST, WARHOL, AND STELLA. THE MUSEUM'S HOLDINGS OF HISTORICAL AND MODERN PHOTOGRAPHY ARE ALSO INCREASING, PARTICULARLY IN THE AREA OF WORKS BY SOUTHERN PHOTOGRAPHERS. IN 1930, THE MUSEUM WAS FOUNDED WITH THE INTENTION OF EXHIBITING WORKS BY ALABAMA ARTISTS AND TO PROMOTE THE CULTURAL, ARTISTIC, AND EDUCATIONAL LIFE OF THE PEOPLE OF ALABAMA. PAINTINGS WERE DONATED BY THE DIRECTOR OF THE MUSEUM'S ART SCHOOL, KELLY FITZPATRICK, AS WELL AS BY HIS STUDENTS TO FORM THE CORE OF EARLY HOLDINGS. TODAY, WORKS BY ALABAMA ARTISTS AND, IN A LARGER CONTEXT, WORKS BY SOUTHERN REGIONAL ARTISTS, REMAIN A SOURCE OF GREAT PRIDE FOR THE MONTGOMERY AREA AND ARE ACCESSIBLE REMINDERS OF ITS CULTURAL AND ARTISTIC HERITAGE. HISTORICAL AND CONTEMPORARY WORKS BY ARTISTS FROM ALABAMA AND THE SOUTHEAST FORM AN ESSENTIAL AND EXPANDING COMPONENT OF MMFA'S COLLECTION; MORE THAN TWO HUNDRED EXAMPLES OF PAINTING, WORKS ON PAPER AND SCULPTURE ARE NOW IN THE COLLECTION. REPRESENTED ARE NINETEENTH-CENTURY PORTRAITISTS, NICOLA MARSCHALL AND JACQUES AMANS, AND LANDSCAPE PAINTERS, JOSEPH RUSLING MEEKER, WALTER ANDERSON AND WILL HENRY STEVENS. ARTISTS OF THE WPA ERA INCLUDE J. KELLY FITZPATRICK, ARTHUR BAIRNSFARTHER, ANNE GOLDTHWAITE AND CHARLES SHANNON. MANY OF THESE WORKS WERE EXECUTED FOR WPA PROJECTS IN ALABAMA AND DONATED TO THE MUSEUM BY THE PROJECT OR BY THE ARTISTS. IMPORTANT CONTEMPORARY, REGIONAL ARTISTS REPRESENTED ARE ROGER BROWN, WILLIAM CHRISTENBERRY, AND FRANK FLEMING. WORKS BY SELF-TAUGHT ARTISTS ARE ALSO AN EXPANDING PART OF THE MUSEUM'S PERMANENT COLLECTION. QUILTS BY ALABAMA QUILTMAKERS OF THE MID-TO-LATE TWENTIETH CENTURY, AS WELL AS A SELECTION OF WORKS BY ALABAMA ARTISTS SUCH AS JIMMY LEE SUDDUTH, MOSE TOLLIVER AND BILL TRAYLOR, FORM AN IMPORTANT FACET OF THE MUSEUM'S REPRESENTATION OF WORKS BY REGIONAL ARTISTS. THE LOCATION OF THE MUSEUM IN THE BEAUTIFUL WYNTON M. BLOUNT CULTURAL PARK AND THE ARCHITECTURE OF THE BUILDING INSPIRED THE GOAL OF ACQUIRING WORKS OF SCULPTURE. REGIONAL SCULPTORS FRANK FLEMING, WILLIAM CHRISTENBERRY, AND ED HENDRICKS WERE COMMISSIONED AND HAVE PROVIDED SCULPTURE FOR THE MUSEUM AND GROUNDS. TWELVE WORKS BY LOCAL SELF-TAUGHT SCULPTOR CHARLIE LUCAS WERE ACQUIRED AND ARE NOW ON PERMANENT DISPLAY. THE MUSEUM HAS ALSO ASSEMBLED AN OUTSTANDING INSTALLATION OF THIRTY PIECES OF AMERICAN STUDIO ART GLASS, WHICH INCLUDES A LARGE WINDOW INSTALLATION COMMISSIONED FROM SEATTLE ARTIST CAPPY THOMPSON. IN ADDITION TO THE COLLECTION AREAS OUTLINED ABOVE, THE MUSEUM ALSO OWNS STUDY COLLECTIONS OF FIRST PERIOD WORCESTER PORCELAIN AND CHINESE EXPORT PORCELAIN, AS WELL AS AMERICAN HISTORICAL ART GLASS. THE MUSEUM'S COLLECTIONS AND THEIR IMPACT ON THE COMMUNITY ARE OF PRIMARY CONCERN TO MMFA. THE MUSEUM'S MISSION IS TO "COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC." THE PERMANENT COLLECTION HAS BEEN BUILT WITH THIS MISSION STATEMENT IN MIND. COMMUNITY YOUTH HAVE TRADITIONALLY BEEN VIEWED AS AN UNDERSERVED AUDIENCE BY MMFA. ALABAMA'S PUBLIC ELEMENTARY AND JUNIOR HIGH SCHOOLS PROVIDE LITTLE OR NO ART EDUCATION. AS A RESULT, THE MUSEUM HAS DEVELOPED MANY PROGRAMS SPECIFICALLY FOR THIS AUDIENCE. ARTWORKS, THE LEADING INTERACTIVE EDUCATIONAL ART GALLERY IN THE STATE, WAS CREATED TO OFFER CHILDREN AND ADULTS AN INTERACTIVE EXPLORATION OF THE ELEMENTS OF ART. A FIELD TRIP TO MMFA IS PART OF THE CURRICULUM FOR EVERY KINDERGARTEN AND FIFTH-GRADE STUDENT IN MONTGOMERY PUBLIC SCHOOLS; THE FIELD TRIP INCLUDES A GALLERY TOUR, TIME TO EXPLORE ARTWORKS, AND A STUDIO ART-MAKING ACTIVITY. OTHER SCHOOL GROUPS TOUR VARIOUS EXHIBITIONS FOR CURRICULUM-RELATED, ARTS-IN-EDUCATION EFFORTS DESIGNED BY THE CURATOR OF EDUCATION. COMMUNITY OUTREACH PROGRAMS ARE DEVELOPED TO INFORM AND EDUCATE AUDIENCES ABOUT SPECIAL EXHIBITIONS IN AN EFFORT TO MAKE GALLERY VISITS MORE ENRICHING. DURING CAMP SUNSHINE, A WEEK-LONG SUMMER PROGRAM IN CONJUNCTION WITH THE GIRL SCOUTS, MMFA OFFERS STUDIO ART PROGRAMS FOR SEVERAL HUNDRED FIVE- TO 14-YEAR OLD ECONOMICALLY DISADVANTAGED GIRLS. WEEKEND STUDIO/GALLERY CLASSES AND SUMMER ART CAMPS, BOTH WITH SCHOLARSHIP OPPORTUNITIES, SERVE PRE-SCHOOL THROUGH HIGH-SCHOOL YOUTH. THESE SUCCESSFUL EFFORTS TO REACH THIS AUDIENCE HAVE LED TO MODELS OF OUTREACH AND AUDIENCE DEVELOPMENT THAT MMFA SEEKS TO UTILIZE WITH OTHER UNDERSERVED AUDIENCES, ESPECIALLY ADULTS AGED 18 TO 35. PART X, LINE 2: THE ASSOCIATION HAS NOT RECOGNIZED ANY RESPECTIVE LIABILITY FOR UNRECOGNIXED TAX BENEFITS AS IT HAS NO KNOWN TAX POSITIONS THAT WOULD SUBJECT THE ORGANIZATION TO ANY MATERIAL INCOME TAX EXPOSURE. THE TAX YEARS THAT REMAIN SUBJECT TO EXAMINATION AREE THE PERIODS BEGINNING OCTOBER 1, 2013 FOR ALL MAJOR TAX JURISDICTIONS. PART XI, LINE 2D - OTHER ADJUSTMENTS: FUNDRAISING EXPENSES 14,829. PART XI, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD -2,333. PART XII, LINE 2D - OTHER ADJUSTMENTS: FUNDRAISING EXPENSES 14,829. COST OF GOODS SOLD 2,333. BAZAAR D' ART 41839 20 41819 4687 10142 41839 20 41819 4687 10142 14829 26990 X 0 0 0 0 0 0 0 0 0 MARK JOHNSON EXECUTIVE DIRECTOR 175994 0 0 0 0 0 0 0 0 0 175994 0 0 0 FORM 990, PART VII, SECTION A, LINE 5 THE CITY OF MONTGOMERY COMPENSATED MARK JOHNSON, MONTGOMERY MUSEUM OF FINE ARTS ASSOCIATION EXECUTIVE DIRECTOR, $80,857. X 12 0 APPRAISED VALUE 0 0 0 PART I, LINE 33: THE MUSEUM REPORTS ONLY THE APPRAISED VALUE OF THESE WORK OF ART CONTRIBUTIONS, WHICH THE DONOR REPORTS ON THEIR TAX RETURN. THE TOTAL APPRAISED VALUE OF THE VARIOUS WORKS OF ART RECEIVED DURING 10/1/16-9/30/17 WAS $287,150. FORM 990, PART VI, SECTION A, LINE 6 THE MONTGOMERY MUSEUM OF FINE ARTS IS A NONPROFIT ORGANIZATION WITH BOARD MEMBERS WHO HAVE THE RIGHT TO PARTICIPATE IN THE ORGANIZATION'S GOVERNANCE, ELECT MEMBERS OF THE GOVERNING BODY AND APPROVE SIGNIFICANT DECISIONS OF THE GOVERNING BODY. MEMBERS DO NOT RECEIVE DISTIRBUTIONS OF INCOME OR ASSETS FROM THE ORGANIZATION NOR MAY THEY RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS, EXCESS DUES OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. THE MUSEUM IS A DEPARTMENT OF THE CITY OF MONTGOMERY, GOVERNED BY THE CITY'S RULES AND REGULATIONS, OVERSEEN BY THE CITY'S MAYOR AND CITY COUNCIL. THE CITY OF MONTGOMERY SETS GENERAL POLICY AND PROCEDURES FOR ALL ITS DEPARMENTS INCLUDING THE MUSEUM. FORM 990, PART VI, SECTION A, LINE 7B MEMBERS OF THE ASSOCIATION MAY MAKE CHANGES TO THE BY-LAWS AT AN ANNUAL MEETING. FORM 990, PART VI, SECTION B, LINE 11B A COPY OF THE FORM 990 WAS E-MAILED TO KEY BOARD MEMBERS BEFORE IT WAS FILED. IT WAS ALSO REVIEWED BY THE TREASURER AND ACCOUNTANT BEFORE THE TAX RETURN WAS FILED. FORM 990, PART VI, SECTION B, LINE 12C A COPY OF THE MONTGOMERY MUSEUM OF FINE ARTS' CODE OF ETHICS WILL BE PROVIDED TO EACH MEMBER OF THE MUSEUM'S BOARD AND STAFF AT THE BEGINNING OF THEIR RELATIONSHIP WITH THE MUSEUM AND WILL BE SIGNED BY EACH MEMBER. BOARD AND STAFF SHOULD DISCLOSE ANY POTENTIAL CONFILCT OF INTEREST TO THE MUSEUM AT THAT TIME. THE MUSEUM'S CODE OF ETHICS IS IMPLEMENTED BY AND WILL BE UPDATED OR REVISED BY A VOTE OF THE FULL BOARD. THE MUSEUM'S EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES SERVES AS THE ETHICS COMMITTEE OF THE BOARD OF TRUSTEES. THE ETHICS COMMITTEE WILL BE RESPONSIBLE FOR EXAMINING REPORTS OR REQUESTS CONCERNING PERSONAL COLLECTING, GIFTS, ACQUISITIONS, SALES, TRADES OR OTHER MATTERS AS THEY RELATE TO BOARD MEMBERS OR MUSEUM STAFF WHEN SUCH MATTERS MAY PRESENT THE POTENTIAL FOR A CONFLICT. FORM 990, PART VI, SECTION B, LINE 15 THE PERSONNEL COMMITTEE REVIEWED DATA OF COMPENSATION OF OTHER ART MUSEUM DIRECTORS: IN THE GEOGRAPHICA REGION, BY METROPOLITAN AREA POPULATION, AND BY OPERATING BUDGET SIZE. COMPENSATION DOCUMENTATION AND MINUTES OF MEETINGS ARE KEPT ON RECORD IN THE MUSEUM'S BOARD FILES AND PERSONNEL FILES. FORM 990, PART VI, SECTION C, LINE 19 THE MONTGOMERY MUSEUM OF FINE ARTS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AUDIT, ANNUAL REPORT, AND OTHER POLICIES ARE AVAILABLE UPON REQUEST. FORM 990, PART XII, LINE 2C THE ORGANIZATION'S AUDIT COMMITTEE OVERSEES THE AUDIT OF THE ORGANIZATION. THIS PROCESS HAS NOT CHANGED FROM PREVIOUS YEARS.