2017-08-14T15:14:58-05:00 2016-09-30 721396621 CARR RIGGS & INGRAM LLC 7550 HALCYON SUMMIT DRIVE MONTGOMERY AL 36117 990 2015-10-01 636049847 MONTGOMERY MUSEUM OF FINE ARTS ASSOCIATION MONT 3342404333 ONE MUSEUM DRIVE MONTGOMERY AL 36117 DAVID CHANDLER TREASURER 3342404333 2017-08-14 1 M CHAD SINGLETARY CPA P00166368 3342716678 2017-08-14 2015 2021-01-29 14:40:06Z DAVID CHANDLER ONE MUSEUM DRIVE MONTGOMERY AL 36117 6862072 0 X WWW.MMFA.ORG X 1964 AL THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC. 39 39 44 180 0 0 1403797 912138 191144 173124 874417 105915 134939 -158095 2604297 1033082 0 0 0 0 661563 662802 0 0 27941 5589122 917065 6250685 1579867 -3646388 -546785 14902406 15374583 228779 204042 14673627 15170541 X THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC. 0 0 542224 EXHIBITIONS: THE MUSEUM HOSTED 12 TEMPORARY EXHIBITIONS OF ART DURING THE 2015-2016 FISCAL YEAR. IN ADDITION TO REGULAR INSTALLATIONS OF ART FROM THE PERMANENT COLLECTION, THIS GROUP OF TEMPORARY EXHIBITIONS REFLECTED THE MUSEUM'S GOAL OF PRESENTING WORKS OF ART IN A VARIETY OF MEDIA AND TIME PERIODS. THESE EXHIBITIONS INCLUDED RETOOLED: HIGHLIGHTS FROM THE HECHINGER COLLECTION, NOVEMBER 7 THROUGH JANUARY 10, 2016; ONCE & AGAIN: STILL LIFES BY BETH LIPMAN, NOVEMBER 14, 2015 THROUGH JANUARY 31, 2016; A SHARED LEGACY: FOLK ART IN AMERICA, APRIL 2 THROUGH JUNE 19, 2016, AND WOMEN'S WORK: PRINTS FROM THE COLLECTION OF THE MONTGOMERY MUSEUM OF FINE ARTS, JULY 2 THROUGH SEPTEMBER 25, 2016. 151167 173124 PERMANENT COLLECTION/ACQUISITIONS: THE MUSEUM'S MISSION TO COLLECT, PRESERVE, AND INTERPRET ART FOR MONTGOMERY AND CENTRAL ALABAMA IS MADE TANGIBLE BY THE ART WE HOLD IN TRUST FOR OUR COMMUNITY. THE MUSEUM ACQUIRED 57 WORKS OF ART FOR THE PERMANENT COLLECTION IN 2015-2016 BY GIFT OR PURCHASE, FOCUSING ON AUGMENTING OUR CORE COLLECTIONS OF AMERICAN ART AND WORKS ON PAPER. ACQUISITION HIGHLIGHTS INCLUDED A GEORGE INNESS PAINTING, ALBANO, ITALY FROM 1874-1876, AND A FINE JIMMIE LEE SUDDUTH PAINTING, UNTITLED (RED BARN), 1975-1980. OTHER SIGNIFICANT WORKS WERE ETCHINGS AND ENGRAVINGS BY TWENTIETH-CENTURY GRAPHICS MASTERS INCLUDING JANE HAMMOND, ALEXANDER ARCHIPENKO, AND DIEGO RIVERA. THE STAFF CONTINUES TO EXECUTE RESEARCH INTO THE HISTORY AND IMPORTANCE OF THE WORKS IN OUR PERMANENT COLLECTION, AND TO UPDATE INFORMATION AVAILABLE THROUGH OUR COLLECTIONS DATABASE NOW SEARCHABLE ONLINE. THE PUBLIC CAN BROWSE THE COLLECTION HIGHLIGHTS USING PORTFOLIO VIEWS OR SEARCH THE ENTIRE COLLECTION. 57539 EDUCATIONAL PROGRAMS: DURING FISCAL YEAR 15-16, THE EDUCATION DEPARTMENT OFFERED TOURS FOR ALL AGES WITH THE MAJORITY SERVING MONTGOMERY PUBLIC SCHOOL STUDENTS. OTHER EDUCATION OFFERINGS INCLUDED COMMUNITY OUTREACH ACTIVITIES, YOUTH AND FAMILY PROGRAMS, TEEN AND UNIVERSITY PROGRAMS, ADULT AND TEACHER PROGRAMS, STUDIO CLASSES FOR ALL AGES, EXHIBITIONS OF STUDENT ART, AN EXHIBITION ORGANIZED BY THE DOCENTS, TRAINING FOR DOCENT VOLUNTEER TOUR GUIDES, A THRIVING VOLUNTEER PROGRAM, AND AN EXTENSIVE INTERNSHIP PROGRAM. AREAS OF FOCUS INCLUDED THE 60TH ANNIVERSARY OF THE MONTGOMERY BUS BOYCOTT AND MAJOR MUSEUM EXHIBITIONS.THE AMERICAN SCENE TOUR PROGRAM WAS PRESENTED TO ALL MPS FIFTH GRADERS AND INCLUDED A PRE-VISIT CLASSROOM SESSION, A GALLERY TOUR EXPLORING HISTORICAL CONNECTIONS, A MIXED-MEDIA STUDIO LESSON, AND AN INTERDISCIPLINARY EXPERIENCE IN ARTWORKS. MPS KINDERGARTEN STUDENTS ENJOYED THE ART OF BAKING PUPPET SHOW AND DISCUSSED ORIGINAL WORKS OF ART IN THE GALLERIES FOLLOWING. OTHER FREE TOUR OFFERINGS INCLUDED FIRST SUNDAYS (OPEN TO THE PUBLIC), TOURS FOR SENIOR CITIZEN AND SPECIAL NEEDS GROUPS, AND VISITS FROM THREE SUMMER ACADEMIES. CELL PHONE TOURS WERE ALSO OFFERED.IN THE COMMUNITY, THE LEARNING THROUGH ART ARTIST IN RESIDENCE PROGRAM PROVIDED WEEKLY ART LESSONS FOR THIRD AND FOURTH GRADE STUDENTS AT WARES FERRY ROAD ELEMENTARY SCHOOL. THE CURRICULUM INCLUDED STUDENT-LED DISCUSSION OF ART, JOURNAL ENTRIES, ART MAKING WITH PROFESSIONAL ARTISTS, AND VISITS TO THE MUSEUM. THE SCHOOL'S WRITING AND MATH SCORES HAVE IMPROVED SINCE THE INTRODUCTION OF THE PROGRAM. ADDITIONALLY, THE MUSEUM OFFERED ART IN THE AFTERNOON (AFTER-SCHOOL ART CLASSES) AT THE E.D. NIXON COMMUNITY CENTER, THE CHISOLM BOYS AND GIRLS CLUB, VALIANT CROSS ACADEMY, FEWS SECONDARY ACCELERATION ACADEMY, AND THE MT. MEIGS CAMPUS FOR ALABAMA DEPARTMENT OF YOUTH SERVICES, WHERE THE STUDENTS COMPLETED CAMPUS BEAUTIFICATION PROJECTS. FREE YOUTH AND FAMILY PUBLIC PROGRAMS INCLUDED DROP-IN ART ACTIVITIES IN THE ARTWORKS GALLERY, A PUPPET SHOW, TALES FOR TOTS (CREATIVE GALLERY EXPERIENCES), A MATH-BASED HOMESCHOOL EVENT, FAMILY ART AFFAIRS (INCORPORATING ART MAKING, PERFORMANCE, AND GALLERY COMPONENTS), AND SPECIAL EVENTS SUCH AS HOLIDAY OPEN HOUSE, NATIVE AMERICAN FAMILY DAY AND THE CHALK ART COMPETITION AT THE FLIMP FESTIVAL, A SPRING CELEBRATION OF THE ARTS. THE MUSEUM ALSO OFFERED A CREATIVE SUMMER PROGRAM FOR VALIANT CROSS ACADEMY AND MILITARY OPEN HOUSE FREE OF CHARGE. ALL TEEN PROGRAMS AT THE MMFA WERE OFFERED FREE OF CHARGE. THE A.P. ART HISTORY COURSE FOR LOCAL HIGH SCHOOL STUDENTS MET DAILY AND SAW A NEW CURRICULUM FROM THE COLLEGE BOARD WITH MORE IN DEPTH ANALYSIS AND ART HISTORICAL SKILL BUILDING. THE SCORES ON THE NATIONAL EXAM WERE EXCELLENT. IN ADDITION TO EXPANDING THEIR REGULAR MEETING SCHEDULE FOR GALLERY AND BEHIND THE SCENES EXPERIENCES, THE MUSES TEEN COUNCIL ORGANIZED A CAREER FAIR, A PERFORMANCE EVENT, AND SEVERAL WORKSHOPS FOR THEIR PEERS. THE MUSEUM OFFERED REGULAR WORKSHOPS FOR ART TEACHERS, TRAVEL ART SUITCASES FOR USE IN CLASSROOMS, AN ABSTRACTION WORKSHOP WITH THE ALABAMA ALLIANCE FOR ARTS EDUCATION, AND A RANGE OF INTERDISCIPLINARY WORKSHOPS FOR THE ALABAMA INSTITUTE FOR EDUCATORS IN THE ARTS. THE SIGNATURE EVENT FOR UNIVERSITY AUDIENCES WAS AN ARTISTIC RESPONSE BY 5 UNIVERSITIES CELEBRATING THE LEGACY OF ROSA PARKS. THE MUSEUM ALSO CONTINUED THE PARTNERSHIP WITH AUBURN UNIVERSITY AT MONTGOMERY BY OFFERING A COURSE FOR THE LIFELONG LEARNING INSTITUTE. FREE PROGRAMS FOR ADULTS INCLUDED LECTURES AND GALLERY TALKS, FILMS, A PANEL DISCUSSION, SYMPOSIUM, AND FIVE WEEKLY SHORT COURSES THAT ADDRESSED A RANGE OF SUBJECTS. MEMBERS-ONLY OFFERINGS INCLUDED EKPHRASIS, A MONTHLY BOOK CLUB ABOUT ART, AND ARTTALK, A COLLECTIVE CRITIQUE FOR ARTISTS. THE MUSEUM ALSO PARTNERED WITH THE RESPITE CARE MINISTRY IN HEART TO HEART SERVING INDIVIDUALS WITH MEMORY LOSS. STUDIO CLASSES, WORKSHOPS, AND SUMMER ART CAMPS INVOLVED PROFESSIONAL ARTISTS AND TEACHERS AND EXPLORED DRAWING PAINTING, SCULPTURE, CERAMICS, LANDSCAPES, STAINED GLASS, AND PHOTOGRAPHY. SEVEN ARTWORKS CORRIDOR EXHIBITIONS OF STUDENT ART SHOWCASED ART BY ELEMENTARY THROUGH HIGH SCHOOL STUDENTS, INCLUDING A SHOW DEDICATED TO WORK CREATED IN THE LEARNING THROUGH ART ARTIST IN RESIDENCE PROGRAM. 750930 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 73 0 1 44 1 0 0 0 0 0 1 1 0 0 X 39 39 0 0 0 0 1 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 X X JANET CARROLL 3342404333 ONE MUSEUM DRIVE MONTGOMERY AL 36117 CEDRIC BRADFORD TRUSTEE 0.00 X 0 0 0 KAREN CAMPBELL BOARD MEMBER 0.00 X 0 0 0 LISA CAPELL TRUSTEE 0.00 X 0 0 0 HANNAH CHADEE TRUSTEE 0.00 X 0 0 0 GINNY CUMBUS TRUSTEE 0.00 X 0 0 0 BARBARA DAVIS BOARD MEMBER 0.00 X 0 0 0 R GUY DAVIS JR TRUSTEE 0.00 X 0 0 0 MARY STOWERS DUNN TRUSTEE 0.00 X 0 0 0 BONNER ENGELHARDT TRUSTEE 0.00 X 0 0 0 ALMA S FREEMAN TRUSTEE 0.00 X 0 0 0 KATHERINE GAYDEN TRUSTEE 0.00 X 0 0 0 SUSAN GEDDIE BOARD MEMBER 0.00 X 0 0 0 JASON GOODSON TRUSTEE 0.00 X 0 0 0 POLLY HARDEGREE BOARD MEMBER 0.00 X 0 0 0 KATHARINE HARRIS TRUSTEE 0.00 X 0 0 0 BETH HATAWAY BOARD MEMBER 0.00 X 0 0 0 ANN HUBBERT BOARD MEMBER 0.00 X 0 0 0 LUCY JACKSON BOARD MEMBER 0.00 X 0 0 0 DEREK JOHNSON TRUSTEE 0.00 X 0 0 0 PETE KNIGHT TRUSTEE 0.00 X 0 0 0 ROSETTA R LEDYARD BOARD MEMBER 0.00 X 0 0 0 JOAN LOEB TRUSTEE 0.00 X 0 0 0 CATHY R MARTIN TRUSTEE 0.00 X 0 0 0 RICHARD E NEAL BOARD MEMBER 0.00 X 0 0 0 PATRICIA PINCHBACK BOARD MEMBER 0.00 X 0 0 0 LARRY PUCKETT BOARD MEMBER 0.00 X 0 0 0 WINSTON WILSON REESE TRUSTEE 0.00 X 0 0 0 DEE RUSSELL TRUSTEE 0.00 X 0 0 0 ADAM SCHLOSS TRUSTEE 0.00 X 0 0 0 GLORIA SIMONS TRUSTEE 0.00 X 0 0 0 WINIFRED STAKELY BOARD MEMBER 0.00 X 0 0 0 BARBARA W THOMPSON TRUSTEE 0.00 X 0 0 0 LAURIE JEAN WEIL BOARD MEMBER 0.00 X 0 0 0 FRANK M WILSON TRUSTEE 0.00 X 0 0 0 KELLIE WISE TRUSTEE 0.00 X 0 0 0 ROGER SPAIN PRESIDENT 2.00 X X 0 0 0 LESLIE SANDERS VICE PRESIDENT 2.00 X X 0 0 0 DAVID CHANDLER TREASURER 2.00 X X 0 0 0 BARRIE HARMON III IMMEDIATE PAST PRESIDENT 2.00 X X 0 0 0 MARK JOHNSON EXECUTIVE DIRECTOR 40.00 X 163132 0 0 163132 0 0 1 0 1 0 0 307910 29673 175600 398955 912138 CATERING INCOME 711190 86334 86334 PROGRAM FEES 711190 32964 32964 SECURITY/MAINTENANCE INCOME 711190 22939 22939 BEVERAGE SERVICE INCOME 711190 20707 20707 J.E.B. 711190 10000 10000 180 180 173124 688060 688060 33755 0 33755 33755 33755 4958930 5541075 -582145 -582145 -582145 312126 29673 245377 66749 66749 75993 42538 33455 33455 MISCELLANEOUS INCOME 900099 46177 46177 CHANGE IN BENEFICIAL INTEREST 900099 -338231 -338231 -292054 1033082 -85475 0 206419 165096 41274 117218 6604 403049 103548 285468 14033 49164 12291 34906 1967 45493 11808 32012 1673 62872 30993 31879 2370 2370 1500 1500 1207 385 822 24155 5498 18631 26 24904 13122 11689 93 3044 3044 90453 1487 88966 SCULPTURE GARDEN IMPROV 305312 305312 ACQUISITIONS 108521 108521 CATERING AND BEVERAGE 105595 1328 104267 FEES FOR SPECIAL SERVIC 103696 75285 28105 306 83436 37708 42489 3239 1579867 750930 800996 27941 613930 1394692 1781365 2012612 1503918 849517 31471 19766 6011 5663 52754 23439 197362 159719 40687 37643 9838214 10335426 1034056 695825 14902406 15374583 46621 42477 182158 161565 228779 204042 X 5231521 5536890 9442106 9633651 14673627 15170541 14902406 15374583 -546785 1043699 0 X X 0 1 X 1 0 X 556560 1045244 3091015 1403797 912141 7008757 750000 750000 1500000 1306560 1795244 3091015 1403797 912141 8508757 8508757 1385070 559990 1113651 914882 383583 4357176 26543 9837 -293563 -257183 12608750 1902962 0.67480 0.66760 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 10392542 1960 802598 77257 11119843 15719066 8453 -360262 4974715 10392542 14905437 23955 1019468 229764 15719066 3104521 1488110 4592631 2020367 1084154 3104521 0.39000 0.00000 0.61000 0 0 197362 159719 37643 37643 X 2152348 1043700 75566 1119266 1033082 0 1033082 1655434 75566 75566 1579868 0 1579868 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED BY OR DONATED TO THE ASSOCIATION ARE NOT INCLUDED IN THE STATEMENT OF FINANCIAL POSITION. THE ASSOCIATION MAINTAINS A SEPARATE RECORD OF ALL ITS ART OBJECTS. PART III, LINE 4: THE MONTGOMERY MUSEUM OF FINE ARTS HOLDS SOME 4,000 OBJECTS IN ITS COLLECTION, CONSISTING PRIMARILY OF AMERICAN WORKS OF ART FROM THE EIGHTEENTH CENTURY INTO THE TWENTY-FIRST CENTURY. THE COLLECTION INCLUDES ART FROM THE SOUTHEASTERN UNITED STATES, DECORATIVE ARTS IN THE FORM OF PORCELAIN AND GLASS, AND OLD MASTER PRINTS. THE AMERICAN COLLECTIONS, AS WELL AS THE EUROPEAN OLD MASTER PRINTS, FORM AN OUTSTANDING HISTORICAL CONTEXT FOR THE APPROXIMATELY 250 WORKS FROM THE MUSEUM'S GEOGRAPHIC REGION, WHICH DATE FROM THE LATE-NINETEENTH CENTURY TO THE PRESENT. THE MUSEUM'S AMERICAN COLLECTION IS A COMPREHENSIVE SURVEY OF STYLES, TECHNIQUES, AND SUBJECT MATTER FROM THE 18TH THROUGH THE 20TH CENTURIES ILLUSTRATING MAJOR ART MOVEMENTS FROM COLONIAL TIMES TO THE PRESENT. PORTIONS OF THE COLLECTION ARE ON PERMANENT EXHIBITION IN VARIOUS INSTALLATIONS THAT EXPLORE DIFFERENT THEMES OR HISTORICAL PERSPECTIVES. THE CORE OF THE AMERICAN ART INSTALLATION IS THE BLOUNT COLLECTION, CONTAINING 41 HISTORICALLY SIGNIFICANT PAINTINGS BY 33 AMERICAN ARTISTS INCLUDING COPLEY, MORAN, HOMER, SARGENT, HOPPER, AND O'KEEFFE. THIS CHRONOLOGICAL SURVEY OF AMERICAN PAINTINGS SIGNIFICANTLY ENHANCES THE OVERALL MUSEUM COLLECTIONS, AND THE MUSEUM'S EDUCATIONAL ROLE BY PROVIDING A COMPREHENSIVE VIEW OF IMPORTANT STYLES AND MOVEMENTS IN AMERICAN ART. WHILE THE MUSEUM'S AMERICAN ART COLLECTION IS AMONG THE STRONGEST IN THE SOUTHEASTERN U.S., THE MUSEUM'S PRINT COLLECTION IS ALSO HIGHLY SIGNIFICANT. THE RICH COLLECTION OF OLD MASTER PRINTS INCLUDES MULTIPLE WORKS BY OUTSTANDING EUROPEAN PRINTMAKERS FROM THE FIFTEENTH TO THE NINETEENTH CENTURIES SUCH AS SCHOENGAUER, D RER, REMBRANDT, CANALETTO, GOYA, AND WHISTLER. THE COLLECTION NOW INCLUDES OVER 1,500 OUTSTANDING IMPRESSIONS. THESE WORKS EMBODY VARIOUS PRINTMAKING TECHNIQUES AND DEMONSTRATE THE SCOPE AND QUALITY OF THIS DISTINCTIVE COLLECTION. UTILIZING THE MUSEUM'S WEIL PRINT ENDOWMENT, THE MUSEUM CONSISTENTLY PURCHASES OLD MASTER PRINTS MADE BEFORE 1900 TO ENHANCE THE MUSEUM'S HOLDINGS. THE COLLECTION OF WORKS ON PAPER ALSO INCLUDES POPULAR ENGRAVERS SUCH AS CURRIER AND IVES AND EXTENDS TO WORKS BY MAJOR MODERN PRINTMAKERS INCLUDING ROSENQUIST, WARHOL, AND STELLA. THE MUSEUM'S HOLDINGS OF HISTORICAL AND MODERN PHOTOGRAPHY ARE ALSO INCREASING, PARTICULARLY IN THE AREA OF WORKS BY SOUTHERN PHOTOGRAPHERS. IN 1930, THE MUSEUM WAS FOUNDED WITH THE INTENTION OF EXHIBITING WORKS BY ALABAMA ARTISTS AND TO PROMOTE THE CULTURAL, ARTISTIC, AND EDUCATIONAL LIFE OF THE PEOPLE OF ALABAMA. PAINTINGS WERE DONATED BY THE DIRECTOR OF THE MUSEUM'S ART SCHOOL, KELLY FITZPATRICK, AS WELL AS BY HIS STUDENTS TO FORM THE CORE OF EARLY HOLDINGS. TODAY, WORKS BY ALABAMA ARTISTS AND, IN A LARGER CONTEXT, WORKS BY SOUTHERN REGIONAL ARTISTS, REMAIN A SOURCE OF GREAT PRIDE FOR THE MONTGOMERY AREA AND ARE ACCESSIBLE REMINDERS OF ITS CULTURAL AND ARTISTIC HERITAGE. HISTORICAL AND CONTEMPORARY WORKS BY ARTISTS FROM ALABAMA AND THE SOUTHEAST FORM AN ESSENTIAL AND EXPANDING COMPONENT OF MMFA'S COLLECTION; MORE THAN TWO HUNDRED EXAMPLES OF PAINTING, WORKS ON PAPER AND SCULPTURE ARE NOW IN THE COLLECTION. REPRESENTED ARE NINETEENTH-CENTURY PORTRAITISTS, NICOLA MARSCHALL AND JACQUES AMANS, AND LANDSCAPE PAINTERS, JOSEPH RUSLING MEEKER, WALTER ANDERSON AND WILL HENRY STEVENS. ARTISTS OF THE WPA ERA INCLUDE J. KELLY FITZPATRICK, ARTHUR BAIRNSFARTHER, ANNE GOLDTHWAITE AND CHARLES SHANNON. MANY OF THESE WORKS WERE EXECUTED FOR WPA PROJECTS IN ALABAMA AND DONATED TO THE MUSEUM BY THE PROJECT OR BY THE ARTISTS. IMPORTANT CONTEMPORARY, REGIONAL ARTISTS REPRESENTED ARE ROGER BROWN, WILLIAM CHRISTENBERRY, AND FRANK FLEMING. WORKS BY SELF-TAUGHT ARTISTS ARE ALSO AN EXPANDING PART OF THE MUSEUM'S PERMANENT COLLECTION. QUILTS BY ALABAMA QUILTMAKERS OF THE MID-TO-LATE TWENTIETH CENTURY, AS WELL AS A SELECTION OF WORKS BY ALABAMA ARTISTS SUCH AS JIMMY LEE SUDDUTH, MOSE TOLLIVER AND BILL TRAYLOR, FORM AN IMPORTANT FACET OF THE MUSEUM'S REPRESENTATION OF WORKS BY REGIONAL ARTISTS. THE LOCATION OF THE MUSEUM IN THE BEAUTIFUL WYNTON M. BLOUNT CULTURAL PARK AND THE ARCHITECTURE OF THE BUILDING INSPIRED THE GOAL OF ACQUIRING WORKS OF SCULPTURE. REGIONAL SCULPTORS FRANK FLEMING, WILLIAM CHRISTENBERRY, AND ED HENDRICKS WERE COMMISSIONED AND HAVE PROVIDED SCULPTURE FOR THE MUSEUM AND GROUNDS. TWELVE WORKS BY LOCAL SELF-TAUGHT SCULPTOR CHARLIE LUCAS WERE ACQUIRED AND ARE NOW ON PERMANENT DISPLAY. THE MUSEUM HAS ALSO ASSEMBLED AN OUTSTANDING INSTALLATION OF THIRTY PIECES OF AMERICAN STUDIO ART GLASS, WHICH INCLUDES A LARGE WINDOW INSTALLATION COMMISSIONED FROM SEATTLE ARTIST CAPPY THOMPSON. IN ADDITION TO THE COLLECTION AREAS OUTLINED ABOVE, THE MUSEUM ALSO OWNS STUDY COLLECTIONS OF FIRST PERIOD WORCESTER PORCELAIN AND CHINESE EXPORT PORCELAIN, AS WELL AS AMERICAN HISTORICAL ART GLASS. THE MUSEUM'S COLLECTIONS AND THEIR IMPACT ON THE COMMUNITY ARE OF PRIMARY CONCERN TO MMFA. THE MUSEUM'S MISSION IS TO "COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC." THE PERMANENT COLLECTION HAS BEEN BUILT WITH THIS MISSION STATEMENT IN MIND. COMMUNITY YOUTH HAVE TRADITIONALLY BEEN VIEWED AS AN UNDERSERVED AUDIENCE BY MMFA. ALABAMA'S PUBLIC ELEMENTARY AND JUNIOR HIGH SCHOOLS PROVIDE LITTLE OR NO ART EDUCATION. AS A RESULT, THE MUSEUM HAS DEVELOPED MANY PROGRAMS SPECIFICALLY FOR THIS AUDIENCE. ARTWORKS, THE LEADING INTERACTIVE EDUCATIONAL ART GALLERY IN THE STATE, WAS CREATED TO OFFER CHILDREN AND ADULTS AN INTERACTIVE EXPLORATION OF THE ELEMENTS OF ART. A FIELD TRIP TO MMFA IS PART OF THE CURRICULUM FOR EVERY THIRD AND FIFTH-GRADE STUDENT IN MONTGOMERY PUBLIC SCHOOLS; THE FIELD TRIP INCLUDES A GALLERY TOUR, TIME TO EXPLORE ARTWORKS, AND A STUDIO ART-MAKING ACTIVITY. OTHER SCHOOL GROUPS TOUR VARIOUS EXHIBITIONS FOR CURRICULUM-RELATED, ARTS-IN-EDUCATION EFFORTS DESIGNED BY THE CURATOR OF EDUCATION. COMMUNITY OUTREACH PROGRAMS ARE DEVELOPED TO INFORM AND EDUCATE AUDIENCES ABOUT SPECIAL EXHIBITIONS IN AN EFFORT TO MAKE GALLERY VISITS MORE ENRICHING. DURING CAMP SUNSHINE, A WEEK-LONG SUMMER PROGRAM IN CONJUNCTION WITH THE GIRL SCOUTS, MMFA OFFERS STUDIO ART PROGRAMS FOR SEVERAL HUNDRED FIVE- TO 14-YEAR OLD ECONOMICALLY DISADVANTAGED GIRLS. WEEKEND STUDIO/GALLERY CLASSES AND SUMMER ART CAMPS, BOTH WITH SCHOLARSHIP OPPORTUNITIES, SERVE PRE-SCHOOL THROUGH HIGH-SCHOOL YOUTH. THESE SUCCESSFUL EFFORTS TO REACH THIS AUDIENCE HAVE LED TO MODELS OF OUTREACH AND AUDIENCE DEVELOPMENT THAT MMFA SEEKS TO UTILIZE WITH OTHER UNDERSERVED AUDIENCES, ESPECIALLY ADULTS AGED 18 TO 35. PART X, LINE 2: THE ASSOCIATION FOLLOWS THE PROVISIONS OF FASB ASC (ACCOUNTING STANDARDS CODIFICATION) NO. 740, ACCOUNTING FOR UNCERTAINTY IN INCOME TAXES. AS A RESULT, THE ASSOCIATION HAS NOT RECOGNIZED ANY RESPECTIVE LIABILITY FOR UNRECOGNIXED TAX BENEFITS AS IT HAS NO KNOWN TAX POSITIONS THAT WOULD SUBJECT THE ORGANIZATION TO ANY MATERIAL INCOME TAX EXPOSURE. THE TAX YEARS THAT REMAIN SUBJECT TO EXAMINATION AREE THE PERIODS BEGINNING OCTOBER 1, 2012 FOR ALL MAJOR TAX JURISDICTIONS. PART XI, LINE 2D - OTHER ADJUSTMENTS: FUNDRAISING EXPENSES 75,566. PART XII, LINE 2D - OTHER ADJUSTMENTS: FUNDRAISING EXPENSES 75,566. ART AUCTION 341799 29673 312126 12826 232551 341799 29673 312126 12826 232551 245377 66749 X 0 0 0 0 0 0 0 0 0 MARK JOHNSON EXECUTIVE DIRECTOR 163132 0 0 0 0 0 0 0 0 0 163132 0 0 0 X 18 0 APPRAISED VALUE 0 1 0 PART I, LINE 33: THE MUSEUM REPORTS ONLY THE APPRAISED VALUE OF THESE WORK OF ART CONTRIBUTIONS, WHICH THE DONOR REPORTS ON THEIR TAX RETURN. THE TOTAL APPRAISED VALUE OF THE VARIOUS WORKS OF ART RECEIVED DURING 10/1/15-9/30/16 WAS $377,131. FORM 990, PART VI, SECTION A, LINE 6 THE MONTGOMERY MUSEUM OF FINE ARTS IS A NONPROFIT ORGANIZATION WITH BOARD MEMBERS WHO HAVE THE RIGHT TO PARTICIPATE IN THE ORGANIZATION'S GOVERNANCE, ELECT MEMBERS OF THE GOVERNING BODY AND APPROVE SIGNIFICANT DECISIONS OF THE GOVERNING BODY. MEMBERS DO NOT RECEIVE DISTIRBUTIONS OF INCOME OR ASSETS FROM THE ORGANIZATION NOR MAY THEY RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS, EXCESS DUES OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. THE MUSEUM IS A DEPARTMENT OF THE CITY OF MONTGOMERY, GOVERNED BY THE CITY'S RULES AND REGULATIONS, OVERSEEN BY THE CITY'S MAYOR AND CITY COUNCIL. THE CITY OF MONTGOMERY SETS GENERAL POLICY AND PROCEDURES FOR ALL ITS DEPARMENTS INCLUDING THE MUSEUM. FORM 990, PART VI, SECTION B, LINE 11 A COPY OF THE FORM 990 WAS E-MAILED TO KEY BOARD MEMBERS BEFORE IT WAS FILED. IT WAS ALSO REVIEWED BY THE TREASURER AND ACCOUNTANT BEFORE THE TAX RETURN WAS FILED. FORM 990, PART VI, SECTION B, LINE 12C A COPY OF THE MONTGOMERY MUSEUM OF FINE ARTS' CODE OF ETHICS WILL BE PROVIDED TO EACH MEMBER OF THE MUSEUM'S BOARD AND STAFF AT THE BEGINNING OF THEIR RELATIONSHIP WITH THE MUSEUM AND WILL BE SIGNED BY EACH MEMBER. BOARD AND STAFF SHOULD DISCLOSE ANY POTENTIAL CONFILCT OF INTEREST TO THE MUSEUM AT THAT TIME. THE MUSEUM'S CODE OF ETHICS IS IMPLEMENTED BY AND WILL BE UPDATED OR REVISED BY A VOTE OF THE FULL BOARD. THE MUSEUM'S EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES SERVES AS THE ETHICS COMMITTEE OF THE BOARD OF TRUSTEES. THE ETHICS COMMITTEE WILL BE RESPONSIBLE FOR EXAMINING REPORTS OR REQUESTS CONCERNING PERSONAL COLLECTING, GIFTS, ACQUISITIONS, SALES, TRADES OR OTHER MATTERS AS THEY RELATE TO BOARD MEMBERS OR MUSEUM STAFF WHEN SUCH MATTERS MAY PRESENT THE POTENTIAL FOR A CONFILCT. FORM 990, PART VI, SECTION B, LINE 15 THE PERSONNEL COMMITTEE REVIEWED DATA OF COMPENSATION OF OTHER ART MUSEUM DIRECTORS: IN THE GEOGRAPHICA REGION, BY METROPOLITAN AREA POPULATION, AND BY OPERATING BUDGET SIZE. COMPENSATION DOCUMENTATION AND MINUTES OF MEETINGS ARE KEPT ON RECORD IN THE MUSEUM'S BOARD FILES AND PERSONNEL FILES. FORM 990, PART VI, SECTION C, LINE 19 THE MONTGOMERY MUSEUM OF FINE ARTS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AUDIT, ANNUAL REPORT, AND OTHER POLICIES ARE AVAILABLE UPON REQUEST. THE ANNUAL REPORT IS ALSO AVAILABLE ON THE MUSEUM'S WEBSITE, WWW.MMFA.ORG. FORM 990, PART XII, LINE 2C THE ORGANIZATION'S AUDIT COMMITTEE OVERSEES THE AUDIT OF THE ORGANIZATION. THIS PROCESS HAS NOT CHANGED FROM PREVIOUS YEARS.