2015-08-17T11:22:33-05:00 2014-09-30 721396621 CARR RIGGS & INGRAM LLC 7550 HALCYON SUMMIT DRIVE MONTGOMERY AL 36117 990 2013-10-01 636049847 MONTGOMERY MUSEUM OF FINE ARTS ASSOCIATION MONT 3342404333 ONE MUSEUM DRIVE MONTGOMERY AL 36117 DAVID CHANDLER TREASURER 3342404333 2015-08-17 1 M CHAD SINGLETARY CPA P00166368 3342716678 2015-08-14 2013 2016-04-25 22:37:26Z DAVID CHANDLER ONE MUSEUM DRIVE MONTGOMERY AL 36117 10268077 0 X WWW.MMFA.ORG X 1964 AL THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC. 39 39 47 170 0 0 1045244 3091015 250124 142622 295197 1091573 1168638 252974 2759203 4578184 0 0 0 0 658171 713550 0 0 96531 1146756 899938 1804927 1613488 954276 2964696 17008608 19774400 319709 224951 16688899 19549449 X THE PURPOSE OF THE MONTGOMERY MUSEUM OF FINE ARTS IS TO COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC. 0 0 296218 142622 PERMANENT COLLECTION/ACQUISITIONS: THE MUSEUM'S MISSION TO COLLECT, PRESERVE, AND INTERPRET ART FOR MONTGOMERY AND CENTRAL ALABAMA IS MADE TANGIBLE BY THE ART WE HOLD IN TRUST FOR THE COMMUNITY. THE MUSEUM ACQUIRED 44 WORKS OF ART FOR THE PERMANENT COLLECTION IN 2014, FOCUSING ON AUGMENTING OUR CORE COLLECTION OF AMERICAN ART. ACQUISITION HIGHLIGHTS INCLUDED A PAINTING FROM 1922-1925 BY THE AMERICAN MODERNIST PAINTER MAX WEBER, AND A 1983 GLASS SCULPTURE BY THE FATHER OF THE AMERICAN STUDIO GLASS MOVEMENT, HARVEY LITTLETON. THE STAFF CONTINUES TO EXECUTE RESEARCH INTO THE HISTORY AND IMPORTANCE OF THE WORKS IN OUR PERMANENT COLLECTION, AND TO MAKE THIS INFORMATION AVAILABLE THROUGH OUR COLLECTIONS DATABASE, WHICH HAS IMPROVED ACCESS THROUGH OUR WEBSITES ONLINE SEARCH FEATURES. THE PUBLIC CAN BROWSE THE COLLECTION HIGHLIGHTS USING PORTFOLIO VIEWS OR SEARCH THE ENTIRE COLLECTION, WHICH IS CURRENTLY ABOUT 90 PERCENT ACCESSIBLE. 329599 EXHIBITIONS: THE MUSEUM HOSTED 14 TEMPORARY EXHIBITIONS OF ART DURING THE 20132014 FISCAL YEAR. IN ADDITION TO REGULAR INSTALLATIONS OF ART FROM THE PERMANENT COLLECTION, THIS GROUP OF TEMPORARY EXHIBITIONS REFLECTED THE MUSEUM'S GOAL OF PRESENTING WORKS OF ART IN A VARIETY OF MEDIA, AND FROM MANY CULTURES AND PERIODS. THESE EXHIBITIONS INCLUDED AN AMERICAN COLLECTION: ART FOR LIFE'S SAKE: AFRICAN ART FROM THE MMFA COLLECTION, SEPTEMBER 6 THROUGH NOVEMBER 16, 2014; CREATOR/CREATEDJERRY SIEGEL PORTRAITS AND ARTISTS FROM THE MMFA PERMANENT COLLECTION, MARCH 8 THROUGH JUNE 1, 2014; KE FRANCISA SELECTION OF LARGE-SCALE WORKS, MARCH 15 THROUGH JUNE 16, 2014; IN TIME WE SHALL KNOW OURSELVES AMERICAN PHOTOGRAPHS, 1974: PHOTOGRAPHY BY RAYMOND SMITH, JUNE 14 THROUGH SEPTEMBER 21, 2014;ROMANTIC SPIRITS: NINETEENTH CENTURY PAINTINGS OF THE SOUTH FROM THE JOHNSON COLLECTION, APRIL 12 TO JULY 6, 2014, AND OTHERS. 71405 EDUCATIONAL PROGRAMS:DURING THE PAST FISCAL YEAR, THE EDUCATION DEPARTMENT OFFERED TOURS FOR SCHOOL AGE CHILDREN. ADULT PROGRAMS, CLASSES, EXHIBITIONS, LECTURES, STUDIO CLASSES AND WORKSHOPS FOR AUDIENCES OF ALL AGES WERE ALSO PRESENTED. THE ARTWORKS CORRIDOR FEATURED STUDENT ART FROM ELEMENTARY THROUGH HIGH SCHOOL IN QUARTERLY EXHIBITIONS FROM PUBLIC AND PRIVATE SCHOOLS. THE EDUCATION DEPARTMENT OFFERED MONTHLY PROGRAMS FOR THE PUBLIC, INCLUDING FAMILY ART AFFAIRS AND FIRST SUNDAY. THESE PROGRAMS OFFERED TOURS AND PROGRAMS TO THE PUBLIC. STUDIO CLASSES AND WORKSHOPS THAT FEATURED PROFESSIONAL ART TEACHERS WERE OFFERED THROUGHOUT THE YEAR. THE MUSEUM ALSO OFFERED OUTREACH PROGRAMS TO THE LOCAL E.D. NIXON COMMUNITY CENTER, MT. MEIGS DEPARTMENT OF YOUTH SERVICES, AND ARTIST IN RESIDENCE AT WARES FERRY ELEMENTARY SCHOOL. THE EDUCATION DEPARTMENT OFFERED SEVERAL ANNUAL PROGRAMS THROUGHOUT THE YEAR INCLUDING A HOMESCHOOL EVENT, PUPPET SHOWS, AND FLIMP CHALK FESTIVAL. TEEN PROGRAMS OFFERED BY THE EDUCATION DEPARTMENT INCLUDED THE AP ART HISTORY CLASS, MUSES, AND JUNIOR CURATORS. A WRITING WORKSHOP, CAREER EVENT AND TEEN FOCUSED EVENTS WERE ALSO OFFERED. 697222 1 1 0 0 0 0 0 1 0 1 1 0 0 1 0 1 1 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 1 71 0 1 47 1 0 0 0 0 0 0 0 0 0 0 X 39 39 1 0 0 0 1 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 X X MARK JOHNSON 3342404333 ONE MUSEUM DRIVE MONTGOMERY AL 36117 BARRIE HARMON PRESIDENT 2.00 X 0 0 0 ROGER SPAIN VICE PRESIDENT 2.00 X 0 0 0 DAVID CHANDLER TREASURER 2.00 X X 0 0 0 LUCY JACKSON SECRETARY 2.00 X 0 0 0 POLLY HARDEGREE IMMEDIATE PAST PRESIDENT 2.00 X 0 0 0 CEDRIC BRADFORD TRUSTEE 0.00 X 0 0 0 PATRICIA BUNDY TRUSTEE 0.00 X 0 0 0 LISA CAPELL TRUSTEE 0.00 X 0 0 0 HANNAH CHADEE TRUSTEE 0.00 X 0 0 0 GINNY CUMBUS TRUSTEE 0.00 X 0 0 0 R GUY DAVIS TRUSTEE 0.00 X 0 0 0 RON DRINKARD TRUSTEE 0.00 X 0 0 0 MARY STOWERS DUNN TRUSTEE 0.00 X 0 0 0 CAMILLE ELEBASH-HILL TRUSTEE 0.00 X 0 0 0 BONNER ENGELHARDT TRUSTEE 0.00 X 0 0 0 ALMA FREEMAN TRUSTEE 0.00 X 0 0 0 KATHERINE GAYDEN TRUSTEE 0.00 X 0 0 0 KATHARINE HARRIS TRUSTEE 0.00 X 0 0 0 PETE KNIGHT TRUSTEE 0.00 X 0 0 0 JOAN LOEB TRUSTEE 0.00 X 0 0 0 CATHY MARTIN TRUSTEE 0.00 X 0 0 0 WINSTON WILSON REESE TRUSTEE 0.00 X 0 0 0 DEE RUSSELL TRUSTEE 0.00 X 0 0 0 LESLIE SANDERS TRUSTEE 0.00 X 0 0 0 GLORIA SIMONS TRUSTEE 0.00 X 0 0 0 BEN STAKELY TRUSTEE 0.00 X 0 0 0 BARBARA THOMPSON TRUSTEE 0.00 X 0 0 0 FRANK WILSON TRUSTEE 0.00 X 0 0 0 SUSAN GEDDIE BOARD MEMBER 0.00 X 0 0 0 JASON GOODSON BOARD MEMBER 0.00 X 0 0 0 ANN HUBBERT BOARD MEMBER 0.00 X 0 0 0 LARRY PUCKETT BOARD MEMBER 0.00 X 0 0 0 MELISSA TUBBS BOARD MEMBER 0.00 X 0 0 0 KAREN CAMPBELL BOARD MEMBER 0.00 X 0 0 0 ROSETTA LEDYARD BOARD MEMBER 0.00 X 0 0 0 RICHARD NEAL BOARD MEMBER 0.00 X 0 0 0 PATRICIA PINCHBACK BOARD MEMBER 0.00 X 0 0 0 WINIFRED STAKELY BOARD MEMBER 0.00 X 0 0 0 LAURIE JEAN WEIL BOARD MEMBER 0.00 X 0 0 0 MARK JOHNSON EXECUTIVE DIRECTOR 40.00 X 148566 0 0 148566 0 0 1 0 0 0 0 297182 172555 2621278 3091015 CATERING INCOME 711190 60890 60890 PROGRAM FEES 711190 35900 35900 SECURITY/MAINTENANCE INCOME 711190 27413 27413 BEVERAGE SERVICE INCOME 711190 17293 17293 RIGHTS AND PRODUCTIONS 711190 1126 1126 142622 411856 411856 22078 0 22078 22078 22078 6111060 5431343 679717 679717 679717 367618 202014 165604 165604 95285 56536 38749 38749 MISCELLANEOUS INCOME 900099 48128 48128 CHANGE IN BENEFICIAL INTEREST IN 900099 -21585 -21585 26543 4578184 207914 0 1279255 X 161270 44326 111769 5175 447813 123085 310359 14369 51398 7427 43019 952 53069 7669 44417 983 70802 66077 4725 17384 17384 3022 3022 24323 14576 827 8920 38920 8354 28017 2549 35395 5749 20858 8788 3346 3346 89133 581 88552 ACQUISITIONS 212025 212025 CATERING AND BEVERAGE 102927 5327 86106 11494 SCULPTURE GARDEN IMPROV 76093 76093 FEES FOR SPECIAL SERVIC 60699 38618 19894 2187 165869 66909 57846 41114 1613488 697222 819735 96531 3705763 2135887 7426359 3321165 67200 1966026 177783 23833 7421 8564 18911 21451 197362 153512 47196 43850 3483709 11217690 2068061 6205 1035934 17008608 19774400 75915 43535 223794 181416 20000 0 319709 224951 X -121958 5366882 1189758 14182567 15621099 0 16688899 19549449 17008608 19774400 2964696 -115358 11212 0 X X 0 1 X 1 0 X 780371 671079 556560 1045244 3091015 6144269 186119 301543 475770 403969 142622 1510023 462903 462903 750000 750000 750000 750000 3000000 1716490 1722622 1782330 2199213 3696540 11117195 0 0 0 11117195 534282 479897 1385070 559990 1092066 4051305 534282 479897 1385070 559990 1092066 4051305 48128 48128 2250772 2202519 3167400 2759203 4836734 15216628 0.73060 0.72620 0.26620 0.27380 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 1 14905437 23955 1019468 229794 15719066 3104521 1488110 4592631 2020367 1084154 3104521 2041894 21527 2020367 2162806 -109261 11651 2041894 0.27080 0.72920 0 0 197362 153512 43850 43850 BENEFICIAL INTEREST IN ESTATE 1035934 1035934 X 4462826 -115358 -115358 4578184 0 4578184 1613488 0 1613488 0 1613488 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART OBJECTS PURCHASED BY OR DONATED TO THE ASSOCIATION ARE NOT INCLUDED IN THE STATEMENT OF FINANCIAL POSITION. THE ASSOCIATION MAINTAINS A SEPARATE RECORD OF ALL ITS ART OBJECTS. PART III, LINE 4: THE MONTGOMERY MUSEUM OF FINE ARTS HOLDS SOME 4,000 OBJECTS IN ITS COLLECTION, CONSISTING PRIMARILY OF AMERICAN WORKS OF ART FROM THE EIGHTEENTH CENTURY INTO THE TWENTY-FIRST CENTURY. THE COLLECTION INCLUDES ART FROM THE SOUTHEASTERN UNITED STATES, DECORATIVE ARTS IN THE FORM OF PORCELAIN AND GLASS, AND OLD MASTER PRINTS. THE AMERICAN COLLECTIONS, AS WELL AS THE EUROPEAN OLD MASTER PRINTS, FORM AN OUTSTANDING HISTORICAL CONTEXT FOR THE APPROXIMATELY 250 WORKS FROM THE MUSEUM'S GEOGRAPHIC REGION, WHICH DATE FROM THE LATE-NINETEENTH CENTURY TO THE PRESENT. THE MUSEUMS AMERICAN COLLECTION IS A COMPREHENSIVE SURVEY OF STYLES, TECHNIQUES, AND SUBJECT MATTER FROM THE 18TH THROUGH THE 20TH CENTURIES ILLUSTRATING MAJOR ART MOVEMENTS FROM COLONIAL TIMES TO THE PRESENT. PORTIONS OF THE COLLECTION ARE ON PERMANENT EXHIBITION IN VARIOUS INSTALLATIONS THAT EXPLORE DIFFERENT THEMES OR HISTORICAL PERSPECTIVES. THE CORE OF THE AMERICAN ART INSTALLATION IS THE BLOUNT COLLECTION, CONTAINING 41 HISTORICALLY SIGNIFICANT PAINTINGS BY 33 AMERICAN ARTISTS INCLUDING COPLEY, MORAN, HOMER, SARGENT, HOPPER, AND OKEEFFE. THIS CHRONOLOGICAL SURVEY OF AMERICAN PAINTINGS SIGNIFICANTLY ENHANCES THE OVERALL MUSEUM COLLECTIONS, AND THE MUSEUM'S EDUCATIONAL ROLE BY PROVIDING A COMPREHENSIVE VIEW OF IMPORTANT STYLES AND MOVEMENTS IN AMERICAN ART. WHILE THE MUSEUMS AMERICAN ART COLLECTION IS AMONG THE STRONGEST IN THE SOUTHEASTERN U.S., THE MUSEUMS PRINT COLLECTION IS ALSO HIGHLY SIGNIFICANT. THE RICH COLLECTION OF OLD MASTER PRINTS INCLUDES MULTIPLE WORKS BY OUTSTANDING EUROPEAN PRINTMAKERS FROM THE FIFTEENTH TO THE NINETEENTH CENTURIES SUCH AS SCHOENGAUER, D??RER, REMBRANDT, CANALETTO, GOYA, AND WHISTLER. THE COLLECTION NOW INCLUDES OVER 1,500 OUTSTANDING IMPRESSIONS. THESE WORKS EMBODY VARIOUS PRINTMAKING TECHNIQUES AND DEMONSTRATE THE SCOPE AND QUALITY OF THIS DISTINCTIVE COLLECTION. UTILIZING THE MUSEUMS WEIL PRINT ENDOWMENT, THE MUSEUM CONSISTENTLY PURCHASES OLD MASTER PRINTS MADE BEFORE 1900 TO ENHANCE THE MUSEUMS HOLDINGS. THE COLLECTION OF WORKS ON PAPER ALSO INCLUDES POPULAR ENGRAVERS SUCH AS CURRIER AND IVES AND EXTENDS TO WORKS BY MAJOR MODERN PRINTMAKERS INCLUDING ROSENQUIST, WARHOL, AND STELLA. THE MUSEUMS HOLDINGS OF HISTORICAL AND MODERN PHOTOGRAPHY ARE ALSO INCREASING, PARTICULARLY IN THE AREA OF WORKS BY SOUTHERN PHOTOGRAPHERS. IN 1930, THE MUSEUM WAS FOUNDED WITH THE INTENTION OF EXHIBITING WORKS BY ALABAMA ARTISTS AND TO PROMOTE THE CULTURAL, ARTISTIC, AND EDUCATIONAL LIFE OF THE PEOPLE OF ALABAMA. PAINTINGS WERE DONATED BY THE DIRECTOR OF THE MUSEUMS ART SCHOOL, KELLY FITZPATRICK, AS WELL AS BY HIS STUDENTS TO FORM THE CORE OF EARLY HOLDINGS. TODAY, WORKS BY ALABAMA ARTISTS AND, IN A LARGER CONTEXT, WORKS BY SOUTHERN REGIONAL ARTISTS, REMAIN A SOURCE OF GREAT PRIDE FOR THE MONTGOMERY AREA AND ARE ACCESSIBLE REMINDERS OF ITS CULTURAL AND ARTISTIC HERITAGE. HISTORICAL AND CONTEMPORARY WORKS BY ARTISTS FROM ALABAMA AND THE SOUTHEAST FORM AN ESSENTIAL AND EXPANDING COMPONENT OF MMFAS COLLECTION; MORE THAN TWO HUNDRED EXAMPLES OF PAINTING, WORKS ON PAPER AND SCULPTURE ARE NOW IN THE COLLECTION. REPRESENTED ARE NINETEENTH-CENTURY PORTRAITISTS, NICOLA MARSCHALL AND JACQUES AMANS, AND LANDSCAPE PAINTERS, JOSEPH RUSLING MEEKER, WALTER ANDERSON AND WILL HENRY STEVENS. ARTISTS OF THE WPA ERA INCLUDE J. KELLY FITZPATRICK, ARTHUR BAIRNSFARTHER, ANNE GOLDTHWAITE AND CHARLES SHANNON. MANY OF THESE WORKS WERE EXECUTED FOR WPA PROJECTS IN ALABAMA AND DONATED TO THE MUSEUM BY THE PROJECT OR BY THE ARTISTS. IMPORTANT CONTEMPORARY, REGIONAL ARTISTS REPRESENTED ARE ROGER BROWN, WILLIAM CHRISTENBERRY, AND FRANK FLEMING. WORKS BY SELF-TAUGHT ARTISTS ARE ALSO AN EXPANDING PART OF THE MUSEUMS PERMANENT COLLECTION. QUILTS BY ALABAMA QUILTMAKERS OF THE MID-TO-LATE TWENTIETH CENTURY, AS WELL AS A SELECTION OF WORKS BY ALABAMA ARTISTS SUCH AS JIMMY LEE SUDDUTH, MOSE TOLLIVER AND BILL TRAYLOR, FORM AN IMPORTANT FACET OF THE MUSEUMS REPRESENTATION OF WORKS BY REGIONAL ARTISTS. THE LOCATION OF THE MUSEUM IN THE BEAUTIFUL WYNTON M. BLOUNT CULTURAL PARK AND THE ARCHITECTURE OF THE BUILDING INSPIRED THE GOAL OF ACQUIRING WORKS OF SCULPTURE. REGIONAL SCULPTORS FRANK FLEMING, WILLIAM CHRISTENBERRY, AND ED HENDRICKS WERE COMMISSIONED AND HAVE PROVIDED SCULPTURE FOR THE MUSEUM AND GROUNDS. TWELVE WORKS BY LOCAL SELF-TAUGHT SCULPTOR CHARLIE LUCAS WERE ACQUIRED AND ARE NOW ON PERMANENT DISPLAY. THE MUSEUM HAS ALSO ASSEMBLED AN OUTSTANDING INSTALLATION OF THIRTY PIECES OF AMERICAN STUDIO ART GLASS, WHICH INCLUDES A LARGE WINDOW INSTALLATION COMMISSIONED FROM SEATTLE ARTIST CAPPY THOMPSON. IN ADDITION TO THE COLLECTION AREAS OUTLINED ABOVE, THE MUSEUM ALSO OWNS STUDY COLLECTIONS OF FIRST PERIOD WORCESTER PORCELAIN AND CHINESE EXPORT PORCELAIN, AS WELL AS AMERICAN HISTORICAL ART GLASS. THE MUSEUMS COLLECTIONS AND THEIR IMPACT ON THE COMMUNITY ARE OF PRIMARY CONCERN TO MMFA. THE MUSEUM'S MISSION IS TO COLLECT, PRESERVE, EXHIBIT AND INTERPRET ART OF THE HIGHEST QUALITY FOR THE ENRICHMENT, ENLIGHTENMENT AND ENJOYMENT OF ITS PUBLIC. THE PERMANENT COLLECTION HAS BEEN BUILT WITH THIS MISSION STATEMENT IN MIND. COMMUNITY YOUTH HAVE TRADITIONALLY BEEN VIEWED AS AN UNDERSERVED AUDIENCE BY MMFA. ALABAMAS PUBLIC ELEMENTARY AND JUNIOR HIGH SCHOOLS PROVIDE LITTLE OR NO ART EDUCATION. AS A RESULT, THE MUSEUM HAS DEVELOPED MANY PROGRAMS SPECIFICALLY FOR THIS AUDIENCE. ARTWORKS, THE LEADING INTERACTIVE EDUCATIONAL ART GALLERY IN THE STATE, WAS CREATED TO OFFER CHILDREN AND ADULTS AN INTERACTIVE EXPLORATION OF THE ELEMENTS OF ART. A FIELD TRIP TO MMFA IS PART OF THE CURRICULUM FOR EVERY THIRD AND FIFTH-GRADE STUDENT IN MONTGOMERY PUBLIC SCHOOLS; THE FIELD TRIP INCLUDES A GALLERY TOUR, TIME TO EXPLORE ARTWORKS, AND A STUDIO ART-MAKING ACTIVITY. OTHER SCHOOL GROUPS TOUR VARIOUS EXHIBITIONS FOR CURRICULUM-RELATED, ARTS-IN-EDUCATION EFFORTS DESIGNED BY THE CURATOR OF EDUCATION. COMMUNITY OUTREACH PROGRAMS ARE DEVELOPED TO INFORM AND EDUCATE AUDIENCES ABOUT SPECIAL EXHIBITIONS IN AN EFFORT TO MAKE GALLERY VISITS MORE ENRICHING. DURING CAMP SUNSHINE, A WEEK-LONG SUMMER PROGRAM IN CONJUNCTION WITH THE GIRL SCOUTS, MMFA OFFERS STUDIO ART PROGRAMS FOR SEVERAL HUNDRED FIVE- TO 14-YEAR OLD ECONOMICALLY DISADVANTAGED GIRLS. WEEKEND STUDIO/GALLERY CLASSES AND SUMMER ART CAMPS, BOTH WITH SCHOLARSHIP OPPORTUNITIES, SERVE PRE-SCHOOL THROUGH HIGH-SCHOOL YOUTH. THESE SUCCESSFUL EFFORTS TO REACH THIS AUDIENCE HAVE LED TO MODELS OF OUTREACH AND AUDIENCE DEVELOPMENT THAT MMFA SEEKS TO UTILIZE WITH OTHER UNDERSERVED AUDIENCES, ESPECIALLY ADULTS AGED 18 TO 35. PART X, LINE 2: THE ASSOCIATION FOLLOWS THE PROVISIONS OF FASB ASC (ACCOUNTING STANDARDS CODIFICATION) NO. 740, ACCOUNTING FOR UNCERTAINTY IN INCOME TAXES. AS A RESULT, THE ASSOCIATION HAS NOT RECOGNIZED ANY RESPECTIVE LIABILITY FOR UNRECOGNIZED TAX BENEFITS AS IT HAS NO KNOWN TAX POSITIONS THAT WOULD SUBJECT THE ORGANIZATION TO ANY MATERIAL INCOME TAX EXPOSURE. THE TAX YEARS THAT REMAIN SUBJECT TO EXAMINATION ARE THE PERIODS BEGINNING ON OCTOBER 1, 2010 FOR ALL MAJOR TAX JURISDICTIONS. ART AUCTION 367618 367618 202014 367618 367618 202014 202014 165604 X 78 0 APPRAISED VALUE 0 1 0 PART I, LINE 33: THE MUSEUM REPORTS ONLY THE APPRAISED VALUE OF THESE WORK OF ART CONTRIBUTIONS, WHICH THE DONOR REPORTS ON THEIR TAX RETURN. THE TOTAL APPRAISED VALUE OF THE VARIOUS WORKS OF ART RECEIVED DURING 10/1/13 - 9/30/14 WAS $556,975. FORM 990, PART VI, SECTION A, LINE 2 BEN STAKELY IS THE STEP-SON OF WINIFRED STAKELY. ALSO, DAVID CHANDLER AND ROGER SPAIN ARE EMPLOYEED BY THE SAME FIRM. FORM 990, PART VI, SECTION A, LINE 6 THE MONTGOMERY MUSEUM OF FINE ARTS IS A NONPROFIT ORGANIZATION WITH BOARD MEMBERS WHO HAVE THE RIGHT TO PARTICIPATE IN THE ORGANIZATION'S GOVERNANCE, ELECT MEMBERS OF THE GOVERNING BODY AND APPROVE SIGNIFICANT DECISIONS OF THE GOVERNING BODY. MEMBERS DO NOT RECEIVE DISTIRBUTIONS OF INCOME OR ASSETS FROM THE ORGANIZATION NOR MAY THEY RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS, EXCESS DUES OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. THE MUSEUM IS A DEPARTMENT OF THE CITY OF MONTGOMERY, GOVERNED BY THE CITY'S RULES AND REGULATIONS, OVERSEEN BY THE CITY'S MAYOR AND CITY COUNCIL. THE CITY OF MONTGOMERY SETS GENERAL POLICY AND PROCEDURES FOR ALL ITS DEPARMENTS INCLUDING THE MUSEUM. FORM 990, PART VI, SECTION B, LINE 11 A COPY OF THE FORM 990 WAS E-MAILED TO KEY BOARD MEMBERS BEFORE IT WAS FILED. IT WAS ALSO REVIEWED BY THE MUSEUM'S DIRECTOR, TREASURER AND ACCOUNTANT BEFORE THE TAX RETURN WAS FILED. FORM 990, PART VI, SECTION B, LINE 12C A COPY OF THE MONTGOMERY MUSEUM OF FINE ARTS' CODE OF ETHICS WILL BE PROVIDED TO EACH MEMBER OF THE MUSEUM'S BOARD AND STAFF AT THE BEGINNING OF THEIR RELATIONSHIP WITH THE MUSEUM AND WILL BE SIGNED BY EACH MEMBER. BOARD AND STAFF SHOULD DISCLOSE ANY POTENTIAL CONFILCT OF INTEREST TO THE MUSEUM AT THAT TIME. THE MUSEUM'S CODE OF ETHICS IS IMPLEMENTED BY AND WILL BE UPDATED OR REVISED BY A VOTE OF THE FULL BOARD. THE MUSEUM'S EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES SERVES AS THE ETHICS COMMITTEE OF THE BOARD OF TRUSTEES. THE ETHICS COMMITTEE WILL BE RESPONSIBLE FOR EXAMINING REPORTS OR REQUESTS CONCERNING PERSONAL COLLECTING, GIFTS, ACQUISITIONS, SALES, TRADES OR OTHER MATTERS AS THEY RELATE TO BOARD MEMBERS OR MUSEUM STAFF WHEN SUCH MATTERS MAY PRESENT THE POTENTIAL FOR A CONFILCT. FORM 990, PART VI, SECTION B, LINE 15 THE PERSONNEL COMMITTEE REVIEWED DATA OF COMPENSATION OF OTHER ART MUSEUM DIRECTORS: IN THE GEOGRAPHICA REGION, BY METROPOLITAN AREA POPULATION, AND BY OPERATING BUDGET SIZE. COMPENSATION DOCUMENTATION AND MINUTES OF MEETINGS ARE KEPT ON RECORD INT HE MUSEUM'S BOARD FILES AND PERSONNEL FILES. FORM 990, PART VI, SECTION C, LINE 19 THE MONTGOMERY MUSEUM OF FINE ARTS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AUDIT, ANNUAL REPORT, AND OTHER POLICIES ARE AVAILABLE UPON REQUEST AND ARE APPENDED TO THE MUSEUM'S WEBSITE, WWW.MMFA.ORG. FORM 990, PART IX, LINE 24E SALES TAXES: PROGRAM SERVICE EXPENSES 8,892. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 29,211. TOTAL EXPENSES 38,103. HOSPITALITY: PROGRAM SERVICE EXPENSES 17,693. MANAGEMENT AND GENERAL EXPENSES 12,527. FUNDRAISING EXPENSES 114. TOTAL EXPENSES 30,334. CONSERVATION: PROGRAM SERVICE EXPENSES 23,322. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 23,322. CONTRACT LABOR: PROGRAM SERVICE EXPENSES 810. MANAGEMENT AND GENERAL EXPENSES 16,953. FUNDRAISING EXPENSES 1,980. TOTAL EXPENSES 19,743. CHARGE CARD EXPENSE: PROGRAM SERVICE EXPENSES 2,289. MANAGEMENT AND GENERAL EXPENSES 4,009. FUNDRAISING EXPENSES 6,842. TOTAL EXPENSES 13,140. MATERIALS AND SUPPLIES: PROGRAM SERVICE EXPENSES 6,276. MANAGEMENT AND GENERAL EXPENSES 3,816. FUNDRAISING EXPENSES 2,206. TOTAL EXPENSES 12,298. ORGANIZATIONAL DUES: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 9,530. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 9,530. DIRECTOR'S EXHIBITION: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 7,500. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 7,500. BOOKS AND SUBSCRIPTIONS: PROGRAM SERVICE EXPENSES 3,014. MANAGEMENT AND GENERAL EXPENSES 36. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 3,050. MISCELLANEOUS EXPENSE: PROGRAM SERVICE EXPENSES 733. MANAGEMENT AND GENERAL EXPENSES 880. FUNDRAISING EXPENSES 739. TOTAL EXPENSES 2,352. TAXES AND LICENSES: PROGRAM SERVICE EXPENSES 1,261. MANAGEMENT AND GENERAL EXPENSES 664. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 1,925. ART AUCTION COMMISSION: PROGRAM SERVICE EXPENSES 1,145. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 1,145. BUILDING IMPROVEMENTS: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 1,037. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 1,037. BANK SERVICE CHARGE: PROGRAM SERVICE EXPENSES 177. MANAGEMENT AND GENERAL EXPENSES 834. FUNDRAISING EXPENSES 22. TOTAL EXPENSES 1,033. DISPLAY AND GIFT WRAPPING: PROGRAM SERVICE EXPENSES 995. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 995. SIGNAGE: PROGRAM SERVICE EXPENSES 302. MANAGEMENT AND GENERAL EXPENSES 60. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 362. FORM 990, PART XII, LINE 2C THE ORGANIZATION'S AUDIT COMMITTEE OVERSEES THE AUDIT OF THE ORGANIZATION. THIS PROCESS HAS NOT CHANGED FROM PREVIOUS YEARS.