2025-10-29T16:01:29-04:00 2024-12-31 BDO USA 200 PARK AVENUE 38TH FLOOR NEW YORK NY 10166 990 2024-01-01 134086800 SEVENTH REGIMENT ARMORY CONSERVANCY INC % JUDY RUBIN SEVE 2126163930 643 PARK AVENUE NEW YORK NY 10065 JUDITH RUBIN CFO 2126163930 2024-10-29 true true Paul Hammerschmidt P01384178 2128858000 2025-05-29 2024 2025-03-06 01:10:19Z PARK AVENUE ARMORY REBECCA ROBERTSON 643 PARK AVENUE NEW YORK NY 10065 59558699 false X WWW.ARMORYONPARK.ORG X 1999 NY TO RESTORE, RENOVATE AND REVITALIZE THE HISTORIC PARK AVENUE ARMORY A CONTEMPORARY ARTS INSTITUTION. 28 27 358 31 20174 19174 8831234 10262650 11410971 12588881 3483574 6429750 -713166 -532918 23012613 28748363 0 0 0 0 9816578 10293195 0 0 2401779 25315325 23134283 35131903 33427478 -12119290 -4679115 271905924 268295225 4852812 4262518 267053112 264032707 X PARK AVENUE ARMORY'S MISSION IS TO ENABLE A DIVERSE RANGE OF ARTISTS TO CREATE, STUDENTS TO EXPLORE, AND AUDIENCES TO EXPERIENCE EPIC, ADVENTUROUS, RELEVANT WORK THAT CANNOT BE DONE ELSEWHERE IN NEW YORK. WITH ITS SOARING 55,000-SQUARE-FOOT WADE THOMPSON DRILL HALL AND AN ARRAY OF EXUBERANT PERIOD ROOMS, THE ARMORY FILLS A CRITICAL VOID IN THE CULTURAL ECOLOGY OF NEW YORK, SUPPORTING UNCONVENTIONAL WORKS IN THE PERFORMING AND VISUAL ARTS THAT CANNOT BE FULLY REALIZED IN A TRADITIONAL PROSCENIUM THEATER, CONCERT HALL, OR WHITE WALL GALLERY. THE ARMORY HAS BEEN LAUDED AS "ONE OF THE MOST AMBITIOUS ARTS PRESENTERS IN THE CITY, IF NOT THE COUNTRY" (WALL STREET JOURNAL), WITH THE NEW YORKER DECLARING THAT "THE ARMORY'S PROGRAMMING HAS BECOME ESSENTIAL TO THE NEW YORK LIFE." ALONGSIDE ADVENTUROUS ARTISTIC PROGRAMMING, THE ARMORY OFFERS CREATIVITY-BASED ARTS EDUCATION PROGRAMS AT NO COST TO THOUSANDS OF STUDENTS FROM UNDERSERVED NEW YORK CITY PUBLIC SCHOOLS. ARMORY ARTS EDUCATION PROGRAMS DEE false false 28259638 0 12588881 SEE SCHEDULE O. 28259638 true true false false false false false false false true true true false true false true true false false false true false false false true false false false false true false false false false false false false false true false false false false false false false false true 138 0 true 358 true true true false false false false true true false false false false false false X 28 27 false false false false false false false true true false false true true true true true true true false false CT NJ NY X JUDY RUBIN 2126163930 643 PARK AVENUE NEW YORK NY 10065 X REBECCA ROBERTSON PRESIDENT/DIRECTOR 50.0 0.0 X X 605503 0 57107 MICHAEL LONERGAN CHIEF ARTISTIC PRODUCER 50.0 0.0 X 317045 0 20190 PAUL KING DIRECTOR OF PRODUCTION 50.0 0.0 X 265661 0 47183 PATRICK GALVIN CHIEF DEVELOPMENT OFFICER 50.0 0.0 X 266568 0 7816 Judith Rubin CHIEF FINANCIAL OFFICER 50.0 0.0 X 239652 0 23481 THOMAS TRAYER DIRECTOR OF MARKETING 50.0 0.0 X 201541 0 24724 OKU OKOKO DIRECTOR OF INFO. 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OF OPERATIONS & SECURity 50.0 0.0 X 179144 0 11784 KAREN QUIGLEY VP, CAPITAL PROJ & FACILITIES 50.0 0.0 X 180704 0 7904 CLAIRE MARBERG PRODUCTION MANAGER 40.0 0.0 X 153620 0 22183 ELIHU ROSE PHD Chairman Emeritus 1.0 0.0 X X 0 0 0 ADAM R FLATTO Co-Chair 1.0 0.0 X X 0 0 0 AMANDA JT RIEGEL Co-Chair 1.0 0.0 X X 0 0 0 DAVID FOX Vice President 1.0 0.0 X X 0 0 0 PABLO LEGORRETA Vice President 1.0 0.0 X X 0 0 0 EMANUEL STERN Vice President, Treasurer 1.0 0.0 X X 0 0 0 MARINA ABRAMOVIC DIRECTOR 1.0 0.0 X 0 0 0 ABIGAIL BARATTA DIRECTOR 1.0 0.0 X 0 0 0 DR JOYCE F BROWN DIRECTOR 1.0 0.0 X 0 0 0 CORA CAHAN DIRECTOR 1.0 0.0 X 0 0 0 HELENE COMFORT DIRECTOR 1.0 0.0 X 0 0 0 PAUL CRONSON DIRECTOR 1.0 0.0 X 0 0 0 Jonathan L Davis DIRECTOR 1.0 0.0 X 0 0 0 TINA R DAVIS DIRECTOR 1.0 0.0 X 0 0 0 JESSIE DING DIRECTOR 1.0 0.0 X 0 0 0 SANFORD B EHRENKRANZ DIRECTOR 1.0 0.0 X 0 0 0 ROBERTA GARZA DIRECTOR 1.0 0.0 X 0 0 0 Kimberly E Greenberg DIRECTOR 1.0 0.0 X 0 0 0 BRANDEN JACOBS-JENKINS DIRECTOR 1.0 0.0 X 0 0 0 SAMHITA JAYANTI DIRECTOR 1.0 0.0 X 0 0 0 BG EDWARD GKLEIN NYNGRET DIRECTOR 1.0 0.0 X 0 0 0 RALPH LEMON DIRECTOR 1.0 0.0 X 0 0 0 JASON MORAN DIRECTOR 1.0 0.0 X 0 0 0 JANET C ROSS DIRECTOR 1.0 0.0 X 0 0 0 Stephanie Sharp DIRECTOR 1.0 0.0 X 0 0 0 JOAN STEINBERG DIRECTOR 1.0 0.0 X 0 0 0 Dabie Tsai DIRECTOR (as of 2/16/24) 1.0 0.0 X 0 0 0 2766094 0 270079 21 false true false ALLIED UNIVERSAL SECURITY SERVICES PO BOX 828854 PHILADELPHIA PA 19982 SECURITY SERVICE 530070 Premier Stagehands NY Inc 80 DALE STREET WEST BABYLON NY 11704 Stage & Seating 382168 ADAGE TECHNOLOGIES INC 10 S RIVERSIDE PLAZA CHICAGO IL 60606 WEBSITE DESIGN 342549 MIND THE GAP INC 75 HUNTINGTON ST BROOKLYN NY 11231 CPTR. & ELEC. SVCS 325588 PLATT BYARD DOVELL WHITE ARCHITECT 40 WEST 37 STREET NEW YORK NY 10018 ARCHITECTURAL SVCS 312001 19 1935071 154520 8173059 963445 10262650 RENTAL OF EXHIBITION SPACE 531120 8624228 8624228 BOX OFFICE REVENUE 711190 3632820 3632820 TICKET AND FACILITY FEE INCOME 711190 331833 331833 12588881 1561131 20174 1540957 0 0 0 0 0 34943431 30074812 4868619 4868619 4868619 166155 1935071 735524 -569369 -569369 0 0 0 0 0 0 OTHER INCOME 900099 36451 0 36451 36451 28748363 12588881 20174 5876658 0 0 0 0 2038814 1414353 267516 356945 0 6478833 4494459 850095 1134279 231796 160800 30414 40582 964319 668962 126529 168828 579433 401961 76028 101444 0 274113 274113 123275 123275 0 0 405681 405681 3036007 2911291 121219 3497 1717634 1420857 77355 219422 505797 274169 51908 179720 0 0 895886 875633 15928 4325 950804 893196 37872 19736 0 0 0 0 9373520 9152304 173976 47240 893107 847126 41608 4373 OTHER PRODUCTION COSTS 3834650 3726960 132 107558 FACILITY CONTRACT SERVICES 652675 638667 10611 3397 REPAIRS AND MAINTENANCE 356798 348914 6200 1684 DUES & SUBSCRIPTIONS 51349 5951 44339 1059 62987 24035 31262 7690 33427478 28259638 2766061 2401779 2555991 1705607 239023 651385 2964236 4309827 852253 894848 0 0 0 0 0 0 0 0 683505 561719 168793910 75247416 100987599 93546494 66900959 65214772 9950675 15490064 0 0 0 0 86771683 85920509 271905924 268295225 1968678 1873817 0 0 2884134 2388701 0 0 0 0 0 0 0 0 0 0 0 0 4852812 4262518 X 101492508 94062494 165560604 169970213 267053112 264032707 271905924 268295225 -4679115 1658710 X false true X true false X 17760368 13507338 13367807 8831234 10262650 63729397 0 0 17760368 13507338 13367807 8831234 10262650 63729397 1350848 62378549 1594008 7091043 1014911 1383234 1540957 12624153 0 0 8164 70224 20174 98562 52424 332125 895918 84758 36451 1401676 77853788 38197017 0.80123 0.80053 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 76960903 7695187 3807845 80848245 71744631 9122656 3906384 76960903 83449784 -8148506 3556647 71744631 75829928 11074951 3455095 83449784 72615184 6697762 3483018 75829928 0.80400 0.19600 false false 162684639 73159185 89525454 855206 796304 58902 5254065 1291927 3962138 93546494 HEDGE FUND 5776993 F FUND OF FUNDS 517698 F PRIVATE EQUITY FUNDS 9195373 F 15490064 PLEDGE-RIGHT-TO-USE PROPERTY 85656566 DUE FROM GOVERNMENT AGENCIES 12120 ASSETS HELD FOR OTHERS 251823 85920509 0 0 X 30001392 1658710 1658710 28342682 405681 405681 28748363 33021797 33021797 405681 405681 33427478 SCHEDULE D, PART V, LINE 4: THE ARMORY'S ENDOWMENT CONSISTS OF A DONOR-RESTRICTED FUND TO SUPPORT THE CHARITABLE PROGRAMS AND OPERATING NEEDS OF THE ARMORY. SCHEDULE D, PART X, LINE 2: The Armory is exempt from federal, state, and local income taxes under Section 501(c)(3) of the Code and, therefore, has made no provision for income taxes in the accompanying financial statements. In addition, the Armory has been determined by the Internal Revenue Service (IRS) not to be a "private foundation" within the meaning of Section 509(a) of the Code. Under ASC 740, an organization must recognize the financial statement effects of a tax position taken for tax return purposes when it is more likely than not that the position will not be sustained upon examination by a taxing authority. The Armory does not believe it has taken any material uncertain tax positions and, accordingly, it has not recorded any liability for unrecognized tax benefits. The Armory has filed for and received income tax exemptions in the jurisdictions where it is required to do so. Additionally, the Armory has filed IRS Form 990 information returns, as required, and all other applicable returns in jurisdictions where so required. For the year ended December 31, 2024, there were no income tax-related interest or penalties recorded or included in the statement of activities. Management believes that the Armory is no longer subject to income tax examinations for years prior to 2021. 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FORM 990, PART III, LINE 4A: In 2024, the Wade Thompson Drill Hall PRESENTED epic, relevant, and collaborative works by diverse artists, such as choreographer Justin Peck, playwright Jackie Sibblies Drury, and singer-songwriter Sufjan Stevens; director Peter Sellars with an intercontinental and interdisciplinary cast of world-class performers and sound projectionist Kathinka Pasveer; choreographer Sharon Eyal with creative partners Gai Behar, Caius Pawson, and Ben UFO; composer, filmmaker, and choreographer Meredith Monk with her Vocal Ensemble; and choreographer Kyle Abraham. Complementing major Drill Hall works, the Historic Rooms hosted intimate performances and artistic gatherings with soprano Jeanine De Bique, tenor Matthew Polenzani, multidisciplinary artist EJ Hill, poet Claudia Rankine, dancer Shamel Pitts, performance artist Dorian Wood, and more. WADE THOMPSON DRILL HALL PRODUCTIONS: Opening the 2024 Season was Armory Co-Commission, Illinoise (March 2-26, 2024), a movement-theater production based on singer-songwriter Sufjan Stevens's acclaimed indie folk-rock concept album of the same name. Tony Award-winning choreographer Justin Peck and Pulitzer Prize-winning playwright Jackie Sibblies Drury created an ecstatic performance rooted in dance, theater, folk storytelling, and live music. In its New York City premiere, the production was re-envisioned for the Wade Thompson Drill Hall with a new assembly of 16 dancers, ten musicians, and three vocalists who brought to life a new orchestration of Stevens's score ranging in style from folk and live indie rock to ambient electronics to joyous marching bands. The Armory's presentation of Illinoise was named a Critic's Pick by The New York Times and transferred to Broadway following its lauded Drill Hall run. Shall We Gather at the River (May 21, 2024), directed by Peter Sellars, was a musical and choreographic call to action on climate change, co-presented with the Asia Society's COAL + ICE: Inspiring Climate Action through Art and Ideas, an exhibition of photographs documenting the consequences triggered by our continued reliance on fossil fuels. This multidisciplinary production merged the Black American spiritual tradition with the poetic, sacred texts of Bach's cantatas. The Oxford Bach Soloists and The Choir of Trinity Wall Street, under the music direction of Tom Hammond-Davies, were joined by countertenor Reginald Mobley, tenor Nick Pritchard, sheng player Wu Tong, choreographer Reggie (Regg Roc) Gray, and FLEXN dancers. Inside Light (June 5-14, 2024) presented selections of electronic music from legendary composer Karlheinz Stockhausen's monumental seven-cycle opera Licht, in an innovatively designed immersive environment. Named a Critic's Pick by The New York Times, the production's North American premiere was performed by Kathinka Pasveer, one of Stockhausen's original collaborators, a sound projectionist, and Director of the Stockhausen Foundation for Music. Pasveer led presentations of five electronic compositions of the cycle on separate nights, with two rare marathon stagings of all parts over five hours. Audiences were offered traditional theater and informal back-jack seating, with free movement throughout the Wade Thompson Drill Hall encouraged. Original abstract lighting and video projections by noted lighting designer Urs Schnebaum fully realized these works in a relaxed setting true to Stockhausen's original vision. Award-winning choreographer and former Batsheva Dance Company member Sharon Eyal, her creative partner Gai Behar, and Caius Pawson and DJ Ben UFO of London-based multi-arts organization Young presented the North American Premiere of a new Armory Co-Commission, R.O.S.E. (September 5-12, 2024). Dissolving the boundaries between dancer, musician, and audience member, R.O.S.E. celebrated the freedom and energy of club culture that Eyal draws inspiration from in her work. Originally premiering at Manchester International Festival, R.O.S.E. reconfigured conventional notions of dance performance, transforming the Wade Thompson Drill Hall into a fully-operating club in which eight dancers from Eyal and Behar's company and 12 student dancers from the Juilliard School intermingled with audiences, creating an exhilarating and surprising synthesis of contemporary dance, electronic music, and nightlife experience. The North American premiere of Indra's Net (September 23-October 6, 2024) by renowned avant-garde composer and performer Meredith Monk was a theatrical choral performance inspired by an ancient legend from Buddhist and Hindu lore in which the enlightened King Indra stretches a large net across the universe, at each intersection placing a dazzling jewel that reflects all other jewels to illuminate the interconnectedness of all living things. Interweaving soaring music, connected movement, and transformative video, Monk and her longtime collaborators, Vocal Ensemble, were joined by a 16-piece chamber orchestra in a work that evoked the celestial, earthly, and human realms, and reinforced the unity of all living things in our divided modern world. In the World Premiere of a new Armory Commission, Dear Lord, Make Me Beautiful (December 3-December 14, 2024), celebrated choreographer and MacArthur fellow Kyle Abraham made his Wade Thompson Drill Hall debut. Abraham created a layered work that explores the growing sensitivities of life and transition, and the delicate interplay of nature and humanity amidst contemporary chaos. This new piece blended modern dance, ballet, and hip hop with an all-star ensemble of 17 world-class dancers, including Abraham. The production was set to an original score created and performed by New York-based musical ensemble yMusic. Digital media artist Cao Yuxi (JAMES) enveloped the sweeping production in an innovative scenic landscape. FORM 990, PART III, LINE 4A (CONTINUED) HISTORIC ROOMS PROGRAMMING: Park Avenue Armory's Historic Rooms programming provides an intimate counterpart to the epic scale of the Wade Thompson Drill Hall. In the Board of Officers room, the Recital Series programmed works by Hahn, Burleigh, Britten, and Caribbean folk songs performed by soprano Jeanine De Bique and pianist Warren Jones (February 12 & 14, 2024); selections from Schubert, Finzi, Schumann, and Ives performed by tenor Matthew Polenzani and pianist Ken Noda (May 20 & 22, 2024); a collection of folk songs and proverbs from various cultural and religious traditions, from American and Yiddish to Jamaican, Swahili, and others performed by soprano Leah Hawkins with pianist Kevin Miller (September 13 & 15, 2024); a program examining the relationship of East and West from Monteverdi, Britten, and Purcell to Takemitsu, Layale Chaker performed by tenor Karim Sulayman with guitarist Sean Shibe (October 8 & 10, 2024); and, finally, works by Scriabin, Messiaen, and Zorn performed by soprano and conductor Barbara Hannigan with pianist Bertrand Chamayou (December 12, 2024). Curated by jazz pianist, visual artist, and MacArthur fellow Jason Moran, the Artists Studio presents experimental jazz and multidisciplinary artistic interventions in the Veterans Room. This past season, Moran curated new works by artist and musician Jasper Marsalis, exploring the intersection of popular music and avant-garde performance (March 27-28, 2024); an evening rooted in industrial, electronic, noise, punk, and hip hop by poet, musician, and activist Moor Mother, accompanied by her band IE, a free-jazz and experimental punk quintet (May 18, 2024); a program of song, storytelling, and sonic exploration by artist EJ Hill, who uses writing, music, painting, and sculpture to bring to light untold stories (September 20-21, 2024); and an artistic happening envisioned by filmmaker, writer, and curator Maori Karmael Holmes, whose work seeks to uplift Black, Brown, and Indigenous expression (November 18-19, 2024). FORM 990, PART III, LINE 4A (CONTINUED) ARTS EDUCATION: The Armory's Production-Based Programming, Partner Schools residencies, and Youth Corps internships continued to adapt to the changing needs of New York City public school students, while engaging them with the Armory's work and offering opportunities to think creatively and trust their own judgment. Through Production-Based Programming offered at no cost to students and schools, participants are exposed to the work and creative processes of world-class artists in free matinees, open rehearsals, and artist talks; they explore epic works through creativity-based workshops in their classrooms led by experienced Teaching Artists; and they express their own interpretations in a second art form. In 2024, 5,000 New York City public school students will have attended student-only matinees of Armory productions in the Wade Thompson Drill Hall and Historic Rooms. With each production, the Armory's 20-member teaching team has also facilitated hundreds of pre- and post-show workshops in schools across the city that offered students an opportunity to dive deeper into the art forms and themes therein. The Armory works closely with eight New York City public schools to design and facilitate intensive Partner Schools residencies that address curricular and community goals. Residencies deepen students' engagement with Armory artistic resources and aim to provide tangible connections to classroom studies through a variety of art forms. In 2024, the Armory hosted the Art Party, an onsite event that celebrated student creativity with visual art and performances by young people taking over the Armory spaces. Offered for the first time since 2019, the event hosted 300 students and teachers, inviting Partner Schools to not only present work created during Armory residencies but also include art created in their core classrooms and afterschool clubs. In addition to residencies, the Armory has provided customized support to Partner Schools in response to feedback from students and teachers, such as additional career development workshops for high school students, after-school support for students completing Performance-Based Assessment Tests (PBATs) as well as those applying for entry into Specialized Arts High Schools, and professional development opportunities focused on arts instruction for Partner School teachers. This past year, the Youth Corps employed 100 students and graduates from five New York City public schools. Through more than 14,000 paid hours of mentored employment, participants were encouraged to engage in creative thinking and explore various career paths in the cultural sector, while being exposed to world-class artists whose practices span many art forms. Interns collaborated on a Capstone project inspired by an Armory production, gained access to curated artistic explorations at other New York City cultural institutions, participated in hands-on workshops with Armory artists, received training as Front of House staff, gained meaningful work experiences through administrative shifts with other departments, and participated in Teaching Demonstrations with Armory Teaching Artists. FORM 990, PART VI, SECTION B, LINE 11B: A DRAFT FORM 990, PREPARED BY AN INDEPENDENT ACCOUNTING FIRM BASED ON INFORMATION PROVIDED BY MANAGEMENT, IS SUBMITTED TO THE CEO/CFO AND PRESIDENT FOR REVIEW. UPON APPROVAL, THE DRAFT FORM 990 IS PROVIDED TO THE FINANCE/AUDIT COMMITTEE OF THE BOARD FOR REVIEW, COMMENT, AND APPROVAL. UPON THE FINANCE/AUDIT COMMITTEE'S APPROVAL, THE FORM 990 IS PROVIDED TO THE FULL BOARD, PRIOR TO ITS ELECTRONIC FILING WITH THE INTERNAL REVENUE SERVICE. FORM 990, PART VI, SECTION B, LINE 12C: ALL BOARD MEMBERS, OFFICERS, AND KEY EMPLOYEES ARE REQUIRED TO COMPLETE A CONFLICT-OF-INTEREST DISCLOSURE FORM ON AN ANNUAL BASIS. ANY POTENTIAL CONFLICTS REPORTED IN THE DISCLOSURE FORMS ARE REVIEWED BY THE FINANCE/AUDIT COMMITTEE OF THE BOARD. ANY CONFLICT THAT BECOMES KNOWN DURING THE YEAR SHALL BE REPORTED TO THE FINANCE/AUDIT COMMITTEE. THE EVALUATION AND RESOLUTION POLICIES OUTLINED IN THE CONFLICT-OF-INTEREST POLICY SHALL BE APPLIED. FORM 990, PART VI, SECTION B, LINE 15A: COMPENSATION OF THE PRESIDENT IS SUBJECT TO REVIEW AND APPROVAL BY THE EXECUTIVE COMMITTEE OF THE BOARD (CONSISTING OF INDEPENDENT BOARD MEMBERS). THE CO-CHAIRS OBTAIN COMPENSATION INFORMATION FROM INDEPENDENT SOURCES WHICH SERVE AS THE BASIS FOR COMPENSATION OFFERED TO THE EXECUTIVE POSITION IDENTIFIED ABOVE. THE DELIBERATION AND DECISION OF THE EXECUTIVE COMMITTEE IS CONTEMPORANEOUSLY DOCUMENTED. FORM 990, PART VI, SECTION B, LINE 15B: COMPENSATION OF OTHER OFFICERS AND KEY EMPLOYEES IS DETERMINED BY USE OF COMPARABLE DATA AND IS REVIEWED AND APPROVED BY THE PRESIDENT OF THE ORGANIZATION. FORM 990, PART VI, SECTION C, LINE 19: THE ORGANIZATION'S GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST.