2012-11-15T09:45:33-06:00 2011-12-31 721202445 POSTLETHWAITE & NETTERVILLE ONE GALLERIA BLVD STE 2100 METAIRIE LA 70001 990 2011-01-01 726000331 NEW ORLEANS MUSEUM OF ART NEWO 5046584101 PO BOX 19123 NEW ORLEANS LA 701790123 SUSAN M TAYLOR 5046584101 2012-11-15 1 SHARON CASSIERE P00543368 5048375990 2011 2016-02-24 21:20:13Z SUSAN M TAYLOR 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 7232834 0 X WWW.NOMA.ORG X 1911 LA TO INSPIRE THE LOVE OF ART; TO COLLECT, PRESERVE, EXHIBIT & PRESENT EXCELLENCE IN THE VISUAL ARTS; TO EDUCATE, CHALLENGE & ENGAGE A DIVERSE PUBLIC 45 45 76 800 0 0 6805949 5547356 575186 589347 433017 301673 538130 139990 8352282 6578366 1525428 0 0 0 2756308 3785261 0 0 950246 5120354 4670008 9402090 8455269 -1049808 -1876903 53023641 50249525 1184373 1123622 51839268 49125903 X THE MISSION OF THE NEW ORLEANS MUSEUM OF ART IS TO INSPIRE THE LOVE OF ART; TO COLLECT, PRESERVE, EXHIBIT AND PRESENT EXCELLENCE IN THE VISUAL ARTS, TO EDUCATE, CHALLENGE AND ENGAGE A DIVERSE PUBLIC. 0 0 2071049 518775 COLLECTION DEPARTMENT SERVICESTHE HEART OF NOMA IS ITS COLLECTION DEPARTMENT. THE MUSEUM'S PRIMARY PURPOSE OF COLLECTING, PRESERVING, INSTALLING AND INTERPRETING THE COLLECTION IS ADMINISTERED BY THIS DEPARTMENT. TO MAINTAIN AN EFFECTIVE, BALANCED ART PROGRAM, EACH OF THESE FOUR ASPECTS OF THE COLLECTIONS DEPARTMENT IS INTERDEPENDENT UPON THE OTHERS.THE MUSEUM HAS DEVELOPED AN ACCESSION POLICY FOR ACQUIRING WORKS OF ART EITHER THROUGH PURCHASE OR BY GIFT WITH A GOAL OF CONTINUING TO AUGMENT ITS HOLDINGS IN THE AREAS OF ITS STRENGTHS RATHER THAN INAUGURATING NEW AREAS IN WHICH THE MUSEUM CURRENTLY HAS LITTLE OR NO HOLDINGS.ACKNOWLEDGING THE RESPONSIBILITY OF PRESERVING ITS ART COLLECTION, THE MUSEUM MAINTAINS A COMPREHENSIVE PROGRAM OF ART CONSERVATION AND SAFEKEEPING. THIS INCLUDES CONSTANT MONITORING OF THE ART AS WELL AS PERIODIC CONSERVATION TREATMENT OF WORKS OUT OF THE BUILDING BY NOTED CONSERVATORS IN THE FIELD.WITH NOMA'S CURATORS ORIGINATING SERIOUS ART HISTORICAL EXHIBITIONS, PREFERABLY ACCOMPANIED BY CATALOGUES WITH CRITICAL ESSAYS AND OTHER SCHOLARLY DOCUMENTATION, THE MUSEUM CAN FULFILL, IN PART, ANOTHER BASIC MISSION--INTERPRETATION AND ANALYSIS OF ARTWORKS, PARTICULARLY ITS OWN. IF THE GENERAL PUBLIC IS NOT PROPERLY EDUCATED AND INFORMED ABOUT THE ART IT IS VIEWING, THE INTELLECTUAL PURSUIT AND ENJOYMENT IS INCOMPLETE AND THE WHOLE MUSEUM FUNCTION BECOMES A WORTHLESS EXERCISE.THE MUSEUM'S EDUCATION PROGRAMMING FOCUSES ON IN-HOUSE AND OUTREACH ACTIVITIES. LECTURES, FILMS CONCERTS, DOCENT SCHOOL TOURS, CHILDREN'S ART CLASSES, AND MULTI-EVENT THEME FESTIVALS ARE SCHEDULED AT THE MUSEUM TO COMPLEMENT THE SPECIAL EXHIBITIONS AND PERMANENT COLLECTION WHILE A UNIVERSITY STUDENT MEMBERSHIP PROGRAM, A SERIES OF SPECIALIZED FRIENDS SUPPORT GROUPS, A SPEAKER'S BUREAU, AND THE ARTS QUARTERLY NEWSPAPER INVOLVES VARIOUS CONSTITUENCIES WITH INFORMATIVE PROGRAMS FOR FURTHER AUDIENCE DEVELOPMENT. 1247165 ART ACQUISITIONSTHE NEW ORLEANS MUSEUM OF ART DOES NOT POSSESS THE RESOURCES TO ASSEMBLE AN ENCYCLOPEDIC COLLECTION OF WORLD ART. RECOGNIZING THAT FINANCIAL LIMITATIONS NECESSITATE A SELECTIVE ACQUISITION POLICY, THE MUSEUM HAS FOCUSED ITS COLLECTING ACTIVITIES IN SEVERAL SPECIALIZED AREAS. BY BUILDING THE STRENGTH IN THESE SELECTED AREAS, THE MUSEUM HAS BEEN ABLE TO ASSEMBLE AN IMPORTANT COLLECTION OF BOTH QUALITY AND DEPTH.WHILE ART PURCHASES ARE ESSENTIALLY LIMITED TO THE DESIGNATED AREAS OF SPECIALIZATION, THE BOARD AND STAFF ARE ALWAYS WILLING TO CONSIDER NEW AREAS OF COLLECTING AS OPPORTUNITIES ARISE, PARTICULARLY THROUGH DONATIONS. THE OVERRIDING CRITERION FOR THE PURCHASE OR ACCEPTANCE OF GIFTS IS THE QUALITY OF INDIVIDUAL WORKS OF ART. THE EIGHT AREAS OF COLLECTION SPECIALIZATION ARE: EUROPEAN ART FROM THE 16TH THROUGH 20TH CENTURIES (PARTICULARLY THE WORKS OF THE FRENCH SCHOOL); THE ARTS OF THE AMERICAS (PRE-COLUMBIAN, LATIN COLONIAL, AND THE AMERICAN PAINTING AND SCULPTURE); AFRICAN AND OCEANIC ART; ASIAN ART (PARTICULARLY CHINESE AND JAPANESE OF THE EDO PERIOD 1615-1867); PHOTOGRAPHY; DECORATIVE ARTS; AND GRAPHICS AND SCULPTURE.THE DIRECTOR OF THE MUSEUM, IN CONSULTATION WITH THE CURATORIAL STAFF, RECOMMENDS ALL PURCHASES AND GIFTS TO THE ACCESSIONS COMMITTEE OF THE BOARD OF TRUSTEES FOR THEIR APPROVAL OR DISAPPROVAL. THE FULL BOARD THEN APPROVES THE RECOMMENDATIONS OF THE ACCESSIONS COMMITTEE. 297023 192464 EXHIBITION PROGRAMTHE MUSEUM'S EXHIBITION PROGRAM IS TWO-FOLD: INSTALLATION OF THE PERMANENT COLLECTION AND PRESENTATION OF SPECIAL TEMPORARY EXHIBITIONS. SELECTIONS FROM THE PERMANENT COLLECTION ARE INSTALLED BY THE CURATORIAL STAFF IN THE GALLERIES IN AN ARRANGEMENT, WHICH WILL REFLECT THE CONTINUITY OF THE HISTORY OF ART. A MEANINGFUL PROGRESSION OF PERIODS AND CULTURES WILL AID THE MUSEUM VISITOR IN THEIR APPRECIATION AND UNDERSTANDING OF THE ARTWORKS. WHEN AVAILABLE, WORKS ON LOAN FROM OTHER SOURCES CAN EFFECTIVELY AUGMENT THE INSTALLATIONS AND FILL IN GAPS IN THE COLLECTION.TO COMPLEMENT THE PERMANENT COLLECTION INSTALLATIONS, THE CURATORIAL STAFF DESIGNS A PROGRAM OF SPECIAL TEMPORARY EXHIBITIONS OF VARIOUS SIZES PRESENTED THROUGHOUT THE YEAR. THESE EXHIBITIONS ORIGINATED BY THE STAFF OR BROUGHT IN FROM OTHER NATIONAL OR INTERNATIONAL SOURCES, OFFER A WIDE VARIETY OF SUBJECTS, THEMES, STYLISTIC MODES, CULTURES, AND ARTISTS. NEARLY A DECADE AGO, THE MUSEUM COMMITTED ITSELF TO THE PRESENTATION OF A SERIES OF MAJOR INTERNATIONAL "BLOCKBUSTER" EXHIBITIONS WHICH ENHANCED THE INSTITUTION'S LOCAL, REGIONAL, AND NATIONAL IMAGE; DEVELOPED A BROADER AUDIENCE; ESTABLISHED A NEW ECONOMIC BASE (WHICH SERVED AS THE NUCLEUS FOR THE NEW GENERAL ENDOWMENT); AND GAVE THE REGION AN OPPORTUNITY TO SEE RARE ART TREASURES. 106883 19895 MEMBER EVENTS DEPARTMENTTHE NEW ORLEANS MUSEUM OF ART OFFERS NUMEROUS MEMBERSHIP PACKAGES THAT OFFER VARIOUS LEVELS OF UNIQUE CULTURAL PROGRAMS AND SUPPORT OF NOMA. THESE MEMBERSHIP PRIVILEGES INCLUDE SPECIAL PREVIEWS OF ALL EXHIBITIONS, A QUARTERLY PUBLICATION WITH ADVANCE NOTICE OF EDUCATIONAL PROGRAMS AND SPECIAL EVENTS AS WELL AS ARTICLES ON EXHIBITIONS, COLLECTIONS, ARTISTS, WORKS OF ART AND OTHER RELATED SUBJECTS AS WELL AS OTHER PRIVILEGES APPROPRIATE FOR THE LEVEL OF GIVING. 244422 6610 EDUCATION DEPARTMENT SERVICESTHE EDUCATION DIVISION SERVICED APPROXIMATELY 7,921 PEOPLE IN THE COMMUNITY WITH FAMILY WORKSHOPS, CRAFTS DEMONSTRATIONS, ART CLASSES, STORYTELLING AND A LECTURE SERIES. SINCE HURRICANE KATRINA THE MUSEUM HAS BEEN PROVIDING CURRICULUM PLANNING TO NEW ORLEANS PUBLIC SCHOOLS AND HAS PROVIDED AN ART THERAPIST TO TWO NEW ORLEANS RECOVERY CHARTER SCHOOLS. 351305 26505 3966542 1 1 0 0 0 0 0 1 0 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 1 0 0 1 0 0 0 0 0 1 85 0 1 76 1 0 0 0 0 0 1 1 0 0 0 0 X 45 45 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 X TY SMITHWECK 5046584111 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 WILLIAM D AARON JR 1.00 X 0 0 0 GAIL BERTUZZI 1.00 X 0 0 0 SYDNEY J BESTHOFF III 1.00 X 0 0 0 SIDDHARTH BHANSALI 1.00 X 0 0 0 SARAH CAREY 1.00 X 0 0 0 EDGAR L CHASE III 1.00 X 0 0 0 TOMMY COLEMAN 1.00 X 0 0 0 LEONARD DAVIS 1.00 X 0 0 0 DAVID F EDWARDS 1.00 X 0 0 0 HM FAVROT JR 1.00 X 0 0 0 STEPHANIE FEOLI 1.00 X 0 0 0 JULIE GEORGE 1.00 X 0 0 0 SUSAN GUIDRY 1.00 X 0 0 0 LEE HAMPTON 1.00 X 0 0 0 STEPHAN HANSEL 1.00 X 0 0 0 ADREA HEEBE 1.00 X 0 0 0 ALLISON KENDRICK 1.00 X 0 0 0 SUBASH KULKARNI 1.00 X 0 0 0 HENRY LAMBERT 1.00 X 0 0 0 MITCH LANDRIEU 1.00 X 0 0 0 ELLY LANE 1.00 X 0 0 0 PAUL MASINTER 1.00 X 0 0 0 KAY MCARDLE 1.00 X 0 0 0 ALVIN MERLIN 1.00 X 0 0 0 ANNE MILLING 1.00 X 0 0 0 BRENDA MOFFITT 1.00 X 0 0 0 HOWARD J OSOFSKY 1.00 X 0 0 0 DEBBIE PATRICK 1.00 X 0 0 0 PIXIE REISS 1.00 X 0 0 0 WENDY RODRIGUE 1.00 X 0 0 0 DONNA ROSEN 1.00 X 0 0 0 BRIAN SCHNEIDER 1.00 X 0 0 0 JOLIE SHELTON 1.00 X 0 0 0 LIZ SLOSS 1.00 X 0 0 0 ALEXANDRA STAFFORD 1.00 X 0 0 0 ANN STRUB 1.00 X 0 0 0 ROBERT TAYLOR 1.00 X 0 0 0 BRENT WOOD 1.00 X 0 0 0 KIMBERLY ZIBILICH 1.00 X 0 0 0 CAMERON MAYER 1.00 X X 0 0 0 JANET L FRISCHHERTZ 1.00 X X 0 0 0 E RALPH LUPIN 1.00 X X 0 0 0 PHYLLIS TAYLOR 1.00 X X 0 0 0 TIMOTHY FRANCIS 1.00 X X 0 0 0 MICHAEL MOFFITT 1.00 X X 0 0 0 GAIL ASPRODITES 35.00 X 100387 0 13195 SUSAN M TAYLOR 35.00 X 364016 0 23886 464403 0 37081 2 0 1 0 UNITED HEALTHCARE DEPT CH 10151 PALANTINE IL 60055 EMPLOYEE HEALTH COVERAGE 364863 SCALA PUBLISHERS LIMITED 141 WOOSTER STREET NEW YORK CITY NY 10012 PUBLISHING OF CATALOGS 120612 2 1231770 849748 284275 3181563 114509 5547356 ADMISSION CHARGES 900099 397602 397602 EXHIBITION PROGRAMS 900099 192464 192464 EDUCATION PROGRAMS 611710 6610 6610 PUBLICATIONS AND TOURS 541800 -7329 -7329 589347 301673 301673 8474 8474 241875 73631 168244 168244 168244 201612 849748 396510 -194898 -194898 302000 184327 117673 117673 MEMBER EVENTS 900099 27224 27224 MISCELLANEOUS 900099 9773 9773 DEACCESSIONS 900099 3500 3500 40497 6578366 737744 0 293266 501482 300890 100296 100296 2460450 608571 1549949 301930 175576 81099 74802 19675 417878 136982 229633 51263 229875 73813 122242 33820 13024 13024 25400 25400 55612 55612 894683 327655 502896 64132 293883 56453 64142 173288 1068749 590117 363998 114634 91109 22624 68429 56 192884 58948 61311 72625 546674 472982 59041 14651 63413 15000 48413 ACQUISITIONS OF ART 1201235 1201235 REPAIRS AND MAINTENANCE 187244 5759 181485 DUES AND PUBLICATIONS 36098 14414 17808 3876 8455269 3966542 3538481 950246 356738 540813 4439780 3103137 293370 843370 161860 109599 8898 21950706 9211588 13270061 12739118 29675940 32599220 4571367 305370 254525 53023641 50249525 799985 885822 384388 237800 1184373 1123622 X 22635923 20079065 7638255 5761556 21565090 23285282 51839268 49125903 53023641 50249525 X -1876903 -836462 X X 0 1 1 X 0 X 6362436 5933293 3968164 6805949 5547356 28617198 3228919 3261208 3295000 3295000 3295000 16375127 9591355 9194501 7263164 10100949 8842356 44992325 1218344 43773981 557355 510977 229085 660739 552022 2510178 1433915 118555 904514 641240 40497 3138721 50641224 3960352 0.86440 0.86710 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 509721 509721 764582 15000 15000 127430 127430 191145 15000 15000 X X X X 1 34077094 13078 2005582 2191894 227700 33676160 31814162 59995 5347282 1474489 1669856 34077094 27818191 28255 5747058 766599 1012743 31814162 36060002 24250 -6303158 1660180 302723 27818191 0.60000 0.32200 0.07800 1 0 436260 436260 17125416 7892394 9233022 662793 536860 125933 3726237 782334 2943903 12739118 ACCRUED PERSONNEL COSTS 237800 237800 6578366 8455269 -1876903 -836462 -836462 -2713365 5999862 -836462 257958 -578504 6578366 0 6578366 8713227 257958 257958 8455269 0 8455269 PART III, LINE 1A: IN CONFORMITY WITH THE PRACTICE FOLLOWED BY MANY MUSEUMS, ART PURCHASED AND DONATED IS NOT CAPITALIZED. DURING 2011 AND 2010, THE COST OF COLLECTION ITEMS PURCHASED BY THE MUSEUM AS A DECREASE IN THE APPROPRIATE CLASS OF NET ASSETS WAS $1,201,235 AND $1,810,918, RESPECTIVELY. WHEN NOT ON DISPLAY IN THE PERMANENT COLLECTION GALLERIES, THE OBJECTS ARE MAINTAINED IN CLIMATE CONTROLLED STORAGE. THE MUSEUM MAINTAINS POLICIES AND PROCEDURES ADDRESSING THE MAINTENANCE AND CONSERVATION OF THE COLLECTION, AS WELL AS OTHER ASPECTS OF ITS MANAGEMENT, INCLUDING ACCESSION/DEACCESSION POLICIES. PART III, LINE 4: THE MUSEUM HAS THE LARGEST AND MOST COMPLETE REPOSITORY OF FINE ART IN THE STATE OF LOUISIANA AND IS RECOGNIZED NATIONALLY AS ONE OF THE LEADING ART INSTITUTIONS SERVING THE PUBLIC. IN PARTICULAR, THE MUSEUM HAS A NATIONAL REPUTATION OF A 3,500 YEAR HISTORY OF GLASS; AN IN-DEPTH 150 YEAR HISTORY OF PHOTOGRAPHS; JAPANESE SCREENS AND SCROLL PAINTINGS OF THE EDO PERIOD; A 500 YEAR SURVEY OF CHINESE EARTHENWARE, PORCELAIN, AND STONE SCULPTURES; 17TH THROUGH 20TH CENTURY FRENCH PAINTINGS; ITALIAN AND SPANISH PAINTINGS FROM THE RENAISSANCE AND BAROQUE PERIODS; 16TH THROUGH 18TH CENTURY PAINTINGS FROM THE "LOW COUNTRIES" OF NORTHERN EUROPE; TRIBAL ARTS OF SUB-SAHARAN AFRICA; 18TH AND 19TH CENTURY FRENCH HARD-PASTE, BONE AND PARIAN PORCELAIN; 20TH CENTURY AMERICAN ART POTTERY; SPANISH COLONIAL LATIN AMERICAN PAINTINGS AND SCULPTURE; ENGLISH AND CONTINENTAL PORTRAIT MINIATURES; JEWELED OBJECTS DE VERTU BY PETER CARL FABERGE; 18TH TO 20TH CENTURY AMERICAN PAINTINGS AND SCULPTURES; 18TH AND 19TH CENTURY AMERICAN AND ENGLISH SILVER; AND THE ARTS OF PRE-COLUMBIAN MEXICO, CENTRAL AND SOUTH AMERICA, AND NATIVE NORTH AMERICAN INDIANS. THE MUSEUM EMPLOYS A PROFESSIONAL CURATORIAL STAFF WHOSE FUNCTION IS TO CARE FOR ITS COLLECTIONS; CARRY OUT RESEARCH ON THE OBJECTS IN THE COLLECTION; ORGANIZE SPECIAL EXHIBITIONS ON PARTICULAR SUBJECTS OR THEMES; WRITE SCHOLARLY INTERPRETATIVE ARTICLES, CATALOGUES AND BOOKS ON ART SUBJECTS; RECOMMEND AND OVERSEE NEEDED RESTORATION AND CONSERVATION TREATMENT ON OBJECTS IN THE COLLECTION; CULTIVATE AND ADVISE PRIVATE ART COLLECTORS AND ENCOURAGE DONATIONS; SEEK OUT AND RECOMMEND OBJECTS FOR ACQUISITION OR DEACCESSION BY THE MUSEUM; TRAIN VOLUNTEER DOCENTS TO GIVE GUIDED TOURS OF THE MUSEUM; DEVISE AND IMPLEMENT EDUCATIONAL PROGRAMS SUCH AS LECTURES, SYMPOSIUMS, FILMS, CONCERTS, FAMILY FESTIVALS ON SPECIFIC THEMES, STUDIO ART CLASSES, AND OTHER OUTREACH METHODS; FAMILY AND TEACHER WORKSHOPS, AND ART THERAPY PROGRAMS FOR DESIGNATED PUBLIC SCHOOLS. DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: PART V, LINE 4: OPERATIONS, PROGRAMS, AND ACQUISITIONS DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: PART X: THE MUSEUM IS EXEMPT FROM FEDERAL INCOME TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE AND FROM STATE INCOME TAXES UNDER SECTION 121(5) OF TITLE 47 OF THE LOUISIANA REVISED STATUTES OF 1950. THE MUSEUM APPLIES A "MORE-LIKELY-THAN-NOT" RECOGNITION THRESHOLD FOR ALL TAX UNCERTAINTIES. THIS APPROACH ONLY ALLOWS THE RECOGNITION OF THOSE TAX BENEFITS THAT HAVE A GREATER THAN 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. AS A RESULT OF IMPLEMENTING THIS APPROACH, THE MUSEUM HAS REVIEWED ITS TAX POSITIONS AND DETERMINED THERE WERE NO OUTSTANDING, OR RETROACTIVE TAX POSITIONS WITH LESS THAN A 50% LIKELIHOOD OF BEING SUSTAINED UPON EXAMINATION BY THE TAXING AUTHORITIES. THEREFORE, THE IMPLEMENTATION OF THIS STANDARD HAS NOT HAD A MATERIAL EFFECT ON THE MUSEUM. THE MUSEUM'S TAX RETURNS FOR THE YEARS ENDED DECEMBER 31, 2010, 2009 AND 2008 REMAIN OPEN AND SUBJECT TO EXAMINATION BY TAXING AUTHORITIES. THE MUSEUM'S TAX RETURN FOR THE YEAR ENDED DECEMBER 31, 2011 HAS NOT YET BEEN FILED. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 73,631. COST OF GOODS SOLD 184,327. PART XIII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 73,631. COST OF GOODS SOLD 184,327. ODYSSEY BALL 475245 394310 80935 65000 5000 11150 ART IN BLOOM 314859 271819 43040 43000 3000 171041 4 246653 172436 74217 34342 5000 58497 1036757 838565 198192 142342 13000 240688 396030 -197838 X X 0 0 0 0 0 0 0 0 0 SUSAN M TAYLOR 259711 0 0 0 104305 0 0 0 23886 0 387902 0 0 0 X 251 X 22 44009 MARKET X FOOD & PAPER GOODS 45 70500 COMPARABLE SALES 0 1 0 METHOD FOR DETERMINING NUMBER OF CONTRIBUTORS: PART I, COLUMN (B): THE ORGANIZATION IS REPORTING THE NUMBER OF HISTORICAL TREASURES DONATED, NUMBER OF CONTRIBUTORS OF SECURITIES, AND NUMBER OF CONTRIBUTORS OF FOOD & PAPER GOODS. NON REPORTING OF REVENUE: PART I, LINE 33: IN CONFORMITY WITH SFAS 116 FORM 990, PART VI, SECTION A, LINE 2 BRENDA MOFFITT IS MARRIED TO MICHAEL MOFFITT. FORM 990, PART VI, SECTION B, LINE 11 THE FORM 990 IS E-MAILED TO ALL BOARD MEMBERS FOR THEIR REVIEW AND COMPLIANCE. FORM 990, PART VI, SECTION B, LINE 12C ANNUAL CONFLICT OF INTEREST STATEMENTS ARE FILED BY EACH TRUSTEE AND PROVIDED TO THE LEGAL COMMITTEE FOR REVIEW AND COMPLIANCE. FORM 990, PART VI, SECTION B, LINE 15 EXECUTIVE DIRECTOR COMPENSATION IS DETERMINED BY THE EXCEUTIVE COMMITTEE. ALL OTHER COMPENSATION IS SET BY THE EXECUTIVE DIRECTOR USING NEW ORLEANS CIVIL SERVICE PAY PLAN AND THE ASSOCIATION OF ART MUSEUM DIRECTORS ANNUAL SALARY SURVEY AS GUIDES. FORM 990, PART VI, SECTION C, LINE 19 UPON REQUEST, BY PAPER COPY CHANGES IN NET ASSETS OR FUND BALANCES: FORM 990, PART XI, LINE 5: NET UNREALIZED LOSSES ON INVESTMENTS: -836,462. COMMITTEE THAT ASSUMES RESPONSIBILITY FOR OVERSIGHT OF THE AUDIT FORM 990, PART XII, LINE 2C NO CHANGE FROM THE PRIOR YEAR AMON LLC 1 COLLINS DIBOLL CIRCLE NEW ORLEANS LA 70124 800316564 REAL ESTATE OWNERSHIP LA 0 0 N/A