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INSTITUTE OF CONTEMPORARY ART: Form 990, tax year 2017

View the entire original 990 at ProPublica ↗

Organization
INSTITUTE OF CONTEMPORARY ART (EIN 04-2104327)
Tax period
2017-07-01 to 2018-06-30
Filed
2019-05-09
IRS object ID
201941309349301399
Schema version
2017v2.3
Source
Download XML · Original 990 at ProPublica

Every field in the e-filed return. Faint text is the IRS element name, for citing.

Return header ReturnHeader

FieldValueIRS element (for citing)
Return2019-05-09T23:12:21-05:00ReturnTs
Tax Period End2018-06-30TaxPeriodEndDt

Preparer Firm PreparerFirmGrp

FieldValueIRS element (for citing)
Preparer Firm EIN420714325PreparerFirmEIN

Preparer Firm Name PreparerFirmName

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Business Name Line1RSM US LLPBusinessNameLine1Txt

Preparer US Address PreparerUSAddress

FieldValueIRS element (for citing)
Address Line180 CITY SQUAREAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP02129ZIPCd
FieldValueIRS element (for citing)
Return Type990ReturnTypeCd
Tax Period Begin2017-07-01TaxPeriodBeginDt

Filer Filer

FieldValueIRS element (for citing)
EIN042104327EIN

Business Name BusinessName

FieldValueIRS element (for citing)
Business Name Line1THE INSTITUTE OF CONTEMPORARY ART INCBusinessNameLine1Txt
FieldValueIRS element (for citing)
Business Name ControlINSTBusinessNameControlTxt
Phone6174783100PhoneNum

US Address USAddress

FieldValueIRS element (for citing)
Address Line125 HARBOR SHORE DRIVEAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP02210ZIPCd

Business Officer BusinessOfficerGrp

FieldValueIRS element (for citing)
PersonJILL MEDVEDOWPersonNm
Person TitleDIRECTORPersonTitleTxt
Phone6174783100PhoneNum
Signature2019-05-09SignatureDt
Discuss With Paid PreparerYes (1)DiscussWithPaidPreparerInd

Preparer Person PreparerPersonGrp

FieldValueIRS element (for citing)
Preparer PersonLYNNE JOHNSONPreparerPersonNm
PTINP00757336PTIN
Phone6179129000PhoneNum

Filing Security Information FilingSecurityInformation

IP Address IPAddress

FieldValueIRS element (for citing)
I Pv4 Address66.98.98.9IPv4AddressTxt
FieldValueIRS element (for citing)
IP2019-05-09IPDt
IP Tm19:42:33IPTm
IP TimezoneEDIPTimezoneCd
Filing License TypePFilingLicenseTypeCd
At Submission Creation Device IdAE799F09013C0652A304EFA9FE5C55F0AD924143AtSubmissionCreationDeviceId
At Submission Filing Device Id80A56547EDB5E2BF0711BF7CB6211EB1BC4D6842AtSubmissionFilingDeviceId
FieldValueIRS element (for citing)
Tax2017TaxYr
Build TS2019-02-21 02:37:17ZBuildTS

Form 990 IRS990

Doing Business As Name DoingBusinessAsName

FieldValueIRS element (for citing)
Business Name Line1ICABOSTONBusinessNameLine1Txt
FieldValueIRS element (for citing)
Principal OfficerJILL MEDVEDOWPrincipalOfficerNm

US Address USAddress

FieldValueIRS element (for citing)
Address Line125 HARBOR SHORE DRIVEAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP02210ZIPCd
FieldValueIRS element (for citing)
Gross Receipts$35,761,612GrossReceiptsAmt
Group Return For Affiliates0GroupReturnForAffiliatesInd
Organization501c3Yes (X)Organization501c3Ind
Website AddressWWW.ICABOSTON.ORGWebsiteAddressTxt
Type Of Organization CorpYes (X)TypeOfOrganizationCorpInd
Formation1936FormationYr
Legal Domicile StateMALegalDomicileStateCd
Activity Or MissionSEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS.ActivityOrMissionDesc
Voting Members Governing Body32VotingMembersGoverningBodyCnt
Voting Members Independent31VotingMembersIndependentCnt
Total Employee263TotalEmployeeCnt
Total Volunteers163TotalVolunteersCnt
Total Gross UBI-$85,377TotalGrossUBIAmt
Net Unrelated Bus Txbl Incm-$55,990NetUnrelatedBusTxblIncmAmt
PY Contributions Grants$20,951,011PYContributionsGrantsAmt
CY Contributions Grants$30,290,807CYContributionsGrantsAmt
PY Program Service Revenue$1,806,806PYProgramServiceRevenueAmt
CY Program Service Revenue$1,710,066CYProgramServiceRevenueAmt
PY Investment Income$852,947PYInvestmentIncomeAmt
CY Investment Income$393,741CYInvestmentIncomeAmt
PY Other Revenue$81,901PYOtherRevenueAmt
CY Other Revenue-$63,456CYOtherRevenueAmt
PY Total Revenue$23,692,665PYTotalRevenueAmt
CY Total Revenue$32,331,158CYTotalRevenueAmt
PY Grants And Similar Paid$0PYGrantsAndSimilarPaidAmt
CY Grants And Similar Paid$0CYGrantsAndSimilarPaidAmt
PY Benefits Paid To Members$0PYBenefitsPaidToMembersAmt
CY Benefits Paid To Members$0CYBenefitsPaidToMembersAmt
PY Salaries Comp Emp Bnft Paid$7,105,236PYSalariesCompEmpBnftPaidAmt
CY Salaries Comp Emp Bnft Paid$7,534,332CYSalariesCompEmpBnftPaidAmt
PY Total Prof Fndrsng Expns$25,262PYTotalProfFndrsngExpnsAmt
CY Total Prof Fndrsng Expns$23,267CYTotalProfFndrsngExpnsAmt
CY Total Fundraising Expense$1,383,906CYTotalFundraisingExpenseAmt
PY Other Expenses$8,033,481PYOtherExpensesAmt
CY Other Expenses$9,401,855CYOtherExpensesAmt
PY Total Expenses$15,163,979PYTotalExpensesAmt
CY Total Expenses$16,959,454CYTotalExpensesAmt
PY Revenues Less Expenses$8,528,686PYRevenuesLessExpensesAmt
CY Revenues Less Expenses$15,371,704CYRevenuesLessExpensesAmt
Total Assets BOY$94,045,182TotalAssetsBOYAmt
Total Assets EOY$114,520,974TotalAssetsEOYAmt
Total Liabilities BOY$5,752,963TotalLiabilitiesBOYAmt
Total Liabilities EOY$8,976,024TotalLiabilitiesEOYAmt
Net Assets Or Fund Balances BOY$88,292,219NetAssetsOrFundBalancesBOYAmt
Net Assets Or Fund Balances EOY$105,544,950NetAssetsOrFundBalancesEOYAmt
Info In Schedule O Part IIIYes (X)InfoInScheduleOPartIIIInd
MissionTHE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS.MissionDesc
Significant New Program Srvc0SignificantNewProgramSrvcInd
Significant Change0SignificantChangeInd
Expense$7,084,981ExpenseAmt
Revenue$837,919RevenueAmt
DescART EXHIBITIONS: GALLERY PRESENTATIONS: THE ICA PRESENTED THE FOLLOWING 15 CONTEMPORARY ART EXHIBITIONS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. ATTENDANCE FOR THE GALLERY EXHIBITS TOTALED 156,776 VISITORS, AND TOTAL PROGRAMMING ATTENDANCE WAS 216,072 IN FY18.GILLIAN WEARING: ROCK 'N' ROLL 70DECEMBER 9, 2016 - DECEMBER 31, 2017SANDRA AND GERALD FINEBERG ART WALLBEST KNOWN FOR HER PHOTOGRAPHIC AND VIDEO WORKS THAT INTIMATELY CAPTURE ASPECTS OF OUR FAMILIAL AND PERSONAL HISTORIES, GILLIAN WEARING (B. 1963, BIRMINGHAM, UK) CONTINUES TO EXPLORE THE NUANCES OF IDENTITY, THE INTERSECTIONS OF PUBLIC AND PRIVATE, AND THE PERFORMATIVITY OF SELF. WEARING'S MONUMENTAL PHOTOGRAPHIC INSTALLATION ROCK 'N' ROLL 70 (FIRST ITERATION DONE IN 2015) WAS A SITE-SPECIFIC COMMISSION FOR THE SANDRA AND GERALD FINEBERG ART WALL, AND THE FIRST PRESENTATION IN BOSTON OF THE CELEBRATED ARTIST'S WORK. USING A SELF-PORTRAIT, WEARING ASKED INDIVIDUALS WORKING WITH AGE-PROGRESSING TECHNOLOGY TO DIGITALLY ENHANCE PORTRAITS OF THE ARTIST TO SEE WHAT SHE MIGHT LOOK LIKE AT AGE 70. PRINTED AS WALLPAPER, THESE AGED PORTRAITS SHOW THE DIVERSITY OF POSSIBILITIES OF THE ARTIST'S FUTURE SELF. THEY DIFFER SLIGHTLY OR IMMENSELY FROM EACH OTHER, REVEALING THE LIMITATIONS OF PIONEERING TECHNOLOGY AND THE MUTABILITY OF VISUAL IDENTITY. ON TOP OF THE WALLPAPER HANGS A FRAMED TRIPTYCH OF PHOTOGRAPHIC PORTRAITS, CONSISTING OF THE ARTIST AT HER CURRENT AGE, AN ENHANCED PORTRAIT, AND A BLANK LAST SPACE, AS WEARING INTENDS TO MAKE A SELF-PORTRAIT WHEN SHE TURNS 70. IN A WORLD OVERSATURATED BY IMAGES, PARTICULARLY "SELFIES," WEARING EXPLORES THE COMPLEXITIES OF IDENTITY AS MEDIATED THROUGH TECHNOLOGY.ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, AND JESSICA HONG, CURATORIAL ASSOCIATE.2017 JAMES AND AUDREY FOSTER PRIZEFEBRUARY 15 - JULY 9, 2017PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIESTHE JAMES AND AUDREY FOSTER PRIZE IS KEY TO THE ICA'S EFFORTS TO NURTURE AND RECOGNIZE BOSTON-AREA ARTISTS OF EXCEPTIONAL PROMISE. FIRST ESTABLISHED IN 1999, THE JAMES AND AUDREY FOSTER PRIZE (FORMERLY THE ICA ARTIST PRIZE) EXPANDED ITS FORMAT WHEN THE MUSEUM OPENED ITS NEW FACILITY IN 2006. JAMES AND AUDREY FOSTER, PASSIONATE COLLECTORS AND SUPPORTERS OF CONTEMPORARY ART, ENDOWED THE PRIZE, ENSURING THE ICA'S ABILITY TO SUSTAIN AND GROW THE PROGRAM FOR YEARS TO COME. THE 2017 PRIZE AND EXHIBITION FEATURED THE WORK OF SONIA ALMEIDA, JENNIFER BORNSTEIN, LUCIEN CASTAING-TAYLOR AND VERENA PARAVEL, AND LUCY KIM-ARTISTS WORKING AT A NATIONAL AND INTERNATIONAL LEVEL WHOSE WORK HAS RECEIVED LIMITED EXPOSURE HERE IN BOSTON. IN MEDIA INCLUDING PAINTING, SCULPTURE, PRINTMAKING, FILM, AND VIDEO, AND EXPLORING A RANGE OF THEMES AND SUBJECTS, EACH OF THE ARTISTS ENGAGE THE HUMAN BODY WITH A TACTILE APPROACH TO ITS CULTURAL, PSYCHOLOGICAL, AND HISTORICAL RESONANCES. EACH OF THE ARTISTS PRESENTED A MAJOR WORK, OR GROUP OF WORKS, ON VIEW FOR THE FIRST TIME IN BOSTON. CENTRAL TO THE EXHIBITION, THIS ITERATION OF THE JAMES AND AUDREY FOSTER PRIZE FEATURED A NEW PROGRAM, THE FOSTER TALKS, ENABLING AUDIENCES TO ENGAGE MORE DEEPLY IN THE WORK AND PRACTICE OF THE PRIZE WINNERS. OVER THE COURSE OF THE EXHIBITION, EACH ARTIST PRESENTED THEIR WORK AND INVITED AN IMPORTANT WRITER, ARTIST, PERFORMER, RESEARCHER, OR OTHER INFLUENCE ON THEIR PRACTICE. THE CONVERSATIONS WERE FOLLOWED BY A FREE RECEPTION, OPEN TO THE PUBLIC. THE FOSTER TALKS CONNECTED QUESTIONS AROUND CONTEMPORARY ART TO A BROAD RANGE OF CULTURAL, INTELLECTUAL, AND POLITICAL ISSUES, CREATING RELATIONSHIPS BETWEEN ART AND DIFFERENT FIELDS.ORGANIZED BY DAN BYERS, MANNION FAMILY SENIOR CURATOR, WITH JEFFREY DE BLOIS, CURATORIAL ASSOCIATE.ICA COLLECTION: NEW ACQUISITIONSFEBRUARY 15, 2017 - FEBRUARY 25, 2018KIM AND JIM PALLOTTA GALLERYTHOUGH FOUNDED IN 1936, THE ICA FORMED ITS PERMANENT COLLECTION JUST TEN YEARS AGO. AFTER THE EXPANSIVE PRESENTATION IN FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA, NEW ACQUISITIONS CONTINUED TO FOCUS ON THE INCREDIBLE GROWTH OF THE COLLECTION IN RECENT YEARS. TAKING AN APPROACH COMMON IN LARGER MUSEUMS, THE EXHIBITION SHOWCASED WORKS IN A RANGE OF MEDIUMS ACQUIRED IN THE PAST THREE YEARS. DATING FROM THE 1970S TO THE PRESENT, THE WORKS ON VIEW FOCUSED ON THE USE OF LANGUAGE AS A MATERIAL IN ART, THE VULNERABILITY OF THE HUMAN BODY, AND THE ABILITY OF ARTWORKS TO SHAPE-SHIFT, TAKING ON THE CHARACTER OF ARCHITECTURE, DECOR, OR FOUND OBJECTS. AMONG THE NEW ACQUISITIONS WAS SARAH SZE'S HIDDEN RELIEF (2001), A MAJOR SCULPTURAL WORK BY THE BOSTON NATIVE THAT TRANSFORMS A CORNER OF THE GALLERY INTO A MESMERIZING NETWORK OF SHAPES, LINES, LIGHTS, AND RULERS. MIKA ROTTENBERG'S 2015 VIDEO NONOSEKNOWS (50 KILOS VARIANT) BRINGS THE NEW YORK-BASED ARTIST'S PENCHANT FOR THE VISCERAL AND THE ABSURD TO BEAR ON CHINA'S CULTURED PEARL INDUSTRY. HENRY TAYLOR'S FAMILY PORTRAIT I'M YOURS (2015), A POWERFUL AND MEMORABLE CONTRIBUTION TO ONE OF ART'S OLDEST GENRES, PRESENTS A TRIO OF FIGURES CHARACTERIZED BY DETERMINATION AND RESOLVE.NEW ACQUISITIONS ALSO FEATURED WORKS BY SADIE BENNING, SOPHIE CALLE, JIMMY DESANA, SHANNON EBNER, JENNY HOLZER, REE MORTON, WILLIAM POPE.L, KEITH SONNIER, AND HAEGUE YANG, AMONG OTHERS.ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATORSTEVE MCQUEEN: ASHESFEBRUARY 15, 2017 - FEBRUARY 25, 2018KIM AND JIM PALLOTTA GALLERYTHE ICA/BOSTON PRESENTED THE U.S. DEBUT OF ASHES (2002-2015), A VIDEO INSTALLATION BY THE ARTIST AND FILMMAKER STEVE MCQUEEN (B. LONDON, UK, 1969). A STANDOUT FROM THE 56TH VENICE BIENNALE IN 2015, ASHES PRESENTS FOOTAGE ON TWO SIDES OF A FREESTANDING SCREEN. ONE SIDE, ORIGINALLY SHOT ON SOFT, GRAINY SUPER 8 FILM, SHOWS A YOUNG, CAREFREE FISHERMAN NAMED ASHES BALANCING PLAYFULLY ON A PITCHING BOAT AGAINST A HORIZON OF BLUE SKY AND WATER. THE OTHER SIDE SHOWS A SECOND PROJECTION, SHOT IN 16MM FILM, THAT CHRONICLES ASHES'S UNEXPECTED FATE. NEVER SEEN TOGETHER, YET LINKED BY A SHARED SOUNDTRACK, THE VIDEOS CONJURE AN EASY VITALITY AND A VIVID DESCRIPTION OF PLACE AGAINST THE DARKER FORCES OF SOCIETY AND FATE.WITH MOVING-IMAGE WORKS THAT CREATE EXQUISITE, VISCERAL RELATIONSHIPS BETWEEN BODIES AND THE SPACES THAT SURROUND OR CONFINE THEM, MCQUEEN'S PRACTICE HAS DEVELOPED FROM ICONIC SILENT VIDEOS TO POIGNANTLY SOUND-DRIVEN WORKS OVER THE PAST TWENTY YEARS. MCQUEEN IS THE RECIPIENT OF THE 1999 TURNER PRIZE AND AN ACADEMY AWARD FOR HIS 2013 FEATURE FILM 12 YEARS A SLAVE, AMONG MANY OTHER HONORS. THE ICA INTRODUCED MCQUEEN TO BOSTON AUDIENCES WITH A FILM PRESENTATION IN 1995.ORGANIZED BY DAN BYERS, MANNION FAMILY SENIOR CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATORNARI WARD: SUN SPLASHEDAPRIL 26 - SEPTEMBER 4, 2017WEST GALLERYNARI WARD: SUN SPLASHED WAS THE LARGEST SURVEY OF THE ARTIST'S WORK TO DATE. EMERGING ALONGSIDE A NOTABLE GROUP OF BLACK ARTISTS IN NEW YORK CITY IN THE 1990S, NARI WARD (B. 1963 IN ST. ANDREW PARISH, JAMAICA) ACTIVELY ENGAGES WITH LOCAL SITES-THEIR HISTORIES, COMMUNITIES, AND ECONOMIES-TO CREATE SPECTACULAR, AMBITIOUSLY SCALED ARTWORKS OUT OF UNLIKELY MATERIALS. HE DERIVES INSPIRATION FROM HIS IMMEDIATE ENVIRONMENT, INCORPORATING FOUND OBJECTS GATHERED IN AND AROUND URBAN NEIGHBORHOODS AND EMBRACING VARIED CULTURAL REFERENCES. WORKING IN SCULPTURE, COLLAGE, PHOTOGRAPHY, VIDEO, INSTALLATION, AND PERFORMANCE, WARD CAPTURES THE MAKESHIFT QUALITIES OF EVERYDAY LIFE AND IMBUES HIS PRODUCTION WITH A VISCERAL RELATIONSHIP TO HISTORY AND THE REAL WORLD. THE EXHIBITION INCLUDED ARTWORKS MADE FROM SODA POP, SHOELACES, SHOPPING CARTS, AND A FIRE ESCAPE, MATERIALS THAT SPEAK TO THE ARTIST'S DISTINCTIVE EXPERIMENTATION. NARI WARD: SUN SPLASHED FOCUSES ON VITAL POINTS OF REFERENCE FOR WARD, INCLUDING HIS NATIVE JAMAICA, CITIZENSHIP, AND MIGRATION, AS WELL AS AFRICAN-AMERICAN HISTORY AND CULTURE, TO EXPLORE THE DYNAMICS OF POWER AND POLITICS IN SOCIETY.ORGANIZED BY PEREZ ART MUSEUM MIAMI ASSOCIATE CURATOR DIANA NAWI. THE BOSTON PRESENTATION WAS COORDINATED BY RUTH ERICKSON, ASSOCIATE CURATOR, THE INSTITUTE OF CONTEMPORARY ART/BOSTON, WITH JESSICA HONG, CURATORIAL ASSOCIATE.DANA SCHUTZJULY 26 - NOVEMBER 26, 2017PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIESDANA SCHUTZ WAS A CONCISE EXHIBITION OF THE ARTIST'S RECENT WORK. ONE OF THE MOST PROMINENT PAINTERS OF HER GENERATION, THE NEW YORK-BASED SCHUTZ (B. 1976, LIVONIA, MICHIGAN) IS KNOWN FOR HER DISTINCTIVE VISUAL STYLE CHARACTERIZED BY VIBRANT COLOR AND TACTILE BRUSHWORK. HER LARGE-SCALE PAINTINGS CAPTURE IMAGINARY STORIES, HYPOTHETICAL SITUATIONS, AND IMPOSSIBLE PHYSICAL FEATS, SUCH AS SWIMMING WHILE SMOKING AND CRYING.Desc

Prog Srvc Accom Acty2 ProgSrvcAccomActy2Grp

FieldValueIRS element (for citing)
Expense$1,689,419ExpenseAmt
DescPROGRAM MARKETING AND COMMUNICATIONS: DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, SOCIAL MEDIA, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE EXPERIENCE OF THE ICA INCLUDING THE MUSEUM'S NEW SEASONS SPACE, THE WATERSHED, EXHIBITIONS, PERFORMANCES, EDUCATIONAL COMMUNITY AND SOCIAL PROGRAMS, AND FREE HOLIDAY MONDAYS TO THE PUBLIC AND ICA MEMBERS. THESE STRATEGIES ALLOWED THE ICA TO WELCOME MORE THAN 221,000 VISITORS TO THE ICA IN FISCAL YEAR 2018.Desc

Prog Srvc Accom Acty3 ProgSrvcAccomActy3Grp

FieldValueIRS element (for citing)
Expense$1,557,016ExpenseAmt
Revenue$220,138RevenueAmt
DescPERFORMING AND MEDIA ARTSTHE ICA PRESENTS SOME OF THE MOST INNOVATIVE AND FORWARD-LOOKING CHOREOGRAPHERS, MUSICIANS, FILMMAKERS, THEATER COMPANIES AND MULTI-DISCIPLINARY ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY18 WE OFFERED 79 PRESENTATIONS OF 37 INDIVIDUAL PROGRAMS (PERFORMING ARTS AND FILM). ATTENDANCE TOTALED 23,686.WE ORGANIZED 52 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE AT THESE PERFORMANCES TOTALED 18,706. DANCE/THEATER-SIMONE DINNERSTEIN AND PAM TANOWITZ DANCE: WORK IN PROGRESS PRESENTATION OF NEW WORK FOR GOLDBERG VARIATIONS-SKELETON ARCHITECTURE-FAYE DRISCOLL: THANK YOU FOR COMING: PLAY-LARS JAN/EARLY MORNING OPERA: THE INSTITUTE OF MEMORY (TIME)-SIMONE DINNERSTEIN AND PAM TANOWITZ DANCE: NEW WORK FOR GOLDBERG VARIATIONS-OKWUI OKPOKWASILI: POOR PEOPLE'S TV ROOM-BOSTON CHILDREN'S CHORUS AND MOVEMENT ART IS FEATURING JON BOOGZ AND LIL BUCK-RYAN MCNAMARA: ME3M 4 BOSTON: A STORY BALLET ABOUT THE INTERNET-WORLD MUSIC/CRASHARTS PRESENTS -DANCE UP -ANNA MYER -HERVE KOUBI -DANZABIERTA -ALONZO KINGMUSIC-HARBORWALK SOUNDS: -OLIVIA SWANN -THE LADLES -SLEEPING LION/LUXH. -LIZJE -MAIS 55 -MIXCLA -NIU RAZA -NAIKA -JESSIE LEITH MUNRO-DJ NIGHTS: -BAIO -CULTURE CLUB PART 1: GUCCI VUITTON, RIOBAMBA, PAT FALCO, WILLIAM CHAMBERS, MATTHEW ZAREMBA, AND SAMO -SPINDERELLA -DEVENDRA BANHART -UPROOT ANDY + TYGAPAW -CULTURE CLUB PART 2: DAYGLOW, DEE DIGGS, JESSE KAMINSKY, KENJI NAKAYAMA, AND J.R. URETSKY-WEYES BLOOD-ZOLA JESUS-MR. HARRISON'S GAMELANS FEATURING JOHNNY GANDELSMAN, SARAH CAHILL, AND THE GAMELAN GALAK TIKA (PRESENTED WITH MIT CAST)-ARDITTI QUARTET (PRESENTED WITH BUCNM)-EMILY HAINES AND THE SOFT SKELETON-SOUNDING THE CLOUD FEATURING NEIL LEONARD, STEPHEN VITIELLO,AND SCANNER (PRESENTED WITH THE BERKLEE COLLEGE OF MUSIC INTERDISCIPLINARY ARTS INSTITUTE)-VIJAY IYER AND TEJU COLE: BLIND SPOT-RUDRESH MAHANTHAPPA (PRESENTED WITH WORLD MUSIC/CRASHARTS)IN FY18 WE PRESENTED 27 SCREENINGS OF THE FOLLOWING FILMS. ATTENDANCE AT THESE SCREENINGS TOTALED 4,980. FILM-BOSTON JEWISH FILM FESTIVAL -OTTAWA INTERNATIONAL ANIMATION FESTIVAL-SUNDANCE FILM FESTIVAL SHORTS-2017 OSCAR NOMINATED SHORT FILMS-BOSTON LGBT FILM FESTIVAL-THE SQUARE-MONTH OF SUNDAYS -AN ART THAT NATURE MAKES: THE WORK OF ROSAMOND PURCELL -BILL CUNNINGHAM NEW YORK -AI WEIWEI: NEVER SORRY -DAVID LYNCH: THE ART LIFEDesc

Prog Srvc Accom Acty Other ProgSrvcAccomActyOtherGrp (3 entries)

ExpenseExpenseAmtRevenueRevenueAmtDescDesc
$422,508$617,826MEMBERSHIPS: MEMBERSHIP CONTRIBUTIONS HELP THE ICA PRESENT EXHIBITIONS, PERFORMANCES, AND PROGRAMS FOR TEENS, FAMILIES AND ADULTS, CREATING A PLACE WHERE PEOPLE OF ALL AGES AND BACKGROUNDS CAN SHARE THE EXCITEMENT OF NEW ART AND IDEAS. IN FISCAL YEAR 2018 THE MEMBERSHIP DEPARTMENT SERVED NEARLY 6,000 HOUSEHOLDS PROVIDING THE PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, PERFORMANCE TICKET DISCOUNTS, DISCOUNTS IN THE ICA STORE, WATERSHED PREVIEW DAYS, FIRST FRIDAYS, OPENING EXHIBITION RECEPTIONS, PRIVATE MEMBER EVENTS AND A SUBSCRIPTION TO THE ICA MAGAZINE "NEW".
$968,607$943,893EARNED INCOME ACTIVITIES: - ART TRIPS: IN FY18 THE ICA SPONSORED TWO ART TRIPS TO LOS ANGELES AND NEW YORK.- EVENT SPACE RENTALS: THE ICA HAD 47 EVENT RENTALS IN FY18 THAT WERE ATTENDED BY 5,741 VISITORS WHO GOT THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS.
$1,455,663$33,779EDUCATION, TEENS, ADULTS:ADULT & INTERPRETIVE PROGRAMS:ADULT PROGRAMS SERVED A TOTAL OF 5,187 PEOPLE, INCLUDING GALLERY TALKS, POP UP TALKS, LECTURES (THE ARTIST'S VOICE, ICA FORUMS, ICA READS), AND OTHER PROGRAMS. SELECT LECTURES IN FY18 WERE DOCUMENTED AND MADE AVAILABLE THROUGH ICA'S WEBSITE AMONG OTHER RESOURCES. VIEWERS AND LISTENERS ACCESSED THESE RESOURCES ONLINE VIA ICA'S WEBSITE, MOBILE GUIDE, AND/OR ONSITE COMPUTERS (PARTICIPATION NOT QUANTIFIABLE). FOR TOUR NUMBERS, SEE TOUR PROGRAMS.ADULT PROGRAMSEXHIBITION RELATED PROGRAMSICA COLLECTION: NEW ACQUISITIONS FEB 15, 2017 - FEB 25, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - GALLERY TALK: AIDA WONG ON HAEGUE YANG2017 JAMES AND AUDREY FOSTER PRIZEFEB 15 - JUL 9, 2017 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT AND VIDEO TOUR CONTENTSTEVE MCQUEEN: ASHESFEB 15, 2017 - FEB 25, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - THE ARTIST'S VOICE: STEVE MCQUEEN WITH HAMZA WALKER AND DONNA DE SALVONARI WARD: SUN SPLASHEDAPR 26 - SEP 4, 2017 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT AND VIDEO TOUR CONTENT - GALLERY TALK: IVAN ESPINOZA MADRIGAL AND SOPHIA HALL ON THE CONSTITUTION AND NARI WARD - CURATOR TOUR: JESSICA HONG ON NARI WARD - NARI WARD NATURALIZATION TABLE ACTIVATION (X4)NARI WARD: LANDAPR 26 - SEP 4, 2017 - PUBLIC TOURSGILLIAN WEARING: ROCK 'N' ROLL 70DEC 9, 2016 - JAN 1, 2018 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENTDANA SCHUTZJUL 26 - NOV 26, 2017 - POP-UP TALKS AND PUBLIC TOURS - CURATOR'S PERSPECTIVE: EVA RESPINI WITH DANIELLE LEGROS GEORGES ON DANA SCHUTZ - GALLERY TALK: JOSEPHINE HALVORSON ON DANA SCHUTZMARK DION: MISADVENTURES OF A 21ST-CENTURY NATURALISTOCT 4 - DEC 31, 2017 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT AND VIDEO TOUR CONTENT - THE ARTIST'S VOICE: MARK DION AND ANDREA BARRETT - CURATOR TOUR: RUTH ERICKSON ON MARK DION - GALLERY TALK: KATE DUFFY ON MARK DION - GALLERY TALK: VETERINARIAN GREG MERTZ ON MARK DION - ARTIFACTS OF THE FUTURE: ARTISTS' INTERVENTIONS IN THE ENVIRONMENTNICHOLAS NIXON: PERSISTENCE OF VISION DEC 13, 2017 - APR 12, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - GALLERY TALK: CYNTHIA FOWLER ON NICHOLAS NIXON'S PEOPLE WITH AIDSWANGECHI MUTU: A PROMISE TO COMMUNICATE JAN 20 - DEC 31, 2018 - PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - THE ARTIST'S VOICE: WANGECHI MUTU AND OKWUI OKPOKWASILIHITO STEYERL: LIQUIDITY INC.DEC 13, 2017 - APR 22, 2018 - POP-UP TALKS AND PUBLIC TOURSART IN THE AGE OF THE INTERNET, 1989 TO TODAYFEB 7 - MAY 20, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED VIDEO CONTENT - THE ARTIST'S VOICE: TREVOR PAGLEN, JIMENA CANALES, AND EVA RESPINI - GALLERY TALK: SARAH J. JACKSON ON HOWDOYOUSAYYAMINAFRICAN? - CURATOR TOUR: EVA RESPINI ON ART IN THE AGE OF THE INTERNET, 1989 TO TODAY - CURATOR TOUR: JEFF DE BLOIS ON ART IN THE AGE OF THE INTERNET, 1989 TO TODAY - GALLERY TALK: MATTHEW KENYON ON HARUN FAROCKI - ICA DEEP DIVES: ART + FEMINISM WIKIPEDIA EDIT-A-THON - ICA DEEP DIVES: CYBERSECURITY WITH HACK*BLOSSOM - ICA DEEP DIVES: DEMYSTIFYING DATA WITH CATHERINE D'IGNAZIO - ART AND TECHNOLOGY TOUR AT MIT LIST CENTER AND THE ICA BOSTONKEVIN BEASLEYMAY 9 - AUG 26, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - THE ARTIST'S VOICE: KEVIN BEASLEY - GALLERY TALK: TOMASHI JACKSON ON KEVIN BEASLEYCAITLIN KEOGH: BLANK MELODYMAY 9 - AUG 26, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENTWE WANTED A REVOLUTION: BLACK RADICAL WOMEN, 1965-85 JUN 27 - SEP 30, 2018 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: ICA-PRODUCED AUDIO TOUR CONTENT - CURATOR TALK: JESSICA HONG, CATHERINE MORRIS, AND RUJEKO HOCKLEYARTHUR JAFA: LOVE IS THE MESSAGE, THE MESSAGE IS DEATH JUN 27 - SEP 30, 2018 - PUBLIC TOURSICA COLLECTION: ENTANGLED IN THE EVERYDAY MAR 17, 2018 - APR 7, 2019 - POP-UP TALKS AND PUBLIC TOURS - DIGITAL RESOURCES: K-12 TEACHER RESOURCE SHEET - GALLERY TALK: FRED JACKSON ON SHEILA HICKS - CURATOR TOUR: RUTH ERICKSON ON ENTANGLED IN THE EVERYDAYADULT PROGRAMSOTHER / MISCELLANEOUSICA READS 2018TELL ME HOW IT ENDS: AN ESSAY IN FORTY QUESTIONS BY VALERIA LUISELLI - THE ARTIST'S VOICE: VALERIA LUISELLI WITH JILL MEDVEDOWOTHER ADULT PROGRAMS - ICA FORUM: REPRESENTATION AND RESPONSIBILITY IN CREATIVE SPACES WITH KHALIL GIBRAN MUHAMMAD, CAMILO ALVAREZ, NIKKI A. GREENE, EVA RESPINI, SHEIDA SOLEIMANI - THE ARTIST'S VOICE: ABBOTT MILLER - AIGA + ICA ANNUAL LECTURE: PAUL SAHRE - HUTCHINS CENTER FOR AFRICAN AMERICAN RESEARCH PARTNERSHIP / BLACK PORTRAITURE(S) IV: SOUND OF SILENCE - MIT PARTNERSHIPS SONIC/SCENES SYMPOSIUMFAMILY PROGRAMSFAMILY PROGRAMS SERVED 5,027 VISITORS THROUGH PLAY DATES (INCLUDES PARTICIPANTS IN FAMILY POP UP TALKS) AND BOOKS AND LOOKS. AN ADDITIONAL 7,962 INDIVIDUALS PARTICIPATED IN ARTIST CREATED ACTIVITIES IN THE BANK OF AMERICA ART LAB (INCLUDES VACATION WEEKS). AN UNQUANTIFIABLE NUMBER OF INDIVIDUALS UTILIZED GALLERY GAMES.FAMILY PROGRAMS - BOOKS + LOOKS - GALLERY GAMES - FAMILY POP UP TALKS PLAY DATES - CREATING WONDERFUL WORLDS - ICA SEASIDE ADVENTURES - PAINTING YOUR WORLD - FIRE UP THE IMAGINATION - COLLECTING NATURE - FAMILY FILM PROGRAM - AMAZING ARTS ADVENTURE - EXPLORING ART AND TECHNOLOGY - WHAT MAKES CHANGE HAPPEN? - ALL KINDS OF STORIES - CHANGING THE RULESVACATION WEEKS - DECEMBER HOLIDAY WEEK - FEBRUARY VACATION WEEK - APRIL VACATION WEEKMAKE/MADE - FISH OUT OF WATER (APR - SEP 2017): BENNIE FLORES ANSELL - SALTY > SOUR SEAS (OCT 2017 - MAR 2018): EVELYN RYDZ - HYBRID-DIGITAL HOME (APR - SEP 2018): SAYA WOOLFALK AND AYA WOOLFALK MITCHELLCOMMUNITY PROGRAMS AND PARTNERSHIPS (SELECT)THE ICA COLLABORATED WITH NUMEROUS ORGANIZATIONS THROUGHOUT FY18. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS. PROGRAMS INCLUDE, FOR EXAMPLE, FREE FUN FRIDAY (2,265 PARTICIPANTS); AND MAKE/MADE, A PROGRAM IN COLLABORATION WITH ARTISTS BENNIE FLORES ANSELL, EVELYN RYDZ, SAYA WOOLFALK AND AYA WOOLFALK MITCHELL (7,962* PARTICIPANTS). *INCLUDES VACATION WEEKS.COMMUNITY PROGRAMS AND PARTNERSHIPS (SELECT) - AIGA BOSTON CHAPTER - ART+FEMINISM - BASIL EL HAGAWAY - BERKLEE CITY MUSIC - BOSTON CHILDREN'S CHORUS - BOSTON GREEN ACADEMY - CLIMATEENS - DONALD MCKAY K-8 SCHOOL - EAST BOSTON GUILD SCHOOL - EAST BOSTON SAILING CENTER - FEMS SLAM - HACK*BLOSSOM
FieldValueIRS element (for citing)
Total Other Prog Srvc Expense$2,846,778TotalOtherProgSrvcExpenseAmt
Total Other Prog Srvc Revenue$1,595,498TotalOtherProgSrvcRevenueAmt
Total Program Service Expenses$13,178,194TotalProgramServiceExpensesAmt
Described In Section501c3Yes (1)DescribedInSection501c3Ind
Schedule B RequiredYes (1)ScheduleBRequiredInd
Political Campaign Acty0PoliticalCampaignActyInd
Lobbying Activities0LobbyingActivitiesInd
Subject To Proxy Tax0SubjectToProxyTaxInd
Donor Advised Fund0DonorAdvisedFundInd
Conservation Easements0ConservationEasementsInd
Collections Of ArtYes (1)CollectionsOfArtInd
Credit Counseling0CreditCounselingInd
Temp Or Permanent EndowmentsYes (1)TempOrPermanentEndowmentsInd
Report Land Building EquipmentYes (1)ReportLandBuildingEquipmentInd
Report Investments Other Sec0ReportInvestmentsOtherSecInd
Report Program Related Invst0ReportProgramRelatedInvstInd
Report Other Assets0ReportOtherAssetsInd
Report Other Liabilities0ReportOtherLiabilitiesInd
Include FIN48 FootnoteYes (1)IncludeFIN48FootnoteInd
Independent Audit Fincl StmtYes (1)IndependentAuditFinclStmtInd
Consolidated Audit Fincl Stmt0ConsolidatedAuditFinclStmtInd
School Operating0SchoolOperatingInd
Foreign Office0ForeignOfficeInd
Foreign Activities0ForeignActivitiesInd
More Than5000 K To Org0MoreThan5000KToOrgInd
More Than5000 K To Individuals0MoreThan5000KToIndividualsInd
Professional FundraisingYes (1)ProfessionalFundraisingInd
Fundraising ActivitiesYes (1)FundraisingActivitiesInd
Gaming Activities0GamingActivitiesInd
Operate Hospital0OperateHospitalInd
Grants To Organizations0GrantsToOrganizationsInd
Grants To Individuals0GrantsToIndividualsInd
Schedule J RequiredYes (1)ScheduleJRequiredInd
Tax Exempt BondsYes (1)TaxExemptBondsInd
Invest Tax Exempt Bonds0InvestTaxExemptBondsInd
Escrow Account0EscrowAccountInd
On Behalf Of Issuer0OnBehalfOfIssuerInd
Engaged In Excess Benefit Trans0EngagedInExcessBenefitTransInd
PY Excess Benefit Trans0PYExcessBenefitTransInd
Loan Outstanding0LoanOutstandingInd
Grant To Related Person0GrantToRelatedPersonInd
Business Rln With Org Mem0BusinessRlnWithOrgMemInd
Business Rln With Fam Mem0BusinessRlnWithFamMemInd
Business Rln With Officer Ent0BusinessRlnWithOfficerEntInd
Deductible Non Cash ContriYes (1)DeductibleNonCashContriInd
Deductible Art ContributionYes (1)DeductibleArtContributionInd
Terminate Operations0TerminateOperationsInd
Partial Liquidation0PartialLiquidationInd
Disregarded Entity0DisregardedEntityInd
Related Entity0RelatedEntityInd
Related Organization Ctrl Ent0RelatedOrganizationCtrlEntInd
Trnsfr Exmpt Non Chrtbl Rltd Org0TrnsfrExmptNonChrtblRltdOrgInd
Activities Conducted Prtshp0ActivitiesConductedPrtshpInd
Schedule O RequiredYes (1)ScheduleORequiredInd
IRP Document243IRPDocumentCnt
IRP Document W2 G0IRPDocumentW2GCnt
Backup Wthld ComplianceYes (1)BackupWthldComplianceInd
Employee263EmployeeCnt
Employment Tax Returns FiledYes (1)EmploymentTaxReturnsFiledInd
Unrelated Bus Incm Over LimitYes (1)UnrelatedBusIncmOverLimitInd
Form990 T FiledYes (1)Form990TFiledInd
Foreign Financial Account0ForeignFinancialAccountInd
Prohibited Tax Shelter Trans0ProhibitedTaxShelterTransInd
Taxable Party Notification0TaxablePartyNotificationInd
Nondeductible Contributions0NondeductibleContributionsInd
Quid Pro Quo ContributionsYes (1)QuidProQuoContributionsInd
Quid Pro Quo Contri DisclYes (1)QuidProQuoContriDisclInd
Form8282 Property Disposed Of0Form8282PropertyDisposedOfInd
Rcv Fnds To Pay Prsnl Bnft Cntrct0RcvFndsToPayPrsnlBnftCntrctInd
Pay Premiums Prsnl Bnft Cntrct0PayPremiumsPrsnlBnftCntrctInd
Indoor Tanning Services0IndoorTanningServicesInd
Info In Schedule O Part VIYes (X)InfoInScheduleOPartVIInd
Governing Body Voting Members32GoverningBodyVotingMembersCnt
Independent Voting Member31IndependentVotingMemberCnt
Family Or Business Rln0FamilyOrBusinessRlnInd
Delegation Of Mgmt Duties0DelegationOfMgmtDutiesInd
Change To Org Documents0ChangeToOrgDocumentsInd
Material Diversion Or Misuse0MaterialDiversionOrMisuseInd
Members Or Stockholders0MembersOrStockholdersInd
Election Of Board Members0ElectionOfBoardMembersInd
Decisions Subject To Approva0DecisionsSubjectToApprovaInd
Minutes Of Governing BodyYes (1)MinutesOfGoverningBodyInd
Minutes Of CommitteesYes (1)MinutesOfCommitteesInd
Officer Mailing Address0OfficerMailingAddressInd
Local Chapters0LocalChaptersInd
Form990 Provided To Gvrn BodyYes (1)Form990ProvidedToGvrnBodyInd
Conflict Of Interest PolicyYes (1)ConflictOfInterestPolicyInd
Annual Disclosure Covered PrsnYes (1)AnnualDisclosureCoveredPrsnInd
Regular Monitoring EnfrcYes (1)RegularMonitoringEnfrcInd
Whistleblower PolicyYes (1)WhistleblowerPolicyInd
Document Retention PolicyYes (1)DocumentRetentionPolicyInd
Compensation Process CEOYes (1)CompensationProcessCEOInd
Compensation Process OtherYes (1)CompensationProcessOtherInd
Investment In Joint Venture0InvestmentInJointVentureInd
States Where Copy Of Return Is FldMAStatesWhereCopyOfReturnIsFldCd
Upon RequestYes (X)UponRequestInd

Books In Care Of Detail BooksInCareOfDetail

Business Name BusinessName

FieldValueIRS element (for citing)
Business Name Line1NATASA VUCETICBusinessNameLine1Txt
FieldValueIRS element (for citing)
Phone6174783179PhoneNum

US Address USAddress

FieldValueIRS element (for citing)
Address Line125 HARBOR SHORE DRIVEAddressLine1Txt
CityBOSTONCityNm
State AbbreviationMAStateAbbreviationCd
ZIP02210ZIPCd

Form990 Part VII Section A Form990PartVIISectionAGrp (41 entries)

TitleTitleTxtAverage Hours Per WeekAverageHoursPerWeekRtIndividual Trustee Or DirectorIndividualTrusteeOrDirectorIndReportable Comp From OrgReportableCompFromOrgAmtReportable Comp From Rltd OrgReportableCompFromRltdOrgAmtOther CompensationOtherCompensationAmtOfficerOfficerIndKey EmployeeKeyEmployeeIndHighest Compensated EmployeeHighestCompensatedEmployeeInd
CAMILO ALVAREZ
TRUSTEE1.00Yes (X)$0$0$0
LORI FIREMAN BALDWIN
TRUSTEE (UNTIL OCT. 2017)1.00Yes (X)$0$0$0
CHARLES BRIZIUS
CHAIR1.00Yes (X)$0$0$0Yes (X)
DR PAUL BUTTENWIESER
TRUSTEE1.00Yes (X)$0$0$0
KAREN SWETT CONWAY
TRUSTEE1.00Yes (X)$0$0$0
STEVEN D CORKIN
PRESIDENT1.00Yes (X)$0$0$0Yes (X)
ROBERT DAVOLI
TRUSTEE1.00Yes (X)$0$0$0
FOTENE DEMOULAS
VICE CHAIR1.00Yes (X)$0$0$0Yes (X)
MARY SCHNEIDER ENRIQUEZ
TRUSTEE1.00Yes (X)$0$0$0
BRIDGITT EVANS
VICE PRESIDENT1.00Yes (X)$0$0$0Yes (X)
OLIVER EWALD
TRUSTEE1.00Yes (X)$0$0$0
GERALD FINEBERG
TRUSTEE1.00Yes (X)$0$0$0
JAMES C FOSTER
TRUSTEE1.00Yes (X)$0$0$0
ERICA GERVAIS PAPPENDICK
TRUSTEE1.00Yes (X)$0$0$0
VIVIEN HASSENFELD
TRUSTEE1.00Yes (X)$0$0$0
HAL HESS
VICE PRESIDENT1.00Yes (X)$0$0$0Yes (X)
ALLISON JOHNSON
TRUSTEE1.00Yes (X)$0$0$0
CHARLA JONES
TRUSTEE1.00Yes (X)$0$0$0
BARBARA F LEE
VICE CHAIR1.00Yes (X)$0$0$0Yes (X)
KENT LUCKEN
TRUSTEE1.00Yes (X)$0$0$0
TRISTIN MANNION
TRUSTEE1.00Yes (X)$0$0$0
DAN O'CONNELL
TRUSTEE1.00Yes (X)$0$0$0
JAMES PALLOTTA
TRUSTEE (UNTIL JAN. 2018)1.00Yes (X)$0$0$0
ELLEN M POSS MD
TRUSTEE1.00Yes (X)$0$0$0
DAVID PUTH
TRUSTEE1.00Yes (X)$0$0$0
CHARLES RODGERS
TREASURER/SECRETARY/CLERK1.00Yes (X)$0$0$0Yes (X)
MARIO RUSSO
TRUSTEE1.00Yes (X)$0$0$0
MARK SCHWARTZ
TRUSTEE1.00Yes (X)$0$0$0
JONATHAN SEELIG
TRUSTEE1.00Yes (X)$0$0$0
ANTHONY TERRANA DMD
TRUSTEE (UNTIL OCT. 2017)1.00Yes (X)$0$0$0
CHARLOTTE WAGNER
VICE PRESIDENT1.00Yes (X)$0$0$0Yes (X)
MICHAEL WILENS
TRUSTEE1.00Yes (X)$0$0$0
NICK WINTON
TRUSTEE (ON LEAVE)1.00Yes (X)$0$0$0
NICOLE ZATLYN
EX-OFFICIO1.00Yes (X)$0$0$0
JILL MEDVEDOW
DIRECTOR/EX-OFFICIO37.50Yes (X)$524,770$0$44,869Yes (X)
MICHAEL TAUBENBERGER
CFO/COO37.50$193,495$0$24,970Yes (X)
EVA RESPINI
CHIEF CURATOR37.50$191,969$0$32,422Yes (X)
DAVID HENRY
DIR. OF PERFORMING ARTS & MEDIA ARTS37.50$156,899$0$32,395Yes (X)
KELLY GIFFORD
DIRECTOR OF EXTERNAL RELATIONS37.50$154,016$0$29,355Yes (X)
KATHRYN GREENBERG MAYSHAK
DIRECTOR OF DEVELOPMENT37.50$156,094$0$15,675Yes (X)
MONICA GARZA
DIRECTOR OF EDUCATION37.50$116,632$0$28,020Yes (X)
FieldValueIRS element (for citing)
Total Reportable Comp From Org$1,493,875TotalReportableCompFromOrgAmt
Tot Reportable Comp Rltd Org$0TotReportableCompRltdOrgAmt
Total Other Compensation$207,706TotalOtherCompensationAmt
Indiv Rcvd Greater Than100 K7IndivRcvdGreaterThan100KCnt
Former Ofcr Employees Listed0FormerOfcrEmployeesListedInd
Total Comp Greater Than150 KYes (1)TotalCompGreaterThan150KInd
Compensation From Other Srcs0CompensationFromOtherSrcsInd

Contractor Compensation ContractorCompensationGrp (5 entries)

Address Line1ContractorAddress/USAddress/AddressLine1TxtCityContractorAddress/USAddress/CityNmState AbbreviationContractorAddress/USAddress/StateAbbreviationCdZIPContractorAddress/USAddress/ZIPCdServicesServicesDescCompensationCompensationAmt
STACK DESIGN BUILD LLC
555 EAST 2ND STREET SUITE 1BOSTONMA02127CONSTRUCTION SERVICES$3,767,803
ANMAHIAN WINTON ARCHITECTS
650 CAMBRIDGE STREETCAMBRIDGEMA02141ARCHITECTURAL SERVICES$564,590
ARTEX INC
8712 JERICHO CITY DRIVELANDOVERMD20785SHIPPING SERVICES$382,142
ALLIED UNIVERSAL
PO BOX 828854PHILADELPHIAPA191828854SECURITY SERVICES$352,040
AMERICAN CLEANING COMPANY INC
PO BOX 390702CAMBRIDGEMA021390008CLEANING SERVICES$297,404
FieldValueIRS element (for citing)
Cntrct Rcvd Greater Than100 K16CntrctRcvdGreaterThan100KCnt
Fundraising$1,351,035FundraisingAmt
Government Grants$555,000GovernmentGrantsAmt
All Other Contributions$28,384,772AllOtherContributionsAmt
Noncash Contributions$4,193,346NoncashContributionsAmt
Total Contributions$30,290,807TotalContributionsAmt

Program Service Revenue ProgramServiceRevenueGrp (3 entries)

DescDescBusinessBusinessCdTotal Revenue ColumnTotalRevenueColumnAmtRelated Or Exempt Func IncomeRelatedOrExemptFuncIncomeAmt
ADMISSIONS AND PROGRAM FEES900099$1,089,335$1,089,335
MEMBERSHIP DUES900099$617,826$617,826
EXHIBITIONS900099$2,905$2,905
FieldValueIRS element (for citing)
Total Program Service Revenue$1,710,066TotalProgramServiceRevenueAmt

Investment Income InvestmentIncomeGrp

FieldValueIRS element (for citing)
Total Revenue Column$249,366TotalRevenueColumnAmt
Exclusion$249,366ExclusionAmt

Gross Rents GrossRentsGrp

FieldValueIRS element (for citing)
Real$517,186RealAmt

Less Rental Expenses LessRentalExpensesGrp

FieldValueIRS element (for citing)
Real$602,563RealAmt

Rental Income Or Loss RentalIncomeOrLossGrp

FieldValueIRS element (for citing)
Real-$85,377RealAmt

Net Rental Income Or Loss NetRentalIncomeOrLossGrp

FieldValueIRS element (for citing)
Total Revenue Column-$85,377TotalRevenueColumnAmt
Unrelated Business Revenue-$85,377UnrelatedBusinessRevenueAmt

Gross Amount Sales Assets GrossAmountSalesAssetsGrp

FieldValueIRS element (for citing)
Securities$1,954,948SecuritiesAmt

Less Cost Oth Basis Sales Expnss LessCostOthBasisSalesExpnssGrp

FieldValueIRS element (for citing)
Securities$1,810,573SecuritiesAmt

Gain Or Loss GainOrLossGrp

FieldValueIRS element (for citing)
Securities$144,375SecuritiesAmt

Net Gain Or Loss Investments NetGainOrLossInvestmentsGrp

FieldValueIRS element (for citing)
Total Revenue Column$144,375TotalRevenueColumnAmt
Exclusion$144,375ExclusionAmt
FieldValueIRS element (for citing)
Fundraising Gross Income$128,300FundraisingGrossIncomeAmt
Contri Rpt Fundraising Event$1,351,035ContriRptFundraisingEventAmt
Fundraising Direct Expenses$647,961FundraisingDirectExpensesAmt

Net Incm From Fundraising Evt NetIncmFromFundraisingEvtGrp

FieldValueIRS element (for citing)
Total Revenue Column-$519,661TotalRevenueColumnAmt
Exclusion-$519,661ExclusionAmt
FieldValueIRS element (for citing)
Gross Sales Of Inventory$770,249GrossSalesOfInventoryAmt
Cost Of Goods Sold$369,357CostOfGoodsSoldAmt

Net Income Or Loss NetIncomeOrLossGrp

FieldValueIRS element (for citing)
Total Revenue Column$400,892TotalRevenueColumnAmt
Related Or Exempt Func Income$400,892RelatedOrExemptFuncIncomeAmt

Other Revenue Misc OtherRevenueMiscGrp (2 entries)

DescDescBusinessBusinessCdTotal Revenue ColumnTotalRevenueColumnAmtExclusionExclusionAmtRelated Or Exempt Func IncomeRelatedOrExemptFuncIncomeAmt
FOOD SERVICES722210$118,386$118,386
OTHER REVENUE900099$22,304$22,304
FieldValueIRS element (for citing)
Other Revenue Total$140,690OtherRevenueTotalAmt

Total Revenue TotalRevenueGrp

FieldValueIRS element (for citing)
Total Revenue Column$32,331,158TotalRevenueColumnAmt
Related Or Exempt Func Income$2,133,262RelatedOrExemptFuncIncomeAmt
Unrelated Business Revenue-$85,377UnrelatedBusinessRevenueAmt
Exclusion-$7,534ExclusionAmt

Comp Current Ofcr Directors CompCurrentOfcrDirectorsGrp

FieldValueIRS element (for citing)
Total$1,012,495TotalAmt
Program Services$224,391ProgramServicesAmt
Management And General$788,104ManagementAndGeneralAmt

Other Salaries And Wages OtherSalariesAndWagesGrp

FieldValueIRS element (for citing)
Total$5,467,022TotalAmt
Program Services$4,026,953ProgramServicesAmt
Management And General$633,218ManagementAndGeneralAmt
Fundraising$806,851FundraisingAmt

Pension Plan Contributions PensionPlanContributionsGrp

FieldValueIRS element (for citing)
Total$180,656TotalAmt
Program Services$129,231ProgramServicesAmt
Management And General$15,136ManagementAndGeneralAmt
Fundraising$36,289FundraisingAmt

Other Employee Benefits OtherEmployeeBenefitsGrp

FieldValueIRS element (for citing)
Total$421,005TotalAmt
Program Services$302,291ProgramServicesAmt
Management And General$58,795ManagementAndGeneralAmt
Fundraising$59,919FundraisingAmt

Payroll Taxes PayrollTaxesGrp

FieldValueIRS element (for citing)
Total$453,154TotalAmt
Program Services$311,527ProgramServicesAmt
Management And General$85,131ManagementAndGeneralAmt
Fundraising$56,496FundraisingAmt

Fees For Services Legal FeesForServicesLegalGrp

FieldValueIRS element (for citing)
Total$27,053TotalAmt
Program Services$565ProgramServicesAmt
Management And General$26,483ManagementAndGeneralAmt
Fundraising$5FundraisingAmt

Fees For Services Accounting FeesForServicesAccountingGrp

FieldValueIRS element (for citing)
Total$73,398TotalAmt
Management And General$73,398ManagementAndGeneralAmt

Fees For Services Prof Fundraising FeesForServicesProfFundraising

FieldValueIRS element (for citing)
Total$23,267TotalAmt
Fundraising$23,267FundraisingAmt

Fees For Srvc Invst Mgmnt Fees FeesForSrvcInvstMgmntFeesGrp

FieldValueIRS element (for citing)
Total$157,113TotalAmt
Management And General$121,156ManagementAndGeneralAmt
Fundraising$35,957FundraisingAmt

Fees For Services Other FeesForServicesOtherGrp

FieldValueIRS element (for citing)
Total$457,385TotalAmt
Program Services$342,986ProgramServicesAmt
Management And General$114,399ManagementAndGeneralAmt

Advertising AdvertisingGrp

FieldValueIRS element (for citing)
Total$435,946TotalAmt
Program Services$434,565ProgramServicesAmt
Management And General$1,172ManagementAndGeneralAmt
Fundraising$209FundraisingAmt

Office Expenses OfficeExpensesGrp

FieldValueIRS element (for citing)
Total$65,280TotalAmt
Program Services$18,122ProgramServicesAmt
Management And General$45,486ManagementAndGeneralAmt
Fundraising$1,672FundraisingAmt

Information Technology InformationTechnologyGrp

FieldValueIRS element (for citing)
Total$135,748TotalAmt
Program Services$18,949ProgramServicesAmt
Management And General$114,613ManagementAndGeneralAmt
Fundraising$2,186FundraisingAmt

Occupancy OccupancyGrp

FieldValueIRS element (for citing)
Total$374,756TotalAmt
Program Services$360,056ProgramServicesAmt
Management And General$7,700ManagementAndGeneralAmt
Fundraising$7,000FundraisingAmt

Travel TravelGrp

FieldValueIRS element (for citing)
Total$448,831TotalAmt
Program Services$369,304ProgramServicesAmt
Management And General$48,635ManagementAndGeneralAmt
Fundraising$30,892FundraisingAmt

Conferences Meetings ConferencesMeetingsGrp

FieldValueIRS element (for citing)
Total$11,367TotalAmt
Program Services$4,605ProgramServicesAmt
Management And General$3,643ManagementAndGeneralAmt
Fundraising$3,119FundraisingAmt

Interest InterestGrp

FieldValueIRS element (for citing)
Total$118,181TotalAmt
Program Services$85,685ProgramServicesAmt
Management And General$30,830ManagementAndGeneralAmt
Fundraising$1,666FundraisingAmt

Depreciation Depletion DepreciationDepletionGrp

FieldValueIRS element (for citing)
Total$1,911,122TotalAmt
Program Services$1,836,161ProgramServicesAmt
Management And General$39,266ManagementAndGeneralAmt
Fundraising$35,695FundraisingAmt

Insurance InsuranceGrp

FieldValueIRS element (for citing)
Total$102,486TotalAmt
Program Services$42,250ProgramServicesAmt
Management And General$60,236ManagementAndGeneralAmt

Other Expenses OtherExpensesGrp (4 entries)

DescDescTotalTotalAmtProgram ServicesProgramServicesAmtManagement And GeneralManagementAndGeneralAmtFundraisingFundraisingAmt
RENTAL AND EQUIPMENT$1,114,347$1,094,815$19,532$0
SHIPPING AND STORAGE$897,178$896,973$107$98
MISC. FACILITY COSTS$836,269$769,531$15,456$51,282
ARTIST FEES$769,330$762,550$0$6,780

All Other Expenses AllOtherExpensesGrp

FieldValueIRS element (for citing)
Total$1,466,065TotalAmt
Program Services$1,146,684ProgramServicesAmt
Management And General$94,858ManagementAndGeneralAmt
Fundraising$224,523FundraisingAmt

Total Functional Expenses TotalFunctionalExpensesGrp

FieldValueIRS element (for citing)
Total$16,959,454TotalAmt
Program Services$13,178,194ProgramServicesAmt
Management And General$2,397,354ManagementAndGeneralAmt
Fundraising$1,383,906FundraisingAmt

Cash Non Interest Bearing CashNonInterestBearingGrp

FieldValueIRS element (for citing)
BOY$4,640,003BOYAmt
EOY$8,879,096EOYAmt

Pledges And Grants Receivable PledgesAndGrantsReceivableGrp

FieldValueIRS element (for citing)
BOY$16,337,007BOYAmt
EOY$22,035,896EOYAmt

Accounts Receivable AccountsReceivableGrp

FieldValueIRS element (for citing)
BOY$127,973BOYAmt
EOY$108,029EOYAmt

Inventories For Sale Or Use InventoriesForSaleOrUseGrp

FieldValueIRS element (for citing)
BOY$328,882BOYAmt
EOY$377,928EOYAmt

Prepaid Expenses Defrd Charges PrepaidExpensesDefrdChargesGrp

FieldValueIRS element (for citing)
BOY$217,928BOYAmt
EOY$218,299EOYAmt
FieldValueIRS element (for citing)
Land Bldg Equip Cost Or Other Bss$66,952,425LandBldgEquipCostOrOtherBssAmt
Land Bldg Equip Accum Deprec$20,369,255LandBldgEquipAccumDeprecAmt

Land Bldg Equip Basis Net LandBldgEquipBasisNetGrp

FieldValueIRS element (for citing)
BOY$43,126,610BOYAmt
EOY$46,583,170EOYAmt

Investments Pub Traded Sec InvestmentsPubTradedSecGrp

FieldValueIRS element (for citing)
BOY$28,735,264BOYAmt
EOY$35,782,237EOYAmt

Investments Other Securities InvestmentsOtherSecuritiesGrp

FieldValueIRS element (for citing)
BOY$531,515BOYAmt
EOY$536,319EOYAmt

Total Assets TotalAssetsGrp

FieldValueIRS element (for citing)
BOY$94,045,182BOYAmt
EOY$114,520,974EOYAmt

Accounts Payable Accr Expnss AccountsPayableAccrExpnssGrp

FieldValueIRS element (for citing)
BOY$852,627BOYAmt
EOY$2,507,996EOYAmt

Deferred Revenue DeferredRevenueGrp

FieldValueIRS element (for citing)
BOY$45,833BOYAmt

Tax Exempt Bond Liabilities TaxExemptBondLiabilitiesGrp

FieldValueIRS element (for citing)
BOY$3,604,503BOYAmt
EOY$3,065,714EOYAmt

Mortg Notes Pybl Scrd Invst Prop MortgNotesPyblScrdInvstPropGrp

FieldValueIRS element (for citing)
EOY$3,402,314EOYAmt

Other Liabilities OtherLiabilitiesGrp

FieldValueIRS element (for citing)
BOY$1,250,000BOYAmt
EOY$0EOYAmt

Total Liabilities TotalLiabilitiesGrp

FieldValueIRS element (for citing)
BOY$5,752,963BOYAmt
EOY$8,976,024EOYAmt
FieldValueIRS element (for citing)
Organization Follows SFAS117Yes (X)OrganizationFollowsSFAS117Ind

Unrestricted Net Assets UnrestrictedNetAssetsGrp

FieldValueIRS element (for citing)
BOY$40,106,350BOYAmt
EOY$40,490,453EOYAmt

Temporarily Rstr Net Assets TemporarilyRstrNetAssetsGrp

FieldValueIRS element (for citing)
BOY$12,610,201BOYAmt
EOY$20,595,468EOYAmt

Permanently Rstr Net Assets PermanentlyRstrNetAssetsGrp

FieldValueIRS element (for citing)
BOY$35,575,668BOYAmt
EOY$44,459,029EOYAmt

Total Net Assets Fund Balance TotalNetAssetsFundBalanceGrp

FieldValueIRS element (for citing)
BOY$88,292,219BOYAmt
EOY$105,544,950EOYAmt

Tot Liab Net Assets Fund Balance TotLiabNetAssetsFundBalanceGrp

FieldValueIRS element (for citing)
BOY$94,045,182BOYAmt
EOY$114,520,974EOYAmt
FieldValueIRS element (for citing)
Info In Schedule O Part XIYes (X)InfoInScheduleOPartXIInd
Reconcilation Revenue Expnss$15,371,704ReconcilationRevenueExpnssAmt
Net Unrlzd Gains Losses Invst$1,770,787NetUnrlzdGainsLossesInvstAmt
Other Changes In Net Assets$110,240OtherChangesInNetAssetsAmt
Method Of Accounting AccrualYes (X)MethodOfAccountingAccrualInd
Accountant Compile Or Review0AccountantCompileOrReviewInd
FS AuditedYes (1)FSAuditedInd

FS Audited Basis FSAuditedBasisGrp

FieldValueIRS element (for citing)
Separate Basis Fincl StmtYes (X)SeparateBasisFinclStmtInd
FieldValueIRS element (for citing)
Audit CommitteeYes (1)AuditCommitteeInd
Federal Grant Audit Required0FederalGrantAuditRequiredInd

Schedule A IRS990ScheduleA

FieldValueIRS element (for citing)
Public Organization170Yes (X)PublicOrganization170Ind

Gifts Grants Contri Rcvd170 GiftsGrantsContriRcvd170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$16,473,594CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$11,499,610CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$10,522,512CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$20,951,011CurrentTaxYearMinus1YearAmt
Current Tax Year$30,290,807CurrentTaxYearAmt
Total$89,737,534TotalAmt

Total Calendar Year170 TotalCalendarYear170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$16,473,594CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$11,499,610CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$10,522,512CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$20,951,011CurrentTaxYearMinus1YearAmt
Current Tax Year$30,290,807CurrentTaxYearAmt
Total$89,737,534TotalAmt
FieldValueIRS element (for citing)
Substantial Contributors Tot$19,876,111SubstantialContributorsTotAmt
Public Support Total170$69,861,423PublicSupportTotal170Amt

Gross Investment Income170 GrossInvestmentIncome170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$223,606CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$321,791CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$402,230CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$452,501CurrentTaxYearMinus1YearAmt
Current Tax Year$249,366CurrentTaxYearAmt
Total$1,649,494TotalAmt

Unrelated Business Net Incm170 UnrelatedBusinessNetIncm170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$3,281CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$9,208CurrentTaxYearMinus3YearsAmt
Total$12,489TotalAmt

Other Income170 OtherIncome170Grp

FieldValueIRS element (for citing)
Current Tax Year Minus4 Years$201,874CurrentTaxYearMinus4YearsAmt
Current Tax Year Minus3 Years$197,407CurrentTaxYearMinus3YearsAmt
Current Tax Year Minus2 Years$227,565CurrentTaxYearMinus2YearsAmt
Current Tax Year Minus1 Year$211,479CurrentTaxYearMinus1YearAmt
Current Tax Year$246,686CurrentTaxYearAmt
Total$1,085,011TotalAmt
FieldValueIRS element (for citing)
Total Support$92,484,528TotalSupportAmt
Gross Receipts Rltd Activities$12,725,060GrossReceiptsRltdActivitiesAmt
Public Support CY1700.75540PublicSupportCY170Pct
Public Support PY1700.78170PublicSupportPY170Pct
Thirty Thr Pct Suprt Tests CY170Yes (X)ThirtyThrPctSuprtTestsCY170Ind

Schedule B IRS990ScheduleB

Schedule D IRS990ScheduleD

FieldValueIRS element (for citing)
Collection Used Pub ExhibitionYes (X)CollectionUsedPubExhibitionInd
Coll Used Scholarly RsrchYes (X)CollUsedScholarlyRsrchInd
Collection Used PreservationYes (X)CollectionUsedPreservationInd
Solicited Assets Sale0SolicitedAssetsSaleInd

CY Endwmt Fund CYEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$29,617,573BeginningYearBalanceAmt
Contributions$7,347,090ContributionsAmt
Investment Earnings Or Losses$2,018,036InvestmentEarningsOrLossesAmt
Other Expenditures$1,415,000OtherExpendituresAmt
End Year Balance$37,567,699EndYearBalanceAmt

CY Minus1 Yr Endwmt Fund CYMinus1YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$23,668,861BeginningYearBalanceAmt
Contributions$3,951,001ContributionsAmt
Investment Earnings Or Losses$3,122,711InvestmentEarningsOrLossesAmt
Other Expenditures$1,125,000OtherExpendituresAmt
End Year Balance$29,617,573EndYearBalanceAmt

CY Minus2 Yr Endwmt Fund CYMinus2YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$21,210,871BeginningYearBalanceAmt
Contributions$3,692,065ContributionsAmt
Investment Earnings Or Losses-$299,075InvestmentEarningsOrLossesAmt
Other Expenditures$935,000OtherExpendituresAmt
End Year Balance$23,668,861EndYearBalanceAmt

CY Minus3 Yr Endwmt Fund CYMinus3YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$16,495,334BeginningYearBalanceAmt
Contributions$4,914,708ContributionsAmt
Investment Earnings Or Losses$528,829InvestmentEarningsOrLossesAmt
Other Expenditures$728,000OtherExpendituresAmt
End Year Balance$21,210,871EndYearBalanceAmt

CY Minus4 Yr Endwmt Fund CYMinus4YrEndwmtFundGrp

FieldValueIRS element (for citing)
Beginning Year Balance$13,042,861BeginningYearBalanceAmt
Contributions$1,992,263ContributionsAmt
Investment Earnings Or Losses$2,035,210InvestmentEarningsOrLossesAmt
Other Expenditures$575,000OtherExpendituresAmt
End Year Balance$16,495,334EndYearBalanceAmt
FieldValueIRS element (for citing)
Prmnnt Endowment Balance EOY0.92700PrmnntEndowmentBalanceEOYPct
Term Endowment Balance EOY0.07300TermEndowmentBalanceEOYPct
Endowments Held Unrelated Org0EndowmentsHeldUnrelatedOrgInd
Endowments Held Related Org0EndowmentsHeldRelatedOrgInd

Buildings BuildingsGrp

FieldValueIRS element (for citing)
Other Cost Or Other Basis$61,085,421OtherCostOrOtherBasisAmt
Depreciation$16,094,592DepreciationAmt
Book Value$44,990,829BookValueAmt

Equipment EquipmentGrp

FieldValueIRS element (for citing)
Other Cost Or Other Basis$5,867,004OtherCostOrOtherBasisAmt
Depreciation$4,274,663DepreciationAmt
Book Value$1,592,341BookValueAmt
FieldValueIRS element (for citing)
Total Book Value Land Buildings$46,583,170TotalBookValueLandBuildingsAmt
Footnote TextYes (X)FootnoteTextInd
Total Rev Etc Audited Fincl Stmt$35,805,217TotalRevEtcAuditedFinclStmtAmt
Net Unrealized Gains Invst$1,770,787NetUnrealizedGainsInvstAmt
Donated Services And Use Fclts$199,743DonatedServicesAndUseFcltsAmt
Other Revenue-$116,352OtherRevenueAmt
Revenue Not Reported$1,854,178RevenueNotReportedAmt
Revenue Subtotal$33,951,039RevenueSubtotalAmt
Other Revenues Not Included-$1,619,881OtherRevenuesNotIncludedAmt
Revenue Not Reported Fincl Stmt-$1,619,881RevenueNotReportedFinclStmtAmt
Total Revenue Per Form990$32,331,158TotalRevenuePerForm990Amt
Tot Expns Etc Audited Fincl Stmt$18,552,486TotExpnsEtcAuditedFinclStmtAmt
Donated Services Use Fclts$94,307DonatedServicesUseFcltsAmt
Other Expenses Included$1,619,881OtherExpensesIncludedAmt
Expenses Not Reported$1,714,188ExpensesNotReportedAmt
Expenses Subtotal$16,838,298ExpensesSubtotalAmt
Other Expenses Not Included$121,156OtherExpensesNotIncludedAmt
Expenses Not Rpt Fincl Stmt$121,156ExpensesNotRptFinclStmtAmt
Total Expenses Per Form990$16,959,454TotalExpensesPerForm990Amt

Supplemental Information Detail SupplementalInformationDetail (8 entries)

Form And Line ReferenceFormAndLineReferenceDescExplanationExplanationTxt
PART III, LINE 1A:COLLECTIONS CONSIST OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION FOR THE PURPOSES OF EDUCATION, RESEARCH OR PUBLIC EXHIBITION, RATHER THAN FOR SALE OR FINANCIAL GAIN. COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ICA'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN UNRESTRICTED NET ASSETS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS A DECREASE IN TEMPORARILY RESTRICTED NET ASSETS IF THE ASSETS ARE USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. THE COLLECTIONS ARE SUBJECT TO A POLICY THAT REQUIRES PROCEEDS FROM THEIR SALES TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. THE ICA PURCHASED 4 PIECES OF ART FOR THE PERMANENT COLLECTIONS DURING THE YEAR ENDED JUNE 30, 2018. THE ICA PURCHASED 16 PIECES OF ART FOR THE PERMANENT COLLECTIONS DURING THE YEAR ENDED JUNE 30, 2017.
PART III, LINE 4:IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC.
PART V, LINE 4:THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES AS DESIGNATED BY DONOR.
PART X, LINE 2:THE ICA IS GENERALLY EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(A) OF THE INTERNAL REVENUE CODE AS ORGANIZATIONS DESCRIBED IN SECTION 501(C)(3). ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE ACCOMPANYING FINANCIAL STATEMENTS. THE ICA RECOGNIZES A TAX BENEFIT FROM AN UNCERTAIN TAX POSTION ONLY IF IT IS MORE LIKELY THAN NOT THAT THE TAX POSITION WILL BE SUSTAINED ON EXAMINATION BY TAXING AUTHORITIES. MANAGEMENT EVALUATED THE ICA'S TAX POSITIONS AND CONCLUDED THAT THE ICA HAD NO MATERIAL UNCERTAINTIES IN INCOME TAXES AS OF JUNE 30, 2018 AND 2017. WITH FEW EXCEPTIONS, THE ICA IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR FISCAL YEARS BEFORE 2015. THE ICA WILL ACCOUNT FOR INTEREST AND PENALTIES RELATED TO UNCERTAIN TAX POSITIONS, IF ANY, AS PART OF TAX EXPENSE.
PART XI, LINE 2D - OTHER ADJUSTMENTS:INVESTMENT EXPENSES NETTED WITH INVESTMENT REVENUE ON AUDITED FS -121,156. GAIN ON SPLIT INTEREST AGREEMENTS 4,804.
PART XI, LINE 4B - OTHER ADJUSTMENTS:COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B -369,357. SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B -647,961. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B -602,563.
PART XII, LINE 2D - OTHER ADJUSTMENTS:SPECIAL EVENTS DIRECT EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B 647,961. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B 602,563. COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B 369,357.
PART XII, LINE 4B - OTHER ADJUSTMENTS:INVESTMENT EXP. NETTED WITH INVESTMENT REV. ON AUDITED FS 121,156.

Schedule G IRS990ScheduleG

FieldValueIRS element (for citing)
Mail SolicitationsYes (X)MailSolicitationsInd
Email SolicitationsYes (X)EmailSolicitationsInd
Phone SolicitationsYes (X)PhoneSolicitationsInd
In Person SolicitationsYes (X)InPersonSolicitationsInd
Solicitation Of Non Govt GrantsYes (X)SolicitationOfNonGovtGrantsInd
Solicitation Of Govt GrantsYes (X)SolicitationOfGovtGrantsInd
Special Fundraising EventsYes (X)SpecialFundraisingEventsInd
Agrmt Prof Fundraising ActyYes (1)AgrmtProfFundraisingActyInd

Fundraiser Activity Info FundraiserActivityInfoGrp

FieldValueIRS element (for citing)
PersonSUSAN COURTENMANCHEPersonNm

US Address USAddress

FieldValueIRS element (for citing)
Address Line140 POWDER HORN HILL ROADAddressLine1Txt
CityWILTONCityNm
State AbbreviationCTStateAbbreviationCd
ZIP06897ZIPCd
FieldValueIRS element (for citing)
ActivityFUNDRAISING STRATEGYActivityTxt
Fundraiser Control Of Funds0FundraiserControlOfFundsInd
Gross Receipts$0GrossReceiptsAmt
Retained By Contractor$23,267RetainedByContractorAmt
Net To Organization-$23,267NetToOrganizationAmt
FieldValueIRS element (for citing)
Total Retained By Contractors$23,267TotalRetainedByContractorsAmt
Total Net To Organization-$23,267TotalNetToOrganizationAmt
Licensed StatesMALicensedStatesCd

Fundraising Event Information FundraisingEventInformationGrp

FieldValueIRS element (for citing)
Event1GALAEvent1Nm
Gross Receipts Event1$1,395,385GrossReceiptsEvent1Amt
Charitable Contri Event1$1,278,135CharitableContriEvent1Amt
Gross Revenue Event1$117,250GrossRevenueEvent1Amt
Food And Beverage Event1$342,632FoodAndBeverageEvent1Amt
Entertainment Event1$1,780EntertainmentEvent1Amt
Other Direct Expenses Event1$275,363OtherDirectExpensesEvent1Amt
Event2WOMEN'S LUNCHEONEvent2Nm
Gross Receipts Event2$83,950GrossReceiptsEvent2Amt
Charitable Contri Event2$72,900CharitableContriEvent2Amt
Gross Revenue Event2$11,050GrossRevenueEvent2Amt
Food And Beverage Event2$12,000FoodAndBeverageEvent2Amt
Other Direct Expenses Event2$16,186OtherDirectExpensesEvent2Amt
Gross Receipts Total$1,479,335GrossReceiptsTotalAmt
Charitable Contributions Tot$1,351,035CharitableContributionsTotAmt
Gross Revenue Total Events$128,300GrossRevenueTotalEventsAmt
Food And Beverage Total Events$354,632FoodAndBeverageTotalEventsAmt
Entertainment Total Events$1,780EntertainmentTotalEventsAmt
Oth Direct Expnss Total Events$291,549OthDirectExpnssTotalEventsAmt
Direct Expense Summary Events$647,961DirectExpenseSummaryEventsAmt
Net Income Summary-$519,661NetIncomeSummaryAmt

Schedule J IRS990ScheduleJ

FieldValueIRS element (for citing)
Compensation CommitteeYes (X)CompensationCommitteeInd
Form990 Of Other OrganizationsYes (X)Form990OfOtherOrganizationsInd
Compensation SurveyYes (X)CompensationSurveyInd
Board Or Committee ApprovalYes (X)BoardOrCommitteeApprovalInd
Severance Payment0SeverancePaymentInd
Supplemental Nonqual Rtr Plan0SupplementalNonqualRtrPlanInd
Equity Based Comp Arrngm0EquityBasedCompArrngmInd
Comp Based On Revenue Of Flng Org0CompBasedOnRevenueOfFlngOrgInd
Comp Bsd On Rev Related Orgs0CompBsdOnRevRelatedOrgsInd
Comp Bsd Net Earns Flng Org0CompBsdNetEarnsFlngOrgInd
Comp Bsd Net Earns Rltd Orgs0CompBsdNetEarnsRltdOrgsInd
Any Non Fixed PaymentsYes (1)AnyNonFixedPaymentsInd
Initial Contract Exception0InitialContractExceptionInd

Rltd Org Officer Trst Key Empl RltdOrgOfficerTrstKeyEmplGrp (6 entries)

TitleTitleTxtBase Compensation Filing OrgBaseCompensationFilingOrgAmtCompensation Based On Rltd OrgsCompensationBasedOnRltdOrgsAmtBonus Filing OrganizationBonusFilingOrganizationAmountBonus Related OrganizationsBonusRelatedOrganizationsAmtOther Compensation Filing OrgOtherCompensationFilingOrgAmtOther Compensation Rltd OrgsOtherCompensationRltdOrgsAmtDeferred Compensation Flng OrgDeferredCompensationFlngOrgAmtDeferred Comp Rltd OrgsDeferredCompRltdOrgsAmtNontaxable Benefits Filing OrgNontaxableBenefitsFilingOrgAmtNontaxable Benefits Rltd OrgsNontaxableBenefitsRltdOrgsAmtTotal Compensation Filing OrgTotalCompensationFilingOrgAmtTotal Compensation Rltd OrgsTotalCompensationRltdOrgsAmtComp Report Prior990 Filing OrgCompReportPrior990FilingOrgAmtComp Report Prior990 Rltd OrgsCompReportPrior990RltdOrgsAmt
JILL MEDVEDOW
DIRECTOR/EX-OFFICIO$474,770$0$50,000$0$0$0$26,558$0$18,311$0$569,639$0$0$0
MICHAEL TAUBENBERGER
CFO/COO$193,495$0$0$0$0$0$9,913$0$15,057$0$218,465$0$0$0
EVA RESPINI
CHIEF CURATOR$191,969$0$0$0$0$0$9,919$0$22,503$0$224,391$0$0$0
DAVID HENRY
DIR. OF PERFORMING ARTS & MEDIA ARTS$156,899$0$0$0$0$0$8,248$0$24,147$0$189,294$0$0$0
KELLY GIFFORD
DIRECTOR OF EXTERNAL RELATIONS$154,016$0$0$0$0$0$7,963$0$21,392$0$183,371$0$0$0
KATHRYN GREENBERG MAYSHAK
DIRECTOR OF DEVELOPMENT$156,094$0$0$0$0$0$8,162$0$7,513$0$171,769$0$0$0

Supplemental Information Detail SupplementalInformationDetail

FieldValueIRS element (for citing)
Form And Line ReferencePART I, LINE 7FormAndLineReferenceDesc
ExplanationALL BONUSES ARE DISCRETIONAL (NONE ARE GUARANTEED BY A CONTRACT). THE DIRECTOR'S BONUS IS APPROVED BY THE COMPENSATION COMMITTEE OF THE BOARD OF TRUSTEES.ExplanationTxt

Schedule K IRS990ScheduleK

Tax Exempt Bonds Issues TaxExemptBondsIssuesGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd

Issuer Name IssuerName

FieldValueIRS element (for citing)
Business Name Line1MASSACHUSETTS DEVELOPMENT FINANCE AGENCYBusinessNameLine1Txt
FieldValueIRS element (for citing)
Bond Issuer EIN043431814BondIssuerEIN
Bond Issued2012-05-03BondIssuedDt
Issue Price$6,408,949IssuePriceAmt
PurposeREFUNDING ISSUEPurposeDesc
Defeased0DefeasedInd
On Behalf Of Issuer0OnBehalfOfIssuerInd
Pool Financing0PoolFinancingInd

Tax Exempt Bonds Proceeds TaxExemptBondsProceedsGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Retired$3,300,000RetiredAmt
Total Proceeds$6,408,949TotalProceedsAmt
Issuance Costs From Proceeds$96,449IssuanceCostsFromProceedsAmt
Working Capital Expenditures$6,312,500WorkingCapitalExpendituresAmt
Substantial Completion2006SubstantialCompletionYr
Current RefundingYes (1)CurrentRefundingInd
Advance Refunding0AdvanceRefundingInd
Final Allocation MadeYes (1)FinalAllocationMadeInd
Adequate Books And Rec MaintYes (1)AdequateBooksAndRecMaintInd

Tax Exempt Bonds Private Bus Use TaxExemptBondsPrivateBusUseGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Owning Bond Financed Property0OwningBondFinancedPropertyInd
Any Lease Arrangements0AnyLeaseArrangementsInd
Mgmt Contract Bond Fincd PropYes (1)MgmtContractBondFincdPropInd
Engage Bond Counsel ContractsYes (1)EngageBondCounselContractsInd
Any Research Agreements0AnyResearchAgreementsInd
Private Bus Use By Others0.01120PrivateBusUseByOthersPct
Private Bus Concerning UBI0.00500PrivateBusConcerningUBIPct
Total Private Business Use0.01620TotalPrivateBusinessUsePct
Bond Iss Meet Prvt Sec Pymt Test0BondIssMeetPrvtSecPymtTestInd
Change In Use Bond Financed Prop0ChangeInUseBondFinancedPropInd
Procs Nonqualified Bond RemdtdYes (1)ProcsNonqualifiedBondRemdtdInd

Tax Exempt Bonds Arbitrage TaxExemptBondsArbitrageGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Form8038 T Filed0Form8038TFiledInd
Rebate Not Due Yet0RebateNotDueYetInd
Exception To Rebate0ExceptionToRebateInd
No Rebate Due0NoRebateDueInd
Variable Rate IssueYes (1)VariableRateIssueInd
Hedge Identified In Bks And Rec0HedgeIdentifiedInBksAndRecInd
Gross Proceeds Invested In GIC0GrossProceedsInvestedInGICInd
Gross Proceeds Invested0GrossProceedsInvestedInd
Written Proc To Monitor ReqsYes (1)WrittenProcToMonitorReqsInd

Procedures Corrective Action ProceduresCorrectiveActionGrp

FieldValueIRS element (for citing)
Bond ReferenceABondReferenceCd
Procedures Corrective ActionYes (1)ProceduresCorrectiveActionInd

Schedule M IRS990ScheduleM

Works Of Art WorksOfArtGrp

FieldValueIRS element (for citing)
Non Cash CheckboxYes (X)NonCashCheckboxInd
Contribution25ContributionCnt

Securities Publicly Traded SecuritiesPubliclyTradedGrp

FieldValueIRS element (for citing)
Non Cash CheckboxYes (X)NonCashCheckboxInd
Contribution113ContributionCnt
Noncash Contributions Rpt F990$4,131,188NoncashContributionsRptF990Amt
Method Of Determining RevenuesFAIR MARKET VALUEMethodOfDeterminingRevenuesTxt

Food Inventory FoodInventoryGrp

FieldValueIRS element (for citing)
Non Cash CheckboxYes (X)NonCashCheckboxInd
Contribution1ContributionCnt
Noncash Contributions Rpt F990$29,250NoncashContributionsRptF990Amt
Method Of Determining RevenuesFAIR MARKET VALUEMethodOfDeterminingRevenuesTxt

Other Non Cash Contri Table OtherNonCashContriTableGrp (2 entries)

Non Cash CheckboxNonCashCheckboxIndDescDescContributionContributionCntNoncash Contributions Rpt F990NoncashContributionsRptF990AmtMethod Of Determining RevenuesMethodOfDeterminingRevenuesTxt
Yes (X)FURNITURE1$17,695FAIR MARKET VALUE
Yes (X)FLOWERS1$15,213FAIR MARKET VALUE
FieldValueIRS element (for citing)
Form8283 Received0Form8283ReceivedCnt
Any Property That Must Be Held0AnyPropertyThatMustBeHeldInd
Review Process Unusual NC GiftsYes (1)ReviewProcessUnusualNCGiftsInd
Third Parties Used0ThirdPartiesUsedInd

Supplemental Information Detail SupplementalInformationDetail (2 entries)

Form And Line ReferenceFormAndLineReferenceDescExplanationExplanationTxt
PART I, COLUMN (B):THE NUMBER OF STOCK CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS RECEIVED. THE NUMBER OF ART CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS OF ARTWORK. THE NUMBER OF FOOD INVENTORY AND OTHER CONTRIBUTIONS IS BASED ON THE NUMBER OF CONTRIBUTORS.
PART I, LINE 33:CONTRIBUTED ART COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS AS PERMITTED UNDER SFAS 116 (ASC 958).

Schedule O IRS990ScheduleO

Supplemental Information Detail SupplementalInformationDetail (8 entries)

Form And Line ReferenceFormAndLineReferenceDescExplanationExplanationTxt
FORM 990, PART III, LINE 4ASCHUTZ'S PAINTINGS COMBINE ABSTRACTION AND FIGURATION WITH EXPRESSIVE IMAGINATION, FRAGMENTED BODIES, BANAL OBJECTS, AND QUOTIDIAN SCENES TO CREATE ODDLY COMPELLING AND INTRIGUING PICTURES. OVER THE LAST DECADE, SHE HAS HONED HER APPROACH TO PAINTING, CREATING TIGHTLY STRUCTURED SCENARIOS AND COMPRESSED INTERIORS. HER WORKS CAPTURE SUBJECTS WHO SEEM TO BE ACTIVELY MANAGING, EVEN FIGHTING, THE LIMITATIONS OF THEIR DEPICTED ENVIRONMENTS-BOUNDARIES SET BY THE CANVASES' ACTUAL BORDERS. MANY OF HER PAINTINGS, SUCH AS GETTING DRESSED ALL AT ONCE (2012) AND SHAVING (2010), DEPICT DISTORTED BODIES, REVEALING A NUANCED EXPLORATION OF THE FEMALE BODY ENGAGED IN LIFE'S EVERYDAY RITUALS. DRAWING ON THE LEGACIES OF BOTH FIGURATIVE AND ABSTRACT PAINTING, WITH NODS TO TOUCHSTONE FIGURES SUCH AS GEORGE GROSZ AND MAX BECKMANN, SCHUTZ'S UNIQUE VOICE IN PAINTING EXEMPLIFIES THE EXPANSIVE POSSIBILITIES OF THE MEDIUM TODAY. IN HER WORK, THE ARTIST EXPLORES WHAT CAN OCCUR WITHIN PARAMETERS OF SPACE AND TIME AND HOW FINITE ZONES CAN UNFOLD INTO CURIOUS AND EVOCATIVE NARRATIVES. OVER THE COURSE OF HER TWENTY-YEAR CAREER, DANA SCHUTZ'S WORK HAS BEEN THE SUBJECT OF MAJOR MUSEUM EXHIBITIONS BOTH NATIONALLY AND INTERNATIONALLY, INCLUDING MOST RECENTLY A SURVEY AT THE MUSEE D'ART CONTEMPORAIN DE MONTREAL, CANADA, AND AN EXHIBITION OF NEW WORKS AT THE KESTNERGESELLSCHAFT, HANOVER, GERMANY. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JESSICA HONG, ASSISTANT CURATOR MARK DION: MISADVENTURES OF A 21ST-CENTURY NATURALIST OCTOBER 4 - DECEMBER 31, 2017 WEST GALLERY MARK DION: MISADVENTURES OF A 21ST-CENTURY NATURALIST, THE ARTIST'S FIRST U.S. SURVEY, EXAMINED 30 YEARS OF HIS PIONEERING INQUIRIES INTO HOW WE COLLECT, INTERPRET, AND DISPLAY NATURE. SINCE THE EARLY 1990S, MARK DION (B. 1961, NEW BEDFORD, MA) HAS FORGED A UNIQUE, INTERDISCIPLINARY PRACTICE BY EXPLORING AND APPROPRIATING SCIENTIFIC METHODOLOGIES. OFTEN WITH AN EDGE OF IRONY, HUMOR, AND IMPROVISATION, DION DECONSTRUCTS BOTH SCIENTIFIC AND MUSEUM-BASED RITUALS OF COLLECTING AND EXHIBITING OBJECTS BY CRITICALLY ADOPTING THEM INTO HIS ARTISTIC PRACTICE. HE HAS TRAVELED THE WORLD TO GATHER PLANT AND ANIMAL SPECIMENS, CONDUCTED ARCHEOLOGICAL DIGS, AND RUMMAGED THROUGH FORGOTTEN COLLECTIONS, ARRANGING HIS FINDS INTO BRIMMING CURIOSITY CABINETS AND CHARISMATIC SCULPTURES. HIS PROJECTS AND EXHIBITIONS OFFER NOVEL APPROACHES TO QUESTIONING INSTITUTIONAL POWER, WHICH HE SEES AS CONNECTED TO THE CONTROL AND REPRESENTATION OF THE NATURAL WORLD. ORGANIZED AROUND THREE OF DION'S PRIMARY METHODS-FIELDWORK, EXCAVATION, AND CULTIVATION-THE EXHIBITION TRACED HIS RESEARCH-INTENSIVE WORK ACROSS MEDIA, TIME, AND PLACE, BRINGING TOGETHER MORE THAN 20 OF THE ARTIST'S MOST SIGNIFICANT ARTWORKS, PLUS A NEWLY COMMISSIONED INTERACTIVE SCULPTURE AND A SALON TITLED THE TIME CHAMBER CONTAINING EPHEMERA, JOURNALS, PRINTS, AND DRAWINGS. THE EXHIBITION OFFERED A RARE LOOK ACROSS THE ARTIST'S INFLUENTIAL PRACTICE AND DISTINCTIVE MATERIAL VOCABULARY, AND WAS ACCOMPANIED BY A FULLY-ILLUSTRATED CATALOG FEATURING TEXTS FROM RUTH ERICKSON, JAMES NISBET, ANDREA BARRETT, MARK DION, AND PETRA LANGE-BERNDT, AS WELL AS A CONVERSATION BETWEEN THE ARTIST AND MARY JANE JACOB. THE SURVEY INCLUDED MAJOR WORKS SUCH AS THE N.Y. STATE BUREAU OF TROPICAL CONSERVATION, 1992, AND TOYS 'R' U.S. (WHEN DINOSAURS RULED THE EARTH), 1994, EACH A ROOM-SIZED COLLECTION OF OBJECTS THAT RUMINATE ON CONSUMPTION, EXTINCTION, AND THE GLOBAL ENVIRONMENTAL CRISIS. THE LIBRARY FOR THE BIRDS OF NEW YORK/THE LIBRARY FOR THE BIRDS OF MASSACHUSETTS, 2016/2017, IMMERSES AUDIENCES IN AND AROUND A 20-FOOT CAGE THAT HOUSES LIVE FINCHES AND CANARIES COMMINGLING WITH THE ACCOUTREMENTS OF ORNITHOLOGY -NETS, BINOCULARS, AND BOOKS- ARRANGED AROUND A TREE. IN THESE AND OTHER WORKS, DION MARRIES DISCOURSES OF SCIENCE WITH THOSE OF THE ART MUSEUM, REVEALING THEIR INTERRELATED ROLES AS PURVEYORS OF KNOWLEDGE AND TRUTH. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JESSICA HONG, CURATORIAL ASSOCIATE, AND KATHRINNE DUFFY, RESEARCH FELLOW. NICHOLAS NIXON: PERSISTENCE OF VISION DECEMBER 13, 2017 - APRIL 12, 2018 FOTENE DEMOULAS GALLERY BASED IN BOSTON SINCE THE 1970S, NICHOLAS NIXON HAS CAPTURED THE INTIMATE DETAILS OF FAMILY, RELATIONSHIPS, AND LIFE AS IT UNFOLDS IN FRONT OF HIS CAMERA. USING A LARGE-FORMAT 8 X 10-INCH CAMERA AND BLACK-AND-WHITE FILM, HE PHOTOGRAPHS BOSTON'S CHANGING LANDSCAPE, PORCH LIFE IN THE RURAL SOUTH, SICK OR DYING PEOPLE, AND HIS OWN FAMILY. THIS EXHIBITION SURVEYS THE ARTIST'S PROLIFIC CAREER AND IS ORGANIZED AROUND THE REMARKABLE ONGOING PROJECT THE BROWN SISTERS, A SERIES OF GROUP PORTRAITS OF NIXON'S WIFE BEBE AND HER THREE SISTERS, HEATHER, MIMI, AND LAURIE TAKEN ANNUALLY SINCE 1975. THE BROWN SISTERS WAS PRESENTED IN ITS ENTIRETY, EACH PORTRAIT PAIRED WITH OTHER PHOTOGRAPHS MADE BY NIXON IN THE SAME YEAR, DRAWN FROM OTHER BODIES OF WORK, INCLUDING SCHOOLS IN AND AROUND BOSTON, PEOPLE WITH AIDS, COUPLES, AND LANDSCAPES. TOGETHER THESE PICTURES UNDERSCORE PHOTOGRAPHY'S SINGULAR ABILITY TO CAPTURE THE PASSAGE OF TIME IN INCREMENTAL MOMENTS AND ARE A TESTAMENT TO NIXON'S EXTRAORDINARY PERSISTENCE OF VISION. NICHOLAS NIXON WAS BORN IN DETROIT, MICHIGAN, IN 1947. HE LIVES AND WORKS IN BROOKLINE. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JESSICA HONG, ASSISTANT CURATOR HITO STEYERL: LIQUIDITY INC. DECEMBER 13, 2017 - APRIL 22, 2018 PAUL AND CATHERINE BUTTENWIESER GALLERY HITO STEYERL (B. 1966, MUNICH, GERMANY) IS AN ARTIST, FILMMAKER, AND WRITER WHOSE ART SPEAKS URGENTLY TO OUR DIGITALLY MEDIATED ERA. IN HER WORK, SHE HAS ADDRESSED THE WIDE-RANGING EFFECTS OF TODAY'S MASS PROLIFERATION AND DISSEMINATION OF IMAGES, ISSUES OF SURVEILLANCE AND MILITARIZATION, AND THE EVOLVING FUNCTIONS OF TECHNOLOGY IN OUR NETWORKED CULTURE. LIQUIDITY INC. (2014), A NEW ACQUISITION TO THE ICA'S COLLECTION, WAS ON VIEW AT THE MUSEUM FOR THE FIRST TIME. AS SUGGESTED BY THE TITLE, THIS VIDEO SCULPTURE USES WATER AS ITS GUIDING THEME, AND HAS PARTICULAR RESONANCE AT THE ICA'S WATERFRONT LOCATION. LIQUIDITY INC. TAKES AS A POINT OF DEPARTURE THE STORY OF JACOB WOOD, A FORMER FINANCIAL ANALYST WHO LOST HIS JOB DURING THE 2008 ECONOMIC RECESSION AND DECIDED TO TURN HIS HOBBY IN MIXED MARTIAL ARTS INTO A CAREER. STEYERL FOLLOWS ACTOR AND MARTIAL ARTIST BRUCE LEE'S DICTUM TO "BE SHAPELESS, FORMLESS, LIKE WATER," TURNING "LIQUIDITY" INTO A TROPE FLUID ENOUGH TO SPEAK ABOUT EVERYTHING FROM THE WEATHER TO WATER AS MATERIAL RESOURCE, TO THE CIRCULATION OF INFORMATION AND ASSETS. PROJECTED ONTO A DOUBLE-SIDED SCREEN IN FRONT OF A WAVE-LIKE RAMP STRUCTURE, LIQUIDITY INC. STAGED A CAPTIVATING PARABLE OF ECONOMIC CRISIS AND CONTEMPORARY CULTURE THAT WAS BY TURNS PLAYFUL AND POIGNANT. HITO STEYERL: LIQUIDITY INC. WAS PRESENTED IN CONJUNCTION WITH THE EXHIBITION ART IN THE AGE OF THE INTERNET, 1989 TO TODAY (FEBRUARY 7 - MAY 28, 2018). ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR WANGECHI MUTU: A PROMISE TO COMMUNICATE JANUARY 20 - DECEMBER 31, 2018 SANDRA AND GERALD FINEBERG ART WALL ARTIST WANGECHI MUTU (B. 1972, NAIROBI, KENYA) IS KNOWN FOR HER SELF-PROCLAIMED "MAXIMALIST AESTHETIC," HYBRID COMPOSITIONS, AND WALL-BASED WORKS THAT ADD TEXTURE AND DIMENSION TO ARCHITECTURAL SPACES. FEMINISM, AFROFUTURISM, AND MARGINAL SPACES FIGURE IN HER CATEGORY-DEFYING COLLAGE AND SCULPTURE WORK. IN A NEW COMMISSION FOR THE ICA, MUTU USED THE ROUGH, GRAY RESCUE BLANKETS OF HUMANITARIAN AID EFFORTS AND EMERGENCIES TO CREATE A LESS RATIONAL INTERPRETATION OF THE WORLD MAP. TITLED A PROMISE TO COMMUNICATE, THE WORK CREATES A SPACE FOR VISITORS TO EXPLORE IDEAS OF PUBLIC SPACE, COMMUNICATION, AND FREE SPEECH, ADDRESSING THE IDEA OF A WORLD THAT DESPITE ITS INCREASING POTENTIAL FOR COLLECTIVITY STRUGGLES TO COMMUNICATE IN A COMPREHENSIVE WAY. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JESSICA HONG, ASSISTANT CURATOR ART IN THE AGE OF THE INTERNET, 1989 TO TODAY FEBRUARY 7 - MAY 20, 2018 BRIDGITT AND BRUCE EVANS FAMILY AND WEST GALLERIES ART IN THE AGE OF THE INTERNET, 1989 TO TODAY EXAMINED HOW THE INTERNET HAS RADICALLY CHANGED THE FIELD OF ART, ESPECIALLY IN ITS PRODUCTION, DISTRIBUTION, AND RECEPTION. THE EXHIBITION COMPRISED A BROAD RANGE OF WORKS ACROSS A VARIETY OF MEDIUMS-INCLUDING PAINTING, PERFORMANCE, PHOTOGRAPHY, SCULPTURE, VIDEO, AND WEB-BASED PROJECTS-THAT ALL INVESTIGATE THE EXTENSIVE EFFECTS OF THE INTERNET ON ARTISTIC PRACTICE AND CONTEMPORARY CULTURE. THEMES EXPLORED IN THE EXHIBITION INCLUDED EMERGENT IDEAS OF THE BODY AND NOTIONS OF HUMAN ENHANCEMENT; THE INTERNET AS A SITE OF BOTH SURVEILLANCE AND RESISTANCE; THE CIRCULATION AND CONTROL OF IMAGES AND INFORMATION; POSSIBILITIES FOR NEW SUBJECTIVITIES, COMMUNITIES, AND VIRTUAL WORLDS; AND NEW ECONOMIES OF VISIBILITY INITIATED BY SOCIAL MEDIA.
FORM 990, PART III, LINE 4AART IN THE AGE OF THE INTERNET FEATURED WORK OF AN INTERNATIONAL, INTERGENERATIONAL GROUP OF ARTISTS, INCLUDING JUDITH BARRY, DARA BIRNBAUM, HARUN FAROCKI, JOSH KLINE, LYNN HERSHMAN LEESON, TREVOR PAGLEN, NAM JUNE PAIK, THOMAS RUFF, FRANCE STARK, HITO STEYERL, MARTINE SYMS, AND ANICKA YI. THE EXHIBITION WAS ACCOMPANIED BY A MAJOR SCHOLARLY PUBLICATION AND WEB PLATFORM. IN ASSOCIATION WITH THE EXHIBITION, 14 ARTS ORGANIZATIONS THROUGHOUT GREATER BOSTON PARTNERED TO PRESENT AN AMBITIOUS, REGION-WIDE EXPLORATION OF ART AND TECHNOLOGY. THIS EXCITING CULTURAL COLLABORATION OFFERED A RANGE OF EXHIBITIONS, PERFORMANCES, FILM SCREENINGS, AND OTHER PROGRAMS ALL EXPLORING THE RELATIONSHIP BETWEEN ART AND TECHNOLOGY IN CELEBRATION OF THE BOSTON AREA'S RICH HISTORY OF TECHNICAL INNOVATION, AND ITS OVERLAP WITH ART. OFFERINGS TOUCHED ON ISSUES OF PRIVACY, COMMUNITY, NETWORKS, IDENTITY, INNOVATIONS, SURVEILLANCE, AND MORE. PARTNER ORGANIZATIONS INCLUDED BERKLEE COLLEGE OF MUSIC, BOSTON CYBERARTS, CARPENTER CENTER FOR THE VISUAL ARTS AT HARVARD UNIVERSITY, DECORDOVA SCULPTURE PARK AND MUSEUM, HARVARD ART MUSEUMS, HARVARD FILM ARCHIVE, ISABELLA STEWART GARDNER MUSEUM, MIT LIST VISUAL ARTS CENTER, MUSEUM OF FINE ARTS, BOSTON, MUSEUM OF SCIENCE, PEABODY ESSEX MUSEUM, ROSE ART MUSEUM AT BRANDEIS UNIVERSITY, AND TUFTS UNIVERSITY ART GALLERIES. ORGANIZED BY EVA RESPINI, BARBARA LEE CHIEF CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR. CAITLIN KEOGH: BLANK MELODY MAY 9 - AUGUST 26, 2018 PAUL AND CATHERINE BUTTENWIESER GALLERY THIS EXHIBITION WAS THE FIRST SOLO MUSEUM PRESENTATION OF THE PAINTINGS OF NEW YORK-BASED ARTIST CAITLIN KEOGH (B. 1982, ANCHORAGE, ALASKA). KEOGH'S WORK EXPLORES QUESTIONS OF GENDER AND REPRESENTATION, ARTICULATIONS OF PERSONAL STYLE, AND THE CONSTRUCTION OF ARTISTIC IDENTITY. HER VIVID, SEDUCTIVE PAINTINGS COMBINE THE GRAPHIC LINES OF HAND-DRAWN COMMERCIAL ILLUSTRATION WITH THE BOLD MATTE COLORS OF THE APPLIED ARTS TO REIMAGINE FRAGMENTS OF FEMALE BODIES, NATURAL MOTIFS, PATTERN, AND ORNAMENTATION. DRAWING FROM CLOTHING DESIGN, ILLUSTRATION, AND INTERIOR DECORATION AS MUCH AS ART HISTORY, KEOGH'S LARGE-SCALE CANVASES DISSECT ELEMENTS OF REPRESENTATIONS OF FEMININITY WITH CONSIDERABLE WIT, POINTING TO THE UNDERLYING CONDITIONS OF THE PRODUCTION OF IMAGES OF WOMEN. NATURAL FORMS RECUR THROUGHOUT HER WORK AS A MEANS OF DEPICTING ARTISTIC STYLE, AND FOR THE WAY THAT THESE DIFFERENT DEPICTIONS SPEAK TO SPECIFIC POLITICAL AND CULTURAL CONTEXTS, SUCH AS HER EXAMINATION OF THE NATURALISTIC DESIGNS OF THE 19TH-CENTURY BRITISH TEXTILE DESIGNER WILLIAM MORRIS AND HOW THEY RELATE TO HIS UTOPIAN POLITICS. THE EXHIBITION TOOK ITS TITLE FROM AN INTERPRETIVE POEM WRITTEN BY CHARITY COLEMAN FOR KEOGH'S RECENT ARTIST BOOK HEADLESS WOMAN WITH PARROT (2017). KEOGH CREATED A NEW BODY OF WORK IN RESPONSE TO COLEMAN'S IMAGISTIC POEM FOR THE EXHIBITION. ORGANIZED BY JEFFREY DE BLOIS, ASSISTANT CURATOR KEVIN BEASLEY MAY 9 - AUGUST 26, 2018 FOTENE DEMOULAS GALLERY ONE OF THE MOST EXCITING ARTISTS TO EMERGE IN RECENT YEARS, NEW YORK-BASED KEVIN BEASLEY (B. 1985, LYNCHBURG, VA) UNIQUELY COMBINES SOUND AND CLOTHING-HIS CORE ARTISTIC MATERIALS-IN STUNNING, DENSELY PACKED SCULPTURES AND IMMERSIVE ACOUSTIC EXPERIENCES. THIS EXHIBITION, HIS FIRST IN BOSTON, PRESENTED A SELECTION OF THE ARTIST'S SCULPTURES MADE OVER THE PAST FIVE YEARS. BEASLEY'S EARLY WORKS HARNESSED THE PHYSICAL QUALITIES OF SOUND, DEPLOYING VIBRATIONS AND ECHOES THAT PENETRATE THE BODIES OF BOTH PERFORMERS AND AUDIENCE. HE HAS EMBEDDED MICROPHONES AND OTHER ELECTRONIC MUSICAL EQUIPMENT IN SCULPTURES MADE OF SNEAKERS AND FOAM, MANIPULATING THEIR SONIC POSSIBILITIES IN HIS LIVE PERFORMANCES. FOUND OBJECTS AND CLOTHING, OFTEN THE ARTIST'S OWN, ARE CENTRAL IN BEASLEY'S DIVERSE SCULPTURAL WORK, RANGING FROM COMPOSITIONS OF SHREDDED T-SHIRTS AND HOODIES TO FITTED HATS, DO-RAGS, AND BASKETBALL JERSEYS. MORE RECENT WORKS ARE CONSTRUCTED FROM COLORFULLY PATTERNED HOUSEDRESSES STIFFENED WITH RESIN THAT STAND ON THE FLOOR AND PROTRUDE FROM THE WALLS, AT TIMES HARDENED OVER SOUND-BAFFLING FOAM PANELS OR CONCAVE FORMS THAT BEASLEY REFERS TO AS "ACOUSTIC MIRRORS." APPEARING LIKE SATELLITE DISHES OR CLUSTERS OF GHOSTLY FIGURES, THESE WORKS BECOME CONDUITS FOR ABSENT BODIES AND HISTORIES THAT THE ARTIST EVOKES THROUGH COLOR, PATTERN, AND TEXTURE. IN THE SPIRIT OF ARTISTS NOAH PURIFOY AND DAVID HAMMONS, BEASLEY HIGHLIGHTS THE IMPORTANCE OF PERSONAL MEMORY AND TO EXPLORE HOW LIVED EXPERIENCE INTERSECTS WITH BROADER EXAMINATIONS OF POWER AND RACE IN AMERICA. THIS EXHIBITION WAS ACCOMPANIED BY A SMALL ILLUSTRATED PUBLICATION -THE FIRST ABOUT THE ARTIST- FEATURING AN ESSAY BY RUTH ERICKSON AND A CONVERSATION BETWEEN KEVIN BEASLEY AND MARK BRADFORD. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY CURATOR, WITH JEFFREY DE BLOIS, ASSISTANT CURATOR ARTHUR JAFA: LOVE IS THE MESSAGE, THE MESSAGE IS DEATH JUNE 27 - SEPTEMBER 30, 2018 BRIDGITT AND BRUCE EVANS FAMILY GALLERY ARTIST, CINEMATOGRAPHER, AND FILMMAKER ARTHUR JAFA (B. 1960, TUPELO, MISSISSIPPI) FREQUENTLY STATES THAT HE HOPES TO CREATE CINEMA THAT "REPLICATES THE POWER, BEAUTY, AND ALIENATION OF BLACK MUSIC." LOVE IS THE MESSAGE, THE MESSAGE IS DEATH IS A SINGLE-CHANNEL VIDEO INSTALLATION SET TO KANYE WEST'S STIRRING, GOSPEL-INSPIRED SONG "ULTRALIGHT BEAM." IT COMPRISES ORIGINAL AND FOUND FOOTAGE FROM CONCERTS, MARCHES, MUSIC VIDEOS, NEWS REPORTS, POLICE CAMERAS, YOUTUBE VIDEOS, AS WELL AS SCENES FROM JAFA'S WELL-KNOWN 2014 DOCUMENTARY DREAMS ARE COLDER THAN DEATH, WHICH LYRICALLY REFLECTS ON MARTIN LUTHER KING JR.'S LEGACY WITHIN CONTEMPORARY BLACK EXPERIENCES. CRITICALLY AWARE OF BLACK REPRESENTATION IN MAINSTREAM MEDIA, JAFA INCORPORATES A WIDE RANGE OF IMAGERY, COLLAGING AND INTERSPERSING CLIPS OF FIGURES SUCH AS MARTIN LUTHER KING JR., BARACK OBAMA, JAMES BROWN, BEYONC, AND FREDDIE GRAY, AS WELL AS HIP-HOP PERFORMANCES, SPORTS GAMES WITH PREDOMINANTLY BLACK ATHLETES, AND VIOLENT POLICE ARRESTS OF BLACK MEN AND WOMEN. AMPLIFIED BY THE MUSICAL TRACK, LOVE IS THE MESSAGE, THE MESSAGE IS DEATH PRESENTS GLIMPSES OF THE JOYS, TRAUMAS, AND TRIUMPHS OF BLACK LIFE IN THIS COUNTRY. ORGANIZED BY JESSICA HONG, ASSISTANT CURATOR WE WANTED A REVOLUTION: BLACK RADICAL WOMEN, 1965-85 JUNE 27 - SEPTEMBER 30, 2018 KAREN AND BRIAN CONWAY GALLERIES FOCUSING ON THE WORK OF BLACK WOMEN ARTISTS, WE WANTED A REVOLUTION: BLACK RADICAL WOMEN, 1965-85 EXAMINES THE POLITICAL, SOCIAL, CULTURAL, AND AESTHETIC PRIORITIES OF WOMEN OF COLOR DURING THE EMERGENCE OF SECOND-WAVE FEMINISM. IT IS THE FIRST EXHIBITION TO HIGHLIGHT THE VOICES AND EXPERIENCES OF WOMEN OF COLOR -DISTINCT FROM THE PRIMARILY WHITE, MIDDLE-CLASS MAINSTREAM FEMINIST MOVEMENT- IN ORDER TO REORIENT CONVERSATIONS AROUND RACE, FEMINISM, POLITICAL ACTION, ART PRODUCTION, AND ART HISTORY IN THIS SIGNIFICANT HISTORICAL PERIOD. THE EXHIBITION FEATURES A WIDE ARRAY OF WORK, INCLUDING PERFORMANCE, FILM, AND VIDEO ART, AS WELL AS PHOTOGRAPHY, PAINTING, SCULPTURE, AND PRINTMAKING BY A DIVERSE GROUP OF ARTISTS AND ACTIVISTS WHO LIVED AND WORKED AT THE INTERSECTIONS OF AVANT-GARDE ART WORLDS AND RADICAL POLITICAL MOVEMENTS. ARTISTS INCLUDED CAMILLE BILLOPS, ELIZABETH CATLETT, JULIE DASH, MAREN HASSINGER, JAE JARRELL, LORRAINE O'GRADY, HOWARDENA PINDELL, FAITH RINGGOLD, BETYE SAAR, LORNA SIMPSON, AND CARRIE MAE WEEMS, AMONG MANY OTHERS. ORGANIZED BY THE BROOKLYN MUSEUM. THE BOSTON PRESENTATION WAS COORDINATED BY JESSICA HONG, ASSISTANT CURATOR, THE INSTITUTE OF CONTEMPORARY ART/BOSTON.
FORM 990, PART VI, SECTION B, LINE 11BFORM 990 IS REVIEWED BY THE ICA'S CFO/COO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS RESPONSIBLE FOR APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO/COO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE.
FORM 990, PART VI, SECTION B, LINE 12CEACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY.
FORM 990, PART VI, SECTION B, LINE 15THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (CHIEF OPERATING AND CHIEF FINANCIAL OFFICERS, CHIEF CURATOR, DIRECTOR OF EXTERNAL RELATIONS, DIRECTOR OF DEVELOPMENT, DIRECTOR OF EDUCATION AND DIRECTOR OF PERFORMING AND MEDIA ARTS) BUT FINAL COMPENSATION FOR THE SENIOR MANAGEMENT TEAM IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS.
FORM 990, PART VI, SECTION C, LINE 19THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990, AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). IN ADDITION, THE ORGANIZATION'S FORM 990 IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE.
FORM 990, PART XI, LINE 9:GAIN ON SPLIT INTEREST AGREEMENTS 4,804. CAPITALIZED DONATED SERVICES 105,436.
FORM 990, PART III, LINE 4D, OTHER PROGRAM SERVICES CONT'D:EDUCATION, TEENS, ADULTS: COMMUNITY PROGRAMS AND PARTNERSHIPS (SELECT) CONT'D - HARVARD GRADUATE SCHOOL OF EDUCATION - HIGHLAND STREET FOUNDATION - HUTCHINS CENTER FOR AFRICAN & AFRICAN AMERICAN RESEARCH - HYDE SQUARE TASK FORCE - MASS LEAP - MASS PORT - MIT LIST CENTER FOR VISUAL ARTS - NEMES - NEW ENGLAND AQUARIUM - NEW ENGLAND FOLK HERITAGE - NORTHEASTERN CENTER FOR THE ARTS - PIERS PARK - PROJECT MOVES - SAM ADAMS SCHOOL - SCRATCH - SOCIEDAD LATINA AT UMANA ACADEMY - THE GOTTABEES - UMASS BOSTON - UMASS DARTMOUTH - UMASS LOWELL - WINDY FILMS - YOUNG AUDIENCES OF MA - ZUMIX SELECT ARTIST PARTNERSHIPS: - BENNIE FLORES ANSELL - EVELYN RYDZ - MARK DION - OOMPA - SAYA WOOLFALK AND AYA WOOLFALK MITCHELL - SUSANNAH LAWRENCE - WES SAM-BRUCE TOUR PROGRAMS OUR PUBLIC AND PRIVATE TOUR PROGRAMS SERVED THE FOLLOWING NUMBER OF PARTICIPANTS IN FY18: 12,652 TEEN PROGRAMS - TEEN PROGRAMS SERVED A TOTAL OF 2,640 THROUGH THE PROGRAMS LISTED BELOW. TEEN NIGHTS, ART HAPPENINGS ORGANIZED AND PROMOTED FOR TEENS BY TEENS, SERVED 1,318 TEENS (INCLUDES SPRING SHOWCASE). EDUCATIONAL RESOURCES AND STUDENT FILMS CREATED THROUGH ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE. TEEN PROGRAMS ARTIST ENCOUNTERS - WES SAM-BRUCE - SUMMER 2017 - MARK DION - FALL 2017 - OKWUI OKPOKWASILI - SPRING 2018 NO TEEN CONVENING THIS FISCAL YEAR EXTENDED TEEN PROGRAMS - FAST FORWARD THURSDAY - FAST FORWARD FRIDAY - PERFORMING ARTS CREW - TEEN PROGRAMS ALUMNI NETWORK - WALL TALK - BOSTON COLLEGIATE CHARTER SCHOOL - BOSTON LATIN ACADEMY - BRIGHTON HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - EXCEL HIGH SCHOOL - GREATER EGLESTON HIGH SCHOOL - MCKINLEY SOUTH END ACADEMY - NEIGHBORHOOD HOUSE CHARTER SCHOOL - RAFAEL HERNANDEZ SCHOOL - ROXBURY PREP HIGH SCHOOL - URBAN SCIENCE ACADEMY - TEEN ARTS COUNCIL 15 STUDENTS, FROM: - URBAN SCIENCE ACADEMY - SNOWDEN INTERNATIONAL SCHOOL AT COPLEY - PHOENIX CHARTER ACADEMY - REVERE HIGH SCHOOL - ARLINGTON HIGH SCHOOL - BOSTON DAY AND EVENING - MCKINLEY SOUTH END ACADEMY - BOSTON LATIN ACADEMY - HOME SCHOOL TEEN NIGHTS - SUMMERTIME SOL JAM - MISCELLANEOUS MISADVENTURES - IRL - SPRING SHOWCASE THE CURRENT - ROOTED: THE NATURE OF UNCERTAINTY, YOUTH ARTIST SHOWCASE & DISCUSSION - FALL 2017 - THE INTERNET:// DESENSITIZE.ME - SPRING 2018 TEEN NEW MEDIA WORKSHOPS - DIGITAL PHOTOGRAPHY: INTRO (CAMERA BASICS) - FALL 2017 - DIGITAL PHOTOGRAPHY: INTRO (CAMERA BASICS) - SPRING 2018 - DIGITAL PHOTOGRAPHY: ADVANCED PHOTOGRAPHY - SPRING 2018 - DIGITAL PHOTOGRAPHY: SPECIAL FOCUS - FALL 2017 - DIGITAL PHOTOGRAPHY: SPECIAL FOCUS - SPRING 2018 - DIGITAL SAMPLER I - SUMMER 2017 - FILM SCHOOL - SUMMER 2017 - FILM SCHOOL - SPRING 2018 - GRAPHIC DESIGN: CHARACTER DESIGN AND ANIMATION - SPRING 2018 - MUSIC PRODUCTION: BEAT MAKING 101 - SUMMER 2017 - MUSIC PRODUCTION: AMP - FALL 2017 - MUSIC PRODUCTION: DJ 101 (X2) - FALL 2017 - MUSIC PRODUCTION: BEAT MAKING 101 - SPRING 2018 - MUSIC PRODUCTION: DJ 101 - SPRING 2018 - WORKSHOPS WITH UMASS URBAN SCHOLARS PROGRAM - SUMMER 2017 BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNERS - BOSTON DAY & EVENING ACADEMY - CHARLESTOWN HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - EXCEL HIGH SCHOOL - SNOWDEN INTERNATIONAL SCHOOL AT COPLEY TEEN EXHIBITIONS - "OUR CITY, OUR PEOPLE" - HARVARD GRADUATE SCHOOL OF EDUCATION, MONROE C. GUTMAN LIBRARY; MAYOR'S GALLERY, BOSTON CITY HALL MISCELLANEOUS TEEN PROGRAM EVENTS: - CROSSING THE STREET + ICA READS - SPRING 2018 - DO IT YOUR DAMN SELF FILM SCREENING - SPRING 2018 - EMPOWERING GENERATIONS OF LEADERS: ALUMNI NETWORKING - SPRING 2018 - FASTFORWARD ALUMNI SCREENING - SPRING 2018 - FASTFORWARD WINTER SHOWCASE - FALL 2017 - THE MOVEMENT - SUMMER 2017 - TEEN ARTS COUNCIL ALUMNI REUNION - FALL 2017