PEABODY ESSEX MUSEUM INC: Form 990, tax year 2011
View the entire original 990 at ProPublica ↗
- Organization
- PEABODY ESSEX MUSEUM INC (EIN 04-3157815)
- Tax period
- 2011-01-01 to 2011-12-31
- Filed
- 2012-11-09
- IRS object ID
- 201243149349300344
- Schema version
- 2011v1.2
- Source
- Download XML · Original 990 at ProPublica
Every field in the e-filed return. Faint text is the IRS element name, for citing.
- Return header
- Form 990
- Schedule A
- Schedule B
- Schedule D
- Schedule F
- Schedule G
- Schedule J
- Schedule L
- Schedule M
- Schedule O
Return header ReturnHeader
| Field | Value | IRS element (for citing) |
|---|---|---|
| Timestamp | 2012-11-09T13:06:49-06:00 | Timestamp |
| Tax Period End Date | 2011-12-31 | TaxPeriodEndDate |
Preparer Firm PreparerFirm
| Field | Value | IRS element (for citing) |
|---|---|---|
| EIN | 263753134 | EIN |
Preparer Firm Business Name PreparerFirmBusinessName
| Field | Value | IRS element (for citing) |
|---|---|---|
| Business Name Line1 | CBIZ TOFIAS | BusinessNameLine1 |
Preparer Firm US Address PreparerFirmUSAddress
| Field | Value | IRS element (for citing) |
|---|---|---|
| Address Line1 | 500 BOYLSTON STREET | AddressLine1 |
| City | BOSTON | City |
| State | MA | State |
| ZIP Code | 02116 | ZIPCode |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Return Type | 990 | ReturnType |
| Tax Period Begin Date | 2011-01-01 | TaxPeriodBeginDate |
Filer Filer
| Field | Value | IRS element (for citing) |
|---|---|---|
| EIN | 043157815 | EIN |
Name Name
| Field | Value | IRS element (for citing) |
|---|---|---|
| Business Name Line1 | PEABODY ESSEX MUSEUM INC | BusinessNameLine1 |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Name Control | PEAB | NameControl |
| Phone | 9787459500 | Phone |
US Address USAddress
| Field | Value | IRS element (for citing) |
|---|---|---|
| Address Line1 | EAST INDIA SQUARE | AddressLine1 |
| City | SALEM | City |
| State | MA | State |
| ZIP Code | 019703783 | ZIPCode |
Officer Officer
| Field | Value | IRS element (for citing) |
|---|---|---|
| Name | ANNE MUNSCH | Name |
| Title | CHIEF FINANCIAL OFFICER | Title |
| Phone | 9787459500 | Phone |
| Date Signed | 2012-11-01 | DateSigned |
| Authorize Third Party | 1 | AuthorizeThirdParty |
Preparer Preparer
| Field | Value | IRS element (for citing) |
|---|---|---|
| Name | CRAIG KLEIN | Name |
| PTIN | P00734640 | PTIN |
| Phone | 6177610600 | Phone |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Tax Year | 2011 | TaxYear |
| Build TS | 2016-02-24 21:20:13Z | BuildTS |
Form 990 IRS990
| Field | Value | IRS element (for citing) |
|---|---|---|
| Name Of Principal Officer Person | DAN L MONROE | NameOfPrincipalOfficerPerson |
Address Principal Officer US AddressPrincipalOfficerUS
| Field | Value | IRS element (for citing) |
|---|---|---|
| Address Line1 | EAST INDIA SQUARE | AddressLine1 |
| City | SALEM | City |
| State | MA | State |
| ZIP Code | 019703783 | ZIPCode |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Gross Receipts | 184926323 | GrossReceipts |
| Group Return For Affiliates | 0 | GroupReturnForAffiliates |
| Organization501c3 | X | Organization501c3 |
| Web Site | WWW.PEM.ORG | WebSite |
| Type Of Organization Corporation | X | TypeOfOrganizationCorporation |
| Year Formation | 1992 | YearFormation |
| State Legal Domicile | MA | StateLegalDomicile |
| Activity Or Mission Description | THE MISSION OF THE PEABODY ESSEX MUSEUM IS TO CELEBRATE OUTSTANDING ARTISTIC AND CULTURAL CREATIVITY BY COLLECTING, STEWARDING AND INTERPRETING OBJECTS OF ART AND CULTURE IN WAYS THAT INCREASE KNOWLEDGE, ENRICH THE SPIRIT, ENGAGE THE MIND AND STIMULATE THE SENSES. THROUGH ITS EXHIBITIONS, PROGRAMS, PUBLICATIONS, MEDIA AND RELATED ACTIVITIES, PEM STRIVES TO CREATE EXPERIENCES THAT TRANSFORM PEOPLE'S LIVES BY BROADENING THEIR PERSPECTIVES, ATTITUDES, AND KNOWLEDGE OF THEMSELVES AND THE WIDER WORLD. | ActivityOrMissionDescription |
| Nbr Voting Members Governing Body | 24 | NbrVotingMembersGoverningBody |
| Nbr Independent Voting Members | 24 | NbrIndependentVotingMembers |
| Total Nbr Employees | 304 | TotalNbrEmployees |
| Total Nbr Volunteers | 144 | TotalNbrVolunteers |
| Total Gross UBI | 398621 | TotalGrossUBI |
| Net Unrelated Business Txbl Income | -50379 | NetUnrelatedBusinessTxblIncome |
| Contributions Grants Prior Year | 87381774 | ContributionsGrantsPriorYear |
| Contributions Grants Current Year | 43070420 | ContributionsGrantsCurrentYear |
| Program Service Revenue Prior Year | 3214230 | ProgramServiceRevenuePriorYear |
| Program Service Revenue CY | 3175864 | ProgramServiceRevenueCY |
| Investment Income Prior Year | 1135679 | InvestmentIncomePriorYear |
| Investment Income Current Year | 5321604 | InvestmentIncomeCurrentYear |
| Other Revenue Prior Year | 1449323 | OtherRevenuePriorYear |
| Other Revenue Current Year | 1476466 | OtherRevenueCurrentYear |
| Total Revenue Prior Year | 93181006 | TotalRevenuePriorYear |
| Total Revenue Current Year | 53044354 | TotalRevenueCurrentYear |
| Grants And Similar Amnts Prior Year | 5000 | GrantsAndSimilarAmntsPriorYear |
| Grants And Similar Amnts CY | 0 | GrantsAndSimilarAmntsCY |
| Benefits Paid To Members Prior Year | 0 | BenefitsPaidToMembersPriorYear |
| Benefits Paid To Members CY | 0 | BenefitsPaidToMembersCY |
| Salaries Etc Prior Year | 10019127 | SalariesEtcPriorYear |
| Salaries Etc Current Year | 10574020 | SalariesEtcCurrentYear |
| Total Prof Fundrsng Exp Prior Year | 0 | TotalProfFundrsngExpPriorYear |
| Total Prof Fundrsng Exp CY | 0 | TotalProfFundrsngExpCY |
| Total Fundrsng Exp Current Year | 2701278 | TotalFundrsngExpCurrentYear |
| Other Expense Prior Year | 17994618 | OtherExpensePriorYear |
| Other Expenses Current Year | 22447311 | OtherExpensesCurrentYear |
| Total Expenses Prior Year | 28018745 | TotalExpensesPriorYear |
| Total Expenses Current Year | 33021331 | TotalExpensesCurrentYear |
| Revenues Less Expenses Prior Year | 65162261 | RevenuesLessExpensesPriorYear |
| Revenues Less Expenses CY | 20023023 | RevenuesLessExpensesCY |
| Total Assets BOY | 372283355 | TotalAssetsBOY |
| Total Assets EOY | 380976385 | TotalAssetsEOY |
| Total Liabilities BOY | 36753128 | TotalLiabilitiesBOY |
| Total Liabilities EOY | 37672447 | TotalLiabilitiesEOY |
| Net Assets Or Fund Balances BOY | 335530227 | NetAssetsOrFundBalancesBOY |
| Net Assets Or Fund Balances EOY | 343303938 | NetAssetsOrFundBalancesEOY |
| Info In Schedule O Part III | X | InfoInScheduleOPartIII |
| Mission Description | THE MISSION OF THE PEABODY ESSEX MUSEUM IS TO CELEBRATE OUTSTANDING ARTISTIC AND CULTURAL CREATIVITY BY COLLECTING, STEWARDING AND INTERPRETING OBJECTS OF ART AND CULTURE IN WAYS THAT INCREASE KNOWLEDGE, ENRICH THE SPIRIT, ENGAGE THE MIND AND STIMULATE THE SENSES. THROUGH ITS EXHIBITIONS, PROGRAMS, PUBLICATIONS, MEDIA AND RELATED ACTIVITIES, PEM STRIVES TO CREATE EXPERIENCES THAT TRANSFORM PEOPLE'S LIVES BY BROADENING THEIR PERSPECTIVES, ATTITUDES, AND KNOWLEDGE OF THEMSELVES AND THE WIDER WORLD. | MissionDescription |
| Significant New Program Services | 0 | SignificantNewProgramServices |
| Significant Change | 0 | SignificantChange |
| Expense | 6388800 | Expense |
| Revenue | 2582259 | Revenue |
| Description | EXHIBITIONS AND PUBLICATIONS: SEE SCHEDULE O. | Description |
Activity2 Activity2
| Field | Value | IRS element (for citing) |
|---|---|---|
| Expense | 4929864 | Expense |
| Revenue | 8192 | Revenue |
| Description | CURATORIAL AND COLLECTIONS: SEE SCHEDULE O. | Description |
Activity3 Activity3
| Field | Value | IRS element (for citing) |
|---|---|---|
| Expense | 2543315 | Expense |
| Revenue | 252698 | Revenue |
| Description | EDUCATION: SEE SCHEDULE O. | Description |
Activity Other ActivityOther (6 entries)
| ExpenseExpense | DescriptionDescription | RevenueRevenue |
|---|---|---|
| 4286568 | ACQUISITIONS: IN 2011, OVER 680 SIGNIFICANT AND BEAUTIFUL OBJECTS WERE ACQUIRED BY THE MUSEUM THROUGH PURCHASE OR GIFT. THE OBJECTS SPANNED MOST OF THE MUSEUM'S MAJOR COLLECTING AREAS AND INCLUDED:- ONE HUNDRED FOURTEEN PIECES OF AMERICAN ART - MOST NOTABLY AN OIL PAINTING, PORTRAIT OF GEORGE H. SHATTUCK, BY FRANK W. BENSON; A 1685 OIL PAINTING ATTRIBUTED TO AMERICAN'S FIRST KNOWN PAINTER, THOMAS SMITH; AND A SIXTY-TWO PIECE COLLECTION OF DESIGNER AND FASHION-RELATED CLOTHING FROM FASHION ICON IRIS APFEL.- FORTY-EIGHT IMPORTANT PIECES FOR THE ASIAN EXPORT ART COLLECTION, INCLUDING AN OIL PAINTING, PORTRAIT OF TWO ENGLISH BOYS IN ASIAN CLOTHING, BY TILLY KETTLE, AND FOUR PAINTINGS DEPICTING THE HONGS OF CANTON DURING THE FIRE OF 1822. - FOUR CHINESE OBJECTS INCLUDING TWO PAINTINGS BY ARTIST QIU DESHU AND A BRONZE STATUE OF A CHINESE DEITY, DATED JIAGING 36.- A COMPUTER GENERATED DATA PROJECTION BY CHARLES SANDISON, ENTITLED FIGUREHEAD.- TWENTY-SIX NEW PIECES FOR THE MARITIME ART COLLECTION PROMINENT AMONG WHICH IS JOHN FREDERICK KENSETT'S OIL PAINTING, FORTY STEPS BEACH.- ONE THOUSAND THIRTY-FIVE WORKS FOR THE NATIVE AMERICAN ART COLLECTION, INCLUDING SEVERAL COLLECTIONS, NOTABLE AMONG WHICH ARE AN ETHNOGRAPHIC COLLECTION OF MORE THAN NINE HUNDRED WORKS OF ART AND ARTIFACTS, AND A COLLECTION OF 33 CONTEMPORARY SOUTHWESTERN NATIVE AMERICAN CERAMIC POTS. - A COLLECTION OF TWENTY PHOTOGRAPHS BY AMERICAN PHOTOGRAPHER MILTON ROGOVIN DOCUMENTING CHINA IN 1986. - NINE ACQUISITIONS FOR THE SOUTH ASIAN AND KOREAN ART COLLECTION REPRESENTING TWO PAINTINGS AND SEVEN WORKS ON PAPER BY ARTIST GIEVE PATEL.IN ADDITION TO THE MUSEUM'S MANY EXCITING NEW ADDITIONS, THE PHILLIPS LIBRARY CONTINUED TO ACQUIRE IMPORTANT RARE BOOKS, PAPERS, PRINTS, AND PHOTOGRAPHS - MORE THAN ONE THOUSAND NEW OBJECTS IN ALL DURING 2011. | |
| 1535257 | MEMBERSHIP AND GUEST SERVICES | |
| 2645006 | PUBLIC INFORMATION & CREATIVE SERVICES | |
| 860663 | MEDIA SERVICES | |
| 1234597 | ENTERPRISES | 887043 |
| 1162695 | EXPANSION PROJECT |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Of Other Program Service Exp | 11724786 | TotalOfOtherProgramServiceExp |
| Total Of Other Program Service Rev | 887043 | TotalOfOtherProgramServiceRev |
| Total Program Service Expense | 25586765 | TotalProgramServiceExpense |
| Described In501 C3 | 1 | DescribedIn501C3 |
| Schedule B Required | 1 | ScheduleBRequired |
| Political Activities | 0 | PoliticalActivities |
| Lobbying Activities | 0 | LobbyingActivities |
| Subject To Proxy Tax | 0 | SubjectToProxyTax |
| Donor Advised Funds | 0 | DonorAdvisedFunds |
| Conservation Easements | 0 | ConservationEasements |
| Collections Of Art | 1 | CollectionsOfArt |
| Credit Counseling | 0 | CreditCounseling |
| Term Or Permanent Endowments | 1 | TermOrPermanentEndowments |
| Report Land Bldg Equip | 1 | ReportLandBldgEquip |
| Report Invest Oth Securities | 1 | ReportInvestOthSecurities |
| Report Prog Rel Invest | 0 | ReportProgRelInvest |
| Report Other Assets | 0 | ReportOtherAssets |
| Report Other Liabilities | 1 | ReportOtherLiabilities |
| Report Fin48 Footnote | 1 | ReportFin48Footnote |
| Independent Audit Financial Stmt | 1 | IndependentAuditFinancialStmt |
| Consolidated Audit Financial Stmt | 0 | ConsolidatedAuditFinancialStmt |
| School | 0 | School |
| Foreign Office | 0 | ForeignOffice |
| Foreign Activities | 1 | ForeignActivities |
| More Than5000 K To Organizations | 0 | MoreThan5000KToOrganizations |
| More Than5000 K To Individuals | 0 | MoreThan5000KToIndividuals |
| Professional Fundraising | 0 | ProfessionalFundraising |
| Fundraising Activities | 1 | FundraisingActivities |
| Gaming | 0 | Gaming |
| Hospital | 0 | Hospital |
| Grants To Organizations | 0 | GrantsToOrganizations |
| Grants To Individuals | 0 | GrantsToIndividuals |
| Schedule J Required | 1 | ScheduleJRequired |
| Tax Exempt Bonds | 0 | TaxExemptBonds |
| Excess Benefit Transaction | 0 | ExcessBenefitTransaction |
| Prior Excess Benefit Transaction | 0 | PriorExcessBenefitTransaction |
| Loan To Officer Or DQP | 1 | LoanToOfficerOrDQP |
| Grant To Related Person | 0 | GrantToRelatedPerson |
| Bsnss Rltnshp With Organization | 0 | BsnssRltnshpWithOrganization |
| Bsnss Rltnshp Thru Family Member | 0 | BsnssRltnshpThruFamilyMember |
| Officer Entity With Bsnss Rltnshp | 0 | OfficerEntityWithBsnssRltnshp |
| Deductible Non Cash Contributions | 1 | DeductibleNonCashContributions |
| Deductible Contributions Of Art | 1 | DeductibleContributionsOfArt |
| Terminated | 0 | Terminated |
| Partial Liquidation | 0 | PartialLiquidation |
| Disregarded Entity | 0 | DisregardedEntity |
| Related Entity | 0 | RelatedEntity |
| Related Org Controlled Entity | 0 | RelatedOrgControlledEntity |
| Transaction Related Entity | 0 | TransactionRelatedEntity |
| Transfers To Exempt Non Chrtbl Org | 0 | TransfersToExemptNonChrtblOrg |
| Activities Conducted Partnership | 0 | ActivitiesConductedPartnership |
| Schedule O Required | 1 | ScheduleORequired |
| Number Forms Transmitted With1096 | 89 | NumberFormsTransmittedWith1096 |
| Number W2 G Included | 0 | NumberW2GIncluded |
| Compliance With Backup Witholding | 1 | ComplianceWithBackupWitholding |
| Number Of Employees | 304 | NumberOfEmployees |
| Employment Tax Returns Filed | 1 | EmploymentTaxReturnsFiled |
| Unrelated Business Income | 1 | UnrelatedBusinessIncome |
| Form990-T Filed | 1 | Form990-TFiled |
| Foreign Financial Account | 1 | ForeignFinancialAccount |
| Name Of Foreign Country | VI | NameOfForeignCountry |
| Name Of Foreign Country | CJ | NameOfForeignCountry |
| Prohibited Tax Shelter Trans | 0 | ProhibitedTaxShelterTrans |
| Taxable Party Notification | 0 | TaxablePartyNotification |
| Non Deductible Contributions | 0 | NonDeductibleContributions |
| Quid Pro Quo Contributions | 1 | QuidProQuoContributions |
| Quid Pro Quo Disclosure | 1 | QuidProQuoDisclosure |
| Form8282 Property Disposed Of | 0 | Form8282PropertyDisposedOf |
| Funds To Pay Premiums | 0 | FundsToPayPremiums |
| Premiums Paid | 0 | PremiumsPaid |
| Indoor Tanning Services | 0 | IndoorTanningServices |
| Info In Schedule O Part VI | X | InfoInScheduleOPartVI |
| Nbr Voting Governing Body Members | 24 | NbrVotingGoverningBodyMembers |
| Number Independent Voting Members | 24 | NumberIndependentVotingMembers |
| Family Or Business Relationship | 0 | FamilyOrBusinessRelationship |
| Delegation Of Management Duties | 0 | DelegationOfManagementDuties |
| Changes To Organizing Docs | 0 | ChangesToOrganizingDocs |
| Material Diversion Or Misuse | 0 | MaterialDiversionOrMisuse |
| Members Or Stockholders | 0 | MembersOrStockholders |
| Election Of Board Members | 0 | ElectionOfBoardMembers |
| Decisions Subject To Approval | 0 | DecisionsSubjectToApproval |
| Minutes Of Governing Body | 1 | MinutesOfGoverningBody |
| Minutes Of Committees | 1 | MinutesOfCommittees |
| Officer Mailing Address | 0 | OfficerMailingAddress |
| Local Chapters | 0 | LocalChapters |
| Form990 Provided To Governing Body | 1 | Form990ProvidedToGoverningBody |
| Conflict Of Interest Policy | 1 | ConflictOfInterestPolicy |
| Annual Disclosure Covered Persons | 1 | AnnualDisclosureCoveredPersons |
| Regular Monitoring Enforcement | 1 | RegularMonitoringEnforcement |
| Whistleblower Policy | 1 | WhistleblowerPolicy |
| Document Retention Policy | 1 | DocumentRetentionPolicy |
| Compensation Process CEO | 1 | CompensationProcessCEO |
| Compensation Process Other | 1 | CompensationProcessOther |
| Investment In Joint Venture | 0 | InvestmentInJointVenture |
| States Where Copy Of Return Is Filed | MA | StatesWhereCopyOfReturnIsFiled |
| Upon Request | X | UponRequest |
The Books Are In Care Of TheBooksAreInCareOf
| Field | Value | IRS element (for citing) |
|---|---|---|
| Name Person | ANNE MUNSCH | NamePerson |
| Telephone Number | 9787459500 | TelephoneNumber |
Address US AddressUS
| Field | Value | IRS element (for citing) |
|---|---|---|
| Address Line1 | PEABODY ESSEX MUSEUM EAST INDIA | AddressLine1 |
| City | SALEM | City |
| State | MA | State |
| ZIP Code | 019703783 | ZIPCode |
Form990 Part VII Section A Form990PartVIISectionA (33 entries)
| TitleTitle | Average Hours Per WeekAverageHoursPerWeek | Individual Trustee Or DirectorIndividualTrusteeOrDirector | Reportable Comp From OrganizationReportableCompFromOrganization | Reportable Comp From Related OrgsReportableCompFromRelatedOrgs | Other CompensationOtherCompensation | OfficerOfficer | Key EmployeeKeyEmployee | Highest Compensated EmployeeHighestCompensatedEmployee |
|---|---|---|---|---|---|---|---|---|
| TINA AMBANI | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| SAMUEL BYRNE | ||||||||
| CO-CHAIRMAN | 1.00 | X | 0 | 0 | 0 | X | ||
| C RICHARD CARLSON | ||||||||
| TREASURER | 1.00 | X | 0 | 0 | 0 | X | ||
| ALFRED CHANDLER | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| MARTHA CHAYET | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| SAMIR DESAI | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| KIM SMITH GUERSTER | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| CARTER HARRISON | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| JAMES HAWKES | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| D THOMAS HEALEY JR | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| SEAN HEALEY | ||||||||
| CO-CHAIRMAN | 1.00 | X | 0 | 0 | 0 | X | ||
| CARLA HERWITZ | ||||||||
| SECRETARY | 1.00 | X | 0 | 0 | 0 | X | ||
| TIMOTHY INGRAHAM | ||||||||
| VICE PRESIDENT | 1.00 | X | 0 | 0 | 0 | X | ||
| SUSAN LEAVITT | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| SCOTT OFFEN | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| JOHN PARKER | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| STUART PRATT | ||||||||
| VICE PRESIDENT | 1.00 | X | 0 | 0 | 0 | X | ||
| GEORGE PUTNAM | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| JEFFREY RAYPORT | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| C FRANKLIN SAYRE | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| ROBERT SHAPIRO | ||||||||
| PRESIDENT | 1.00 | X | 0 | 0 | 0 | X | ||
| NANCY TIEKEN | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| ROSE-MARIE VAN OTTERLOO | ||||||||
| VICE PRESIDENT | 1.00 | X | 0 | 0 | 0 | X | ||
| GAIL VON METZSCH | ||||||||
| TRUSTEE | 1.00 | X | 0 | 0 | 0 | |||
| DAN MONROE | ||||||||
| EXECUTIVE DIRECTOR | 40.00 | 578254 | 0 | 48813 | X | |||
| JOSHUA BASSECHES | ||||||||
| DEPUTY DIRECTOR | 40.00 | 420574 | 0 | 41731 | X | |||
| ANNE MUNSCH | ||||||||
| CFO | 40.00 | 212020 | 0 | 21438 | X | |||
| LYNDA ROSCOE HARTIGAN | ||||||||
| CHIEF CURATOR | 40.00 | 230330 | 0 | 47554 | X | |||
| CHRISTOPHER REASKE | ||||||||
| CHIEF PHILANTHROPY OFFICER | 40.00 | 375473 | 0 | 17597 | X | |||
| HOWARD J FINNEY | ||||||||
| CHIEF MARKETING OFFICER | 40.00 | 207643 | 0 | 40730 | X | |||
| ANNE BUTTERFIELD | ||||||||
| DIR. INSTITUTIONAL GIVING | 40.00 | 146114 | 0 | 16645 | X | |||
| ROBERT MONK | ||||||||
| DIR. OF FACILITIES & SEC. | 40.00 | 151340 | 0 | 32041 | X | |||
| SUSAN LAWRENCE | ||||||||
| ASSOC. CHIEF PHILANTHROPY | 40.00 | 125359 | 0 | 32790 | X | |||
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Reportable Comp From Org | 2447107 | TotalReportableCompFromOrg |
| Total Reportable Comp Frm Rltd Orgs | 0 | TotalReportableCompFrmRltdOrgs |
| Total Other Compensation | 299339 | TotalOtherCompensation |
| Number Individuals GT100 K | 15 | NumberIndividualsGT100K |
| Formers Listed | 0 | FormersListed |
| Total Comp GT150 K | 1 | TotalCompGT150K |
| Compensation From Other Sources | 0 | CompensationFromOtherSources |
Contractor Compensation ContractorCompensation (5 entries)
| Address Line1AddressOfContractor/AddressUS/AddressLine1 | CityAddressOfContractor/AddressUS/City | StateAddressOfContractor/AddressUS/State | ZIP CodeAddressOfContractor/AddressUS/ZIPCode | Description Of ServicesDescriptionOfServices | CompensationCompensation | Address Line1AddressOfContractor/AddressForeign/AddressLine1 | CityAddressOfContractor/AddressForeign/City | CountryAddressOfContractor/AddressForeign/Country |
|---|---|---|---|---|---|---|---|---|
| ROUX ASSOCIATES INC | ||||||||
| 209 SHAFTER STREET | ISLANDIA | NY | 11749 | ENVIRONMENTAL SERVICES | 550249 | |||
| RICK MATHER ARCHITECTS | ||||||||
| ARCHITECTURAL SERVICES | 440729 | 123 CAMDEN HIGH STREET | LONDON | UK | ||||
| BACKSTAGE LIBRARY WORKS | ||||||||
| 533 EAST 1860 SOUTH | PROVO | UT | 84606 | LIBRARY SERVICES | 382924 | |||
| FOLEY HOAG LLP | ||||||||
| 155 SEAPORT BOULEVARD | BOSTON | MA | 02210 | LEGAL SERVICES | 339057 | |||
| NEPC LLC | ||||||||
| ONE MAIN STREET | CAMBRIDGE | MA | 02142 | INVESTMENT SERVICES | 226036 | |||
| Field | Value | IRS element (for citing) |
|---|---|---|
| Number Of Contractors GT100 K | 8 | NumberOfContractorsGT100K |
| Membership Dues | 778000 | MembershipDues |
| Fundraising Events | 136585 | FundraisingEvents |
| Government Grants | 1364567 | GovernmentGrants |
| All Other Contributions | 40791268 | AllOtherContributions |
| Noncash Contributions | 1706523 | NoncashContributions |
| Total Contributions | 43070420 | TotalContributions |
Program Service Revenue ProgramServiceRevenue (5 entries)
| DescriptionDescription | Business CodeBusinessCode | Total Revenue ColumnTotalRevenueColumn | Related Or Exempt Function IncomeRelatedOrExemptFunctionIncome |
|---|---|---|---|
| ADMISSIONS | 900099 | 1423254 | 1423254 |
| TRAVELING EXHIBITIONS | 900099 | 1063745 | 1063745 |
| FUNCTIONS | 900099 | 332715 | 332715 |
| EDUCATION PROGRAM REV. | 900099 | 252698 | 252698 |
| OTHER PROGRAM REVENUE | 900099 | 103452 | 103452 |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Program Service Revenue | 3175864 | TotalProgramServiceRevenue |
Investment Income InvestmentIncome
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | 3473980 | TotalRevenueColumn |
| Exclusion | $3,473,980 | ExclusionAmount |
Royalties Revenue RoyaltiesRevenue
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | 8651 | TotalRevenueColumn |
| Exclusion | $8,651 | ExclusionAmount |
Gross Rents GrossRents
| Field | Value | IRS element (for citing) |
|---|---|---|
| Real | 4500 | Real |
Less Rental Expenses LessRentalExpenses
| Field | Value | IRS element (for citing) |
|---|---|---|
| Real | 14475 | Real |
Rental Income Or Loss RentalIncomeOrLoss
| Field | Value | IRS element (for citing) |
|---|---|---|
| Real | -9975 | Real |
Net Rental Income Or Loss NetRentalIncomeOrLoss
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | -9975 | TotalRevenueColumn |
| Exclusion | -$9,975 | ExclusionAmount |
Gross Amount Sales Assets GrossAmountSalesAssets
| Field | Value | IRS element (for citing) |
|---|---|---|
| Securities | 132786418 | Securities |
Less Cost Oth Basis Sales Expenses LessCostOthBasisSalesExpenses
| Field | Value | IRS element (for citing) |
|---|---|---|
| Securities | 130938794 | Securities |
Gain Or Loss GainOrLoss
| Field | Value | IRS element (for citing) |
|---|---|---|
| Securities | 1847624 | Securities |
Net Gain Or Loss Investments NetGainOrLossInvestments
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | 1847624 | TotalRevenueColumn |
| Exclusion | $1,847,624 | ExclusionAmount |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Gross Income Fundraising Events | 81350 | GrossIncomeFundraisingEvents |
| Cntrbtns Rprtd Fundraising Events | 136585 | CntrbtnsRprtdFundraisingEvents |
| Fundraising Direct Expenses | 133856 | FundraisingDirectExpenses |
Net Income From Fundraising Events NetIncomeFromFundraisingEvents
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | -52506 | TotalRevenueColumn |
| Exclusion | -$52,506 | ExclusionAmount |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Gross Sales Of Inventory | 1571059 | GrossSalesOfInventory |
| Cost Of Goods Sold | 794844 | CostOfGoodsSold |
Net Income Or Loss NetIncomeOrLoss
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | 776215 | TotalRevenueColumn |
| Related Or Exempt Function Income | 377594 | RelatedOrExemptFunctionIncome |
| Unrelated Business Revenue | 398621 | UnrelatedBusinessRevenue |
Other Revenue Misc OtherRevenueMisc (2 entries)
| DescriptionDescription | Business CodeBusinessCode | Total Revenue ColumnTotalRevenueColumn | ExclusionExclusionAmount |
|---|---|---|---|
| SETTLEMENTS RECEIVED | 900099 | 444225 | $444,225 |
| MISC INVESTMENT INCOME | 900099 | 133122 | $133,122 |
Miscellaneous Revenue MiscellaneousRevenue
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | 176734 | TotalRevenueColumn |
| Related Or Exempt Function Income | 176734 | RelatedOrExemptFunctionIncome |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Other Revenue | 754081 | TotalOtherRevenue |
Total Revenue TotalRevenue
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Revenue Column | 53044354 | TotalRevenueColumn |
| Related Or Exempt Function Income | 3730192 | RelatedOrExemptFunctionIncome |
| Unrelated Business Revenue | 398621 | UnrelatedBusinessRevenue |
| Exclusion | $5,845,121 | ExclusionAmount |
Comp Current Officers Directors CompCurrentOfficersDirectors
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 1600712 | Total |
| Program Services | 642687 | ProgramServices |
| Management And General | 621375 | ManagementAndGeneral |
| Fundraising | 336650 | Fundraising |
Other Salaries And Wages OtherSalariesAndWages
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 7367804 | Total |
| Program Services | 5218457 | ProgramServices |
| Management And General | 755579 | ManagementAndGeneral |
| Fundraising | 1393768 | Fundraising |
Pension Plan Contributions PensionPlanContributions
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 602875 | Total |
| Program Services | 393994 | ProgramServices |
| Management And General | 92561 | ManagementAndGeneral |
| Fundraising | 116320 | Fundraising |
Other Employee Benefits OtherEmployeeBenefits
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 344444 | Total |
| Program Services | 208165 | ProgramServices |
| Management And General | 95564 | ManagementAndGeneral |
| Fundraising | 40715 | Fundraising |
Payroll Taxes PayrollTaxes
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 658185 | Total |
| Program Services | 430140 | ProgramServices |
| Management And General | 101052 | ManagementAndGeneral |
| Fundraising | 126993 | Fundraising |
Fees For Services Accounting FeesForServicesAccounting
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 102000 | Total |
| Management And General | 102000 | ManagementAndGeneral |
Fees For Services Other FeesForServicesOther
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 1681558 | Total |
| Program Services | 1297484 | ProgramServices |
| Management And General | 285114 | ManagementAndGeneral |
| Fundraising | 98960 | Fundraising |
Advertising Advertising
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 655781 | Total |
| Program Services | 655781 | ProgramServices |
Office Expenses OfficeExpenses
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 939204 | Total |
| Program Services | 531507 | ProgramServices |
| Management And General | 338172 | ManagementAndGeneral |
| Fundraising | 69525 | Fundraising |
Occupancy Occupancy
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 4288851 | Total |
| Program Services | 3305495 | ProgramServices |
| Management And General | 885021 | ManagementAndGeneral |
| Fundraising | 98335 | Fundraising |
Travel Travel
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 817896 | Total |
| Program Services | 577117 | ProgramServices |
| Management And General | 106452 | ManagementAndGeneral |
| Fundraising | 134327 | Fundraising |
Interest Interest
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 1656832 | Total |
| Program Services | 1639390 | ProgramServices |
| Management And General | 17355 | ManagementAndGeneral |
| Fundraising | 87 | Fundraising |
Depreciation Depletion DepreciationDepletion
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 4211328 | Total |
| Program Services | 3229452 | ProgramServices |
| Management And General | 883688 | ManagementAndGeneral |
| Fundraising | 98188 | Fundraising |
Insurance Insurance
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 281764 | Total |
| Management And General | 281764 | ManagementAndGeneral |
Other Expenses OtherExpenses (4 entries)
| DescriptionDescription | TotalTotal | Program ServicesProgramServices | Management And GeneralManagementAndGeneral | FundraisingFundraising |
|---|---|---|---|---|
| COLLECTION ACQUISITIONS | 4286568 | 4286568 | ||
| EXHIBITIONS | 1433912 | 1433912 | ||
| EXPANSION PROJECT EXP. | 1162695 | 1162695 | ||
| HOSPITALITY | 391646 | 140269 | 71188 | 180189 |
All Other Expenses AllOtherExpenses
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 537276 | Total |
| Program Services | 433652 | ProgramServices |
| Management And General | 96403 | ManagementAndGeneral |
| Fundraising | 7221 | Fundraising |
Total Functional Expenses TotalFunctionalExpenses
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total | 33021331 | Total |
| Program Services | 25586765 | ProgramServices |
| Management And General | 4733288 | ManagementAndGeneral |
| Fundraising | 2701278 | Fundraising |
Cash Non Interest Bearing CashNonInterestBearing
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 71282 | BOY |
| EOY | 55415 | EOY |
Savings And Temp Cash Investments SavingsAndTempCashInvestments
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 1628298 | BOY |
| EOY | 2104917 | EOY |
Pledges And Grants Receivable PledgesAndGrantsReceivable
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 43199051 | BOY |
| EOY | 10908877 | EOY |
Accounts Receivable AccountsReceivable
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 576864 | BOY |
| EOY | 116460 | EOY |
Receivables From Officers Etc ReceivablesFromOfficersEtc
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 197316 | BOY |
| EOY | 197316 | EOY |
Inventories For Sale Or Use InventoriesForSaleOrUse
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 672150 | BOY |
| EOY | 712429 | EOY |
Prepaid Expenses Deferred Charges PrepaidExpensesDeferredCharges
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 806748 | BOY |
| EOY | 1149714 | EOY |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Land Buildings Equipment Basis | 120929488 | LandBuildingsEquipmentBasis |
| Land Bldg Equipment Accum Deprec | 44387134 | LandBldgEquipmentAccumDeprec |
Land Buildings Equipment Basis Net LandBuildingsEquipmentBasisNet
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 78283562 | BOY |
| EOY | 76542354 | EOY |
Investments Pub Traded Securities InvestmentsPubTradedSecurities
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 220191070 | BOY |
| EOY | 254804525 | EOY |
Investments Other Securities InvestmentsOtherSecurities
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 21504814 | BOY |
| EOY | 27312351 | EOY |
Other Assets Total OtherAssetsTotal
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 5152200 | BOY |
| EOY | 7072027 | EOY |
Total Assets TotalAssets
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 372283355 | BOY |
| EOY | 380976385 | EOY |
Accounts Payable Accrued Expenses AccountsPayableAccruedExpenses
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 1621094 | BOY |
| EOY | 1971299 | EOY |
Deferred Revenue DeferredRevenue
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 457082 | BOY |
| EOY | 427806 | EOY |
Tax Exempt Bond Liabilities TaxExemptBondLiabilities
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 31285000 | BOY |
| EOY | 30310000 | EOY |
Mort Notes Pybl Secured Invest Prop MortNotesPyblSecuredInvestProp
| Field | Value | IRS element (for citing) |
|---|---|---|
| EOY | 750000 | EOY |
Other Liabilities OtherLiabilities
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 3389952 | BOY |
| EOY | 4213342 | EOY |
Total Liabilities TotalLiabilities
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 36753128 | BOY |
| EOY | 37672447 | EOY |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Follow SFAS117 | X | FollowSFAS117 |
Unrestricted Net Assets UnrestrictedNetAssets
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 86917566 | BOY |
| EOY | 79648077 | EOY |
Temporarily Restricted Net Assets TemporarilyRestrictedNetAssets
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 75580279 | BOY |
| EOY | 66173726 | EOY |
Permanently Restricted Net Assets PermanentlyRestrictedNetAssets
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 173032382 | BOY |
| EOY | 197482135 | EOY |
Total Net Assets Fund Balances TotalNetAssetsFundBalances
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 335530227 | BOY |
| EOY | 343303938 | EOY |
Total Liab Net Assets Fund Balances TotalLiabNetAssetsFundBalances
| Field | Value | IRS element (for citing) |
|---|---|---|
| BOY | 372283355 | BOY |
| EOY | 380976385 | EOY |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Info In Schedule O Part XI | X | InfoInScheduleOPartXI |
| Reconcilation Revenue Expenses | 20023023 | ReconcilationRevenueExpenses |
| Reconcilation Other Changes | -12249312 | ReconcilationOtherChanges |
| Method Of Accounting Accrual | X | MethodOfAccountingAccrual |
| Accountant Compile Or Review | 0 | AccountantCompileOrReview |
| FS Audited | 1 | FSAudited |
| Audit Committee | 1 | AuditCommittee |
| Financial Statement Separate | X | FinancialStatementSeparate |
| Federal Grant Audit Required | 1 | FederalGrantAuditRequired |
| Federal Grant Audit Performed | 1 | FederalGrantAuditPerformed |
Schedule A IRS990ScheduleA
| Field | Value | IRS element (for citing) |
|---|---|---|
| Publicly Supported Org170b1 Avi | X | PubliclySupportedOrg170b1Avi |
Gifts Grants Contrib Received170 GiftsGrantsContribReceived170
| Field | Value | IRS element (for citing) |
|---|---|---|
| Current Tax Year Minus4 Years | 46833475 | CurrentTaxYearMinus4Years |
| Current Tax Year Minus3 Years | 17633022 | CurrentTaxYearMinus3Years |
| Current Tax Year Minus2 Years | 24532780 | CurrentTaxYearMinus2Years |
| Current Tax Year Minus1 Year | 87381774 | CurrentTaxYearMinus1Year |
| Current Tax Year | 43070420 | CurrentTaxYear |
| Total | 219451471 | Total |
Total170 Total170
| Field | Value | IRS element (for citing) |
|---|---|---|
| Current Tax Year Minus4 Years | 46833475 | CurrentTaxYearMinus4Years |
| Current Tax Year Minus3 Years | 17633022 | CurrentTaxYearMinus3Years |
| Current Tax Year Minus2 Years | 24532780 | CurrentTaxYearMinus2Years |
| Current Tax Year Minus1 Year | 87381774 | CurrentTaxYearMinus1Year |
| Current Tax Year | 43070420 | CurrentTaxYear |
| Total | 219451471 | Total |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Amounts Subst Contributors Total | 146600842 | AmountsSubstContributorsTotal |
| Public Support Total170 | 72850629 | PublicSupportTotal170 |
Gross Investment Income170 GrossInvestmentIncome170
| Field | Value | IRS element (for citing) |
|---|---|---|
| Current Tax Year Minus4 Years | 4295191 | CurrentTaxYearMinus4Years |
| Current Tax Year Minus3 Years | 6533664 | CurrentTaxYearMinus3Years |
| Current Tax Year Minus2 Years | 3516750 | CurrentTaxYearMinus2Years |
| Current Tax Year Minus1 Year | 2769911 | CurrentTaxYearMinus1Year |
| Current Tax Year | 3620253 | CurrentTaxYear |
| Total | 20735769 | Total |
Net UBI NetUBI
| Field | Value | IRS element (for citing) |
|---|---|---|
| Current Tax Year Minus1 Year | 708 | CurrentTaxYearMinus1Year |
| Total | 708 | Total |
Other Income170 OtherIncome170
| Field | Value | IRS element (for citing) |
|---|---|---|
| Current Tax Year Minus4 Years | 111557 | CurrentTaxYearMinus4Years |
| Current Tax Year Minus3 Years | 105284 | CurrentTaxYearMinus3Years |
| Current Tax Year Minus2 Years | 87176 | CurrentTaxYearMinus2Years |
| Current Tax Year Minus1 Year | 115395 | CurrentTaxYearMinus1Year |
| Current Tax Year | 81350 | CurrentTaxYear |
| Total | 500762 | Total |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Support | 240688710 | TotalSupport |
| Gross Receipts From Admissions Etc | 19181687 | GrossReceiptsFromAdmissionsEtc |
| Public Support Pertcentage170 | 0.30270 | PublicSupportPertcentage170 |
| Public Support Pertcent Prior Year | 0.26850 | PublicSupportPertcentPriorYear |
| Ten Percent Test Current Year | X | TenPercentTestCurrentYear |
| Facts And Circumstances Test | PURSUANT TO TREASURY REGULATION 1.170A-9(F)(3), THE ORGANIZATION SHOULD BE CONSIDERED A PUBLICLY SUPPORTED ORGANIZATION BECAUSE IT MEETS THE FACTS AND CIRCUMSTANCES TEST AS OUTLINED BELOW.TEN-PERCENT-OF-SUPPORT REQUIREMENT: PEABODY ESSEX MUSEUM (SOMETIMES REFERRED TO AS "PEM") SATISFIES THIS REQUIREMENT BECAUSE THE PERCENTAGE OF SUPPORT RECEIVED FROM GOVERNMENTAL UNITS, FROM CONTRIBUTIONS MADE DIRECTLY OR INDIRECTLY BY THE GENERAL PUBLIC, OR FROM A COMBINATION OF THESE SOURCES EXCEEDS 10% OF TOTAL SUPPORT. ATTRACTION OF PUBLIC SUPPORT REQUIREMENT: THE PEABODY ESSEX MUSEUM IS AND HAS ALWAYS BEEN ORGANIZED AND OPERATED IN A MANNER TO ATTRACT NEW AND BROAD-BASED PUBLIC AND GOVERNMENTAL SUPPORT ON A CONTINUOUS BASIS. A STAFF OF SEVENTEEN DEVELOPMENT PROFESSIONALS IS RESPONSIBLE FOR CONDUCTING EXTENSIVE AND VARIED FORMS OF FUNDRAISING DESIGNED TO ATTRACT SUPPORT FROM THE GENERAL PUBLIC, GOVERNMENTAL ENTITIES, CORPORATIONS AND FOUNDATIONS. THE ACTIVITIES CONDUCTED INCLUDE SOLICITATIONS COMMUNICATED THROUGH VARIOUS MEANS - EMAIL, MAIL, PHONE AND IN-PERSON. FUNDRAISING EVENTS ARE CONDUCTED TO GENERATE ANNUAL SUPPORT AS WELL AS TO FOSTER RELATIONSHIPS THAT LEAD TO FUTURE GIVING. THE INSTITUTIONAL GIVING STAFF IS RESPONSIBLE FOR SEEKING SUPPORT FOR THE MUSEUM'S MAJOR PROGRAMMATIC EFFORTS BY PRODUCING GRANT PROPOSALS DIRECTED TO BOTH GOVERNMENTAL AND NON-GOVERNMENTAL ENTITIES. ACROSS ALL OF THESE FUNDRAISING AREAS, MORE THAN 57,000 PROSPECTS AND EXISTING DONORS WERE SOLICITED FOR SUPPORT DURING 2011, RESULTING IN APPROXIMATELY 9,500 GIFTS COMING FROM 9,300 DIFFERENT DONORS. OTHER PUBLIC SUPPORT FACTORS 1. PERCENTAGE OF FINANCIAL SUPPORT FACTOR: THE MUSEUM'S PUBLIC SUPPORT PERCENTAGE FOR 2012 IS 30.27%, WHICH IS WELL ABOVE THE 10% TEST THRESHOLD. AS THE MUSEUM IS CURRENTLY IN THE MIDST OF A MAJOR CAPITAL CAMPAIGN, INDIVIDUAL SOLICITATIONS AND GIFTS TEND TO BE LARGER THAN WOULD BE EXPECTED DURING A NON-CAMPAIGN PERIOD WITH THE RESULTING IMPACT OF LOWERING THE PUBLIC SUPPORT PERCENTAGE. 2. SOURCES OF SUPPORT FACTOR: THE COLLECTIONS OF THE PEABODY ESSEX MUSEUM HAVE BEEN PUBLICLY ACCESSIBLE FOR 212 YEARS, WHICH RANKS IT AMONG THE FIRST AMERICAN MUSEUMS TO HAVE SUCH A PUBLIC MANDATE. THE PEABODY ESSEX MUSEUM TRACES ITS ORIGINS TO 1799 WHEN A GROUP OF SALEM-BASED, INTERNATIONAL, SEA-GOING BUSINESS LEADERS WERE AMONG THE FIRST AMERICANS TO DEVELOP TRADING RELATIONSHIPS WITH COUNTRIES IN ASIA, AFRICA, OCEANIA AND BEYOND. THESE EARLY AMERICAN ENTREPRENEURS BROUGHT BACK MAGNIFICENT ART AND ARTIFACTS FROM THE CULTURES THEY ENCOUNTERED AND WERE EAGER TO SHARE WHAT THEY HAD DISCOVERED WITH THE LARGER PUBLIC. ALTHOUGH MORE THAN 200 YEARS HAVE PASSED, THE MUSEUM'S COMMITMENT TO SERVING THE INTERESTS OF THE GENERAL PUBLIC IS AS STRONG AS EVER. THE MUSEUM'S COLLECTIONS ARE AMONG THE FINEST OF THEIR KIND AND ENCOMPASS AN UNRIVALED SPECTRUM OF CULTURES AND GENRE, INCLUDING AMERICAN ART AND ARCHITECTURE, AMERICAN DECORATIVE ART, MARITIME ART, NATIVE AMERICAN ART, ASIAN ART AND ARCHITECTURE, ASIAN EXPORT ART, AFRICAN ART, OCEANIC ART, PHOTOGRAPHY AND CONTEMPORARY ART. IN ADDITION, THE MUSEUM OPERATES THE PHILLIPS LIBRARY, ONE OF THE NATION'S MOST IMPORTANT MUSEUM-BASED COLLECTIONS OF RARE BOOKS AND MANUSCRIPTS. THE BREADTH OF THE MUSEUM'S COLLECTIONS AND OFFERINGS IS UNQUESTIONABLY VARIED, SO THAT IT IS CAPABLE OF APPEALING TO A WIDE VARIETY OF INTERESTS, WHICH IN TURN HELPS TO BUILD ATTENDANCE, COMMUNITY PARTICIPATION, COMMITMENT AND PHILANTHROPIC SUPPORT. IN RECENT YEARS, THE MUSEUM HAS CONTINUED TO EXPAND ITS FIELDS OF INTEREST; FOR EXAMPLE, CONTEMPORARY ART WAS ADDED AS NEW CURATORIAL DEPARTMENT IN 2009. CONTEMPORARY ART, IN PARTICULAR, IS ONE AVENUE FOR ENGAGING YOUNGER PEOPLE, THEREBY HELPING TO DEVELOP THE NEXT GENERATION OF INSTITUTIONAL LEADERS AND SUPPORTERS. BY EXPANDING THE PROGRAMMATIC SCOPE, THE MUSEUM HAS DEMONSTRATED ITS COMMITMENT TO PROVIDING OPPORTUNITIES FOR CONNECTING WITH A LARGER NUMBER OF PEOPLE, RATHER THAN LIMITING ITS APPEAL TO A FEW. AS NOTED PREVIOUSLY, THE MUSEUM RECEIVED SUPPORT FROM APPROXIMATELY 9,300 DIFFERENT DONORS DURING 2011. 3. REPRESENTATIVE GOVERNING BODY FACTOR: DURING 2011, 24 INDIVIDUALS SERVED ON PEM'S BOARD OF TRUSTEES. ALL OF THE TRUSTEES ARE INDEPENDENT VOTING MEMBERS AND REPRESENT A BROAD CROSS-SECTION OF VIEWS AND INTERESTS. AMONG THE MUSEUM'S TRUSTEES ARE INDIVIDUALS REPRESENTING DIFFERENT COMMUNITIES, FROM A LOCAL COMMUNITY LEADER IN SALEM TO REPRESENTATIVES OF THE INDIAN COMMUNITIES, BOTH IN THE UNITED STATES AND IN INDIA. PEM'S BOARD INCLUDES INDIVIDUALS WHO ARE THEMSELVES COLLECTORS AND/OR EXPERTS IN DIFFERENT AREAS OF ART, INCLUDING JAPANESE ART, RARE LIBRARY MATERIALS, AND DUTCH AND FLEMISH ART. TWO TRUSTEES HAVE BEEN INVOLVED DIRECTLY IN OPERATING MUSEUMS - ONE AS A FORMER CURATOR AND ONE WHO OVERSEES A MUSEUM FOR CONTEMPORARY ART. SEVERAL MEMBERS OF THE MUSEUM'S BOARD HAVE INTERESTS AND EXPERIENCE WITHIN THE FIELD OF EDUCATION, INCLUDING A FORMER UNIVERSITY EDUCATOR, A MUSEUM DOCENT, AND AN INDIVIDUAL RESPONSIBLE FOR ESTABLISHING AND OPERATING A FOUNDATION DEVOTED TO SUPPORTING K-12 EDUCATIONAL INITIATIVES. VARIOUS AREAS OF TECHNICAL EXPERTISE ARE ALSO REPRESENTED BY NUMEROUS BOARD MEMBERS, INCLUDING SPECIALIZED KNOWLEDGE OF REAL ESTATE, BUSINESS, JOURNALISM, LAW, INVESTING, LAND PROTECTION AND PRESERVATION. 4. AVAILABILITY OF PUBLIC FACILITIES OR SERVICES FACTOR: DURING 2011, THE PEABODY ESSEX MUSEUM REPORTED ALMOST 250,000 ON-SITE VISITORS, COMING FROM BOTH THE LOCAL COMMUNITY AND FROM AROUND THE WORLD. THE MAIN MUSEUM GALLERIES ARE OPEN TO THE PUBLIC SIX DAYS PER WEEK, WHICH REPRESENTS ALMOST 2,200 HOURS ANNUALLY DURING WHICH THE PUBLIC HAS ACCESS TO THE VARIOUS COLLECTIONS AND PROGRAMS THAT ARE OFFERED. TO ENCOURAGE ENGAGEMENT WITH THE LOCAL COMMUNITY AND WITH STUDENTS, ADMISSION IS FREE FOR RESIDENTS OF SALEM, MASSCHUSETTS AND FOR YOUTH UNDER THE AGE OF 17. THE MUSEUM'S CAMPUS ALSO INCLUDES NUMEROUS PARKS AND GARDENS, AND 24 HISTORIC PROPERTIES, INCLUDING YIN YU TANG, THE ONLY EXAMPLE OF CHINESE DOMESTIC ARCHITECTURE ON DISPLAY IN THE UNITED STATES. PEM'S PHILLIPS LIBRARY, WHICH IS ONE OF THE OLDEST AND LARGEST RESEARCH LIBRARIES IN NEW ENGLAND, IS ALSO AVAILABLE TO THE GENERAL PUBLIC, SCHOLARS AND RESEARCHERS. ACROSS THE CAMPUS, THERE IS 123,000 SQUARE FEET OF PUBLIC EXHIBITION SPACE FOR USE IN DISPLAYING AND INTERPRETING THE MUSEUM'S VAST COLLECTIONS AND FOR PRESENTING CHANGING EXHIBITIONS, OF WHICH THERE WERE EIGHT OPENED DURING 2011. ANNUALLY, THE MUSEUM'S DEPARTMENT OF EDUCATION AND INTERPRETATION CONDUCTS HUNDREDS OF PROGRAMS DESIGNED TO ADVANCE ARTS LEARNING AND APPRECIATION. ALTHOUGH THESE PROGRAMS ARE DELIVERED IN MANY SPACES THROUGHOUT THE CAMPUS, THE MUSEUM HAS DEDICATED 13,000 SQUARE FEET SPECIFICALLY FOR THESE PURPOSES. THE WIDE ARRAY OF PROGRAMS OFFERED IS DESIGNED TO ATTRACT AND ENGAGE VISITORS OF ALL AGES WITH DIVERSE BACKGROUNDS, KNOWLEDGE, INTERESTS, PREFERENCES AND NEEDS. IN AN EFFORT TO ENSURE THAT A BROAD AUDIENCE IS SERVED, THE MUSEUM FOCUSES ON SEVERAL BROAD AUDIENCE CATEGORIES: K-12 STUDENTS, TEACHERS, FAMILIES AND ADULTS FROM COLLEGE AGE THROUGH SENIOR CITIZENS. | FactsAndCircumstancesTest |
| General Explanation | SCHEDULE A, PART IV, SUPPLEMENTAL INFORMATION: PART II, SECTION B, LINE 10, OTHER INCOME: AMOUNTS REPORTED ON SCHEDULE A, PART II, LINE 10 ARE THE QUID PRO QUO PORTION OF FUNDRAISING REVENUE AS REPORTED ON FORM 990, PART VIII, LINE 8A. | GeneralExplanation |
Schedule B IRS990ScheduleB
Contributor Info ContributorInfo
| Field | Value | IRS element (for citing) |
|---|---|---|
| Contributor Number | RESTRICTED | ContributorNumber |
Contributor Name Business ContributorNameBusiness
| Field | Value | IRS element (for citing) |
|---|---|---|
| Business Name Line1 | RESTRICTED | BusinessNameLine1 |
Contributor Address US ContributorAddressUS
| Field | Value | IRS element (for citing) |
|---|---|---|
| Address Line1 | RESTRICTED | AddressLine1 |
| Address Line2 | RESTRICTED | AddressLine2 |
| City | RESTRICTED | City |
| State | RESTRICTED | State |
| ZIP Code | RESTRICTED | ZIPCode |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Aggregate Contributions | RESTRICTED | AggregateContributions |
Schedule D IRS990ScheduleD
| Field | Value | IRS element (for citing) |
|---|---|---|
| Collect Used For Public Exhibition | X | CollectUsedForPublicExhibition |
| Collect Used For Scholar Research | X | CollectUsedForScholarResearch |
| Collect Used For Preservation | X | CollectUsedForPreservation |
| Collect Used For Loan Or Exch Prgrms | X | CollectUsedForLoanOrExchPrgrms |
| Solicited Assets For Sale | 1 | SolicitedAssetsForSale |
Current Year CurrentYear
| Field | Value | IRS element (for citing) |
|---|---|---|
| Beginning Of Year Balance | 196986297 | BeginningOfYearBalance |
| Contributions | 54896241 | Contributions |
| Investment Earnings Or Losses | -5734170 | InvestmentEarningsOrLosses |
| Grants Or Scholarships | 0 | GrantsOrScholarships |
| Other Expenditures | 6340525 | OtherExpenditures |
| End Of Year Balance | 239807843 | EndOfYearBalance |
Current Year Minus1 Year CurrentYearMinus1Year
| Field | Value | IRS element (for citing) |
|---|---|---|
| Beginning Of Year Balance | 143779149 | BeginningOfYearBalance |
| Contributions | 42258108 | Contributions |
| Investment Earnings Or Losses | 16850095 | InvestmentEarningsOrLosses |
| Grants Or Scholarships | 5000 | GrantsOrScholarships |
| Other Expenditures | 5896055 | OtherExpenditures |
| End Of Year Balance | 196986297 | EndOfYearBalance |
Current Year Minus2 Years CurrentYearMinus2Years
| Field | Value | IRS element (for citing) |
|---|---|---|
| Beginning Of Year Balance | 117052262 | BeginningOfYearBalance |
| Contributions | 12225902 | Contributions |
| Investment Earnings Or Losses | 19984970 | InvestmentEarningsOrLosses |
| Grants Or Scholarships | 5000 | GrantsOrScholarships |
| Other Expenditures | 5478985 | OtherExpenditures |
| End Of Year Balance | 143779149 | EndOfYearBalance |
Current Year Minus3 Years CurrentYearMinus3Years
| Field | Value | IRS element (for citing) |
|---|---|---|
| Beginning Of Year Balance | 136939972 | BeginningOfYearBalance |
| Contributions | 13652230 | Contributions |
| Investment Earnings Or Losses | -29026170 | InvestmentEarningsOrLosses |
| Grants Or Scholarships | 5000 | GrantsOrScholarships |
| Other Expenditures | 4508770 | OtherExpenditures |
| End Of Year Balance | 117052262 | EndOfYearBalance |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Board Designated EOY Balance | 0.04060 | BoardDesignatedEOYBalance |
| Permanent Endowment EOY Balance | 0.77850 | PermanentEndowmentEOYBalance |
| Term Endowment EOY Balance | 0.18090 | TermEndowmentEOYBalance |
| Endowments Held By Unrelated Orgs | 0 | EndowmentsHeldByUnrelatedOrgs |
| Endowments Held By Related Orgs | 0 | EndowmentsHeldByRelatedOrgs |
Land Land
| Field | Value | IRS element (for citing) |
|---|---|---|
| Other Cost Or Other Basis | 1397019 | OtherCostOrOtherBasis |
| Book Value | 1397019 | BookValue |
Buildings Buildings
| Field | Value | IRS element (for citing) |
|---|---|---|
| Other Cost Or Other Basis | 103660216 | OtherCostOrOtherBasis |
| Depreciation | 33235872 | Depreciation |
| Book Value | 70424344 | BookValue |
Equipment Equipment
| Field | Value | IRS element (for citing) |
|---|---|---|
| Other Cost Or Other Basis | 12462483 | OtherCostOrOtherBasis |
| Depreciation | 10309901 | Depreciation |
| Book Value | 2152582 | BookValue |
Other Land Buildings OtherLandBuildings
| Field | Value | IRS element (for citing) |
|---|---|---|
| Other Cost Or Other Basis | 3409770 | OtherCostOrOtherBasis |
| Depreciation | 841361 | Depreciation |
| Book Value | 2568409 | BookValue |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Of Book Value Land Buildings | 76542354 | TotalOfBookValueLandBuildings |
Other Securities OtherSecurities (14 entries)
| DescriptionDescription | Book ValueBookValue | Method Of ValuationMethodOfValuation |
|---|---|---|
| SCOUT CAPITAL FUND LTD. | 4716831 | F |
| CEVIAN CAPITAL FUND II (CLASS A) | 2431770 | F |
| BEACH POINT TOTAL RETURN OFFSHORE FUND II LTD. | 2376183 | F |
| MARINER-TRICADIA CREDIT STRATEGIES LTD. (CLASS C) | 2348727 | F |
| STANDARD PACIFIC CAPITAL OFFSHORE FUND LTD. (CLASS A SERIES C) | 1852990 | F |
| PERRY INTERN'L | 4377082 | F |
| REALTY ASSOC. ADV. | 3385332 | F |
| SIGULER GUFF DISTRESSED REAL ESTATE OPPORTUNITIES FUND | 1370033 | F |
| INDUSTRY VENTURES FUND VI, L.P. | 431812 | F |
| PRIVATE ADVISORS SMALL COMPANY BUYOUT FUND IV, L.P. | 459985 | F |
| SIGULER GUFF CAPITAL PARTNERS VLLI V LLC | 1369696 | F |
| SIGULER GUFF DISTRESSED OPPORTUNITIES FUND IV | 800461 | F |
| EIG GLOBAL ENERGY PARTNERS FUND XV | 1149284 | F |
| VISTA EQUITY PARTNERS FUND IV, L.P. | 242165 | F |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Of Book Value Securities | 27312351 | TotalOfBookValueSecurities |
Other Liabilities OtherLiabilities (4 entries)
| DescriptionDescription | AmountAmount |
|---|---|
| INTEREST RATE SWAP, MARK TO MARKET | $3,087,235 |
| ENVIRONMENTAL REMEDIATION LIABILITY | $115,000 |
| OBLIGATION UNDER SPLIT-INTEREST AGREEMENTS | $937,108 |
| OBLIGATION UNDER LEASE | $73,999 |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Of Amounts | 4213342 | TotalOfAmounts |
| Total Revenue | 53044354 | TotalRevenue |
| Total Expenses | 33021331 | TotalExpenses |
| Excess Or Deficit For Year | 20023023 | ExcessOrDeficitForYear |
| Net Unrealized GL On Investments | -11891174 | NetUnrealizedGLOnInvestments |
| Other | -$358,138 | OtherAmount |
| Total Adjustments | -12249312 | TotalAdjustments |
| Excess Or Deficit Per FS | 7773711 | ExcessOrDeficitPerFS |
| Tot Revenue Etc Audited Fincl Stmt | 42096355 | TotRevenueEtcAuditedFinclStmt |
| Net Unrealized Gains Investments | -11891174 | NetUnrealizedGainsInvestments |
| Other Revenues | 943175 | OtherRevenues |
| Revenue Not Rptd F990 | -10947999 | RevenueNotRptdF990 |
| Revenue Subtotal | 53044354 | RevenueSubtotal |
| Revenue Not Rptd On Fin Stmt | 0 | RevenueNotRptdOnFinStmt |
| Total Revenue Per Form990 | 53044354 | TotalRevenuePerForm990 |
| Tot Expenses Etc Audited Fincl Stmt | 34322644 | TotExpensesEtcAuditedFinclStmt |
| Other Expenses Included | 1301313 | OtherExpensesIncluded |
| Expenses Not Rptd F990 | 1301313 | ExpensesNotRptdF990 |
| Expenses Subtotal | 33021331 | ExpensesSubtotal |
| Expenses Not Rptd On Fin Stmt | 0 | ExpensesNotRptdOnFinStmt |
| Total Expenses Per Form990 | 33021331 | TotalExpensesPerForm990 |
Form990 Schedule D Part XIV Form990ScheduleDPartXIV (7 entries)
| Return ReferenceReturnReference | ExplanationExplanation | IdentifierIdentifier |
|---|---|---|
| PART III, LINE 1A: | THE COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE MUSEUM'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN UNRESTRICTED NET ASSETS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. | |
| PART III, LINE 4: | THE PEABODY ESSEX MUSEUM (THE MUSEUM) PRESENTS ART AND CULTURE FROM NEW ENGLAND AND AROUND THE WORLD. THE MUSEUM'S COLLECTIONS ARE AMONG THE FINEST OF THEIR KIND, SHOWCASING AN UNRIVALED SPECTRUM OF AMERICAN ART AND ARCHITECTURE (INCLUDING FOUR NATIONAL HISTORIC LANDMARK BUILDINGS) AND OUTSTANDING ASIAN, ASIAN EXPORT, NATIVE AMERICAN, AFRICAN, OCEANIC, MARITIME, CONTEMPORARY AND PHOTOGRAPHY COLLECTIONS. IN ADDITION TO ITS VAST COLLECTIONS, THE MUSEUM OFFERS A VIBRANT SCHEDULE OF CHANGING EXHIBITIONS AND A HANDS-ON EDUCATION CENTER. THE MUSEUM CAMPUS FEATURES PARKS, PERIOD GARDENS, AND 22 HISTORIC PROPERTIES, INCLUDING YIN YU TANG, A 200-YEAR-OLD HOUSE THAT IS THE ONLY COMPLETE EXAMPLE OF CHINESE DOMESTIC ARCHITECTURE ON DISPLAY IN THE UNITED STATES. | |
| PART V, LINE 4: | TO PROVIDE BOTH GENERAL AND SPECIFIC SUPPORT FOR MUSEUM OPERATIONS. | DESCRIPTION OF INTENDED USE OF ENDOWMENT FUNDS: |
| PART X: | THE MUSUEM ACCOUNTS FOR THE EFFECT OF ANY UNCERTAIN TAX POSITIONS BASED ON A "MORE LIKELY THAN NOT" THRESHOLD TO THE RECOGNITION OF THE TAX POSITIONS BEING SUSTAINED BASED ON THE TECHNICAL MERITS OF THE POSITION UNDER SCRUTINY BY THE APPLICABLE TAXING AUTHORITY. IF A TAX POSITION OR POSITIONS ARE DEEMED TO RESULT IN UNCERTAINTIES OF THOSE POSITIONS, THE UNRECOGNIZED TAX BENEFIT IS ESTIMATED BASED ON A "CUMULATIVE PROBABILITY ASSESSMENT" THAT AGGREGATES THE ESTIMATED TAX LIABILITY FOR ALL UNCERTAIN TAX POSITIONS. INTEREST AND PENALTIES ASSESSED, IF ANY, ARE ACCRUED AS INCOME TAX EXPENSE. THE MUSEUM HAS IDENTIFIED ITS STATUS AS A PUBLICLY SUPPORTED TAX EXEMPT ENTITY AS ITS ONLY SIGNIFICANT POSITION AND HAS DETERMINED THAT SUCH POSITION DOES NOT RESULT IN AN UNCERTAINTY REQUIRING RECOGNITION. ITS FEDERAL AND STATE INCOME TAX RETURNS ARE GENERALLY OPEN FOR EXAMINATION FOR THE THREE YEARS AFTER THE DATE OF FILING OF THE RELATED RETURN. THE MUSEUM'S 2009 FEDERAL RETURNS 990 AND 990-T ARE CURRENTLY UNDER EXAMINATION BY THE INTERNAL REVENUE SERVICE. | DESCRIPTION OF UNCERTAIN TAX POSITIONS UNDER FIN 48: |
| CHANGE IN VALUE OF SPLIT INTEREST AGREEMENTS -335,855. CHANGE IN VALUE OF INTEREST RATE SWAP -22,283. TOTAL TO SCHEDULE D, PART XI, LINE 8: -358,138. | PART XI, LINE 8 - OTHER ADJUSTMENTS: | |
| COST OF GOODS SOLD 794,844. BUILDING RENTAL EXPENSES 14,475. SPECIAL EVENT EXPENSES 133,856. | PART XII, LINE 2D - OTHER ADJUSTMENTS: | |
| COST OF GOODS SOLD 794,844. BUILDING RENTAL EXPENSES 14,475. SPECIAL EVENT EXPENSES 133,856. CHANGE IN VALUE OF INTEREST RATE SWAP 22,283. CHANGE IN VALUE OF SPLIT INTEREST AGREEMENTS 335,855. | PART XIII, LINE 2D - OTHER ADJUSTMENTS: |
Schedule F IRS990ScheduleF
Accts Actvs Out US Table AcctsActvsOutUSTable
| Field | Value | IRS element (for citing) |
|---|---|---|
| Region | CENTRAL AMERICA AND THE CARIBBEAN - | Region |
| Number Of Offices | 0 | NumberOfOffices |
| Number Of Employees | 0 | NumberOfEmployees |
| Type Of Activities Conducted | INVESTMENTS | TypeOfActivitiesConducted |
| Total Expenditures | 54550169 | TotalExpenditures |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Subtotal Number Of Offices | 0 | SubtotalNumberOfOffices |
| Subtotal Number Of Employees | 0 | SubtotalNumberOfEmployees |
| Cont Number Of Offices | 0 | ContNumberOfOffices |
| Cont Number Of Employees | 0 | ContNumberOfEmployees |
| Total Number Of Offices | 0 | TotalNumberOfOffices |
| Total Number Of Employees | 0 | TotalNumberOfEmployees |
| Subtotal Amount Spent | 54550169 | SubtotalAmountSpent |
| Cont Amount Spent | 0 | ContAmountSpent |
| Total Amount Spent | 54550169 | TotalAmountSpent |
| Transfer To Foreign Corp | 1 | TransferToForeignCorp |
| Interest In Foreign Trust | 0 | InterestInForeignTrust |
| Own Foreign Corp | 1 | OwnForeignCorp |
| Passive Foreign Invest Co | 1 | PassiveForeignInvestCo |
| Foreign Partnership | 0 | ForeignPartnership |
| Boycott Countries | 0 | BoycottCountries |
Schedule G IRS990ScheduleG
Events Information EventsInformation
| Field | Value | IRS element (for citing) |
|---|---|---|
| Name Of Event1 | ANNUAL GALA | NameOfEvent1 |
| Gross Receipts Event1 | 217935 | GrossReceiptsEvent1 |
| Charitable Contributions Event1 | 136585 | CharitableContributionsEvent1 |
| Gross Revenue Event1 | 81350 | GrossRevenueEvent1 |
| Food And Beverage Event1 | 60009 | FoodAndBeverageEvent1 |
| Entertainment Event1 | 12085 | EntertainmentEvent1 |
| Other Direct Expenses Event1 | 61762 | OtherDirectExpensesEvent1 |
| Gross Receipts Total | 217935 | GrossReceiptsTotal |
| Charitable Contributions Total | 136585 | CharitableContributionsTotal |
| Gross Revenue Total Events | 81350 | GrossRevenueTotalEvents |
| Food And Beverage Total Events | 60009 | FoodAndBeverageTotalEvents |
| Entertainment Total Events | 12085 | EntertainmentTotalEvents |
| Other Direct Expenses Total Events | 61762 | OtherDirectExpensesTotalEvents |
| Direct Expense Summary Events | 133856 | DirectExpenseSummaryEvents |
| Net Income Summary | -52506 | NetIncomeSummary |
Schedule J IRS990ScheduleJ
| Field | Value | IRS element (for citing) |
|---|---|---|
| Travel For Companions | X | TravelForCompanions |
| Idemnification Gross Up Payments | X | IdemnificationGrossUpPayments |
| Written Policy Re T And E Expenses | 1 | WrittenPolicyReTAndEExpenses |
| Substantiation Required | 1 | SubstantiationRequired |
| Compensation Committee | X | CompensationCommittee |
| Form990 Of Other Organizations | X | Form990OfOtherOrganizations |
| Written Employment Contract | X | WrittenEmploymentContract |
| Compensation Survey | X | CompensationSurvey |
| Board Or Committee Approval | X | BoardOrCommitteeApproval |
| Severance Payment | 0 | SeverancePayment |
| Supplemental Nonqual Retire Plan | 0 | SupplementalNonqualRetirePlan |
| Equity Based Comp Arrangement | 0 | EquityBasedCompArrangement |
| Comp Based On Revenue Of Filing Org | 0 | CompBasedOnRevenueOfFilingOrg |
| Comp Based On Revenue Related Orgs | 0 | CompBasedOnRevenueRelatedOrgs |
| Comp Based Net Earnings Filing Org | 0 | CompBasedNetEarningsFilingOrg |
| Comp Based Net Earnings Relate Orgs | 0 | CompBasedNetEarningsRelateOrgs |
| Any Non Fixed Payments | 1 | AnyNonFixedPayments |
| Initial Contract Exception | 0 | InitialContractException |
Form990 Schedule J Part II Form990ScheduleJPartII (9 entries)
| Base Compensation Filing OrgBaseCompensationFilingOrg | Comp Based On Related OrgsCompBasedOnRelatedOrgs | Bonus Filing OrgBonusFilingOrg | Bonus Related OrgsBonusRelatedOrgs | Other Compensation Filing OrgOtherCompensationFilingOrg | Other Compensation Related OrgsOtherCompensationRelatedOrgs | Deferred Comp Filing OrgDeferredCompFilingOrg | Deferred Comp Related OrgsDeferredCompRelatedOrgs | Nontaxable Benefits Filing OrgNontaxableBenefitsFilingOrg | Nontaxable Benefits Related OrgsNontaxableBenefitsRelatedOrgs | Total Compensation Filing OrgTotalCompensationFilingOrg | Total Compensation Related OrgsTotalCompensationRelatedOrgs | Comp Report Prior990 Filing OrgCompReportPrior990FilingOrg | Comp Report Prior990 Related OrgsCompReportPrior990RelatedOrgs |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| DAN MONROE | |||||||||||||
| 504306 | 0 | 0 | 0 | 73948 | 0 | 33075 | 0 | 15738 | 0 | 627067 | 0 | 0 | 0 |
| JOSHUA BASSECHES | |||||||||||||
| 392574 | 0 | 28000 | 0 | 0 | 0 | 14700 | 0 | 27031 | 0 | 462305 | 0 | 0 | 0 |
| ANNE MUNSCH | |||||||||||||
| 192020 | 0 | 20000 | 0 | 0 | 0 | 11749 | 0 | 9689 | 0 | 233458 | 0 | 0 | 0 |
| LYNDA ROSCOE HARTIGAN | |||||||||||||
| 208330 | 0 | 22000 | 0 | 0 | 0 | 22846 | 0 | 24708 | 0 | 277884 | 0 | 0 | 0 |
| CHRISTOPHER REASKE | |||||||||||||
| 359473 | 0 | 16000 | 0 | 0 | 0 | 14700 | 0 | 2897 | 0 | 393070 | 0 | 0 | 0 |
| HOWARD J FINNEY | |||||||||||||
| 199643 | 0 | 8000 | 0 | 0 | 0 | 12723 | 0 | 28007 | 0 | 248373 | 0 | 0 | 0 |
| ANNE BUTTERFIELD | |||||||||||||
| 145764 | 0 | 350 | 0 | 0 | 0 | 8937 | 0 | 7708 | 0 | 162759 | 0 | 0 | 0 |
| ROBERT MONK | |||||||||||||
| 134840 | 0 | 16500 | 0 | 0 | 0 | 16864 | 0 | 15177 | 0 | 183381 | 0 | 0 | 0 |
| SUSAN LAWRENCE | |||||||||||||
| 125009 | 0 | 350 | 0 | 0 | 0 | 17645 | 0 | 15145 | 0 | 158149 | 0 | 0 | 0 |
Form990 Schedule J Part III Form990ScheduleJPartIII (2 entries)
| Return ReferenceReturnReference | ExplanationExplanation |
|---|---|
| PART I, LINE 1A | EXECUTIVE DIRECTOR TRAVEL PLANS FOR EACH YEAR ARE REVIEWED AND APPROVED BY THE PRESIDENT OF THE BOARD OF DIRECTORS BEFORE ANY TRAVEL IS UNDERTAKEN. THESE AMOUNTS CAN AND OFTEN DO INCLUDE SPOUSAL TRAVEL FOR THE EXECUTIVE DIRECTOR'S WIFE. ALL AMOUNTS FOR SPOUSAL TRAVEL ARE REFLECTED AS TAXABLE COMPENSATION TO THE EXECUTIVE DIRECTOR. A TAX GROSS-UP PAYMENT (ALSO INCLUDED IN TAXABLE COMPENSATION) IS MADE IN THE SUBSEQUENT YEAR. |
| PART I, LINE 7 | DISCRETIONARY BONUSES WERE PROVIDED TO ALL STAFF MEETING A MINIMUM SERVICE REQUIREMENT. BONUS AMOUNTS WERE DETERMINED AND APPROVED BY THE MUSEUM'S DIRECTOR, WORKING IN CONSULTATION WITH THE DEPUTY DIRECTOR, THE DIRECTOR OF HUMAN RESOURCES AND MEMBERS OF THE COMPENSATION COMMITTEE. |
Schedule L IRS990ScheduleL
Loan Table LoanTable
| Field | Value | IRS element (for citing) |
|---|---|---|
| Name Person | DAN MONROE | NamePerson |
| Purpose Of Loan | MORTGAGE LOAN | PurposeOfLoan |
| Loan From Organization | X | LoanFromOrganization |
| Original Principal | $200,000 | OriginalPrincipalAmount |
| Balance Due | 197316 | BalanceDue |
| Default | 0 | Default |
| Approved By Board | 1 | ApprovedByBoard |
| Written Agreement | 1 | WrittenAgreement |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Total Balance Due | 197316 | TotalBalanceDue |
Schedule M IRS990ScheduleM
Works Of Art WorksOfArt
| Field | Value | IRS element (for citing) |
|---|---|---|
| Non Cash Checkbox | X | NonCashCheckbox |
| Number Of Contributions | 32 | NumberOfContributions |
| Noncash Contribs Rptd F990 | 0 | NoncashContribsRptdF990 |
| Method Of Determining Revenues | COLL. OBJ. NOT VALUED | MethodOfDeterminingRevenues |
Books And Publications BooksAndPublications
| Field | Value | IRS element (for citing) |
|---|---|---|
| Non Cash Checkbox | X | NonCashCheckbox |
| Noncash Contribs Rptd F990 | 0 | NoncashContribsRptdF990 |
| Method Of Determining Revenues | COLL. OBJ. NOT VALUED | MethodOfDeterminingRevenues |
Securities Publicly Traded SecuritiesPubliclyTraded
| Field | Value | IRS element (for citing) |
|---|---|---|
| Non Cash Checkbox | X | NonCashCheckbox |
| Number Of Contributions | 37 | NumberOfContributions |
| Noncash Contribs Rptd F990 | 1706523 | NoncashContribsRptdF990 |
| Method Of Determining Revenues | AVG. HIGH/LOW ON VALUE | MethodOfDeterminingRevenues |
| Field | Value | IRS element (for citing) |
|---|---|---|
| Number Of8283 Received | 6 | NumberOf8283Received |
| Any Property That Must Be Held | 0 | AnyPropertyThatMustBeHeld |
| Review Process Unusual NC Gifts | 1 | ReviewProcessUnusualNCGifts |
| Third Parties Used | 1 | ThirdPartiesUsed |
Form990 Schedule M Part II Form990ScheduleMPartII (2 entries)
| IdentifierIdentifier | Return ReferenceReturnReference | ExplanationExplanation |
|---|---|---|
| METHOD FOR DETERMINING NUMBER OF CONTRIBUTORS: | PART I, COLUMN (B): | THE NUMBER SHOWN IN COLUMN B REPRESENTS THE NUMBER OF CONTRIBUTIONS. |
| THIRD PARTY USE: | PART I, LINE 32B: | FIDUCIARY TRUST COMPANY, 175 FEDERAL STREET, BOSTON, MA 02110 IS USED TO SELL CONTRIBUTIONS OF PUBLICLY TRADED SECURITIES. |
Schedule O IRS990ScheduleO
General Explanation GeneralExplanation (10 entries)
| IdentifierIdentifier | Return ReferenceReturnReference | ExplanationExplanation |
|---|---|---|
| PROGRAM SERVICE STATEMENT | FORM 990, PART III, LINE 4A, DESCRIPTION OF PROGRAM SERVICE: | EXHIBITIONS AND PUBLICATIONS: DUE IN LARGE PART TO ITS MANY POPULAR EXHIBITIONS, THE MUSEUM CONCLUDED ANOTHER SUCCESSFUL YEAR, PRESENTING EXCELLENT AND DYNAMIC EXAMPLES OF ART AND CULTURE TO APPROXIMATELY 900,000 PEOPLE DURING 2011 - 248,000 ON-SITE VISITORS IN SALEM AND ALMOST 650,000 PEOPLE WHO ATTENDED PEM-ORGANIZED EXHIBITIONS PRESENTED AT OTHER VENUES. THIS YEAR MARKED THE THIRD CONSECUTIVE YEAR OF ATTENDANCE INCREASES AND FALLS LESS THAN 600 VISITORS SHORT OF ITS HIGHEST ATTENDANCE EVER RECORDED. APPROXIMATELY ONE-FIFTH OF GENERAL ADMISSION VISITORS ALSO VISITED YIN YU TANG, THE ONLY COMPLETE QING DYNASTY HOUSE OUTSIDE OF CHINA AND A MODEL IN INTERNATIONAL HISTORIC PRESERVATION. THE MUSEUM'S 2011 EXHIBITION CALENDAR INCLUDED MANY STYLES AND SOURCES OF ART AND CULTURE. THE MUSEUM OPENED EIGHT NEW SPECIAL EXHIBITIONS IN 2011 AND CONTINUED SEVEN SHOWS THAT OPENED IN 2010, INCLUDING: - FACES OF DEVOTION, INDIAN SCULPTURE FROM THE FIGIEL COLLECTION (APRIL 10,2010 THROUGH JULY 15, 2012): THIS EXHIBITION CELEBRATES PEM'S ACQUISITION OF DR. LEO FIGIEL'S COLLECTION OF VERNACULAR INDIAN RELIGIOUS SCULPTURE FROM DIVERSE TRADITIONS ACROSS INDIA-THE COLLECTION IS RECOGNIZED AS THE FINEST OF ITS KIND IN EXISTENCE. WORKS RANGE OVER THE PAST MILLENNIUM, WITH MOST DATING FROM THE 16TH TO 19TH CENTURIES. MANY OF THESE BRONZES WERE MADE FOR HINDU RITUAL PRACTICE IN THE REGION THAT IS NOW THE STATES OF MAHARASHTRA AND KARNATAKA. - PAINTING THE MODERN IN INDIA (APRIL 10, 2010 THROUGH JUNE, 2012): SEVEN RENOWNED PAINTERS WHO CAME OF AGE DURING THE HEIGHT OF THE MOVEMENT TO FREE INDIA FROM BRITISH RULE PIONEERED NEW APPROACHES TO PAINTING, REPOSITIONING THEIR PRACTICES INTERNATIONALLY AND IN RELATION TO INDIA'S 5,000-YEAR HISTORY OF ART. THIS EXHIBITION FEATURED WORKS DRAWN FROM PEM'S HERWITZ COLLECTION, AMERICA'S MOST IMPORTANT HOLDING OF 20TH CENTURY INDIAN ART AND THE THE TINA AND ANIL AMBANI COLLECTION, ONE OF INDIA'S LEADING PRIVATE COLLECTIONS. - EYE SPY: PLAYING WITH PERCEPTION (JUNE 19, 2010 THROUGH MAY 22, 2011): EYE SPY PRESENTED 11 LEADING REGIONAL AND NATIONAL ARTISTS WHO FOCUS ON DIFFERENT ASPECTS OF PERCEPTION IN THEIR ART, INCLUDING VIEWS OF NATURE. THIS EXHIBITION EXPLORED HOW EACH OF THE ARTISTS USES FUNDAMENTALS OF PERCEPTION (E.G., LIGHT, FORM, COLOR, AND LINE) TO CREATE THEIR INNOVATIVE WORKS. VISITORS WERE ABLE TO EXPERIENCE WAYS IN WHICH PERCEPTION AND ILLUSION INFLUENCE THE WAY WE INTERPRET OUR WORLD THROUGH BOTH ARTWORKS AND RELATED INTERACTIVE ACTIVITIES. - IMPRINTS: PHOTOGRAPHS BY MARK RUWEDEL (JUNE 5, 2010 THROUGH FEBRUARY 21, 2011): THIS EXHIBITION BROUGHT TOGETHER SPECTACULAR COLOR AND BLACK-AND-WHITE PHOTOGRAPHS OF DINOSAUR TRACKS AND ANCIENT HUMAN FOOTPATHS BY MARK RUWEDEL, ONE OF THE COUNTRY'S PRE-EMINENT CONTEMPORARY LANDSCAPE PHOTOGRAPHERS. COLLECTIVELY, THESE PICTURES RECORD CHANGES IN THE LAND OVER MILLENNIA, AND THE STRANGE AND WONDERFUL LOCATIONS IN WHICH PREHISTORIC EVIDENCE IS NOW FOUND. IN RUWEDEL'S PHOTOGRAPHS, FOOTPRINTS APPEAR AND DISAPPEAR INEXPLICABLY, DESCENDING INTO GORGES, CROSSING RIVERS, AND CIRCLING MOUNTAINS-MYSTERIOUS MEMENTOS OF PEOPLES AND ANIMALS FROM LONG AGO. RUWEDEL USES THE CAMERA TO DOCUMENT TRAVELS THROUGH THE LANDSCAPE - HIS OWN AS WELL AS THOSE OF THE FOOTPRINTS HE FINDS. HIS PHOTOGRAPHS ARE BEAUTIFUL BUT ALSO POIGNANT, RAISING QUESTIONS ABOUT THE PASSAGE OF TIME, THE EPHEMERAL NATURE OF EXISTENCE, AND THE NATURE OF PHOTOGRAPHIC REPRESENTATION. RUWEDEL'S PICTURES OF DINOSAUR TRACKS HAD NEVER BEEN SHOWN BEFORE JUST AS THE ANCIENT HUMAN FOOTPATHS THEMSELVES ARE SELDOM SEEN. - THE EMPEROR'S PRIVATE PARADISE: TREASURES FROM THE FORBIDDEN CITY (SEPTEMBER 11, 2010 THROUGH JANUARY 9, 2011): DURING HIS REIGN FROM 1736 TO 1796, CHINA'S QIANLONG EMPEROR WAS ONE OF THE RICHEST, MOST POWERFUL LEADERS IN THE WORLD AND ALSO A VISIONARY PATRON OF THE ARTS. THE ELEGANT, INTIMATE PALACE GARDEN COMPLEX THAT HE BUILT WITHIN THE FORBIDDEN CITY FOR HIS RETIREMENT, AS WELL AS THE MANY ARTWORKS HE COMMISSIONED FOR THE COMPLEX, WERE SEQUESTERED FROM PUBLIC VIEW SINCE THE LATE 1700S AND ARE NOW UNDERGOING EXTENSIVE CONSERVATION. THE CULMINATION OF COLLABORATION AMONG PEM, THE PALACE MUSEUM, BEIJING, AND WORLD MONUMENTS FUND, THIS THEMATIC EXHIBITION PRESENTED 90 NEVER-BEFORE-SEEN MURALS, PAINTINGS, WALL COVERINGS, JADES, FURNITURE, AND ARCHITECTURAL ELEMENTS FROM THE QIANLONG GARDEN AND THE PALACE MUSEUM. THE CHOICE SELECTION OF OBJECTS EXPRESSES THE EMPEROR'S DESIRE TO INTEGRATE ART, NATURE, AND ARCHITECTURE AS WELL AS ANCIENT CULTURAL VALUES AND NEW PERSPECTIVES IN AN EXQUISITELY CRAFTED PALACE GARDEN COMPLEX THAT HAS BEEN DESCRIBED AS A MINI FORBIDDEN CITY AND A GEM AMONG EXISTING IMPERIAL CHINESE GARDENS. AFTER THE COMPLETION OF ITS RUN AT PEM, THIS EXHIBITION WILL TRAVEL TO TWO OTHER MAJOR AMERICAN ART MUSEUMS: THE METROPOLITAN MUSEUM OF ART, AND MILWAUKEE ART MUSEUM. PEM ALSO PARTNERED WITH YALE UNIVERSITY PRESS TO CO-PUBLISH A MAJOR EXHIBITION CATALOG IN CONJUNCTION WITH THIS EXHIBITION. - FREEPORT NO. 1: CHARLES SANDISON "FIGUREHEAD" (OCTOBER 1, 2010 THROUGH APRIL 24, 2011): FOR FREEPORT, PEM'S GROUNDBREAKING PROGRAM OF CONTEMPORARY ART, SEVERAL ARTISTS WILL ANNUALLY CREATE WORKS IN DIALOGUE WITH THE MUSEUM, ITS COLLECTION AND ITS HISTORICAL ARCHITECTURE. THE FIRST PROJECT WAS A MAJOR COMMISSION BY CHARLES SANDISON. RENOWNED FOR HIS ANIMATED DIGITAL TEXT PROJECTIONS IN DRAMATIC ARCHITECTURAL SETTINGS SUCH AS THE GRAND PALAIS IN PARIS, SANDISON CREATED "FIGUREHEAD," AN INSTALLATION FOR THE EAST INDIA MARINE HALL, THE MUSEUM'S ORIGINAL BUILDING AND HOME TO SOME OF THE EARLIEST WORKS IN THE COLLECTION. VISITORS WERE IMMERSED IN THE ANIMATED WORDS OF THE SEA CAPTAINS AND MERCHANTS RECORDED IN PEM'S EXTRAORDINARY COLLECTION OF SHIPS' LOGS AND JOURNALS THAT MAKE VISIBLE THE TRADE ROUTES, POLITICS, COMPETITION, AND EMOTIONS THAT LED TO THE MUSEUM'S FOUNDING AND PEM'S GLOBAL COLLECTION. - WRITTEN ON THE WAVES, SHIPBOARD JOURNALS AND LOGBOOKS (OCTOBER 2, 2010 THROUGH JULY 15, 2012): THIS EXHIBITION ENCOURAGED VISITORS TO DELVE INTO THE WORLD OF MARITIME MANUSCRIPTS AS WORKS TO BE APPRECIATED AS AESTHETIC OBJECTS, STORYTELLERS, AND TOUCHSTONES OF PERSONAL EXPERIENCE. THE EXHIBITION FEATURED A RANGE OF MANUSCRIPTS FROM THE PHILLIPS LIBRARY COLLECTION, INCLUDING EXAMPLES FROM THE REVOLUTIONARY WAR AND EARLY SALEM VOYAGES TO ASIA, AS WELL AS BY CAPTAIN'S WIVES AND CHILDREN. - GOLDEN: DUTCH AND FLEMISH MASTERWORKS FROM THE ROSE-MARIE AND EIJK VAN OTTERLOO COLLECTION (FEBRUARY 26, 2011 THROUGH JUNE 19, 2011): SIXTY-SEVEN PAINTINGS FROM THE INTERNATIONALLY ACCLAIMED COLLECTION OF ROSE-MARIE AND EIJK VAN OTTERLOO ILLUMINATE ONE OF THE GREATEST ARTISTIC AND CULTURAL CHAPTERS IN HISTORY. THE COLLECTION INCLUDES MASTERWORKS BY THE LEADING DUTCH AND FLEMISH ARTISTS OF THE PERIOD: REMBRANDT, FRANS HALS, JACOB VAN RUISDAEL, JAN BRUEGHEL THE ELDER, ALBERT CUYP, GERRIT DOU, WILLEM (CLAESZ) HEDA, NICHOLAS MAES, JAN STEEN, AND MANY OTHERS. AN EMERGING MERCHANT CLASS IN THE NETHERLANDS PATRONIZED THESE ARTISTS, ANNOUNCING BOTH THEIR NATIONAL PRIDE AND ARTISTIC AWARENESS THROUGH THE BROAD RANGE OF IMAGERY IN THE PAINTINGS THEY ACQUIRED-THE TURMOIL AND TRANQUILITY OF THE SEA, PROSPEROUS CITIES AND VILLAGES, THE FERTILE DUTCH COUNTRYSIDE IN ALL ITS GRANDEUR, INTIMATE STILL LIFES, PORTRAITS, AND SCENES OF DAILY LIFE. AT PEM, APPROXIMATELY 15 EXAMPLES OF SEVENTEENTH-CENTURY DUTCH AND FLEMISH FURNITURE AND DECORATIVE ARTS, ALSO FROM THE VAN OTTERLOO COLLECTION, ACCOMPANIED THESE GLORIOUS PAINTINGS. - FREEPORT NO. 2: MARIANNE MUELLER "ANY HOUSE IS A HOME" (MARCH 26, 2011 THROUGH MARCH 4, 2012): SINCE HER EARLY TWENTIES, SWISS ARTIST MARIANNE MUELLER HAS BEEN MAKING A PHOTOGRAPHIC ARCHIVE OF HER LIFE COMPRISED OF TENS OF THOUSANDS OF PHOTOGRAPHS, EACH REPRESENTING A MOMENT OF EXPERIENCE OR REVELATION. IN HER ART, MUELLER COMBINES SEEMINGLY UNRELATED IMAGERY FROM HER ARCHIVE IN PROVOCATIVE WAYS. THIS INSTALLATION COMBINED HER PHOTOGRAPHS WITH SELECTIONS FROM PEM'S COLLECTION OF PHOTOGRAPHS AND AMERICAN DECORATIVE ARTS. MUELLER IS A LEADING FIGURE IN EUROPEAN PHOTOGRAPHY, AND THIS EXHIBITION REPRESENTED HER AMERICAN MUSEUM DEBUT. |
| - FREEPORT NO. 3: SUSAN PHILLIPSZ (MAY 7, 2011 THROUGH NOVEMBER 6, 2011): SUSAN PHILLIPSZ, THE 2010 TURNER PRIZE WINNING ARTIST, CREATES SOUND INSTALLATIONS THAT EXPLORE WAYS IN WHICH THE EMOTIVE AND PSYCHOLOGICAL PROPERTIES OF SONG ALTER A LISTENER'S PERCEPTION OF PLACE AND TIME. WHILE SHE HAS USED A WIDE RANGE OF SOUND SOURCES, MOST OF HER WORK IS BASED ON RECORDINGS OF HER SINGING ANTHEMS, FOLK MUSIC, OR POP SONGS A CAPPELLA. PHILLIPSZ CREATED A NEW EIGHT-CHANNEL AUDIO INSTALLATION FOR PEM'S EAST INDIA MARINE HALL. HER VOICE WAS PROJECTED THROUGH AN ARRAY OF SPEAKERS INSTALLED TO ARTICULATE THE SOCIAL AND SPATIAL QUALITIES OF THE SPACE. HEARING HER DISEMBODIED VOICE IN SETTINGS WHERE SUCH AN INTIMATE EXPERIENCE IS UNEXPECTED SET UP A TENSION BETWEEN THE LISTENER'S PRIVATE MEMORIES AND THE COMMUNAL ASSOCIATIONS OF SONG. A PERSONAL REVERIE COULD BE CONNECTED TO SHARED AND EVEN COLLECTIVE MEMORIES ASSOCIATED WITH THE SPECIFIC ENVIRONMENT. - MAN RAY | LEE MILLER: PARTNERS IN SURREALISM (JUNE 11, 2011 THROUGH DECEMBER 4, 2011): THIS EXHIBITION BROUGHT TOGETHER WORKS MADE BY TWO GIANT FIGURES IN EUROPEAN SURREALISM: THE PAINTER, SCULPTOR, AND PHOTOGRAPHER MAN RAY, AND THE PHOTOGRAPHER LEE MILLER. FROM 1929-1932, THE TWO LIVED TOGETHER IN PARIS, FIRST AS TEACHER AND STUDENT, AND LATER AS LOVERS. THEIR MERCURIAL RELATIONSHIP RESULTED IN SOME OF THE MOST POWERFUL WORK OF EACH ARTIST'S CAREER, AND HELPED SHAPE THE COURSE OF MODERN ART. BRINGING TOGETHER UNIQUE AND VINTAGE PHOTOGRAPHS, PAINTINGS, SCULPTURE, AND DRAWINGS PRIMARILY FROM THE LEE MILLER ESTATE IN ENGLAND, THE EXHIBITION TOLD THE STORY OF THE ARTISTS' BRIEF BUT IMPORTANT ASSOCIATION. HISTORICALLY, MILLER HAS BEEN DESCRIBED AS MAN RAY'S MUSE, BUT "PARTNERS IN SURREALISM" REVEALED HOW THE ARTISTS INSPIRED EACH OTHER EQUALLY, COLLABORATING ON NUMEROUS WORKS, AND ALSO EXAMINED THE LINGERING EFFECT EACH HAD ON THE OTHER'S ART. THE WORKS HAVE RARELY BEEN SEEN IN THE UNITED STATES. CONNECTING PHOTOGRAPHY WITH OTHER MEDIA, THE EXHIBITION CELEBRATED HOW THE SURREALISTS COMBINED IMAGERY IN UNEXPECTED WAYS, CREATING EXTRAORDINARY FEATS OF IMAGINATION. IT ALSO SHOWED HOW THE THEMES OF LOVE, LUST, AND DESIRE DROVE THE ART OF THE SURREALISTS. - RIPPLE EFFECT, THE ART OF H2O (JUNE 18, 2011 THROUGH JULY 8, 2012): WATER SERVES AS INSPIRATION, CREATIVE MATERIAL AND METAPHOR FOR LIFE. WATER IN ITS DIFFERENT STATES (AS A GAS, A LIQUID, AND A SOLID) HAS UNIQUE PROPERTIES FOR ARTISTIC EXPLORATION. WE, AS HUMANS, ARE MADE UP OF IT AND EVOLVED OUT OF IT. WITHOUT WATER, LIFE COULD NOT EXIST, AND THE AVAILABILITY OF CLEAN FRESHWATER IS AN INCREASINGLY LIMITED RESOURCE. WARS HAVE ALREADY BEEN FOUGHT OVER WATER AND CREDIBLE AUTHORITIES ASSERT WORLD DEMAND FOR IT WILL EXCEED SUPPLY BY OVER 50% IN JUST 15 YEARS. THROUGH ARTWORK AND VARIED INTERACTIVE EXPERIENCES, VISITORS ENCOUNTERED WATER IN ITS DIFFERENT STATES, DISCOVERING ITS ALLURE TO ARTISTS, ITS REMARKABLE PROPERTIES, AND ITS INCREASING VULNERABILITY. - PAINTING THE AMERICAN VISION (JULY 30, 2011 THROUGH NOVEMBER 6, 2011): IN THE MID-1800S A LOOSELY KNIT GROUP OF AMERICAN ARTISTS-NOW KNOWN AS THE HUDSON RIVER SCHOOL-AS WELL AS POETS AND WRITERS, FORGED A SELF-CONSCIOUSLY "AMERICAN" LANDSCAPE VISION. THIS VISION WAS GROUNDED IN THE EXPLORATION OF THE NATURAL WORLD AS A RESOURCE FOR SPIRITUAL RENEWAL AND AS AN EXPRESSION OF CULTURAL AND NATIONAL IDENTITY. DRAWN FROM THE EXTRAORDINARY COLLECTION OF THE NEW-YORK HISTORICAL SOCIETY, THIS EXHIBITION FEATURED 45 CELEBRATED MASTERPIECES OF AMERICAN LANDSCAPE PAINTING, INCLUDING THOMAS COLE'S ICONIC SERIES OF MONUMENTAL PAINTINGS, "THE COURSE OF THE EMPIRE," AND WORKS BY ALBERT BIERSTADT, FREDERIC EDWIN CHURCH, JASPER FRANCIS CROPSEY, ASHER B. DURAND, SANFORD ROBINSON GIFFORD, THOMAS HILL, GEORGE INNESS, JOHN FREDERICK KENSETT, AND FRANCIS SILVA. - FREEPORT NO. 4: PETER HUTTON "AT SEA" (JULY 30, 2011 THROUGH JULY 2012): A FILM MAKER AND MERCHANT SEAMAN, PETER HUTTON HAS SPENT NEARLY 40 YEARS VOYAGING AROUND THE WORLD, OFTEN BY CARGO SHIP. HE CREATES MEDITATIVE, LUMINOUSLY PHOTOGRAPHED FILM STUDIES OF PLACES-FROM THE YANGTZE RIVER TO THE POLISH INDUSTRIAL CITY OF LODZ, AND FROM THE FJORD VALLEY AND COASTLINE OF NORTHERN ICELAND TO THE SHIP GRAVEYARD ON THE BANGLADESHI SHORE. HIS BACKGROUND IN MARITIME SERVICE AND THE ART AND LITERATURE OF SEAFARING, AS WELL AS EASTERN AND WESTERN PAINTERLY TRADITIONS, INSPIRE HIS WORK. THE CENTERPIECE OF THIS EXHIBITION-HIS FILM AT SEA (2007)-DEPICTS THE LIFE CYCLE OF A CONTAINER SHIP FROM MECHANIZED CONSTRUCTION IN MODERN KOREAN SHIPYARDS, ITS JOURNEY ACROSS THE ATLANTIC, TO ITS DEMISE VIA SHIP BREAKERS IN BANGLADESH. THE TITLE OF THE FILM EVOKES A LOSS OF PERSPECTIVE, A METAPHOR BORN OF THE EXPERIENCE OF THE WAY A SEA JOURNEY STRIPS US OF OUR USUAL MEASURES OF SCALE, TIME AND DISTANCE, SOMETHING THAT MARITIME ARTISTS HAVE LONG STRUGGLED TO DEPICT. THE FILM'S SHIFTS IN SCALE RESONATED WITH A COMPARISON INSTALLATION OF MODELS BUILT EITHER AS PHYSICAL EMBODIMENTS OF A SHIP'S DESIGN OR AS TESTAMENTS TO A VESSEL. THESE FULL AND HALF-HULL SHIP MODELS WERE DRAWN FROM THE PEABODY ESSEX MUSEUM'S WORLD-RENOWNED COLLECTION OF MARITIME ART. - UNBOUND, HIGHLIGHTS FROM THE PHILLIPS LIBRARY COLLECTION (NOVEMBER 12, 2011 THROUGH JULY 15, 2012): THE FOUNDERS OF THE PHILLIPS LIBRARY AT PEM WERE BIBLIOPHILES WHO AMASSED ONE OF THE GREAT COLLECTIONS IN THE WORLD. THEY WERE ALSO THE FOUNDERS OF THE EAST INDIA MARINE SOCIETY, WHOSE DESIRE TO GATHER DIVERSE OBJECTS FROM THE NORTHWEST COAST OF AMERICA, ASIA AND ELSEWHERE LED TO TODAY'S PEABODY ESSEX MUSEUM. THIS EXHIBITION REPRESENTED THE FIRST TIME THAT WORKS OF ART AND CULTURE FROM THE LIBRARY WERE ON VIEW. THE THREE-DOZEN WORKS PRESENTED ARE CONSIDERED TO BE AMONG THE PHILLIPS LIBRARY'S MOST APPEALING, BEAUTIFUL AND HISTORICALLY SIGNIFICANT. THE RANGE OF OBJECTS DEFIED CATEGORIZATION - FRAGILE PEEPAL LEAVES PAINTED WITH BIRDS, A HAND-DRAWN ANTISLAVERY MAP WITH COMMENTARY, EXQUISITE SAMPLES OF HANDMADE FRENCH LACE, A SIGNED FIRST EDITION OF NATHANIEL HAWTHORNE'S SCARLET LETTER AND MUCH MORE. | ||
| PROGRAM SERVICE STATEMENT | FORM 990, PART III, LINE 4B, DESCRIPTION OF PROGRAM SERVICE: | CURATORIAL AND COLLECTIONS: THE CURATORIAL STAFF IS RESPONSIBLE FOR CONCEIVING AND ORGANIZING EXHIBITIONS FOR THE MUSEUM AND ALSO FOR TRAVEL TO OTHER VENUES, AS WELL AS CULTIVATING SUPPORT FOR THE MUSEUM'S PROGRAMMATIC INITIATIVES AND COLLECTION. CURATORS ACQUIRE, PRESERVE, RESEARCH, AND INTERPRET THE MUSEUM'S COLLECTION. THE CURATORIAL STAFF ALSO PREPARES AND PUBLISHES SCHOLARLY CATALOGUES AND EDUCATIONAL TEXTS RELATED TO THE EXHIBITIONS AND THE COLLECTION AT LARGE. THE MUSEUM MAINTAINS AND EXHIBITS MANY UNIQUE AND WIDELY RESPECTED COLLECTIONS: - THE AFRICAN COLLECTION INCLUDES EARLY AND SIGNIFICANT WORKS FROM COASTAL EAST AND WEST AFRICA AND AN IMPORTANT BODY OF ZULU ARTWORK. THE MUSEUM ALSO HOUSES ONE OF THE WORLD'S FINEST COLLECTIONS OF ETHIOPIAN CHRISTIAN ART, CONSISTING OF SIXTEENTH-TO TWENTIETH-CENTURY ICONS AND METALWORK. - THE AMERICAN DECORATIVE ART, FOLK ART, AND COSTUME COLLECTION REPRESENTS MORE THAN 300 YEARS OF NEW ENGLAND ART AND CULTURE. IT FEATURES EXCEPTIONAL EXAMPLES OF REGIONAL FURNITURE, PORTRAITS, AND NEEDLEWORK. ADDITIONALLY, THE MUSEUM'S COSTUME COLLECTION RANKS AMONG THE TOP TEN IN THE NATION. - THE ASIAN EXPORT ART COLLECTION IS THE WORLD'S MOST COMPREHENSIVE COLLECTION OF DECORATIVE ART MADE IN ASIA FOR EXPORT TO WESTERN NATIONS AND REFLECTS THE COMPLEX AND FASCINATING INTERACTION BETWEEN THE ARTISTIC AND CULTURAL TRADITIONS OF EAST AND WEST. IT ENCOMPASSES PAINTINGS, FURNITURE, SILVER, PORCELAINS, WORKS ON PAPER, AND A WIDE RANGE OF OBJECTS CREATED BETWEEN THE FIFTEENTH AND TWENTIETH CENTURIES. - BORN DURING THE HEIGHT OF THE CHINA TRADE IN SALEM, THE CHINESE COLLECTION IS UNIQUE FOR ITS STRENGTH IN VERNACULAR ART THAT EXPLORES THE RICH TRADITIONS OF CHINESE CULTURE. IT FEATURES IMPORTANT QING DYNASTY WORKS, INCLUDING CERAMICS, TEXTILES, AND DECORATIVE ARTS. - THE MUSEUM'S INDIAN COLLECTION ENCOMPASSES BOTH CONTEMPORARY AND HISTORIC WORK. THE HERWITZ GALLERY, NAMED IN HONOR OF PIONEERING COLLECTORS CHESTER AND DAVIDA HERWITZ, IS THE FIRST AMERICAN MUSEUM GALLERY DEDICATED TO THE MODERN AND CONTEMPORARY ART OF INDIA, EXHIBITING PIECES BY ARTISTS WHO EXPRESS THE DYNAMIC PUBLIC AND PRIVATE CHARACTER OF CONTEMPORARY INDIA AND THE WORLD. BEGUN WITH MARINERS' DONATIONS FROM INDIA IN THE EARLY YEARS OF THE MUSEUM'S OPERATION, THE OLDER PORTION OF THE INDIAN COLLECTION INCLUDES IMPORTANT SCULPTURE, TEXTILES, CERAMICS, AND METALWORK. ADDITIONALLY, THE GEOGRAPHICALLY-RELATED HIMALAYAN COLLECTION CONTAINS THE NATION'S FOREMOST COLLECTION OF NINETEENTH AND TWENTIETH CENTURY BHUTANESE TEXTILE ARTS AS WELL AS IMPORTANT TIBETAN AND NEPALESE WORKS. - CONTRIBUTIONS FROM MANY OF AMERICA'S MOST IMPORTANT NINETEENTH AND TWENTIETH CENTURY COLLECTORS OF JAPANESE ART HAVE COMBINED TO CREATE A MAJOR COLLECTION OF THE ART AND CULTURE OF JAPAN. THE COLLECTION WAS BEGUN IN 1799 AND CONTAINS MANY WORKS CONSIDERED RARE EVEN IN JAPAN, WITH THE LATE EDO- AND MEIJI-PERIOD EXAMPLES RANKING AMONG THE FINEST IN THE WORLD. - FOUNDED IN THE 1880S, THE KOREAN COLLECTION PIONEERED AMERICAN INTEREST IN KOREAN ART AND CULTURE. TODAY, IT CONTAINS A BROAD SPECTRUM OF ART OF THE LATE JOSEON DYNASTY. THE COLLECTION IS DEEMED BY KOREAN SCHOLARS TO BE THE BEST OF ITS KIND IN THE UNITED STATES AND IS THE ONLY FOREIGN COLLECTION TO BE EXHIBITED AT THE NATIONAL MUSEUM IN SEOUL. - THE MARITIME COLLECTION, BEGUN IN 1803, IS THE FINEST IN AMERICA. IT IS INTERNATIONALLY RENOWNED FOR ITS HOLDINGS OF APPROXIMATELY 30,000 PAINTINGS, DRAWINGS, AND PRINTS, AS WELL AS ITS 20,000 MARITIME OBJECTS (SHIP MODELS, TOOLS, SHIP PLANS, ETC.) DATING FROM THE SEVENTEENTH THROUGH THE EARLY TWENTIETH CENTURIES. - THE NATIVE AMERICAN ART COLLECTION INCLUDES 20,000 WORKS DATING FROM THE SEVENTEEN CENTURY TO THE PRESENT, AS WELL AS 50,000 ARCHEOLOGICAL WORKS DATING BACK 10,000 YEARS. IN ADDITION, THE DEPARTMENT ACTIVELY WORKS WITH CONTEMPORARY ARTISTS THROUGHOUT THE AMERICAS. - THE OCEANIC COLLECTION IS INTERNATIONALLY RECOGNIZED FOR THE EARLY ORIGINS AND PROVENANCE OF ITS OBJECTS AS WELL AS ITS SIZE AND BREADTH AND REPRESENTS SOME OF THE FIRST PIECES DONATED TO THE MUSEUM IN 1799. IT INCLUDES MORE THAN 20,000 OBJECTS FROM MORE THAN THIRTY-SIX ISLAND GROUPS IN POLYNESIA, MELANESIA, AND MICRONESIA. - THE PHOTOGRAPHY COLLECTION COMPRISES MORE THAN 800,000 RARE AND VINTAGE IMAGES REPRESENTING NEARLY EVERY KIND OF PHOTOGRAPHIC FORMAT AND PROCESS. THE COLLECTION INCLUDES THE WORLD'S FINEST GROUP OF NINETEENTH-CENTURY PHOTOGRAPHS OF ASIA, THOUSANDS OF MARITIME IMAGES, EARLY AMERICA PHOTOGRAPHIC PORTRAITS, AS WELL AS ARCHITECTURAL AND LANDSCAPE IMAGES. - THE ARCHITECTURE COLLECTION INCLUDES TWENTY-TWO HISTORIC AMERICAN STRUCTURES AND A MAJOR ARCHITECTURAL FRAGMENT COLLECTION. FOUR OF THE BUILDINGS ARE DESIGNATED NATIONAL HISTORIC LANDMARKS; SIX OTHERS ARE LISTED ON THE NATIONAL REGISTER OF HISTORIC PLACES. THE MUSEUM HOLDS AMERICA'S FIRST COLLECTION OF HISTORIC BUILDINGS AND ONE OF ITS FINEST. - THE PHILLIPS LIBRARY, PART OF THE PEABODY ESSEX MUSEUM, IS ONE OF NEW ENGLAND'S MOST IMPORTANT AND HISTORIC RESEARCH LIBRARIES. IT IS A MAJOR RESOURCE FOR MONOGRAPHS AND MANUSCRIPTS RELATED TO ART AND CULTURE, WITH A PARTICULAR FOCUS ON MARITIME ART AND HISTORY, NEW ENGLAND ART AND HISTORY, AND DOCUMENTS RELATING TO THE MUSEUM'S DIVERSE COLLECTIONS. THE LIBRARY ALSO HOLDS THE NATION'S LARGEST COLLECTION OF SHIP LOGS AND JOURNALS AS WELL AS ORIGINAL COURT DOCUMENTS FROM THE 1692 SALEM WITCHCRAFT TRIALS. |
| PROGRAM SERVICE STATEMENT | FORM 990, PART III, LINE 4C, DESCRIPTION OF PROGRAM SERVICE: | EDUCATION: THE MUSEUM'S DEPARTMENT OF EDUCATION AND INTERPRETATION DEVELOPS AND IMPLEMENTS A WIDE ARRAY OF EDUCATIONAL PROGRAMS AND CONTRIBUTES TO INTERPRETIVE DEVELOPMENT OF EXHIBITIONS. IT ALSO PREPARES AND DISTRIBUTES PRINT AND ONLINE MATERIALS TO HELP VISITORS OF ALL AGES WITH DIVERSE BACKGROUNDS, KNOWLEDGE, INTERESTS, PREFERENCES AND NEEDS GAIN INSIGHT ABOUT THEMSELVES AND THE WORLD AROUND THEM THROUGH AN UNDERSTANDING OF INTERNATIONAL ART AND CULTURE. EACH YEAR, THE MUSEUM OFFERS HUNDREDS OF PROGRAMS TO ADVANCE ARTS LEARNING AND APPRECIATION AND TO STIMULATE CRITICAL THINKING, CROSS-CULTURAL DIALOGUE, INTELLECTUAL INQUIRY, CREATIVITY, AND CONNECTION-MAKING BETWEEN THE PAST AND PRESENT. THROUGH ITS PROGRAMMING, PEM STRIVES TO CREATE EXPERIENCES THAT TRANSFORM PEOPLE'S LIVES BY BROADENING THEIR PERSPECTIVES, ATTITUDES, AND KNOWLEDGE OF THEMSELVES AND THE WIDER WORLD. PROGRAMS EMPLOY AGE- AND AUDIENCE-APPROPRIATE PEDAGOGIES AND USE THE MUSEUM'S OUTSTANDING COLLECTIONS AND EXHIBITIONS TO ENGAGE VISITORS DIRECTLY WITH WORKS OF ART AND CULTURE. THE DEPARTMENT OF EDUCATION AND INTERPRETATION FOCUSES ON SEVERAL BROAD AUDIENCE AREAS: K-12 STUDENTS, TEACHERS, FAMILIES, AND ADULTS FROM COLLEGE AGE THROUGH SENIOR CITIZENS. INTERNSHIPS FOR HIGH SCHOOL AND COLLEGE AGE STUDENTS, AS WELL AS THE AWARD-WINNING ART & NATURE CENTER FOR INTERACTIVE FAMILY LEARNING, ARE ALSO MANAGED BY THIS DEPARTMENT. THE SINGLE VISIT SCHOOL PROGRAM PROVIDES EDUCATIONAL OPPORTUNITIES FOR STUDENTS ENROLLED IN PUBLIC, INDEPENDENT, AND HOME SCHOOLS IN GRADES PRE K-12 AND BLENDS GUIDED DOCENT-LED GALLERY TOURS WITH ENGAGING ACTIVITIES THAT INSPIRE CLOSE LOOKING AND REFLECTION. USING ITS COLLECTIONS, THE MUSEUM CREATES CONNECTIONS BETWEEN CLASSROOM CONTENT AND STUDENTS' DAILY LIVES AND INTRODUCES IDEAS AND TECHNIQUES THAT ENCOURAGE STUDENTS TO THINK CREATIVELY AND ANALYTICALLY, INCLUDING FACILITATING STUDENT ART-MAKING. IN 2011, 18,290 STUDENTS FROM 287 SCHOOLS PARTICIPATED IN SINGLE VISIT SCHOOL PROGRAMS. FORMAL MUSEUM-SCHOOL PARTNERSHIPS ARE MANAGED THROUGH THE MULTIPLE VISIT PARTNERSHIP PROGRAM. THIS PARTNERSHIP, WHICH TARGETS TITLE I SCHOOLS AND TEACHERS IN THE NORTH SHORE REGION, PROVIDES MEANINGFUL SEQUENCED MUSEUM VISITS AND OBJECT-BASED LESSON PLANS THAT BUILD KNOWLEDGE IDENTIFIED AS CRITICAL IN THE ART, SOCIAL STUDIES, AND LANGUAGE ARTS CURRICULUM FRAMEWORKS. AS PART OF THIS PROGRAM, STUDENTS FROM PRIMARILY LOW RESOURCE SCHOOLS MAKE MULTIPLE (3-5) VISITS TO THE MUSEUM, RESULTING IN 4,848 TOTAL VISITS DURING 2011. AT THE END OF THE ACADEMIC YEAR, OVER 200 TEACHERS, STUDENTS, AND FAMILY MEMBERS ATTEND A CULMINATING EVENT TO SHOWCASE AND CELEBRATE STUDENT ACHIEVEMENT AND INVOLVE THE ENTIRE SCHOOL COMMUNITY IN SUPPORTING STUDENT LEARNING. A SUMMATIVE EVALUATION OF THE PROGRAM, PERFORMED BY THE PROGRAM EVALUATION GROUP OF LESLEY UNIVERSITY, WILL BE COMPLETED IN AUGUST 2012. TO AID IN THE INTEGRATION OF THE ARTS IN CLASSROOM LESSONS, PROFESSIONAL DEVELOPMENT PROGRAMS PROVIDE K-12 EDUCATORS WITH AN IN-DEPTH ANALYSIS AND UNDERSTANDING OF THE MUSEUM'S COLLECTIONS AND EXHIBITIONS. THE PROGRAMS COVER NUMEROUS TOPICS AND SCHOOL DISCIPLINES AND ARE LINKED TO THE MASSACHUSETTS CURRICULUM FRAMEWORKS FOR VISUAL ARTS, ENGLISH LANGUAGE ARTS, AND HISTORY AND SOCIAL SCIENCE, WITH OVERALL ATTENDANCE TOTALING 86 EDUCATORS IN 2011. DURING THE 2011-2012 SCHOOL YEAR, THE MUSEUM CONTINUED TO PARTNER WITH SCHOOL DISTRICTS TO OFFER GRADE-LEVEL FOCUSED DISTRICT-WIDE TRAINING IN ARTS INTEGRATION STRATEGIES. IN TOTAL, NINE PROFESSIONAL DEVELOPMENT WORKSHOPS WERE HELD IN COORDINATION WITH LOCAL SCHOOL ADMINISTRATORS IN THE MOST RECENT ACADEMIC YEAR. THE MUSEUM ALSO PROVIDES SPECIAL LEARNING OPPORTUNITIES FOR HIGH SCHOOL AND COLLEGE AGED STUDENTS. IN 2011 OVER 60 STUDENTS WERE OFFERED PAID INTERNSHIPS ACROSS DIFFERENT DEPARTMENTS OF THE MUSEUM, PROVIDING THEM WITH VALUABLE PROFESSIONAL WORK EXPERIENCE AND A CHANCE TO CONNECT WITH THE MUSEUM'S COLLECTIONS. PARTICIPATING STUDENTS FROM DIVERSE BACKGROUNDS BUILD LEADERSHIP SKILLS AND CREATIVITY THROUGH BOTH GROUP AND INDIVIDUAL PROJECTS AND, UNDER THE MENTORSHIP OF MUSEUM STAFF SUPERVISORS, ARE INTRODUCED TO THE MANY ASPECTS OF MUSEUM EMPLOYMENT. A PROGRAM DEVELOPED WITH SALEM STATE UNIVERSITY BROUGHT 112 STUDENTS WITH LOW ACADEMIC PERFORMANCE TO THE MUSEUM FOR A SERIES OF INTENSIVE LEARNING VISITS DURING A SIX-WEEK SUMMER TRANSITION PROGRAM PROVIDING ACADEMIC SUPPORT LEADING TO COLLEGE ADMISSION. PROGRAMS FOR FAMILIES AT THE MUSEUM ARE AIMED AT FOSTERING SHARED INTERGENERATIONAL EXPERIENCES AROUND ART BASED ON INQUIRY, DIALOGUE, AND CREATIVE ART-MAKING. THEY TAKE A VARIETY OF FORMS, FROM GALLERY-BASED FAMILY TOURS AND STORYTELLING FOR PRESCHOOLERS AND THEIR ADULT CAREGIVERS TO STUDIO ACTIVITIES AND WEEKEND FESTIVALS THAT COMBINE PERFORMANCE, STORYTELLING, MOVEMENT, FILM, AND ART-MAKING. SELF-GUIDED ACTIVITIES AND PRINT MATERIALS CREATE OPPORTUNITIES FOR SHARED FAMILY INVESTIGATION OF OBJECTS IN THE COLLECTION FROM A WIDE RANGE OF CULTURES. ALL PROGRAMS ARE FREE WITH MUSEUM ADMISSION, ELIMINATING ECONOMIC BARRIERS FOR UNDERSERVED FAMILIES. IN 2011, THE MUSEUM OFFERED NEARLY 450 FAMILY PROGRAMS FOR A COMBINED TOTAL ATTENDANCE OF 27,714 FAMILY VISITORS. ONE MAJOR FAMILY PROGRAM HIGHLIGHT IS ATRIUM ALIVE, WEEKEND FESTIVALS WHICH OFFER DYNAMIC, INTERGENERATIONAL PROGRAMMING FOCUSED ON A PARTICULAR CULTURE OR THEME. TAKING PLACE UP TO EIGHT TIMES PER YEAR AND WITH A TOTAL ANNUAL ATTENDANCE OF 14,753 IN 2011, ATRIUM ALIVE INCORPORATES ARTIST DEMONSTRATIONS, DANCE AND MUSIC PERFORMANCES, GALLERY TALKS, FILMS, LECTURES, AND HANDS-ON ART ACTIVITIES. ATRIUM ALIVE IS DESIGNED TO ENGAGE ALL AUDIENCES AND LEARNING STYLES IN A MULTIFACETED EXPERIENCE OF ART AND CULTURE. DROP-IN ART ACTIVITIES, PROVIDING HANDS-ON ART PROJECTS DESIGNED TO ENGAGE ALL AGES, ARE ANOTHER POPULAR EXAMPLE OF FAMILY PROGRAMMING AND HAD A COMBINED ANNUAL ATTENDANCE OF 1,644 IN 2011. FAMILIES ARE ENCOURAGED TO WORK TOGETHER ON PROJECTS RELATED TO THE PERMANENT COLLECTIONS AND SPECIAL EXHIBITIONS AT THE MUSEUM. WHEN THIS PROGRAM IS HELD IN CONJUNCTION WITH ATRIUM ALIVE, VISITING ARTISTS OFTEN LEAD DROP-IN ACTIVITIES. WHETHER FACILITATED BY ARTISTS OR EDUCATION DEPARTMENT STAFF, DROP-IN ACTIVITIES FOSTER SELF-GUIDED DISCOVERY, ENABLING FAMILIES TO CHOOSE THE BALANCE THAT FITS THEIR SCHEDULE AND INTERESTS. THE MUSEUM'S ART & NATURE CENTER (ANC) IS A DYNAMIC, INTERACTIVE EXHIBITION SPACE SPECIFICALLY TARGETED AT MULTI-GENERATIONAL AUDIENCES AND EXPLORES THE INTERSECTION BETWEEN ART AND SCIENCE THROUGH THE WORK OF CONTEMPORARY ARTISTS. ACTIVITY STATIONS, MULTIMEDIA ELEMENTS, AND A RANGE OF PROGRAM OFFERINGS PROVIDE VISITORS WITH A VARIETY OF APPROACHES FOR INVESTIGATING THE ARTWORK AND THEMES PRESENTED. THE ANC EXHIBITION SPACE AIMS TO NURTURE INTERGENERATIONAL EXCHANGE AND CREATIVE EXPRESSION, AS WELL AS TO CONTEXTUALIZE ARTWORK BY PROVIDING SUPPORTING MATERIALS ALREADY FAMILIAR TO VISITORS. ALL TOGETHER 86,198 PEOPLE PARTICIPATED IN ANC EXHIBITION PROGRAMMING IN 2011. ADULTS ARE SERVED BY THE MUSEUM IN A VARIETY OF WAYS TARGETED TOWARD THEIR INTERESTS, LIFE STAGES, GROUP PARTICIPATION, AND PREFERENCES. THE PUBLIC AND GROUP TOUR PROGRAMS PROVIDE DOCENT-LED EXPERIENCES IN MUSEUM COLLECTIONS AND EXHIBITIONS, FACILITATING MEANINGFUL AND STIMULATING CONNECTIONS WITH ART. INFORMATION AND DIALOGUE ENRICH VISITORS' UNDERSTANDINGS OF MUSEUM OBJECTS AND THEIR LINKS TO THE WIDER WORLD. A TOTAL OF 8,851 VISITORS PARTICIPATED IN TOURS OF COLLECTION HIGHLIGHTS, SPECIAL EXHIBITIONS, OR HISTORIC HOUSES IN 2011. SPECIALIZED TOURS FOR RESIDENTS OF ASSISTED LIVING FACILITIES AND SENIOR CENTERS, AS WELL AS FOR VISITORS WITH ALZHEIMER'S DISEASE AND THEIR CAREGIVERS, PROVIDED RICH VISUAL EXPERIENCES THAT STIMULATE MEMORY AND IMPROVE MODE WHILE PROMPTING THE SHARING OF PERSONAL STORIES. SPECIALLY TRAINED DOCENTS CAREFULLY PLANNED AND LED THESE SMALL-GROUP, HIGHLY FACILITATED ARTS EXPERIENCES. |
| PUBLIC PROGRAMS ARE OFFERED TO GENERAL PUBLIC VISITORS THROUGHOUT THE YEAR IN ORDER TO ENGAGE THEM IN VISUAL AND INTELLECTUAL INQUIRY THAT SPARKS CURIOSITY, CREATIVITY, AND CROSS-CULTURAL UNDERSTANDING, CONTRIBUTING TO LIFE-LONG LEARNING. PROGRAMS RANGE FROM GALLERY TOURS AND ARTIST DEMONSTRATIONS TO LECTURES, CONCERTS, FILM FESTIVALS, AND STUDIO WORKSHOPS RELATED TO THE ART AND CULTURES REPRESENTED IN THE MUSEUM'S COLLECTIONS OR EXHIBITIONS. PUBLIC PROGRAMS EXPANDED IN 2011, DEVELOPING NEW PROGRAM STREAMS SUCH AS PEM/PM, AN EVENING PROGRAM SERIES FEATURING ART DEMONSTRATIONS AND ART-MAKING COMBINED WITH LIVE MUSIC, FILM, AND SOCIAL EVENTS, AND ART360, A SMALL-GROUP PROGRAM OFFERING A HALF-DAY, IN-DEPTH WORKSHOP AND TOUR RELATED TO ONE OF THE MUSEUM'S CHANGING EXHIBITIONS. PROGRAMS FOR THE OPENING DAYS OF SIGNIFICANT EXHIBITIONS WERE ALSO MORE RICHLY DEVELOPED, PROVIDING OPPORTUNITY FOR DEEPER DISCUSSION, ARTISTIC EXPLORATION, AND CELEBRATION OF THE GROUNDBREAKING STATEMENTS, BOLD IDEAS AND THOUGHT-PROVOKING INSTALLATIONS PRESENTED BY NEW EXHIBITIONS. FILMS - SELECT CONTEMPORARY DOCUMENTARY AND ART FILMS ARE SHOWN DURING CULTURAL FESTIVALS AND AT EXHIBITION OPENING DAYS, AS WELL AS DURING TWO ANNUAL FILM SERIES, THE INTERNATIONAL HUMAN RIGHTS FILM FESTIVAL AND THE SALEM FILM FEST. FILMS CHOSEN OFFER DIRECT THEMATIC CONNECTIONS TO THE MUSEUM'S ARTS, CULTURE, AND EXHIBITIONS. IN 2011, A TOTAL OF 15 CURATED FILMS WERE SHOWN TO 1,061 ADULTS. PRESENTATIONS - LECTURES, TALKS, AND MULTIMEDIA PRESENTATIONS ARE FEATURED DURING OPENING DAYS, FESTIVALS, AND AS STANDALONE EVENTS. THESE PROGRAMS OFFER ADULT AUDIENCES THE OPPORTUNITY TO EXPLORE SOPHISTICATED, IN-DEPTH IDEAS WITH RENOWNED SPECIALISTS IN CONTEMPORARY ART, ART HISTORY AND CULTURE, ART-NATURE THEMES, ARCHITECTURE, AND OTHER RELATED FIELDS, WHO PRESENT MULTIPLE PERSPECTIVES AND STIMULATE NEW THINKING ABOUT THE MUSEUM'S COLLECTIONS AND CHANGING EXHIBITIONS. IN 2011, 18 PRESENTATIONS WERE ATTENDED BY 1154 ADULTS. AMONG THESE WERE: - A PRESENTATION BY BHARATI MUKHERJEE, A PROFESSOR AT UNIVERSITY OF CALIFORNIA AT BERKELEY AND AN AWARD-WINNING AUTHOR, IN WHICH SHE REFLECTED ON THE CONDITION OF ASIAN IMMIGRANTS IN NORTH AMERICA, WITH PARTICULAR ATTENTION TO THE CHANGES TAKING PLACE AMONG SOUTH ASIAN WOMEN IN A NEW WORLD. - A LECTURE ENTITLED "WHAT ART TELLS US ABOUT THE BRAIN" BY MARGARET LIVINGSTONE, PH.D., PROFESSOR OF NEUROBIOLOGY AT HARVARD UNIVERSITY MEDICAL SCHOOL AND AUTHOR OF VISION AND ART: THE BIOLOGY OF SEEING. THIS PRESENTATION HIGHLIGHTED THE PROPERTIES OF VISUAL PERCEPTION THAT ARTISTS LEARNED BEFORE SCIENTIFIC RESEARCH PROVED THEM, INCLUDING MATISSE'S USE OF COLOR AND THE ILLUSIONARY BASIS OF POINTILLIST PAINTINGS. - IN CONJUNCTION WITH THE EXHIBITION GOLDEN: MASTERWORKS OF DUTCH AND FLEMISH ART FROM THE VAN OTTERLOO COLLECTION, THE PRESENTATION "WORLDS IN MINIATURE" EXPLORED THE 17TH-CENTURY DUTCH PHENOMENON OF DOLL'S HOUSES, A FASHIONABLE ADULT HOBBY PURSUED BY WEALTHY DUTCH WOMEN. DOLLHOUSE OWNERS COMMISSIONED ARTISTS AND FURNITURE MAKERS TO CREATE ELABORATE AND DETAILED MINIATURES OF CERAMICS, TEXTILES, AND CONSUMER GOODS OF THE TIME, CREATING A VISUAL RECORD OF THE IDEAL HOME OF AN AFFLUENT MERCHANT OR CIVIL OFFICER. DUTCH CURATOR JET PIJZEL-DOMMISSE, THE WORLD'S AUTHORITY ON THE SUBJECT, DISCUSSES THESE DETAILED WORKS OF ART. WORKSHOPS AND DEMONSTRATIONS - ARTIST-LED WORKSHOPS AND ART DEMONSTRATIONS OFFER ADULTS THE CHANCE TO DEVELOP A CLOSER UNDERSTANDING OF ARTISTIC THINKING, PROCESS, MATERIALS AND METHODS. IN 2011, 15 ADULT ART WORKSHOPS AND ARTIST DEMONSTRATIONS WERE HELD, REACHING AN AUDIENCE OF 2,348 ADULTS. - ARTIST ILANA MANOLSON ILLUMINATED TECHNIQUES OF LANDSCAPE PAINTING IN OIL, INSPIRED BY THE MOODS AND ATMOSPHERES EVOKED BY PAINTERS ON VIEW IN PAINTING THE AMERICAN VISION, FEATURING THE ART OF THE HUDSON RIVER SCHOOL AND OTHER 19TH-CENTURY LANDSCAPE PAINTERS. - ARTIST, AUTHOR AND EDUCATOR CLARE WALKER LESLIE LED AN INTERACTIVE NATURE JOURNALING CLASS. ADULTS ENGAGED IN CLOSE OBSERVATION OF PLANT AND ANIMAL LIFE, LEARNED TECHNIQUES FOR DOCUMENTING OBSERVATIONS IN ARTISTIC JOURNALS, AND USED METHODS RELATED TO THOSE OF THE LANDSCAPE ARTISTS IN PAINTING THE AMERICAN VISION. - SAN FRANCISCO-BASED ARTIST AIRYKA ROCKEFELLER LED A FULL-DAY PHOTOGRAPHY WORKSHOP, BEGINNING WITH AN INTRODUCTION TO CONTEMPORARY, MULTICULTURAL SELF-PORTRAITS, WHICH PROVIDED INSPIRATION FOR STUDENTS' MAKING THEIR OWN IMAGES DURING THE SECOND HALF OF THE CLASS. STUDENTS VISITED THE MUSEUM'S HISTORIC ROPES MANSION TO STAGE THEIR SHOTS, PARTICIPATED IN A TOUR OF SWISS ARTIST MARIANNE MUELLER'S FREEPORT [NO. 002] EXHIBITION, AND JOINED IN A SHARED CRITIQUE OF THE GROUP'S PHOTOGRAPHS. IN TOTAL, 1763 ADULT PROGRAMS AND TOURS WERE OFFERED IN 2011 FOR A COMBINED ATTENDANCE OF 23,826. | ||
| FORM 990, PART VI, SECTION B, LINE 11 | THE FINANCE AND AUDIT COMMITTEE CONDUCTS A DETAILED REVIEW OF THE FORM 990 PRIOR TO FILING. AFTER ANY NECESSARY REVISIONS ARE MADE, THE FINAL DRAFT IS DISTRIBUTED TO THE FULL BOARD OF TRUSTEES FOR REVIEW AND COMMENT PRIOR TO FILING. | |
| FORM 990, PART VI, SECTION B, LINE 12C | ON AN ANNUAL BASIS, EACH OFFICER, DIRECTOR AND KEY EMPLOYEE IS REQUIRED TO COMPLETE AND SIGN A CONFLICT OF INTEREST STATEMENT. THE STATEMENTS ARE REVIEWED BY THE SECRETARY OF THE BOARD OF TRUSTEES. ANY CONFLICTS ARE BROUGHT TO THE ATTENTION OF AN APPROPRIATE OFFICER, DIRECTOR OR SENIOR MANAGER TO DETERMINE THE APPROPRIATE COURSE OF ACTION IN RESOLVING THE CONFLICT. IF A CONFLICT IS FOUND TO EXIST, THE CONFLICTED INDIVIDUAL IS PROHIBITED FROM PARTICIPATING IN ANY DECISIONS RELATIVE TO THE SOURCE OF CONFLICT. | |
| FORM 990, PART VI, SECTION B, LINE 15 | COMPENSATION FOR THE EXECUTIVE DIRECTOR, OFFICERS AND KEY EMPLOYEES IS SUBJECT TO ANNUAL REVIEW AND APPROVAL BY THE COMPENSATION COMMITTEE AND BY THE FULL BOARD OF TRUSTEES. COMPARATIVE DATA FROM OTHER NONPROFIT ORGANIZATIONS IN THE GEOGRAPHIC VICINITY AND THE MUSEUM SECTOR NATIONWIDE IS GATHERED BY THE DIRECTOR OF HUMAN RESOURCES AND SERVES AS THE BASIS FOR APPROVING REASONABLE COMPENSATION LEVELS. | |
| FORM 990, PART VI, SECTION C, LINE 19 | THE ORGANIZATION'S FINANCIAL STATEMENTS ARE INCLUDED IN ITS ANNUAL REPORT, WHICH IS POSTED ON ITS WEBSITE. THE GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY ARE MADE AVAILABLE IN HARD COPY OR ELECTRONICALLY UPON REQUEST. THE FORM 990 IS AVAILABLE VIA THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE AND WWW.GUIDESTAR.ORG. | |
| CHANGES IN NET ASSETS OR FUND BALANCES: | FORM 990, PART XI, LINE 5: | NET UNREALIZED LOSSES ON INVESTMENTS: -11,891,174. CHANGE IN VALUE OF SPLIT INTEREST AGREEMENTS -335,855. CHANGE IN VALUE OF INTEREST RATE SWAP -22,283. TOTAL TO FORM 990, PART XI, LINE 5: -12,249,312. |